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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA52BC it is the complementary color #35AD43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA52BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA52BC shade: #CF52B7, #E064CA, #F176DD, #FF88F0 and #FF9AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA52BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA52BC shade: #CA52BC, #B940A9, #A82E96, #971C83 and #860A70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA52BC shade: #CA53BC, #CA539C, #CA537C, #CA535C and #CA5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA52BC shade: #CA53BC, #B853CA, #9753CA, #7753CA and #5753CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA52BC shade matches the following richer shades: #CA53BC, #DC41CA and #EE2FD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA52BC shade: #CA53BC, #B865AE, #A577A0, #938992 and #819B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA52BC shade: #9853CA, #B853CA, #CA53BC, #CA539C and #CA537C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA52BC shade: #9B2F8E, #BA39AB, #CA53BC, #D372C8 and #DD92D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA52BC shade: #CA52BC, #CA7853 and #53CAA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA52BC shade: #CA52BC, #BCCA53 and #53BCCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA52BC shade: #CA52BC, #CA7853, #53CA61 and #53A4CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA52BC shade: #CA52BC, #CA9C53, #53CA61 and #5380CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 7 / 21

HEX #CA52BC

RGB 202 82 188

HSL 307, 0.53%, 0.56%

LAB 54.26, 60.42, -33.1

 

Complementary color

CMYK 69 / 0 / 61 / 32

HEX #35AD43

RGB 53 173 67

HSL 127, 0.53%, 0.44%

LAB 62.55, -54.53, 44.05

 

CMYK 0 / 60 / 12 / 19

HEX #CF52B7

RGB 207 82 183

HSL 311.52, 0.57%, 0.57%

LAB 54.78, 60.96, -29.35

 

CMYK 0 / 55 / 10 / 12

HEX #E064CA

RGB 224 100 202

HSL 310.65, 0.67%, 0.64%

LAB 60.98, 60.63, -30.42

 

CMYK 0 / 51 / 8 / 5

HEX #F176DD

RGB 241 118 221

HSL 309.76, 0.81%, 0.7%

LAB 67.19, 60.12, -31.29

 

CMYK 0 / 47 / 6 / 0

HEX #FF88F0

RGB 255 136 240

HSL 307.56, 1%, 0.77%

LAB 73, 58.65, -32.63

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 59 / 7 / 21

HEX #CA52BC

RGB 202 82 188

HSL 307, 0.53%, 0.56%

LAB 54.26, 60.42, -33.1

 

CMYK 0 / 65 / 9 / 27

HEX #B940A9

RGB 185 64 169

HSL 307.93, 0.49%, 0.49%

LAB 48.06, 60.47, -31.89

 

CMYK 0 / 73 / 11 / 34

HEX #A82E96

RGB 168 46 150

HSL 308.85, 0.57%, 0.42%

LAB 41.97, 60.03, -30.29

 

CMYK 0 / 81 / 13 / 41

HEX #971C83

RGB 151 28 131

HSL 309.76, 0.69%, 0.35%

LAB 36.08, 58.75, -28.12

 

CMYK 0 / 93 / 16 / 47

HEX #860A70

RGB 134 10 112

HSL 310.65, 0.86%, 0.28%

LAB 30.53, 56.14, -25.08

 

CMYK 0 / 59 / 7 / 21

HEX #CA53BC

RGB 202 83 188

HSL 307.06, 0.53%, 0.56%

LAB 54.42, 59.98, -32.85

 

CMYK 0 / 59 / 23 / 21

HEX #CA539C

RGB 202 83 156

HSL 323.19, 0.53%, 0.56%

LAB 53.11, 55.14, -16.23

 

CMYK 0 / 59 / 39 / 21

HEX #CA537C

RGB 202 83 124

HSL 339.33, 0.53%, 0.56%

LAB 52.06, 51.14, 1.19

 

