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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA2A81 it is the complementary color #35D57E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA2A81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA2A81 shade: #CF2A7C, #E03C8F, #F14EA2, #FF60B5 and #FF72C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA2A81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA2A81 shade: #CA2A81, #B9186E, #A8065B, #970048 and #860035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA2A81 shade: #CB2981, #CB2955, #CB292A and #CB2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA2A81 shade: #CB2981, #CB29AD, #BD29CB, #9229CB and #6629CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA2A81 shade matches the following richer shades: #CB2981, #DE1583 and #F20284

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA2A81 shade: #CB2981, #B73D7F, #A3517D, #8F657C and #7B787A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA2A81 shade: #BD29CB, #CB29AD, #CB2982, #CB2957 and #CB292C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA2A81 shade: #861B55, #A8226B, #CB2981, #D84595 and #DF67A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA2A81 shade: #CA2A81, #CB9229 and #29C3CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA2A81 shade: #CA2A81, #82CB29 and #2982CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA2A81 shade: #CA2A81, #CB9229, #29CB72 and #2962CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA2A81 shade: #CA2A81, #CBC329, #29CB72 and #2931CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 36 / 21

HEX #CA2A81

RGB 202 42 129

HSL 327.38, 0.66%, 0.48%

LAB 46.71, 66.89, -9.74

 

Complementary color

CMYK 75 / 0 / 41 / 16

HEX #35D57E

RGB 53 213 126

HSL 147.38, 0.66%, 0.52%

LAB 75.98, -59.74, 31.66

 

CMYK 0 / 80 / 40 / 19

HEX #CF2A7C

RGB 207 42 124

HSL 330.18, 0.66%, 0.49%

LAB 47.46, 67.63, -5.46

 

CMYK 0 / 73 / 36 / 12

HEX #E03C8F

RGB 224 60 143

HSL 329.63, 0.73%, 0.56%

LAB 53.02, 68.62, -8.32

 

CMYK 0 / 68 / 33 / 5

HEX #F14EA2

RGB 241 78 162

HSL 329.08, 0.85%, 0.63%

LAB 58.75, 69, -10.62

 

CMYK 0 / 62 / 29 / 0

HEX #FF60B5

RGB 255 96 181

HSL 327.92, 1%, 0.69%

LAB 64.13, 68.12, -13.26

 

CMYK 0 / 55 / 22 / 0

HEX #FF72C8

RGB 255 114 200

HSL 323.4, 1%, 0.72%

LAB 67.62, 62.87, -18.72

 

CMYK 0 / 79 / 36 / 21

HEX #CA2A81

RGB 202 42 129

HSL 327.38, 0.66%, 0.48%

LAB 46.71, 66.89, -9.74

 

CMYK 0 / 87 / 41 / 27

HEX #B9186E

RGB 185 24 110

HSL 327.95, 0.77%, 0.41%

LAB 41.36, 64.99, -6.34

 

CMYK 0 / 96 / 46 / 34

HEX #A8065B

RGB 168 6 91

HSL 328.52, 0.93%, 0.34%

LAB 36.39, 61.87, -2.03

 

CMYK 0 / 100 / 52 / 41

HEX #970048

RGB 151 0 72

HSL 331.39, 1%, 0.3%

LAB 31.91, 57.11, 3.43

 

CMYK 0 / 100 / 60 / 47

HEX #860035

RGB 134 0 53

HSL 336.27, 1%, 0.26%

LAB 27.64, 51.6, 9.64

 

CMYK 0 / 80 / 36 / 20

HEX #CB2981

RGB 203 41 129

HSL 327.41, 0.66%, 0.48%

LAB 46.8, 67.4, -9.58

 

CMYK 0 / 80 / 58 / 20

HEX #CB2955

RGB 203 41 85

HSL 343.7, 0.66%, 0.48%

LAB 45.55, 63.63, 15.73

 

