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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA1FB4 it is the complementary color #35E04B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA1FB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA1FB4 shade: #CF1FAF, #E031C2, #F143D5, #FF55E8 and #FF67FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA1FB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA1FB4 shade: #CA1FB4, #B90DA1, #A8008E, #97007B and #860068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA1FB4 shade: #CA1FB4, #CA1F86, #CA1F58, #CA1F2A and #CA1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA1FB4 shade: #CA1FB4, #B21FCA, #841FCA, #561FCA and #281FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA1FB4 shade matches the following richer shades: #CA1FB4 and #DD0CC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA1FB4 shade: #CA1FB4, #B732A6, #A44598, #91588A and #7F6B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA1FB4 shade: #831FCA, #B11FCA, #CA1FB6, #CA1F89 and #CA1F5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA1FB4 shade: #831475, #A71A95, #CA1FB4, #DF34C9 and #E458D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA1FB4 shade: #CA1FB4, #CA551F and #1FCA9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA1FB4 shade: #CA1FB4, #B6CA1F and #1FB6CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA1FB4 shade: #CA1FB4, #CA551F, #1FCA33 and #1F94CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA1FB4 shade: #CA1FB4, #CA891F, #1FCA33 and #1F61CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

Complementary color

CMYK 76 / 0 / 67 / 12

HEX #35E04B

RGB 53 224 75

HSL 127.72, 0.73%, 0.54%

LAB 78.8, -70.48, 58.7

 

CMYK 0 / 85 / 15 / 19

HEX #CF1FAF

RGB 207 31 175

HSL 310.91, 0.74%, 0.47%

LAB 48.69, 75.98, -34.19

 

CMYK 0 / 78 / 13 / 12

HEX #E031C2

RGB 224 49 194

HSL 310.29, 0.74%, 0.54%

LAB 53.96, 77.99, -36.78

 

CMYK 0 / 72 / 12 / 5

HEX #F143D5

RGB 241 67 213

HSL 309.66, 0.86%, 0.6%

LAB 59.45, 79.19, -38.84

 

CMYK 0 / 67 / 9 / 0

HEX #FF55E8

RGB 255 85 232

HSL 308.12, 1%, 0.67%

LAB 64.63, 79.11, -41.24

 

CMYK 0 / 60 / 2 / 0

HEX #FF67FB

RGB 255 103 251

HSL 301.58, 1%, 0.7%

LAB 67.97, 75.19, -46.5

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 0 / 93 / 13 / 27

HEX #B90DA1

RGB 185 13 161

HSL 308.37, 0.87%, 0.39%

LAB 43.03, 72.57, -35.05

 

CMYK 0 / 100 / 15 / 34

HEX #A8008E

RGB 168 0 142

HSL 309.29, 1%, 0.33%

LAB 38.34, 68.21, -31.13

 

CMYK 0 / 100 / 19 / 41

HEX #97007B

RGB 151 0 123

HSL 311.13, 1%, 0.3%

LAB 34, 62.48, -26.38

 

CMYK 0 / 100 / 22 / 47

HEX #860068

RGB 134 0 104

HSL 313.43, 1%, 0.26%

LAB 29.58, 56.63, -21.43

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 0 / 85 / 34 / 21

HEX #CA1F86

RGB 202 31 134

HSL 323.86, 0.73%, 0.46%

LAB 45.99, 70.01, -13.88

 

CMYK 0 / 85 / 56 / 21

HEX #CA1F58

RGB 202 31 88

HSL 340, 0.73%, 0.46%

LAB 44.58, 65.98, 12.5

 

CMYK 0 / 85 / 79 / 21

HEX #CA1F2A

RGB 202 31 42

HSL 356.14, 0.73%, 0.46%

LAB 43.8, 63.71, 39.5

 

CMYK 0 / 85 / 85 / 21

HEX #CA1F1F

RGB 202 31 31

HSL 0, 0.73%, 0.46%

LAB 43.71, 63.41, 45.31

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 12 / 85 / 0 / 21

HEX #B21FCA

RGB 178 31 202

HSL 291.58, 0.73%, 0.46%

LAB 45.23, 74.63, -55.77

 

CMYK 35 / 85 / 0 / 21

HEX #841FCA

RGB 132 31 202

HSL 275.44, 0.73%, 0.46%

LAB 38.11, 67.43, -67.66

 

CMYK 57 / 85 / 0 / 21

HEX #561FCA

RGB 86 31 202

HSL 259.3, 0.73%, 0.46%

LAB 32.31, 61.91, -77.41

 

CMYK 80 / 85 / 0 / 21

HEX #281FCA

RGB 40 31 202

HSL 243.16, 0.73%, 0.46%

LAB 28.63, 58.64, -83.62

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 0 / 95 / 12 / 13

HEX #DD0CC2

RGB 221 12 194

HSL 307.75, 0.9%, 0.46%

LAB 51.3, 83.62, -41.01

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 0 / 73 / 9 / 28

HEX #B732A6

RGB 183 50 166

HSL 307.67, 0.57%, 0.46%

LAB 45.77, 64.65, -33.73

 

