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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA3978 it is the complementary color #35C687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA3978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA3978 shade: #CF3973, #E04B86, #F15D99, #FF6FAC and #FF81BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA3978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA3978 shade: #CA3978, #B92765, #A81552, #97033F and #86002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA3978 shade: #CA3978, #CA3951 and #CA3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA3978 shade: #CA3978, #CA399F, #CA39C6, #A739CA and #8039CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA3978 shade matches the following richer shades: #CA3978, #DE2575 and #F21173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA3978 shade: #CA3978, #B64D7B, #A2627D, #8D7680 and #798A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA3978 shade: #CA39C8, #CA39A1, #CA397A, #CA3954 and #CA4539

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA3978 shade: #8C2552, #AC2D65, #CA3978, #D35A8E and #DB7AA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA3978 shade: #CA3978, #CAA639 and #39B4CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA3978 shade: #CA3978, #7ACA39 and #397ACA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA3978 shade: #CA3978, #CAA639, #39CA89 and #395DCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA3978 shade: #CA3978, #C3CA39, #39CA89 and #4039CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

Complementary color

CMYK 73 / 0 / 32 / 22

HEX #35C687

RGB 53 198 135

HSL 153.93, 0.58%, 0.49%

LAB 71.48, -52.36, 20.94

 

CMYK 0 / 72 / 44 / 19

HEX #CF3973

RGB 207 57 115

HSL 336.8, 0.61%, 0.52%

LAB 48.8, 62.23, 1.98

 

CMYK 0 / 67 / 40 / 12

HEX #E04B86

RGB 224 75 134

HSL 336.24, 0.71%, 0.59%

LAB 54.66, 62.35, -0.54

 

CMYK 0 / 61 / 37 / 5

HEX #F15D99

RGB 241 93 153

HSL 335.68, 0.84%, 0.65%

LAB 60.63, 62.09, -2.6

 

CMYK 0 / 56 / 33 / 0

HEX #FF6FAC

RGB 255 111 172

HSL 334.58, 1%, 0.72%

LAB 66.22, 60.67, -5.02

 

CMYK 0 / 49 / 25 / 0

HEX #FF81BF

RGB 255 129 191

HSL 330.48, 1%, 0.75%

LAB 69.98, 54.69, -10.13

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 0 / 79 / 45 / 27

HEX #B92765

RGB 185 39 101

HSL 334.52, 0.65%, 0.44%

LAB 42.32, 60.59, 0.7

 

CMYK 0 / 88 / 51 / 34

HEX #A81552

RGB 168 21 82

HSL 335.1, 0.78%, 0.37%

LAB 36.87, 58.9, 4.48

 

CMYK 0 / 98 / 58 / 41

HEX #97033F

RGB 151 3 63

HSL 335.68, 0.96%, 0.3%

LAB 31.81, 56.01, 9.26

 

CMYK 0 / 100 / 67 / 47

HEX #86002C

RGB 134 0 44

HSL 340.3, 1%, 0.26%

LAB 27.44, 51.05, 15.48

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 0 / 72 / 60 / 21

HEX #CA3951

RGB 202 57 81

HSL 350.07, 0.58%, 0.51%

LAB 47.08, 58.04, 20.21

 

CMYK 0 / 72 / 72 / 21

HEX #CA3939

RGB 202 57 57

HSL 0, 0.58%, 0.51%

LAB 46.68, 56.7, 34.07

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 0 / 72 / 21 / 21

HEX #CA399F

RGB 202 57 159

HSL 317.79, 0.58%, 0.51%

LAB 49.48, 65.88, -23.56

 

CMYK 0 / 72 / 2 / 21

HEX #CA39C6

RGB 202 57 198

HSL 301.66, 0.58%, 0.51%

LAB 51.34, 71.57, -43.48

 

CMYK 17 / 72 / 0 / 21

HEX #A739CA

RGB 167 57 202

HSL 285.52, 0.58%, 0.51%

LAB 46.19, 64.89, -54.32

 

CMYK 37 / 72 / 0 / 21

HEX #8039CA

RGB 128 57 202

HSL 269.38, 0.58%, 0.51%

LAB 40.86, 57.29, -63.19

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 0 / 83 / 47 / 13

HEX #DE2575

RGB 222 37 117

HSL 334.05, 0.74%, 0.51%

LAB 49.66, 71.9, 2.36

 

CMYK 0 / 93 / 52 / 5

HEX #F21173

RGB 242 17 115

HSL 333.87, 0.9%, 0.51%

LAB 52.42, 79.53, 8.04

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 0 / 58 / 32 / 29

HEX #B64D7B

RGB 182 77 123

HSL 333.71, 0.42%, 0.51%

LAB 47.86, 47.32, -4.74

 

