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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA206E it is the complementary color #35DF91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA206E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA206E shade: #CF2069, #E0327C, #F1448F, #FF56A2 and #FF68B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA206E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA206E shade: #CA206E, #B90E5B, #A80048, #970035 and #860022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA206E shade: #CA1F6E, #CA1F40 and #CA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA206E shade: #CA1F6E, #CA1F9C, #CA1FCA, #9D1FCA and #6E1FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA206E shade matches the following richer shades: #CA1F6E and #DD0C6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA206E shade: #CA1F6E, #B7326F, #A44571, #915872 and #7F6B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA206E shade: #CA1FCA, #CA1F9D, #CA1F6F, #CA1F41 and #CA2B1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA206E shade: #831447, #A71A5A, #CA1F6E, #DF3482 and #E45898

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA206E shade: #CA206E, #CA9D1F and #1FB4CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA206E shade: #CA206E, #6FCA1F and #1F6FCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA206E shade: #CA206E, #CA9D1F, #1FCA7B and #1F4DCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA206E shade: #CA206E, #C5CA1F, #1FCA7B and #251FCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 46 / 21

HEX #CA206E

RGB 202 32 110

HSL 332.47, 0.73%, 0.46%

LAB 45.24, 67.48, -0.24

 

Complementary color

CMYK 76 / 0 / 35 / 13

HEX #35DF91

RGB 53 223 145

HSL 152.47, 0.73%, 0.54%

LAB 79.37, -59.78, 26.42

 

CMYK 0 / 85 / 49 / 19

HEX #CF2069

RGB 207 32 105

HSL 334.97, 0.73%, 0.47%

LAB 46.07, 68.29, 4.17

 

CMYK 0 / 78 / 45 / 12

HEX #E0327C

RGB 224 50 124

HSL 334.48, 0.74%, 0.54%

LAB 51.36, 69.79, 0.63

 

CMYK 0 / 72 / 41 / 5

HEX #F1448F

RGB 241 68 143

HSL 333.99, 0.86%, 0.61%

LAB 56.9, 70.51, -2.24

 

CMYK 0 / 66 / 36 / 0

HEX #FF56A2

RGB 255 86 162

HSL 333.02, 1%, 0.67%

LAB 62.1, 69.88, -5.38

 

CMYK 0 / 59 / 29 / 0

HEX #FF68B5

RGB 255 104 181

HSL 329.4, 1%, 0.7%

LAB 65.36, 64.8, -11.42

 

CMYK 0 / 84 / 46 / 21

HEX #CA206E

RGB 202 32 110

HSL 332.47, 0.73%, 0.46%

LAB 45.24, 67.48, -0.24

 

CMYK 0 / 92 / 51 / 27

HEX #B90E5B

RGB 185 14 91

HSL 332.98, 0.86%, 0.39%

LAB 40.22, 64.92, 3.97

 

CMYK 0 / 100 / 57 / 34

HEX #A80048

RGB 168 0 72

HSL 334.29, 1%, 0.33%

LAB 35.58, 61.12, 9.14

 

CMYK 0 / 100 / 65 / 41

HEX #970035

RGB 151 0 53

HSL 338.94, 1%, 0.3%

LAB 31.43, 55.82, 15.4

 

CMYK 0 / 100 / 75 / 47

HEX #860022

RGB 134 0 34

HSL 344.78, 1%, 0.26%

LAB 27.25, 50.55, 21.97

 

CMYK 0 / 85 / 46 / 21

HEX #CA1F6E

RGB 202 31 110

HSL 332.28, 0.73%, 0.46%

LAB 45.17, 67.69, -0.35

 

CMYK 0 / 85 / 68 / 21

HEX #CA1F40

RGB 202 31 64

HSL 348.42, 0.73%, 0.46%

LAB 44.1, 64.58, 26.77

 

CMYK 0 / 85 / 85 / 21

HEX #CA1F1F

RGB 202 31 31

HSL 0, 0.73%, 0.46%

LAB 43.71, 63.41, 45.31

 

CMYK 0 / 85 / 46 / 21

HEX #CA1F6E

RGB 202 31 110

HSL 332.28, 0.73%, 0.46%

LAB 45.17, 67.69, -0.35

 

CMYK 0 / 85 / 23 / 21

HEX #CA1F9C

RGB 202 31 156

HSL 316.14, 0.73%, 0.46%

LAB 46.89, 72.53, -25.78

 

CMYK 0 / 85 / 0 / 21

HEX #CA1FCA

RGB 202 31 202

HSL 300, 0.73%, 0.46%

LAB 49.25, 78.84, -49.1

 

CMYK 22 / 85 / 0 / 21

HEX #9D1FCA

RGB 157 31 202

HSL 284.21, 0.73%, 0.46%

LAB 41.86, 71.18, -61.38

 

CMYK 46 / 85 / 0 / 21

HEX #6E1FCA

RGB 110 31 202

HSL 267.72, 0.73%, 0.46%

LAB 35.12, 64.54, -72.67

 

CMYK 0 / 85 / 46 / 21

HEX #CA1F6E

RGB 202 31 110

HSL 332.28, 0.73%, 0.46%

LAB 45.17, 67.69, -0.35

 

CMYK 0 / 95 / 51 / 13

HEX #DD0C6C

RGB 221 12 108

HSL 332.44, 0.9%, 0.46%

LAB 47.9, 74.76, 5.32

 

CMYK 0 / 85 / 46 / 21

HEX #CA1F6E

RGB 202 31 110

HSL 332.28, 0.73%, 0.46%

LAB 45.17, 67.69, -0.35

 