CMYK 0 / 59 / 54 / 21

HEX #CA535C

RGB 202 83 92

HSL 355.46, 0.53%, 0.56%

LAB 51.29, 48.06, 19.21

 

CMYK 0 / 59 / 59 / 21

HEX #CA5353

RGB 202 83 83

HSL 0, 0.53%, 0.56%

LAB 51.11, 47.37, 24.31

 

CMYK 0 / 59 / 7 / 21

HEX #CA53BC

RGB 202 83 188

HSL 307.06, 0.53%, 0.56%

LAB 54.42, 59.98, -32.85

 

CMYK 9 / 59 / 0 / 21

HEX #B853CA

RGB 184 83 202

HSL 290.92, 0.53%, 0.56%

LAB 52.55, 57.77, -44.02

 

CMYK 25 / 59 / 0 / 21

HEX #9753CA

RGB 151 83 202

HSL 274.29, 0.53%, 0.56%

LAB 48.3, 49.56, -51.05

 

CMYK 41 / 59 / 0 / 21

HEX #7753CA

RGB 119 83 202

HSL 258.15, 0.53%, 0.56%

LAB 44.76, 42.09, -56.92

 

CMYK 57 / 59 / 0 / 21

HEX #5753CA

RGB 87 83 202

HSL 242.02, 0.53%, 0.56%

LAB 41.96, 35.6, -61.58

 

CMYK 0 / 59 / 7 / 21

HEX #CA53BC

RGB 202 83 188

HSL 307.06, 0.53%, 0.56%

LAB 54.42, 59.98, -32.85

 

CMYK 0 / 70 / 8 / 14

HEX #DC41CA

RGB 220 65 202

HSL 306.97, 0.69%, 0.56%

LAB 55.34, 73.54, -39.27

 

CMYK 0 / 80 / 9 / 7

HEX #EE2FD8

RGB 238 47 216

HSL 306.91, 0.85%, 0.56%

LAB 57.24, 84.33, -44.06

 

CMYK 0 / 59 / 7 / 21

HEX #CA53BC

RGB 202 83 188

HSL 307.06, 0.53%, 0.56%

LAB 54.42, 59.98, -32.85

 

CMYK 0 / 45 / 5 / 28

HEX #B865AE

RGB 184 101 174

HSL 307.23, 0.37%, 0.56%

LAB 54.61, 43.7, -24.66

 

CMYK 0 / 28 / 3 / 35

HEX #A577A0

RGB 165 119 160

HSL 306.52, 0.2%, 0.56%

LAB 55.82, 24.94, -14.9

 

CMYK 0 / 7 / 1 / 42

HEX #938992

RGB 147 137 146

HSL 306, 0.04%, 0.56%

LAB 58.2, 5.45, -3.46

 

CMYK 17 / 0 / 15 / 39

HEX #819B84

RGB 129 155 132

HSL 126.92, 0.12%, 0.56%

LAB 61.46, -13.78, 9.06

 

CMYK 25 / 59 / 0 / 21

HEX #9853CA

RGB 152 83 202

HSL 274.79, 0.53%, 0.56%

LAB 48.42, 49.81, -50.85

 

CMYK 9 / 59 / 0 / 21

HEX #B853CA

RGB 184 83 202

HSL 290.92, 0.53%, 0.56%

LAB 52.55, 57.77, -44.02

 

CMYK 0 / 59 / 7 / 21

HEX #CA53BC

RGB 202 83 188

HSL 307.06, 0.53%, 0.56%

LAB 54.42, 59.98, -32.85

 

CMYK 0 / 59 / 23 / 21

HEX #CA539C

RGB 202 83 156

HSL 323.19, 0.53%, 0.56%

LAB 53.11, 55.14, -16.23

 

CMYK 0 / 59 / 39 / 21

HEX #CA537C

RGB 202 83 124

HSL 339.33, 0.53%, 0.56%

LAB 52.06, 51.14, 1.19

 

