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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA4A49 it is the complementary color #35B5B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA4A49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA4A49 shade: #CF4A44, #E05C57, #F16E6A, #FF807D and #FF9290

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA4A49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA4A49 shade: #CA4A49, #B93836, #A82623, #971410 and #860200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA4A49 shade: #CA4A49 and #CA4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA4A49 shade: #CA4A49, #CA6C49, #CA8F49, #CAB249 and #BFCA49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA4A49 shade matches the following richer shades: #CA4A49, #DD3736 and #F02423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA4A49 shade: #CA4A49, #B75C5C, #A46F6F, #918282 and #7E9495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA4A49 shade: #CA498E, #CA496B, #CA4949, #CA6B49 and #CA8E49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA4A49 shade: #952C2B, #B53534, #CA4A49, #D36969 and #DC8989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA4A49 shade: #CA4A49, #B0CA49 and #497CCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA4A49 shade: #CA4A49, #49CA49 and #4949CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA4A49 shade: #CA4A49, #B0CA49, #49CACA and #6249CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA4A49 shade: #CA4A49, #89CA49, #49CACA and #8949CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

Complementary color

CMYK 71 / 1 / 0 / 29

HEX #35B5B6

RGB 53 181 182

HSL 180.47, 0.55%, 0.46%

LAB 67.41, -33.16, -10.52

 

CMYK 0 / 64 / 67 / 19

HEX #CF4A44

RGB 207 74 68

HSL 2.59, 0.59%, 0.54%

LAB 50.19, 52.16, 32.09

 

CMYK 0 / 59 / 61 / 12

HEX #E05C57

RGB 224 92 87

HSL 2.19, 0.69%, 0.61%

LAB 56.28, 51.19, 29.33

 

CMYK 0 / 54 / 56 / 5

HEX #F16E6A

RGB 241 110 106

HSL 1.78, 0.83%, 0.68%

LAB 62.42, 50.11, 26.97

 

CMYK 0 / 50 / 51 / 0

HEX #FF807D

RGB 255 128 125

HSL 1.38, 1%, 0.75%

LAB 68.15, 47.94, 24.28

 

CMYK 0 / 43 / 44 / 0

HEX #FF9290

RGB 255 146 144

HSL 1.08, 1%, 0.78%

LAB 72.12, 40.73, 19.14

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 0 / 70 / 71 / 27

HEX #B93836

RGB 185 56 54

HSL 0.92, 0.55%, 0.47%

LAB 43.37, 51.48, 31.16

 

CMYK 0 / 77 / 79 / 34

HEX #A82623

RGB 168 38 35

HSL 1.35, 0.66%, 0.4%

LAB 37.54, 51.74, 34.83

 

CMYK 0 / 87 / 89 / 41

HEX #971410

RGB 151 20 16

HSL 1.78, 0.81%, 0.33%

LAB 32.07, 51.11, 38.71

 

CMYK 0 / 99 / 100 / 47

HEX #860200

RGB 134 2 0

HSL 0.9, 1%, 0.26%

LAB 27.05, 49.32, 39.95

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 0 / 64 / 64 / 21

HEX #CA4949

RGB 202 73 73

HSL 0, 0.55%, 0.54%

LAB 49.26, 51.19, 27.82

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 0 / 47 / 64 / 21

HEX #CA6C49

RGB 202 108 73

HSL 16.28, 0.55%, 0.54%

LAB 55.85, 34.19, 35.93

 

CMYK 0 / 29 / 64 / 21

HEX #CA8F49

RGB 202 143 73

HSL 32.56, 0.55%, 0.54%

LAB 63.9, 15.27, 45.34

 

CMYK 0 / 12 / 64 / 21

HEX #CAB249

RGB 202 178 73

HSL 48.84, 0.55%, 0.54%

LAB 72.81, -3.55, 55.2

 

CMYK 5 / 0 / 64 / 21

HEX #BFCA49

RGB 191 202 73

HSL 65.12, 0.55%, 0.54%

LAB 78.34, -20.43, 60.82

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 0 / 75 / 76 / 13

HEX #DD3736

RGB 221 55 54

HSL 0.36, 0.71%, 0.54%

LAB 49.94, 63.06, 40.41

 

CMYK 0 / 85 / 85 / 6

HEX #F02423

RGB 240 36 35

HSL 0.29, 0.87%, 0.54%

LAB 51.73, 72.7, 53.25

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 0 / 50 / 50 / 28

HEX #B75C5C

RGB 183 92 92

HSL 0, 0.39%, 0.54%

LAB 50.09, 36.71, 17.1

 

