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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA65E5 it is the complementary color #359A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA65E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA65E5 shade: #CF65E0, #E077F3, #F189FF, #FF9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA65E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA65E5 shade: #CA65E5, #B953D2, #A841BF, #972FAC and #861D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA65E5 shade: #CA66E5, #E566DD, #E566BB, #E56699 and #E56677

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA65E5 shade: #CA66E5, #A866E5, #8666E5 and #6666E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA65E5 shade matches the following richer shades: #CA66E5 and #D257F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA65E5 shade: #CA66E5, #C274D6, #B983C8, #B191B9 and #A8A0AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA65E5 shade: #8666E5, #A766E5, #C966E5, #E566DE and #E566BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA65E5 shade: #AF24D4, #BE43DF, #CA66E5, #D689EB and #E2ACF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA65E5 shade: #CA65E5, #E56668 and #66E596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA65E5 shade: #CA65E5, #E5C966 and #66E5C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA65E5 shade: #CA65E5, #E56668, #81E566 and #66E5E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA65E5 shade: #CA65E5, #E58A66, #81E566 and #66C1E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 56 / 0 / 10

HEX #CA65E5

RGB 202 101 229

HSL 287.34, 0.71%, 0.65%

LAB 59.45, 59.06, -48.22

 

Complementary color

CMYK 66 / 0 / 83 / 40

HEX #359A1A

RGB 53 154 26

HSL 107.34, 0.71%, 0.35%

LAB 56.03, -51.48, 53.04

 

CMYK 8 / 55 / 0 / 12

HEX #CF65E0

RGB 207 101 224

HSL 291.71, 0.66%, 0.64%

LAB 59.85, 59.39, -44.76

 

CMYK 8 / 51 / 0 / 5

HEX #E077F3

RGB 224 119 243

HSL 290.81, 0.84%, 0.71%

LAB 66.15, 58.8, -45.25

 

CMYK 5 / 46 / 0 / 0

HEX #F189FF

RGB 241 137 255

HSL 292.88, 1%, 0.77%

LAB 72.1, 56.82, -42.33

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 12 / 56 / 0 / 10

HEX #CA65E5

RGB 202 101 229

HSL 287.34, 0.71%, 0.65%

LAB 59.45, 59.06, -48.22

 

CMYK 12 / 60 / 0 / 18

HEX #B953D2

RGB 185 83 210

HSL 288.19, 0.59%, 0.57%

LAB 53.12, 59.55, -47.69

 

CMYK 12 / 66 / 0 / 25

HEX #A841BF

RGB 168 65 191

HSL 289.05, 0.5%, 0.5%

LAB 46.8, 59.78, -46.95

 

CMYK 12 / 73 / 0 / 33

HEX #972FAC

RGB 151 47 172

HSL 289.92, 0.57%, 0.43%

LAB 40.56, 59.56, -45.9

 

CMYK 12 / 81 / 0 / 40

HEX #861D99

RGB 134 29 153

HSL 290.81, 0.68%, 0.36%

LAB 34.49, 58.56, -44.35

 

CMYK 12 / 55 / 0 / 10

HEX #CA66E5

RGB 202 102 229

HSL 287.24, 0.71%, 0.65%

LAB 59.63, 58.58, -47.94

 

CMYK 0 / 55 / 3 / 10

HEX #E566DD

RGB 229 102 221

HSL 303.78, 0.71%, 0.65%

LAB 62.83, 64.16, -38.19

 

CMYK 0 / 55 / 18 / 10

HEX #E566BB

RGB 229 102 187

HSL 319.84, 0.71%, 0.65%

LAB 61.44, 58.88, -21.13

 

CMYK 0 / 55 / 33 / 10

HEX #E56699

RGB 229 102 153

HSL 335.91, 0.71%, 0.65%

LAB 60.3, 54.39, -3.29

 

CMYK 0 / 55 / 48 / 10

HEX #E56677

RGB 229 102 119

HSL 351.97, 0.71%, 0.65%

LAB 59.43, 50.8, 15.18

 

CMYK 12 / 55 / 0 / 10

HEX #CA66E5

RGB 202 102 229

HSL 287.24, 0.71%, 0.65%

LAB 59.63, 58.58, -47.94

 

CMYK 27 / 55 / 0 / 10

HEX #A866E5

RGB 168 102 229

HSL 271.18, 0.71%, 0.65%

LAB 55.57, 50.04, -54.65

 

CMYK 41 / 55 / 0 / 10

HEX #8666E5

RGB 134 102 229

HSL 255.12, 0.71%, 0.65%

LAB 52.09, 42.03, -60.41

 

CMYK 55 / 55 / 0 / 10

HEX #6666E5

RGB 102 102 229

HSL 240, 0.71%, 0.65%

LAB 49.48, 35.43, -64.76

 

CMYK 12 / 55 / 0 / 10

HEX #CA66E5

RGB 202 102 229

HSL 287.24, 0.71%, 0.65%

LAB 59.63, 58.58, -47.94

 

CMYK 14 / 64 / 0 / 5

HEX #D257F3

RGB 210 87 243

HSL 287.31, 0.87%, 0.65%

LAB 58.96, 69.91, -56.74

 

CMYK 12 / 55 / 0 / 10

HEX #CA66E5

RGB 202 102 229

HSL 287.24, 0.71%, 0.65%

LAB 59.63, 58.58, -47.94

 

CMYK 9 / 46 / 0 / 16

HEX #C274D6

RGB 194 116 214

HSL 287.76, 0.54%, 0.65%

LAB 60.62, 46.4, -38.04

 

