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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA7A76 it is the complementary color #358589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA7A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA7A76 shade: #CF7A71, #E08C84, #F19E97, #FFB0AA and #FFC2BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA7A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA7A76 shade: #CA7A76, #B96863, #A85650, #97443D and #86322A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA7A76 shade: #CA7B77 and #CA7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA7A76 shade: #CA7B77, #CA9177, #CAA777, #CABE77 and #BFCA77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA7A76 shade matches the following richer shades: #CA7B77, #D96D67, #E85F58 and #F75149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA7A76 shade: #CA7B77, #BA8886, #AB9695, #9CA4A4 and #8DB2B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA7A76 shade: #CA77A0, #CA778A, #CA7977, #CA9077 and #CAA677

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA7A76 shade: #AB4742, #BE5E59, #CA7B77, #D59794 and #E1B4B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA7A76 shade: #CA7A76, #B6CA77 and #7795CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA7A76 shade: #CA7A76, #77CA79 and #7977CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA7A76 shade: #CA7A76, #B6CA77, #77C7CA and #8A77CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA7A76 shade: #CA7A76, #9DCA77, #77C7CA and #A377CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 42 / 21

HEX #CA7A76

RGB 202 122 118

HSL 2.86, 0.44%, 0.63%

LAB 59.69, 30.7, 15.54

 

Complementary color

CMYK 61 / 3 / 0 / 46

HEX #358589

RGB 53 133 137

HSL 182.86, 0.44%, 0.37%

LAB 51.08, -22.77, -9.44

 

CMYK 0 / 41 / 45 / 19

HEX #CF7A71

RGB 207 122 113

HSL 5.74, 0.49%, 0.63%

LAB 60.23, 32.1, 19.24

 

CMYK 0 / 38 / 41 / 12

HEX #E08C84

RGB 224 140 132

HSL 5.22, 0.6%, 0.7%

LAB 66.73, 31.04, 17.77

 

CMYK 0 / 34 / 37 / 5

HEX #F19E97

RGB 241 158 151

HSL 4.67, 0.76%, 0.77%

LAB 73.15, 30.09, 16.45

 

CMYK 0 / 31 / 33 / 0

HEX #FFB0AA

RGB 255 176 170

HSL 4.24, 1%, 0.83%

LAB 79.16, 28.1, 14.76

 

CMYK 0 / 24 / 26 / 0

HEX #FFC2BD

RGB 255 194 189

HSL 4.55, 1%, 0.87%

LAB 83.71, 21.12, 10.99

 

CMYK 0 / 40 / 42 / 21

HEX #CA7A76

RGB 202 122 118

HSL 2.86, 0.44%, 0.63%

LAB 59.69, 30.7, 15.54

 

CMYK 0 / 44 / 46 / 27

HEX #B96863

RGB 185 104 99

HSL 3.49, 0.38%, 0.56%

LAB 53.08, 31.79, 17.09

 

CMYK 0 / 49 / 52 / 34

HEX #A85650

RGB 168 86 80

HSL 4.09, 0.35%, 0.49%

LAB 46.39, 32.98, 18.9

 

CMYK 0 / 55 / 60 / 41

HEX #97443D

RGB 151 68 61

HSL 4.67, 0.42%, 0.42%

LAB 39.67, 34.24, 21.06

 

CMYK 0 / 63 / 69 / 47

HEX #86322A

RGB 134 50 42

HSL 5.22, 0.52%, 0.35%

LAB 32.96, 35.49, 23.73

 

CMYK 0 / 39 / 41 / 21

HEX #CA7B77

RGB 202 123 119

HSL 2.89, 0.44%, 0.63%

LAB 59.94, 30.28, 15.31

 

CMYK 0 / 41 / 41 / 21

HEX #CA7777

RGB 202 119 119

HSL 0, 0.44%, 0.63%

LAB 59.05, 32.43, 14.08

 

CMYK 0 / 39 / 41 / 21

HEX #CA7B77

RGB 202 123 119

HSL 2.89, 0.44%, 0.63%

LAB 59.94, 30.28, 15.31

 

CMYK 0 / 28 / 41 / 21

HEX #CA9177

RGB 202 145 119

HSL 18.8, 0.44%, 0.63%

LAB 65.07, 18.28, 22.33

 

CMYK 0 / 17 / 41 / 21

HEX #CAA777

RGB 202 167 119

HSL 34.7, 0.44%, 0.63%

LAB 70.54, 6.31, 29.62

 

CMYK 0 / 6 / 41 / 21

HEX #CABE77

RGB 202 190 119

HSL 51.33, 0.44%, 0.63%

LAB 76.51, -5.89, 37.33

 

CMYK 5 / 0 / 41 / 21

HEX #BFCA77

RGB 191 202 119

HSL 67.95, 0.44%, 0.63%

LAB 78.84, -16.41, 40.11

 

CMYK 0 / 39 / 41 / 21

HEX #CA7B77

RGB 202 123 119

HSL 2.89, 0.44%, 0.63%

LAB 59.94, 30.28, 15.31

 

CMYK 0 / 50 / 53 / 15

HEX #D96D67

RGB 217 109 103

HSL 3.16, 0.6%, 0.63%

LAB 58.67, 41.7, 23.08

 

CMYK 0 / 59 / 62 / 9

HEX #E85F58

RGB 232 95 88

HSL 2.92, 0.76%, 0.63%

LAB 58.08, 52.66, 31.31

 

CMYK 0 / 67 / 70 / 3

HEX #F75149

RGB 247 81 73

HSL 2.76, 0.92%, 0.63%

LAB 58.17, 62.65, 40.41

 

CMYK 0 / 39 / 41 / 21

HEX #CA7B77

RGB 202 123 119

HSL 2.89, 0.44%, 0.63%

LAB 59.94, 30.28, 15.31

 

