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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA7C1C it is the complementary color #3583E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA7C1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA7C1C shade: #CF7C17, #E08E2A, #F1A03D, #FFB250 and #FFC463

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA7C1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA7C1C shade: #CA7C1C, #B96A09, #A85800, #974600 and #863400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA7C1C shade: #C97B1B, #C94C1B, #C91D1B and #C91B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA7C1C shade: #C97B1B, #C9AA1B, #BAC91B, #8BC91B and #5CC91B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA7C1C shade matches the following richer shades: #C97B1B and #DC7D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA7C1C shade: #C97B1B, #B7792E, #A47740, #927653 and #7F7465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA7C1C shade: #C91E1B, #C94C1B, #C97B1B, #C9A91B and #BBC91B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA7C1C shade: #814F11, #A56516, #C97B1B, #E2902C and #E7A350

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA7C1C shade: #CA7C1C, #47C91B and #351BC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA7C1C shade: #CA7C1C, #1BC97B and #7B1BC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA7C1C shade: #CA7C1C, #47C91B, #1B6AC9 and #9E1BC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA7C1C shade: #CA7C1C, #1BC924, #1B6AC9 and #C91BC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 86 / 21

HEX #CA7C1C

RGB 202 124 28

HSL 33.1, 0.76%, 0.45%

LAB 59.03, 23.63, 59.47

 

Complementary color

CMYK 77 / 42 / 0 / 11

HEX #3583E3

RGB 53 131 227

HSL 213.1, 0.76%, 0.55%

LAB 54.59, 9.32, -55.54

 

CMYK 0 / 40 / 89 / 19

HEX #CF7C17

RGB 207 124 23

HSL 32.93, 0.8%, 0.45%

LAB 59.66, 25.66, 61.7

 

CMYK 0 / 37 / 81 / 12

HEX #E08E2A

RGB 224 142 42

HSL 32.97, 0.75%, 0.52%

LAB 66.03, 23.7, 61.83

 

CMYK 0 / 34 / 75 / 5

HEX #F1A03D

RGB 241 160 61

HSL 33, 0.87%, 0.59%

LAB 72.35, 21.98, 61.13

 

CMYK 0 / 30 / 69 / 0

HEX #FFB250

RGB 255 178 80

HSL 33.6, 1%, 0.66%

LAB 78.27, 19.22, 59.57

 

CMYK 0 / 23 / 61 / 0

HEX #FFC463

RGB 255 196 99

HSL 37.31, 1%, 0.69%

LAB 82.72, 10.96, 55.82

 

CMYK 0 / 39 / 86 / 21

HEX #CA7C1C

RGB 202 124 28

HSL 33.1, 0.76%, 0.45%

LAB 59.03, 23.63, 59.47

 

CMYK 0 / 43 / 95 / 27

HEX #B96A09

RGB 185 106 9

HSL 33.07, 0.91%, 0.38%

LAB 52.56, 25.76, 58.38

 

CMYK 0 / 48 / 100 / 34

HEX #A85800

RGB 168 88 0

HSL 31.43, 1%, 0.33%

LAB 46.05, 28.14, 54.93

 

CMYK 0 / 54 / 100 / 41

HEX #974600

RGB 151 70 0

HSL 27.81, 1%, 0.3%

LAB 39.51, 30.64, 49.68

 

CMYK 0 / 61 / 100 / 47

HEX #863400

RGB 134 52 0

HSL 23.28, 1%, 0.26%

LAB 32.97, 33.01, 44.41

 

CMYK 0 / 39 / 87 / 21

HEX #C97B1B

RGB 201 123 27

HSL 33.1, 0.76%, 0.45%

LAB 58.66, 23.72, 59.42

 

CMYK 0 / 62 / 87 / 21

HEX #C94C1B

RGB 201 76 27

HSL 16.9, 0.76%, 0.45%

LAB 49.09, 47.6, 51.61

 