CMYK 0 / 73 / 39 / 28

HEX #B7326F

RGB 183 50 111

HSL 332.48, 0.57%, 0.46%

LAB 43.5, 57.52, -3.83

 

CMYK 0 / 58 / 31 / 36

HEX #A44571

RGB 164 69 113

HSL 332.21, 0.41%, 0.46%

LAB 43.27, 43.97, -5.76

 

CMYK 0 / 39 / 21 / 43

HEX #915872

RGB 145 88 114

HSL 332.63, 0.24%, 0.46%

LAB 44.54, 27.27, -4.78

 

CMYK 0 / 16 / 9 / 50

HEX #7F6B74

RGB 127 107 116

HSL 333, 0.09%, 0.46%

LAB 47.35, 9.54, -2.07

 

CMYK 0 / 85 / 0 / 21

HEX #CA1FCA

RGB 202 31 202

HSL 300, 0.73%, 0.46%

LAB 49.25, 78.84, -49.1

 

CMYK 0 / 85 / 22 / 21

HEX #CA1F9D

RGB 202 31 157

HSL 315.79, 0.73%, 0.46%

LAB 46.94, 72.65, -26.31

 

CMYK 0 / 85 / 45 / 21

HEX #CA1F6F

RGB 202 31 111

HSL 331.93, 0.73%, 0.46%

LAB 45.2, 67.78, -0.92

 

CMYK 0 / 85 / 68 / 21

HEX #CA1F41

RGB 202 31 65

HSL 348.07, 0.73%, 0.46%

LAB 44.12, 64.63, 26.18

 

CMYK 0 / 79 / 85 / 21

HEX #CA2B1F

RGB 202 43 31

HSL 4.21, 0.73%, 0.46%

LAB 44.78, 60.37, 46.25

 

CMYK 0 / 85 / 46 / 49

HEX #831447

RGB 131 20 71

HSL 332.43, 0.74%, 0.3%

LAB 28.85, 48.46, -0.88

 

CMYK 0 / 84 / 46 / 35

HEX #A71A5A

RGB 167 26 90

HSL 332.77, 0.73%, 0.38%

LAB 37.28, 58.26, -0.1

 

CMYK 0 / 85 / 46 / 21

HEX #CA1F6E

RGB 202 31 110

HSL 332.28, 0.73%, 0.46%

LAB 45.17, 67.69, -0.35

 

CMYK 0 / 77 / 42 / 13

HEX #DF3482

RGB 223 52 130

HSL 332.63, 0.73%, 0.54%

LAB 51.56, 69.51, -2.72

 

CMYK 0 / 61 / 33 / 11

HEX #E45898

RGB 228 88 152

HSL 332.57, 0.72%, 0.62%

LAB 57.79, 60.2, -6.44

 

CMYK 0 / 84 / 46 / 21

HEX #CA206E

RGB 202 32 110

HSL 332.47, 0.73%, 0.46%

LAB 45.24, 67.48, -0.24

 

CMYK 0 / 22 / 85 / 21

HEX #CA9D1F

RGB 202 157 31

HSL 44.21, 0.73%, 0.46%

LAB 67.1, 5.76, 65.27

 

CMYK 85 / 11 / 0 / 21

HEX #1FB4CA

RGB 31 180 202

HSL 187.72, 0.73%, 0.46%

LAB 67.43, -28.7, -21.58

 

CMYK 0 / 84 / 46 / 21

HEX #CA206E

RGB 202 32 110

HSL 332.47, 0.73%, 0.46%

LAB 45.24, 67.48, -0.24

 

CMYK 45 / 0 / 85 / 21

HEX #6FCA1F

RGB 111 202 31

HSL 91.93, 0.73%, 0.46%

LAB 73.36, -52.8, 68.1

 

CMYK 85 / 45 / 0 / 21

HEX #1F6FCA

RGB 31 111 202

HSL 211.93, 0.73%, 0.46%

LAB 46.88, 10.2, -53.78

 

CMYK 0 / 84 / 46 / 21

HEX #CA206E

RGB 202 32 110

HSL 332.47, 0.73%, 0.46%

LAB 45.24, 67.48, -0.24

 

CMYK 0 / 22 / 85 / 21

HEX #CA9D1F

RGB 202 157 31

HSL 44.21, 0.73%, 0.46%

LAB 67.1, 5.76, 65.27

 

CMYK 85 / 0 / 39 / 21

HEX #1FCA7B

RGB 31 202 123

HSL 152.28, 0.73%, 0.46%

LAB 72.2, -58.72, 28.17

 

CMYK 85 / 62 / 0 / 21

HEX #1F4DCA

RGB 31 77 202

HSL 223.86, 0.73%, 0.46%

LAB 37.6, 32.28, -68.83

 

CMYK 0 / 84 / 46 / 21

HEX #CA206E

RGB 202 32 110

HSL 332.47, 0.73%, 0.46%

LAB 45.24, 67.48, -0.24

 

CMYK 2 / 0 / 85 / 21

HEX #C5CA1F

RGB 197 202 31

HSL 61.75, 0.73%, 0.46%

LAB 78.58, -19.75, 74.62

 

CMYK 85 / 0 / 39 / 21

HEX #1FCA7B

RGB 31 202 123

HSL 152.28, 0.73%, 0.46%

LAB 72.2, -58.72, 28.17

 

CMYK 82 / 85 / 0 / 21

HEX #251FCA

RGB 37 31 202

HSL 242.11, 0.73%, 0.46%

LAB 28.48, 58.51, -83.87

 

Description

Color code: HEX #CA206E | qconv.com Color code: HEX #CA206E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 32 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 32 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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