CMYK 8 / 35 / 0 / 22

HEX #B983C8

RGB 185 131 200

HSL 286.96, 0.39%, 0.65%

LAB 62.27, 32.75, -27.68

 

CMYK 4 / 22 / 0 / 27

HEX #B191B9

RGB 177 145 185

HSL 288, 0.22%, 0.65%

LAB 64.24, 19.26, -16.3

 

CMYK 2 / 6 / 0 / 33

HEX #A8A0AB

RGB 168 160 171

HSL 283.64, 0.06%, 0.65%

LAB 66.83, 4.97, -4.67

 

CMYK 41 / 55 / 0 / 10

HEX #8666E5

RGB 134 102 229

HSL 255.12, 0.71%, 0.65%

LAB 52.09, 42.03, -60.41

 

CMYK 27 / 55 / 0 / 10

HEX #A766E5

RGB 167 102 229

HSL 270.71, 0.71%, 0.65%

LAB 55.46, 49.8, -54.83

 

CMYK 12 / 55 / 0 / 10

HEX #C966E5

RGB 201 102 229

HSL 286.77, 0.71%, 0.65%

LAB 59.51, 58.33, -48.15

 

CMYK 0 / 55 / 3 / 10

HEX #E566DE

RGB 229 102 222

HSL 303.31, 0.71%, 0.65%

LAB 62.87, 64.33, -38.68

 

CMYK 0 / 55 / 18 / 10

HEX #E566BC

RGB 229 102 188

HSL 319.37, 0.71%, 0.65%

LAB 61.47, 59.03, -21.64

 

CMYK 17 / 83 / 0 / 17

HEX #AF24D4

RGB 175 36 212

HSL 287.39, 0.71%, 0.49%

LAB 45.81, 74.74, -60.63

 

CMYK 15 / 70 / 0 / 13

HEX #BE43DF

RGB 190 67 223

HSL 287.31, 0.71%, 0.57%

LAB 52.16, 69.83, -56.56

 

CMYK 12 / 55 / 0 / 10

HEX #CA66E5

RGB 202 102 229

HSL 287.24, 0.71%, 0.65%

LAB 59.63, 58.58, -47.94

 

CMYK 9 / 42 / 0 / 8

HEX #D689EB

RGB 214 137 235

HSL 287.14, 0.71%, 0.73%

LAB 68.16, 45.33, -37.78

 

CMYK 6 / 29 / 0 / 5

HEX #E2ACF1

RGB 226 172 241

HSL 286.96, 0.71%, 0.81%

LAB 77.3, 31.48, -26.84

 

CMYK 12 / 56 / 0 / 10

HEX #CA65E5

RGB 202 101 229

HSL 287.34, 0.71%, 0.65%

LAB 59.45, 59.06, -48.22

 

CMYK 0 / 55 / 55 / 10

HEX #E56668

RGB 229 102 104

HSL 359.06, 0.71%, 0.65%

LAB 59.12, 49.52, 23.43

 

CMYK 55 / 0 / 34 / 10

HEX #66E596

RGB 102 229 150

HSL 142.68, 0.71%, 0.65%

LAB 82.41, -52.64, 28.15

 

CMYK 12 / 56 / 0 / 10

HEX #CA65E5

RGB 202 101 229

HSL 287.34, 0.71%, 0.65%

LAB 59.45, 59.06, -48.22

 

CMYK 0 / 12 / 55 / 10

HEX #E5C966

RGB 229 201 102

HSL 46.77, 0.71%, 0.65%

LAB 81.51, -2.12, 52.37

 

CMYK 55 / 0 / 12 / 10

HEX #66E5C9

RGB 102 229 201

HSL 166.77, 0.71%, 0.65%

LAB 83.48, -41.9, 3.03

 

CMYK 12 / 56 / 0 / 10

HEX #CA65E5

RGB 202 101 229

HSL 287.34, 0.71%, 0.65%

LAB 59.45, 59.06, -48.22

 

CMYK 0 / 55 / 55 / 10

HEX #E56668

RGB 229 102 104

HSL 359.06, 0.71%, 0.65%

LAB 59.12, 49.52, 23.43

 

CMYK 44 / 0 / 55 / 10

HEX #81E566

RGB 129 229 102

HSL 107.24, 0.71%, 0.65%

LAB 82.73, -52.55, 52.18

 

CMYK 55 / 0 / 1 / 10

HEX #66E5E3

RGB 102 229 227

HSL 179.06, 0.71%, 0.65%

LAB 84.18, -35.4, -9.69

 

CMYK 12 / 56 / 0 / 10

HEX #CA65E5

RGB 202 101 229

HSL 287.34, 0.71%, 0.65%

LAB 59.45, 59.06, -48.22

 

CMYK 0 / 40 / 55 / 10

HEX #E58A66

RGB 229 138 102

HSL 17.01, 0.71%, 0.65%

LAB 66.36, 31.19, 33.95

 

CMYK 44 / 0 / 55 / 10

HEX #81E566

RGB 129 229 102

HSL 107.24, 0.71%, 0.65%

LAB 82.73, -52.55, 52.18

 

CMYK 55 / 16 / 0 / 10

HEX #66C1E5

RGB 102 193 229

HSL 197.01, 0.71%, 0.65%

LAB 73.95, -17.14, -26.2

 

Description

Color code: HEX #CA65E5 | qconv.com Color code: HEX #CA65E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 101 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 101 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 56 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 56% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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