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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA0651 it is the complementary color #35F9AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA0651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA0651 shade: #CF064C, #E0185F, #F12A72, #FF3C85 and #FF4E98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA0651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA0651 shade: #CA0651, #B9003E, #A8002B, #970018 and #860005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA0651 shade: #CA0651, #CA061C and #CA0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA0651 shade: #CA0651, #CA0686, #CA06BB, #A506CA and #7006CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA0651 shade matches the following richer shades: #CA0651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA0651 shade: #CA0651, #B91755, #A82859, #98395D and #874961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA0651 shade: #CA06BA, #CA0686, #CA0651, #CA061D and #CA2306

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA0651 shade: #7A0331, #A20541, #CA0651, #F20761 and #F82B79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA0651 shade: #CA0651, #CAA606 and #06A0CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA0651 shade: #CA0651, #51CA06 and #0651CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA0651 shade: #CA0651, #CAA606, #06CA7F and #062ACA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA0651 shade: #CA0651, #B3CA06, #06CA7F and #1D06CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

Complementary color

CMYK 79 / 0 / 30 / 2

HEX #35F9AE

RGB 53 249 174

HSL 157.04, 0.94%, 0.59%

LAB 87.76, -63.45, 22.97

 

CMYK 0 / 97 / 63 / 19

HEX #CF064C

RGB 207 6 76

HSL 339.1, 0.94%, 0.42%

LAB 44.11, 69.98, 19.55

 

CMYK 0 / 89 / 58 / 12

HEX #E0185F

RGB 224 24 95

HSL 338.7, 0.81%, 0.49%

LAB 48.67, 73.15, 14.49

 

CMYK 0 / 83 / 53 / 5

HEX #F12A72

RGB 241 42 114

HSL 338.29, 0.88%, 0.55%

LAB 53.57, 75.27, 10.25

 

CMYK 0 / 76 / 48 / 0

HEX #FF3C85

RGB 255 60 133

HSL 337.54, 1%, 0.62%

LAB 58.21, 75.76, 5.87

 

CMYK 0 / 69 / 40 / 0

HEX #FF4E98

RGB 255 78 152

HSL 334.92, 1%, 0.65%

LAB 60.76, 71.77, -1.57

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 100 / 66 / 27

HEX #B9003E

RGB 185 0 62

HSL 339.89, 1%, 0.36%

LAB 39.01, 64.59, 20.84

 

CMYK 0 / 100 / 74 / 34

HEX #A8002B

RGB 168 0 43

HSL 344.64, 1%, 0.33%

LAB 35, 59.56, 27.18

 

CMYK 0 / 100 / 84 / 41

HEX #970018

RGB 151 0 24

HSL 350.46, 1%, 0.3%

LAB 30.99, 54.61, 33.44

 

CMYK 0 / 100 / 96 / 47

HEX #860005

RGB 134 0 5

HSL 357.76, 1%, 0.26%

LAB 26.96, 49.76, 37.84

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 97 / 86 / 21

HEX #CA061C

RGB 202 6 28

HSL 353.27, 0.94%, 0.41%

LAB 42.42, 66.99, 45.71

 

CMYK 0 / 97 / 97 / 21

HEX #CA0606

RGB 202 6 6

HSL 0, 0.94%, 0.41%

LAB 42.31, 66.69, 54.42

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 97 / 34 / 21

HEX #CA0686

RGB 202 6 134

HSL 320.82, 0.94%, 0.41%

LAB 44.81, 73.42, -15.66

 

CMYK 0 / 97 / 7 / 21

HEX #CA06BB

RGB 202 6 187

HSL 304.59, 0.94%, 0.41%

LAB 47.33, 79.82, -43.44

 

CMYK 18 / 97 / 0 / 21

HEX #A506CA

RGB 165 6 202

HSL 288.67, 0.94%, 0.41%

LAB 41.84, 76.29, -61.37

 

CMYK 45 / 97 / 0 / 21

HEX #7006CA

RGB 112 6 202

HSL 272.45, 0.94%, 0.41%

LAB 33.65, 69.96, -75.09

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 88 / 54 / 27

HEX #B91755

RGB 185 23 85

HSL 337.04, 0.78%, 0.41%

LAB 40.55, 63.05, 8.25

 