CMYK 0 / 80 / 79 / 20

HEX #CB292A

RGB 203 41 42

HSL 359.63, 0.66%, 0.48%

LAB 44.87, 61.53, 40.65

 

CMYK 0 / 80 / 80 / 20

HEX #CB2929

RGB 203 41 41

HSL 0, 0.66%, 0.48%

LAB 44.86, 61.5, 41.19

 

CMYK 0 / 80 / 36 / 20

HEX #CB2981

RGB 203 41 129

HSL 327.41, 0.66%, 0.48%

LAB 46.8, 67.4, -9.58

 

CMYK 0 / 80 / 15 / 20

HEX #CB29AD

RGB 203 41 173

HSL 311.11, 0.66%, 0.48%

LAB 48.64, 72.69, -33.14

 

CMYK 7 / 80 / 0 / 20

HEX #BD29CB

RGB 189 41 203

HSL 294.81, 0.66%, 0.48%

LAB 47.9, 74.41, -51.96

 

CMYK 28 / 80 / 0 / 20

HEX #9229CB

RGB 146 41 203

HSL 278.89, 0.66%, 0.48%

LAB 41.23, 66.81, -63.06

 

CMYK 50 / 80 / 0 / 20

HEX #6629CB

RGB 102 41 203

HSL 262.59, 0.66%, 0.48%

LAB 35.44, 60.26, -72.76

 

CMYK 0 / 80 / 36 / 20

HEX #CB2981

RGB 203 41 129

HSL 327.41, 0.66%, 0.48%

LAB 46.8, 67.4, -9.58

 

CMYK 0 / 91 / 41 / 13

HEX #DE1583

RGB 222 21 131

HSL 327.16, 0.83%, 0.48%

LAB 49.14, 75.87, -6.93

 

CMYK 0 / 99 / 45 / 5

HEX #F20284

RGB 242 2 132

HSL 327.5, 0.98%, 0.48%

LAB 52.49, 81.96, -2.13

 

CMYK 0 / 80 / 36 / 20

HEX #CB2981

RGB 203 41 129

HSL 327.41, 0.66%, 0.48%

LAB 46.8, 67.4, -9.58

 

CMYK 0 / 67 / 31 / 28

HEX #B73D7F

RGB 183 61 127

HSL 327.54, 0.5%, 0.48%

LAB 45.55, 55.19, -10.6

 

CMYK 0 / 50 / 23 / 36

HEX #A3517D

RGB 163 81 125

HSL 327.8, 0.34%, 0.48%

LAB 45.84, 39.26, -9.26

 

CMYK 0 / 29 / 13 / 44

HEX #8F657C

RGB 143 101 124

HSL 327.14, 0.17%, 0.48%

LAB 47.75, 20.69, -6.07

 

CMYK 0 / 2 / 1 / 52

HEX #7B787A

RGB 123 120 122

HSL 320, 0.01%, 0.48%

LAB 50.74, 1.54, -0.7

 

CMYK 7 / 80 / 0 / 20

HEX #BD29CB

RGB 189 41 203

HSL 294.81, 0.66%, 0.48%

LAB 47.9, 74.41, -51.96

 

CMYK 0 / 80 / 15 / 20

HEX #CB29AD

RGB 203 41 173

HSL 311.11, 0.66%, 0.48%

LAB 48.64, 72.69, -33.14

 

CMYK 0 / 80 / 36 / 20

HEX #CB2982

RGB 203 41 130

HSL 327.04, 0.66%, 0.48%

LAB 46.84, 67.5, -10.14

 

CMYK 0 / 80 / 57 / 20

HEX #CB2957

RGB 203 41 87

HSL 342.96, 0.66%, 0.48%

LAB 45.59, 63.77, 14.55

 

CMYK 0 / 80 / 78 / 20

HEX #CB292C

RGB 203 41 44

HSL 358.89, 0.66%, 0.48%

LAB 44.89, 61.6, 39.56

 