CMYK 0 / 27 / 28 / 27

HEX #BA8886

RGB 186 136 134

HSL 2.31, 0.27%, 0.63%

LAB 61.45, 18.83, 8.61

 

CMYK 0 / 12 / 13 / 33

HEX #AB9695

RGB 171 150 149

HSL 2.73, 0.12%, 0.63%

LAB 63.87, 7.61, 3.38

 

CMYK 5 / 0 / 0 / 36

HEX #9CA4A4

RGB 156 164 164

HSL 180, 0.04%, 0.63%

LAB 66.75, -2.83, -0.99

 

CMYK 22 / 1 / 0 / 29

HEX #8DB2B4

RGB 141 178 180

HSL 183.08, 0.21%, 0.63%

LAB 70.03, -11.97, -5.14

 

CMYK 0 / 41 / 21 / 21

HEX #CA77A0

RGB 202 119 160

HSL 330.36, 0.44%, 0.63%

LAB 60.15, 37.84, -7.96

 

CMYK 0 / 41 / 32 / 21

HEX #CA778A

RGB 202 119 138

HSL 346.27, 0.44%, 0.63%

LAB 59.51, 34.74, 3.78

 

CMYK 0 / 40 / 41 / 21

HEX #CA7977

RGB 202 121 119

HSL 1.45, 0.44%, 0.63%

LAB 59.49, 31.35, 14.69

 

CMYK 0 / 29 / 41 / 21

HEX #CA9077

RGB 202 144 119

HSL 18.07, 0.44%, 0.63%

LAB 64.83, 18.83, 22.01

 

CMYK 0 / 18 / 41 / 21

HEX #CAA677

RGB 202 166 119

HSL 33.98, 0.44%, 0.63%

LAB 70.29, 6.85, 29.28

 

CMYK 0 / 58 / 61 / 33

HEX #AB4742

RGB 171 71 66

HSL 2.86, 0.44%, 0.46%

LAB 43.59, 40.69, 23.73

 

CMYK 0 / 51 / 53 / 25

HEX #BE5E59

RGB 190 94 89

HSL 2.97, 0.44%, 0.55%

LAB 51.47, 38.05, 20.9

 

CMYK 0 / 39 / 41 / 21

HEX #CA7B77

RGB 202 123 119

HSL 2.89, 0.44%, 0.63%

LAB 59.94, 30.28, 15.31

 

CMYK 0 / 29 / 31 / 16

HEX #D59794

RGB 213 151 148

HSL 2.77, 0.44%, 0.71%

LAB 68.33, 22.88, 10.88

 

CMYK 0 / 20 / 21 / 12

HEX #E1B4B2

RGB 225 180 178

HSL 2.55, 0.44%, 0.79%

LAB 77.2, 15.96, 7.21

 

CMYK 0 / 40 / 42 / 21

HEX #CA7A76

RGB 202 122 118

HSL 2.86, 0.44%, 0.63%

LAB 59.69, 30.7, 15.54

 

CMYK 10 / 0 / 41 / 21

HEX #B6CA77

RGB 182 202 119

HSL 74.46, 0.44%, 0.63%

LAB 78.18, -19.92, 39.14

 

CMYK 41 / 26 / 0 / 21

HEX #7795CA

RGB 119 149 202

HSL 218.31, 0.44%, 0.63%

LAB 61.38, 3.14, -30.63

 

CMYK 0 / 40 / 42 / 21

HEX #CA7A76

RGB 202 122 118

HSL 2.86, 0.44%, 0.63%

LAB 59.69, 30.7, 15.54

 

CMYK 41 / 0 / 40 / 21

HEX #77CA79

RGB 119 202 121

HSL 121.45, 0.44%, 0.63%

LAB 74.54, -41.76, 32.7

 

CMYK 40 / 41 / 0 / 21

HEX #7977CA

RGB 121 119 202

HSL 241.45, 0.44%, 0.63%

LAB 53.52, 21.32, -42.92

 

CMYK 0 / 40 / 42 / 21

HEX #CA7A76

RGB 202 122 118

HSL 2.86, 0.44%, 0.63%

LAB 59.69, 30.7, 15.54

 

CMYK 10 / 0 / 41 / 21

HEX #B6CA77

RGB 182 202 119

HSL 74.46, 0.44%, 0.63%

LAB 78.18, -19.92, 39.14

 

CMYK 41 / 1 / 0 / 21

HEX #77C7CA

RGB 119 199 202

HSL 182.17, 0.44%, 0.63%

LAB 75.47, -23.71, -9.21

 

CMYK 32 / 41 / 0 / 21

HEX #8A77CA

RGB 138 119 202

HSL 253.73, 0.44%, 0.63%

LAB 54.93, 25.93, -40.6

 

CMYK 0 / 40 / 42 / 21

HEX #CA7A76

RGB 202 122 118

HSL 2.86, 0.44%, 0.63%

LAB 59.69, 30.7, 15.54

 

CMYK 22 / 0 / 41 / 21

HEX #9DCA77

RGB 157 202 119

HSL 92.53, 0.44%, 0.63%

LAB 76.52, -29.32, 36.69

 

CMYK 41 / 1 / 0 / 21

HEX #77C7CA

RGB 119 199 202

HSL 182.17, 0.44%, 0.63%

LAB 75.47, -23.71, -9.21

 

CMYK 19 / 41 / 0 / 21

HEX #A377CA

RGB 163 119 202

HSL 271.81, 0.44%, 0.63%

LAB 57.31, 33.14, -36.69

 

Description

Color code: HEX #CA7A76 | qconv.com Color code: HEX #CA7A76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 122 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 122 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 42 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 42% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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