CMYK 0 / 86 / 87 / 21

HEX #C91D1B

RGB 201 29 27

HSL 0.69, 0.76%, 0.45%

LAB 43.32, 63.47, 46.87

 

CMYK 0 / 87 / 87 / 21

HEX #C91B1B

RGB 201 27 27

HSL 0, 0.76%, 0.45%

LAB 43.18, 63.88, 46.76

 

CMYK 0 / 39 / 87 / 21

HEX #C97B1B

RGB 201 123 27

HSL 33.1, 0.76%, 0.45%

LAB 58.66, 23.72, 59.42

 

CMYK 0 / 15 / 87 / 21

HEX #C9AA1B

RGB 201 170 27

HSL 49.31, 0.76%, 0.45%

LAB 70.35, -1.73, 68.91

 

CMYK 7 / 0 / 87 / 21

HEX #BAC91B

RGB 186 201 27

HSL 65.17, 0.76%, 0.45%

LAB 77.45, -24.01, 74.16

 

CMYK 31 / 0 / 87 / 21

HEX #8BC91B

RGB 139 201 27

HSL 81.38, 0.76%, 0.45%

LAB 74.41, -42.83, 70.39

 

CMYK 54 / 0 / 87 / 21

HEX #5CC91B

RGB 92 201 27

HSL 97.59, 0.76%, 0.45%

LAB 72.31, -58.19, 67.77

 

CMYK 0 / 39 / 87 / 21

HEX #C97B1B

RGB 201 123 27

HSL 33.1, 0.76%, 0.45%

LAB 58.66, 23.72, 59.42

 

CMYK 0 / 43 / 96 / 14

HEX #DC7D08

RGB 220 125 8

HSL 33.11, 0.93%, 0.45%

LAB 61.57, 30.38, 66.94

 

CMYK 0 / 39 / 87 / 21

HEX #C97B1B

RGB 201 123 27

HSL 33.1, 0.76%, 0.45%

LAB 58.66, 23.72, 59.42

 

CMYK 0 / 34 / 75 / 28

HEX #B7792E

RGB 183 121 46

HSL 32.85, 0.6%, 0.45%

LAB 56.03, 17.65, 48.98

 

CMYK 0 / 27 / 61 / 36

HEX #A47740

RGB 164 119 64

HSL 33, 0.44%, 0.45%

LAB 53.45, 11.48, 36.71

 

CMYK 0 / 19 / 43 / 43

HEX #927653

RGB 146 118 83

HSL 33.33, 0.28%, 0.45%

LAB 51.49, 5.97, 23.39

 

CMYK 0 / 9 / 20 / 50

HEX #7F7465

RGB 127 116 101

HSL 34.62, 0.11%, 0.45%

LAB 49.43, 1.61, 9.83

 

CMYK 0 / 85 / 87 / 21

HEX #C91E1B

RGB 201 30 27

HSL 1.03, 0.76%, 0.45%

LAB 43.4, 63.26, 46.93

 

CMYK 0 / 62 / 87 / 21

HEX #C94C1B

RGB 201 76 27

HSL 16.9, 0.76%, 0.45%

LAB 49.09, 47.6, 51.61

 

CMYK 0 / 39 / 87 / 21

HEX #C97B1B

RGB 201 123 27

HSL 33.1, 0.76%, 0.45%

LAB 58.66, 23.72, 59.42

 

CMYK 0 / 16 / 87 / 21

HEX #C9A91B

RGB 201 169 27

HSL 48.97, 0.76%, 0.45%

LAB 70.09, -1.2, 68.69

 

CMYK 7 / 0 / 87 / 21

HEX #BBC91B

RGB 187 201 27

HSL 64.83, 0.76%, 0.45%

LAB 77.53, -23.59, 74.26

 

CMYK 0 / 39 / 87 / 49

HEX #814F11

RGB 129 79 17

HSL 33.21, 0.77%, 0.29%

LAB 38.37, 16.11, 41.98

 