CMYK 0 / 80 / 37 / 47

HEX #861B55

RGB 134 27 85

HSL 327.48, 0.66%, 0.32%

LAB 30.66, 48.76, -7.39

 

CMYK 0 / 80 / 36 / 34

HEX #A8226B

RGB 168 34 107

HSL 327.31, 0.66%, 0.4%

LAB 38.78, 58.15, -8.67

 

CMYK 0 / 80 / 36 / 20

HEX #CB2981

RGB 203 41 129

HSL 327.41, 0.66%, 0.48%

LAB 46.8, 67.4, -9.58

 

CMYK 0 / 68 / 31 / 15

HEX #D84595

RGB 216 69 149

HSL 327.35, 0.65%, 0.56%

LAB 52.98, 64.02, -12.08

 

CMYK 0 / 54 / 25 / 13

HEX #DF67A8

RGB 223 103 168

HSL 327.5, 0.65%, 0.64%

LAB 60.08, 53.95, -12.37

 

CMYK 0 / 79 / 36 / 21

HEX #CA2A81

RGB 202 42 129

HSL 327.38, 0.66%, 0.48%

LAB 46.71, 66.89, -9.74

 

CMYK 0 / 28 / 80 / 20

HEX #CB9229

RGB 203 146 41

HSL 38.89, 0.66%, 0.48%

LAB 64.5, 12.47, 59.88

 

CMYK 80 / 4 / 0 / 20

HEX #29C3CB

RGB 41 195 203

HSL 182.96, 0.66%, 0.48%

LAB 72.1, -34.81, -15.03

 

CMYK 0 / 79 / 36 / 21

HEX #CA2A81

RGB 202 42 129

HSL 327.38, 0.66%, 0.48%

LAB 46.71, 66.89, -9.74

 

CMYK 36 / 0 / 80 / 20

HEX #82CB29

RGB 130 203 41

HSL 87.04, 0.66%, 0.48%

LAB 74.58, -46.41, 66.99

 

CMYK 80 / 36 / 0 / 20

HEX #2982CB

RGB 41 130 203

HSL 207.04, 0.66%, 0.48%

LAB 52.67, -0.22, -45.08

 

CMYK 0 / 79 / 36 / 21

HEX #CA2A81

RGB 202 42 129

HSL 327.38, 0.66%, 0.48%

LAB 46.71, 66.89, -9.74

 

CMYK 0 / 28 / 80 / 20

HEX #CB9229

RGB 203 146 41

HSL 38.89, 0.66%, 0.48%

LAB 64.5, 12.47, 59.88

 

CMYK 80 / 0 / 44 / 20

HEX #29CB72

RGB 41 203 114

HSL 147.04, 0.66%, 0.48%

LAB 72.49, -59.77, 33.2

 

CMYK 80 / 52 / 0 / 20

HEX #2962CB

RGB 41 98 203

HSL 218.89, 0.66%, 0.48%

LAB 43.53, 19.82, -59.72

 

CMYK 0 / 79 / 36 / 21

HEX #CA2A81

RGB 202 42 129

HSL 327.38, 0.66%, 0.48%

LAB 46.71, 66.89, -9.74

 

CMYK 0 / 4 / 80 / 20

HEX #CBC329

RGB 203 195 41

HSL 57.04, 0.66%, 0.48%

LAB 77.21, -13.4, 71.19

 

CMYK 80 / 0 / 44 / 20

HEX #29CB72

RGB 41 203 114

HSL 147.04, 0.66%, 0.48%

LAB 72.49, -59.77, 33.2

 

CMYK 80 / 76 / 0 / 20

HEX #2931CB

RGB 41 49 203

HSL 237.04, 0.66%, 0.48%

LAB 31.76, 50.37, -79.01

 

Description

Color code: HEX #CA2A81 | qconv.com Color code: HEX #CA2A81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 42 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 42 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 36 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 36% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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