CMYK 0 / 32 / 32 / 36

HEX #A46F6F

RGB 164 111 111

HSL 0, 0.23%, 0.54%

LAB 52.3, 21.05, 8.56

 

CMYK 0 / 10 / 10 / 43

HEX #918282

RGB 145 130 130

HSL 0, 0.06%, 0.54%

LAB 55.68, 5.69, 2.07

 

CMYK 15 / 1 / 0 / 42

HEX #7E9495

RGB 126 148 149

HSL 182.61, 0.1%, 0.54%

LAB 59.69, -7.55, -3.15

 

CMYK 0 / 64 / 30 / 21

HEX #CA498E

RGB 202 73 142

HSL 327.91, 0.55%, 0.54%

LAB 51.01, 57.64, -11.11

 

CMYK 0 / 64 / 47 / 21

HEX #CA496B

RGB 202 73 107

HSL 344.19, 0.55%, 0.54%

LAB 49.96, 53.82, 8.38

 

CMYK 0 / 64 / 64 / 21

HEX #CA4949

RGB 202 73 73

HSL 0, 0.55%, 0.54%

LAB 49.26, 51.19, 27.82

 

CMYK 0 / 47 / 64 / 21

HEX #CA6B49

RGB 202 107 73

HSL 15.81, 0.55%, 0.54%

LAB 55.64, 34.71, 35.67

 

CMYK 0 / 30 / 64 / 21

HEX #CA8E49

RGB 202 142 73

HSL 32.09, 0.55%, 0.54%

LAB 63.66, 15.82, 45.06

 

CMYK 0 / 70 / 71 / 42

HEX #952C2B

RGB 149 44 43

HSL 0.57, 0.55%, 0.38%

LAB 34.73, 43.68, 25.9

 

CMYK 0 / 71 / 71 / 29

HEX #B53534

RGB 181 53 52

HSL 0.47, 0.55%, 0.46%

LAB 42.18, 51.24, 30.76

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 0 / 50 / 50 / 17

HEX #D36969

RGB 211 105 105

HSL 0, 0.55%, 0.62%

LAB 57.05, 41.69, 19.6

 

CMYK 0 / 38 / 38 / 14

HEX #DC8989

RGB 220 137 137

HSL 0, 0.54%, 0.7%

LAB 65.68, 31.69, 13.43

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 13 / 0 / 64 / 21

HEX #B0CA49

RGB 176 202 73

HSL 72.09, 0.55%, 0.54%

LAB 77.25, -26.55, 59.33

 

CMYK 64 / 39 / 0 / 21

HEX #497CCA

RGB 73 124 202

HSL 216.28, 0.55%, 0.54%

LAB 51.95, 7.55, -45.6

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 64 / 0 / 64 / 21

HEX #49CA49

RGB 73 202 73

HSL 120, 0.55%, 0.54%

LAB 72.32, -60.03, 52.54

 

CMYK 64 / 64 / 0 / 21

HEX #4949CA

RGB 73 73 202

HSL 240, 0.55%, 0.54%

LAB 38.63, 39.39, -67.06

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 13 / 0 / 64 / 21

HEX #B0CA49

RGB 176 202 73

HSL 72.09, 0.55%, 0.54%

LAB 77.25, -26.55, 59.33

 

CMYK 64 / 0 / 0 / 21

HEX #49CACA

RGB 73 202 202

HSL 180, 0.55%, 0.54%

LAB 74.78, -34.51, -10.42

 

CMYK 51 / 64 / 0 / 21

HEX #6249CA

RGB 98 73 202

HSL 251.63, 0.55%, 0.54%

LAB 40.62, 43.53, -63.73

 

CMYK 0 / 63 / 64 / 21

HEX #CA4A49

RGB 202 74 73

HSL 0.47, 0.55%, 0.54%

LAB 49.42, 50.75, 28.02

 

CMYK 32 / 0 / 64 / 21

HEX #89CA49

RGB 137 202 73

HSL 90.23, 0.55%, 0.54%

LAB 74.85, -41.46, 56.04

 

CMYK 64 / 0 / 0 / 21

HEX #49CACA

RGB 73 202 202

HSL 180, 0.55%, 0.54%

LAB 74.78, -34.51, -10.42

 

CMYK 32 / 64 / 0 / 21

HEX #8949CA

RGB 137 73 202

HSL 269.77, 0.55%, 0.54%

LAB 44.73, 51.44, -56.88

 

Description

Color code: HEX #CA4A49 | qconv.com Color code: HEX #CA4A49 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 74 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 74 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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