CMYK 0 / 40 / 23 / 36

HEX #A2627D

RGB 162 98 125

HSL 334.69, 0.26%, 0.51%

LAB 49.37, 29.67, -4.02

 

CMYK 0 / 16 / 9 / 45

HEX #8D7680

RGB 141 118 128

HSL 333.91, 0.09%, 0.51%

LAB 52.04, 10.72, -2.13

 

CMYK 12 / 0 / 5 / 46

HEX #798A83

RGB 121 138 131

HSL 155.29, 0.07%, 0.51%

LAB 55.97, -7.6, 1.66

 

CMYK 0 / 72 / 1 / 21

HEX #CA39C8

RGB 202 57 200

HSL 300.83, 0.58%, 0.51%

LAB 51.44, 71.88, -44.46

 

CMYK 0 / 72 / 20 / 21

HEX #CA39A1

RGB 202 57 161

HSL 316.97, 0.58%, 0.51%

LAB 49.56, 66.15, -24.62

 

CMYK 0 / 72 / 40 / 21

HEX #CA397A

RGB 202 57 122

HSL 333.1, 0.58%, 0.51%

LAB 48.12, 61.52, -3.38

 

CMYK 0 / 72 / 58 / 21

HEX #CA3954

RGB 202 57 84

HSL 348.83, 0.58%, 0.51%

LAB 47.14, 58.25, 18.46

 

CMYK 0 / 66 / 72 / 21

HEX #CA4539

RGB 202 69 57

HSL 4.97, 0.58%, 0.51%

LAB 48.4, 52.02, 36.04

 

CMYK 0 / 74 / 41 / 45

HEX #8C2552

RGB 140 37 82

HSL 333.79, 0.58%, 0.35%

LAB 32.94, 46.68, -1.92

 

CMYK 0 / 74 / 41 / 33

HEX #AC2D65

RGB 172 45 101

HSL 333.54, 0.59%, 0.43%

LAB 40.55, 55.12, -2.17

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 0 / 57 / 33 / 17

HEX #D35A8E

RGB 211 90 142

HSL 334.21, 0.58%, 0.59%

LAB 55.19, 52.9, -4.72

 

CMYK 0 / 44 / 25 / 14

HEX #DB7AA4

RGB 219 122 164

HSL 334.02, 0.57%, 0.67%

LAB 63.06, 42.68, -5.69

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 0 / 18 / 72 / 21

HEX #CAA639

RGB 202 166 57

HSL 45.1, 0.58%, 0.51%

LAB 69.56, 1.91, 58.58

 

CMYK 72 / 11 / 0 / 21

HEX #39B4CA

RGB 57 180 202

HSL 189.1, 0.58%, 0.51%

LAB 67.86, -26.12, -20.89

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 40 / 0 / 72 / 21

HEX #7ACA39

RGB 122 202 57

HSL 93.1, 0.58%, 0.51%

LAB 73.98, -47.85, 61.14

 

CMYK 72 / 40 / 0 / 21

HEX #397ACA

RGB 57 122 202

HSL 213.1, 0.58%, 0.51%

LAB 50.75, 6.21, -47.54

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 0 / 18 / 72 / 21

HEX #CAA639

RGB 202 166 57

HSL 45.1, 0.58%, 0.51%

LAB 69.56, 1.91, 58.58

 

CMYK 72 / 0 / 32 / 21

HEX #39CA89

RGB 57 202 137

HSL 153.1, 0.58%, 0.51%

LAB 72.84, -52.93, 21.74

 

CMYK 72 / 54 / 0 / 21

HEX #395DCA

RGB 57 93 202

HSL 225.1, 0.58%, 0.51%

LAB 42.71, 24.53, -60.46

 

CMYK 0 / 72 / 41 / 21

HEX #CA3978

RGB 202 57 120

HSL 333.93, 0.58%, 0.51%

LAB 48.06, 61.31, -2.25

 

CMYK 3 / 0 / 72 / 21

HEX #C3CA39

RGB 195 202 57

HSL 62.9, 0.58%, 0.51%

LAB 78.54, -19.66, 67.16

 

CMYK 72 / 0 / 32 / 21

HEX #39CA89

RGB 57 202 137

HSL 153.1, 0.58%, 0.51%

LAB 72.84, -52.93, 21.74

 

CMYK 68 / 72 / 0 / 21

HEX #4039CA

RGB 64 57 202

HSL 242.9, 0.58%, 0.51%

LAB 34.56, 47.61, -73.76

 

Description

Color code: HEX #CA3978 | qconv.com Color code: HEX #CA3978 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 57 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 57 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 41 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 41% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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