CMYK 0 / 58 / 7 / 36

HEX #A44598

RGB 164 69 152

HSL 307.58, 0.41%, 0.46%

LAB 44.82, 49.88, -27.09

 

CMYK 0 / 39 / 5 / 43

HEX #91588A

RGB 145 88 138

HSL 307.37, 0.24%, 0.46%

LAB 45.41, 31.49, -17.99

 

CMYK 0 / 16 / 2 / 50

HEX #7F6B7C

RGB 127 107 124

HSL 309, 0.09%, 0.46%

LAB 47.6, 11.1, -6.48

 

CMYK 35 / 85 / 0 / 21

HEX #831FCA

RGB 131 31 202

HSL 275.09, 0.73%, 0.46%

LAB 37.97, 67.29, -67.9

 

CMYK 12 / 85 / 0 / 21

HEX #B11FCA

RGB 177 31 202

HSL 291.23, 0.73%, 0.46%

LAB 45.07, 74.47, -56.04

 

CMYK 0 / 85 / 10 / 21

HEX #CA1FB6

RGB 202 31 182

HSL 307.02, 0.73%, 0.46%

LAB 48.15, 75.94, -39.21

 

CMYK 0 / 85 / 32 / 21

HEX #CA1F89

RGB 202 31 137

HSL 322.81, 0.73%, 0.46%

LAB 46.1, 70.33, -15.53

 

CMYK 0 / 85 / 55 / 21

HEX #CA1F5B

RGB 202 31 91

HSL 338.95, 0.73%, 0.46%

LAB 44.65, 66.19, 10.73

 

CMYK 0 / 85 / 11 / 49

HEX #831475

RGB 131 20 117

HSL 307.57, 0.74%, 0.3%

LAB 30.9, 54.26, -27.73

 

CMYK 0 / 84 / 11 / 35

HEX #A71A95

RGB 167 26 149

HSL 307.66, 0.73%, 0.38%

LAB 39.79, 65.27, -33.13

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 0 / 77 / 10 / 13

HEX #DF34C9

RGB 223 52 201

HSL 307.72, 0.73%, 0.54%

LAB 54.41, 77.97, -40.13

 

CMYK 0 / 61 / 8 / 11

HEX #E458D2

RGB 228 88 210

HSL 307.71, 0.72%, 0.62%

LAB 60, 68.12, -36.42

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 0 / 58 / 85 / 21

HEX #CA551F

RGB 202 85 31

HSL 18.95, 0.73%, 0.46%

LAB 50.87, 43.9, 51.54

 

CMYK 85 / 0 / 24 / 21

HEX #1FCA9A

RGB 31 202 154

HSL 163.16, 0.73%, 0.46%

LAB 72.8, -52, 12.57

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 10 / 0 / 85 / 21

HEX #B6CA1F

RGB 182 202 31

HSL 67.02, 0.73%, 0.46%

LAB 77.45, -26.06, 73.22

 

CMYK 85 / 10 / 0 / 21

HEX #1FB6CA

RGB 31 182 202

HSL 187.02, 0.73%, 0.46%

LAB 68.03, -29.69, -20.66

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 0 / 58 / 85 / 21

HEX #CA551F

RGB 202 85 31

HSL 18.95, 0.73%, 0.46%

LAB 50.87, 43.9, 51.54

 

CMYK 85 / 0 / 75 / 21

HEX #1FCA33

RGB 31 202 51

HSL 127.02, 0.73%, 0.46%

LAB 71.4, -68.42, 59.82

 

CMYK 85 / 27 / 0 / 21

HEX #1F94CA

RGB 31 148 202

HSL 198.95, 0.73%, 0.46%

LAB 57.79, -11.9, -36.47

 

CMYK 0 / 85 / 11 / 21

HEX #CA1FB4

RGB 202 31 180

HSL 307.72, 0.73%, 0.46%

LAB 48.05, 75.66, -38.2

 

CMYK 0 / 32 / 85 / 21

HEX #CA891F

RGB 202 137 31

HSL 37.19, 0.73%, 0.46%

LAB 62.12, 16.63, 61.1

 

CMYK 85 / 0 / 75 / 21

HEX #1FCA33

RGB 31 202 51

HSL 127.02, 0.73%, 0.46%

LAB 71.4, -68.42, 59.82

 

CMYK 85 / 52 / 0 / 21

HEX #1F61CA

RGB 31 97 202

HSL 216.84, 0.73%, 0.46%

LAB 42.92, 19.2, -60.15

 

Description

Color code: HEX #CA1FB4 | qconv.com Color code: HEX #CA1FB4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 31 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 31 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 11 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 11% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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