CMYK 0 / 39 / 87 / 35

HEX #A56516

RGB 165 101 22

HSL 33.15, 0.76%, 0.37%

LAB 48.72, 20, 50.91

 

CMYK 0 / 39 / 87 / 21

HEX #C97B1B

RGB 201 123 27

HSL 33.1, 0.76%, 0.45%

LAB 58.66, 23.72, 59.42

 

CMYK 0 / 36 / 81 / 11

HEX #E2902C

RGB 226 144 44

HSL 32.97, 0.76%, 0.53%

LAB 66.75, 23.54, 61.84

 

CMYK 0 / 29 / 65 / 9

HEX #E7A350

RGB 231 163 80

HSL 32.98, 0.76%, 0.61%

LAB 72.07, 17.18, 52.03

 

CMYK 0 / 39 / 86 / 21

HEX #CA7C1C

RGB 202 124 28

HSL 33.1, 0.76%, 0.45%

LAB 59.03, 23.63, 59.47

 

CMYK 65 / 0 / 87 / 21

HEX #47C91B

RGB 71 201 27

HSL 104.83, 0.76%, 0.45%

LAB 71.69, -63.32, 66.98

 

CMYK 74 / 87 / 0 / 21

HEX #351BC9

RGB 53 27 201

HSL 248.97, 0.76%, 0.45%

LAB 28.79, 60.53, -82.74

 

CMYK 0 / 39 / 86 / 21

HEX #CA7C1C

RGB 202 124 28

HSL 33.1, 0.76%, 0.45%

LAB 59.03, 23.63, 59.47

 

CMYK 87 / 0 / 39 / 21

HEX #1BC97B

RGB 27 201 123

HSL 153.1, 0.76%, 0.45%

LAB 71.85, -58.67, 27.69

 

CMYK 39 / 87 / 0 / 21

HEX #7B1BC9

RGB 123 27 201

HSL 273.1, 0.76%, 0.45%

LAB 36.39, 67.07, -69.94

 

CMYK 0 / 39 / 86 / 21

HEX #CA7C1C

RGB 202 124 28

HSL 33.1, 0.76%, 0.45%

LAB 59.03, 23.63, 59.47

 

CMYK 65 / 0 / 87 / 21

HEX #47C91B

RGB 71 201 27

HSL 104.83, 0.76%, 0.45%

LAB 71.69, -63.32, 66.98

 

CMYK 87 / 47 / 0 / 21

HEX #1B6AC9

RGB 27 106 201

HSL 212.76, 0.76%, 0.45%

LAB 45.3, 12.7, -55.74

 

CMYK 21 / 87 / 0 / 21

HEX #9E1BC9

RGB 158 27 201

HSL 285.17, 0.76%, 0.45%

LAB 41.64, 72.05, -61.15

 

CMYK 0 / 39 / 86 / 21

HEX #CA7C1C

RGB 202 124 28

HSL 33.1, 0.76%, 0.45%

LAB 59.03, 23.63, 59.47

 

CMYK 87 / 0 / 82 / 21

HEX #1BC924

RGB 27 201 36

HSL 123.1, 0.76%, 0.45%

LAB 70.96, -69.45, 63.93

 

CMYK 87 / 47 / 0 / 21

HEX #1B6AC9

RGB 27 106 201

HSL 212.76, 0.76%, 0.45%

LAB 45.3, 12.7, -55.74

 

CMYK 0 / 87 / 4 / 21

HEX #C91BC1

RGB 201 27 193

HSL 302.76, 0.76%, 0.45%

LAB 48.33, 78.04, -45.37

 

Description

Color code: HEX #CA7C1C | qconv.com Color code: HEX #CA7C1C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 124 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 124 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 86 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 86% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - 夏の宿題パワーアップ占い|ナツケン|進研...
Link: http://navi.benesse.ne.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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