CMYK 0 / 76 / 47 / 34

HEX #A82859

RGB 168 40 89

HSL 337.03, 0.62%, 0.41%

LAB 38.84, 54.5, 2.82

 

CMYK 0 / 63 / 39 / 40

HEX #98395D

RGB 152 57 93

HSL 337.26, 0.45%, 0.41%

LAB 38.54, 43.22, -0.5

 

CMYK 0 / 46 / 28 / 47

HEX #874961

RGB 135 73 97

HSL 336.77, 0.3%, 0.41%

LAB 39.21, 29.4, -2.34

 

CMYK 0 / 97 / 8 / 21

HEX #CA06BA

RGB 202 6 186

HSL 304.9, 0.94%, 0.41%

LAB 47.28, 79.68, -42.94

 

CMYK 0 / 97 / 34 / 21

HEX #CA0686

RGB 202 6 134

HSL 320.82, 0.94%, 0.41%

LAB 44.81, 73.42, -15.66

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 97 / 86 / 21

HEX #CA061D

RGB 202 6 29

HSL 352.96, 0.94%, 0.41%

LAB 42.42, 67.01, 45.21

 

CMYK 0 / 83 / 97 / 21

HEX #CA2306

RGB 202 35 6

HSL 8.88, 0.94%, 0.41%

LAB 43.9, 62.11, 55.2

 

CMYK 0 / 98 / 60 / 52

HEX #7A0331

RGB 122 3 49

HSL 336.81, 0.95%, 0.25%

LAB 25.03, 47.74, 8.34

 

CMYK 0 / 97 / 60 / 36

HEX #A20541

RGB 162 5 65

HSL 337.07, 0.94%, 0.33%

LAB 34.34, 58.58, 11.8

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 97 / 60 / 5

HEX #F20761

RGB 242 7 97

HSL 337.02, 0.94%, 0.49%

LAB 51.72, 79.2, 18.01

 

CMYK 0 / 83 / 51 / 3

HEX #F82B79

RGB 248 43 121

HSL 337.17, 0.94%, 0.57%

LAB 55.14, 77.28, 8.45

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 18 / 97 / 21

HEX #CAA606

RGB 202 166 6

HSL 48.98, 0.94%, 0.41%

LAB 69.36, 0.51, 71.66

 

CMYK 97 / 21 / 0 / 21

HEX #06A0CA

RGB 6 160 202

HSL 192.86, 0.94%, 0.41%

LAB 61.17, -19.68, -31.22

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 60 / 0 / 97 / 21

HEX #51CA06

RGB 81 202 6

HSL 97.04, 0.94%, 0.41%

LAB 72.23, -61.89, 70.61

 

CMYK 97 / 60 / 0 / 21

HEX #0651CA

RGB 6 81 202

HSL 217.04, 0.94%, 0.41%

LAB 38.18, 28.5, -67.89

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 0 / 18 / 97 / 21

HEX #CAA606

RGB 202 166 6

HSL 48.98, 0.94%, 0.41%

LAB 69.36, 0.51, 71.66

 

CMYK 97 / 0 / 37 / 21

HEX #06CA7F

RGB 6 202 127

HSL 157.04, 0.94%, 0.41%

LAB 72.1, -59.28, 25.92

 

CMYK 97 / 79 / 0 / 21

HEX #062ACA

RGB 6 42 202

HSL 228.98, 0.94%, 0.41%

LAB 29.31, 52.46, -82.52

 

CMYK 0 / 97 / 60 / 21

HEX #CA0651

RGB 202 6 81

HSL 337.04, 0.94%, 0.41%

LAB 43.18, 69.09, 14.98

 

CMYK 11 / 0 / 97 / 21

HEX #B3CA06

RGB 179 202 6

HSL 67.04, 0.94%, 0.41%

LAB 77.18, -27.76, 76.6

 

CMYK 97 / 0 / 37 / 21

HEX #06CA7F

RGB 6 202 127

HSL 157.04, 0.94%, 0.41%

LAB 72.1, -59.28, 25.92

 

CMYK 86 / 97 / 0 / 21

HEX #1D06CA

RGB 29 6 202

HSL 247.04, 0.94%, 0.41%

LAB 25.73, 65.49, -88.47

 

Description

Color code: HEX #CA0651 | qconv.com Color code: HEX #CA0651 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 6 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 6 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 60 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 60% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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