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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA7A52 it is the complementary color #3585AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA7A52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA7A52 shade: #CF7A4D, #E08C60, #F19E73, #FFB086 and #FFC299

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA7A52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA7A52 shade: #CA7A52, #B9683F, #A8562C, #974419 and #863206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA7A52 shade: #CA7A53, #CA5A53 and #CA5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA7A52 shade: #CA7A53, #CA9B53, #CABB53, #B9CA53 and #99CA53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA7A52 shade matches the following richer shades: #CA7A53, #DC7441 and #EE6E2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA7A52 shade: #CA7A53, #B88165, #A58777, #938D89 and #81939B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA7A52 shade: #CA536B, #CA5B53, #CA7A53, #CA9A53 and #CABA53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA7A52 shade: #9B532F, #BA6439, #CA7A53, #D39372 and #DDAB92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA7A52 shade: #CA7A52, #8ACA53 and #535BCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA7A52 shade: #CA7A52, #53CA7A and #7A53CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA7A52 shade: #CA7A52, #8ACA53, #53A2CA and #9253CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA7A52 shade: #CA7A52, #67CA53, #53A2CA and #B653CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 59 / 21

HEX #CA7A52

RGB 202 122 82

HSL 20, 0.53%, 0.56%

LAB 59.05, 27.35, 34.92

 

Complementary color

CMYK 69 / 23 / 0 / 32

HEX #3585AD

RGB 53 133 173

HSL 200, 0.53%, 0.44%

LAB 52.45, -11.16, -28.24

 

CMYK 0 / 41 / 63 / 19

HEX #CF7A4D

RGB 207 122 77

HSL 20.77, 0.58%, 0.56%

LAB 59.64, 29.03, 38.46

 

CMYK 0 / 38 / 57 / 12

HEX #E08C60

RGB 224 140 96

HSL 20.63, 0.67%, 0.63%

LAB 66.1, 27.67, 36.71

 

CMYK 0 / 34 / 52 / 5

HEX #F19E73

RGB 241 158 115

HSL 20.48, 0.82%, 0.7%

LAB 72.49, 26.46, 35.09

 

CMYK 0 / 31 / 47 / 0

HEX #FFB086

RGB 255 176 134

HSL 20.83, 1%, 0.76%

LAB 78.48, 24.21, 33.1

 

CMYK 0 / 24 / 40 / 0

HEX #FFC299

RGB 255 194 153

HSL 24.12, 1%, 0.8%

LAB 82.99, 16.71, 29.08

HEX #FFC299

CMYK 0 / 40 / 59 / 21

HEX #CA7A52

RGB 202 122 82

HSL 20, 0.53%, 0.56%

LAB 59.05, 27.35, 34.92

 

CMYK 0 / 44 / 66 / 27

HEX #B9683F

RGB 185 104 63

HSL 20.16, 0.49%, 0.49%

LAB 52.48, 28.8, 36.78

 

CMYK 0 / 49 / 74 / 34

HEX #A8562C

RGB 168 86 44

HSL 20.32, 0.58%, 0.42%

LAB 45.86, 30.43, 38.76

 

CMYK 0 / 55 / 83 / 41

HEX #974419

RGB 151 68 25

HSL 20.48, 0.72%, 0.35%

LAB 39.21, 32.24, 40.64

 

CMYK 0 / 63 / 96 / 47

HEX #863206

RGB 134 50 6

HSL 20.63, 0.91%, 0.27%

LAB 32.62, 34.14, 41.76

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A53

RGB 202 122 83

HSL 19.66, 0.53%, 0.56%

LAB 59.07, 27.42, 34.39

 

CMYK 0 / 55 / 59 / 21

HEX #CA5A53

RGB 202 90 83

HSL 3.53, 0.53%, 0.56%

LAB 52.39, 44.03, 25.97

 

CMYK 0 / 59 / 59 / 21

HEX #CA5353

RGB 202 83 83

HSL 0, 0.53%, 0.56%

LAB 51.11, 47.37, 24.31

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A53

RGB 202 122 83

HSL 19.66, 0.53%, 0.56%

LAB 59.07, 27.42, 34.39

 

CMYK 0 / 23 / 59 / 21

HEX #CA9B53

RGB 202 155 83

HSL 36.3, 0.53%, 0.56%

LAB 66.99, 9.44, 43.94

 

CMYK 0 / 7 / 59 / 21

HEX #CABB53

RGB 202 187 83

HSL 52.44, 0.53%, 0.56%

LAB 75.28, -7.56, 53.43

 

CMYK 8 / 0 / 59 / 21

HEX #B9CA53

RGB 185 202 83

HSL 68.57, 0.53%, 0.56%

LAB 77.98, -22.18, 56.06

 

CMYK 24 / 0 / 59 / 21

HEX #99CA53

RGB 153 202 83

HSL 84.71, 0.53%, 0.56%

LAB 75.85, -34.73, 53.09

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A53

RGB 202 122 83

HSL 19.66, 0.53%, 0.56%

LAB 59.07, 27.42, 34.39

 

CMYK 0 / 47 / 70 / 14

HEX #DC7441

RGB 220 116 65

HSL 19.74, 0.69%, 0.56%

LAB 59.97, 36.69, 45.54

 

CMYK 0 / 54 / 80 / 7

HEX #EE6E2F

RGB 238 110 47

HSL 19.79, 0.85%, 0.56%

LAB 61.25, 45.88, 56.2

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A53

RGB 202 122 83

HSL 19.66, 0.53%, 0.56%

LAB 59.07, 27.42, 34.39

 