CMYK 0 / 70 / 8 / 39

HEX #9B2F8E

RGB 155 47 142

HSL 307.22, 0.53%, 0.4%

LAB 39.5, 55.23, -29.46

 

CMYK 0 / 69 / 8 / 27

HEX #BA39AB

RGB 186 57 171

HSL 306.98, 0.53%, 0.48%

LAB 47.37, 63.69, -34.15

 

CMYK 0 / 59 / 7 / 21

HEX #CA53BC

RGB 202 83 188

HSL 307.06, 0.53%, 0.56%

LAB 54.42, 59.98, -32.85

 

CMYK 0 / 46 / 5 / 17

HEX #D372C8

RGB 211 114 200

HSL 306.8, 0.52%, 0.64%

LAB 61.7, 49.83, -28.31

 

CMYK 0 / 34 / 4 / 13

HEX #DD92D4

RGB 221 146 212

HSL 307.2, 0.52%, 0.72%

LAB 69.95, 38.4, -22.25

 

CMYK 0 / 59 / 7 / 21

HEX #CA52BC

RGB 202 82 188

HSL 307, 0.53%, 0.56%

LAB 54.26, 60.42, -33.1

 

CMYK 0 / 41 / 59 / 21

HEX #CA7853

RGB 202 120 83

HSL 18.66, 0.53%, 0.56%

LAB 58.62, 28.5, 33.83

 

CMYK 59 / 0 / 17 / 21

HEX #53CAA8

RGB 83 202 168

HSL 162.86, 0.53%, 0.56%

LAB 74.13, -41.55, 7.06

 

CMYK 0 / 59 / 7 / 21

HEX #CA52BC

RGB 202 82 188

HSL 307, 0.53%, 0.56%

LAB 54.26, 60.42, -33.1

 

CMYK 7 / 0 / 59 / 21

HEX #BCCA53

RGB 188 202 83

HSL 67.06, 0.53%, 0.56%

LAB 78.2, -20.96, 56.37

 

CMYK 59 / 7 / 0 / 21

HEX #53BCCA

RGB 83 188 202

HSL 187.06, 0.53%, 0.56%

LAB 70.92, -26.05, -16.18

 

CMYK 0 / 59 / 7 / 21

HEX #CA52BC

RGB 202 82 188

HSL 307, 0.53%, 0.56%

LAB 54.26, 60.42, -33.1

 

CMYK 0 / 41 / 59 / 21

HEX #CA7853

RGB 202 120 83

HSL 18.66, 0.53%, 0.56%

LAB 58.62, 28.5, 33.83

 

CMYK 59 / 0 / 52 / 21

HEX #53CA61

RGB 83 202 97

HSL 127.06, 0.53%, 0.56%

LAB 72.85, -54.94, 42.29

 

CMYK 59 / 19 / 0 / 21

HEX #53A4CA

RGB 83 164 202

HSL 199.16, 0.53%, 0.56%

LAB 63.88, -13.6, -26.91

 

CMYK 0 / 59 / 7 / 21

HEX #CA52BC

RGB 202 82 188

HSL 307, 0.53%, 0.56%

LAB 54.26, 60.42, -33.1

 

CMYK 0 / 23 / 59 / 21

HEX #CA9C53

RGB 202 156 83

HSL 36.81, 0.53%, 0.56%

LAB 67.25, 8.9, 44.23

 

CMYK 59 / 0 / 52 / 21

HEX #53CA61

RGB 83 202 97

HSL 127.06, 0.53%, 0.56%

LAB 72.85, -54.94, 42.29

 

CMYK 59 / 37 / 0 / 21

HEX #5380CA

RGB 83 128 202

HSL 217.31, 0.53%, 0.56%

LAB 53.54, 7.02, -43.05

 

Description

Color code: HEX #CA52BC | qconv.com Color code: HEX #CA52BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 82 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 82 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 7 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 7% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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