CMYK 0 / 30 / 45 / 28

HEX #B88165

RGB 184 129 101

HSL 20.24, 0.37%, 0.56%

LAB 58.82, 17.82, 23.65

 

CMYK 0 / 18 / 28 / 35

HEX #A58777

RGB 165 135 119

HSL 20.87, 0.2%, 0.56%

LAB 58.66, 8.94, 12.89

 

CMYK 0 / 4 / 7 / 42

HEX #938D89

RGB 147 141 137

HSL 24, 0.04%, 0.56%

LAB 59.03, 1.48, 2.91

 

CMYK 17 / 5 / 0 / 39

HEX #81939B

RGB 129 147 155

HSL 198.46, 0.12%, 0.56%

LAB 59.8, -4.65, -6.39

 

CMYK 0 / 59 / 47 / 21

HEX #CA536B

RGB 202 83 107

HSL 347.9, 0.53%, 0.56%

LAB 51.62, 49.38, 10.72

 

CMYK 0 / 55 / 59 / 21

HEX #CA5B53

RGB 202 91 83

HSL 4.03, 0.53%, 0.56%

LAB 52.58, 43.54, 26.21

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A53

RGB 202 122 83

HSL 19.66, 0.53%, 0.56%

LAB 59.07, 27.42, 34.39

 

CMYK 0 / 24 / 59 / 21

HEX #CA9A53

RGB 202 154 83

HSL 35.8, 0.53%, 0.56%

LAB 66.74, 9.99, 43.64

 

CMYK 0 / 8 / 59 / 21

HEX #CABA53

RGB 202 186 83

HSL 51.93, 0.53%, 0.56%

LAB 75.01, -7.05, 53.13

 

CMYK 0 / 46 / 70 / 39

HEX #9B532F

RGB 155 83 47

HSL 20, 0.53%, 0.4%

LAB 43.3, 26.79, 33.79

 

CMYK 0 / 46 / 69 / 27

HEX #BA6439

RGB 186 100 57

HSL 20, 0.53%, 0.48%

LAB 51.67, 31.01, 39.08

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A53

RGB 202 122 83

HSL 19.66, 0.53%, 0.56%

LAB 59.07, 27.42, 34.39

 

CMYK 0 / 30 / 46 / 17

HEX #D39372

RGB 211 147 114

HSL 20.41, 0.52%, 0.64%

LAB 66.47, 20.27, 27.13

 

CMYK 0 / 23 / 34 / 13

HEX #DDAB92

RGB 221 171 146

HSL 20, 0.52%, 0.72%

LAB 73.92, 14.9, 19.91

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A52

RGB 202 122 82

HSL 20, 0.53%, 0.56%

LAB 59.05, 27.35, 34.92

 

CMYK 32 / 0 / 59 / 21

HEX #8ACA53

RGB 138 202 83

HSL 92.27, 0.53%, 0.56%

LAB 74.99, -40.22, 51.89

 

CMYK 59 / 55 / 0 / 21

HEX #535BCA

RGB 83 91 202

HSL 235.97, 0.53%, 0.56%

LAB 43.63, 29.93, -58.89

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A52

RGB 202 122 82

HSL 20, 0.53%, 0.56%

LAB 59.05, 27.35, 34.92

 

CMYK 59 / 0 / 40 / 21

HEX #53CA7A

RGB 83 202 122

HSL 139.66, 0.53%, 0.56%

LAB 73.21, -51.04, 30.2

 

CMYK 40 / 59 / 0 / 21

HEX #7A53CA

RGB 122 83 202

HSL 259.66, 0.53%, 0.56%

LAB 45.07, 42.76, -56.42

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A52

RGB 202 122 82

HSL 20, 0.53%, 0.56%

LAB 59.05, 27.35, 34.92

 

CMYK 32 / 0 / 59 / 21

HEX #8ACA53

RGB 138 202 83

HSL 92.27, 0.53%, 0.56%

LAB 74.99, -40.22, 51.89

 

CMYK 59 / 20 / 0 / 21

HEX #53A2CA

RGB 83 162 202

HSL 200.17, 0.53%, 0.56%

LAB 63.3, -12.51, -27.81

 

CMYK 28 / 59 / 0 / 21

HEX #9253CA

RGB 146 83 202

HSL 271.76, 0.53%, 0.56%

LAB 47.7, 48.35, -52.04

 

CMYK 0 / 40 / 59 / 21

HEX #CA7A52

RGB 202 122 82

HSL 20, 0.53%, 0.56%

LAB 59.05, 27.35, 34.92

 

CMYK 49 / 0 / 59 / 21

HEX #67CA53

RGB 103 202 83

HSL 109.92, 0.53%, 0.56%

LAB 73.38, -51.49, 49.63

 

CMYK 59 / 20 / 0 / 21

HEX #53A2CA

RGB 83 162 202

HSL 200.17, 0.53%, 0.56%

LAB 63.3, -12.51, -27.81

 

CMYK 10 / 59 / 0 / 21

HEX #B653CA

RGB 182 83 202

HSL 289.92, 0.53%, 0.56%

LAB 52.28, 57.26, -44.47

 

Description

Color code: HEX #CA7A52 | qconv.com Color code: HEX #CA7A52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 122 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 122 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 59 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 59% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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