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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCFE5C it is the complementary color #3301A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCFE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCFE5C shade: #D1FE57, #E2FF6A, #F3FF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCFE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCFE5C shade: #CCFE5C, #BBEC49, #AADA36, #99C823 and #88B610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCFE5C shade: #CCFE5C, #F7FE5C, #FED85C, #FEAD5C and #FE815C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCFE5C shade: #CCFE5C, #A0FE5C, #75FE5C, #5CFE6F and #5CFE9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCFE5C shade matches the following richer shades: #CCFE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCFE5C shade: #CCFE5C, #C7F069, #C2E377, #BDD684 and #B8C991

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCFE5C shade: #FED85C, #F8FE5C, #CDFE5C, #A2FE5C and #77FE5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCFE5C shade: #B2FD0A, #BFFD33, #CCFE5C, #D9FE85 and #E5FEAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCFE5C shade: #CCFE5C, #5CFEAD and #EE5CFE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCFE5C shade: #CCFE5C, #5CCDFE and #FE5CCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCFE5C shade: #CCFE5C, #5CFEAD, #8D5CFE and #FE5CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCFE5C shade: #CCFE5C, #5CFEDD, #8D5CFE and #FE5C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

Complementary color

CMYK 69 / 99 / 0 / 36

HEX #3301A3

RGB 51 1 163

HSL 258.52, 0.99%, 0.32%

LAB 21.47, 57.5, -72.25

 

CMYK 18 / 0 / 66 / 0

HEX #D1FE57

RGB 209 254 87

HSL 76.17, 0.99%, 0.67%

LAB 93.94, -36.87, 72

 

CMYK 11 / 0 / 58 / 0

HEX #E2FF6A

RGB 226 255 106

HSL 71.68, 1%, 0.71%

LAB 95.47, -29.52, 66.4

 

CMYK 5 / 0 / 51 / 0

HEX #F3FF7D

RGB 243 255 125

HSL 65.54, 1%, 0.75%

LAB 96.84, -21.45, 60.02

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 21 / 0 / 69 / 7

HEX #BBEC49

RGB 187 236 73

HSL 78.04, 0.81%, 0.61%

LAB 87.5, -38, 70.15

 

CMYK 22 / 0 / 75 / 15

HEX #AADA36

RGB 170 218 54

HSL 77.56, 0.69%, 0.53%

LAB 81.27, -37.47, 70.14

 

CMYK 24 / 0 / 83 / 22

HEX #99C823

RGB 153 200 35

HSL 77.09, 0.7%, 0.46%

LAB 74.95, -36.77, 69.38

 

CMYK 25 / 0 / 91 / 29

HEX #88B610

RGB 136 182 16

HSL 76.63, 0.84%, 0.39%

LAB 68.55, -35.87, 67.44

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 3 / 0 / 64 / 0

HEX #F7FE5C

RGB 247 254 92

HSL 62.59, 0.99%, 0.68%

LAB 96.59, -21.75, 73.67

 

CMYK 0 / 15 / 64 / 0

HEX #FED85C

RGB 254 216 92

HSL 45.93, 0.99%, 0.68%

LAB 87.46, -0.18, 64.18

 

CMYK 0 / 32 / 64 / 0

HEX #FEAD5C

RGB 254 173 92

HSL 30, 0.99%, 0.68%

LAB 77.12, 22.11, 52.72

 

CMYK 0 / 49 / 64 / 0

HEX #FE815C

RGB 254 129 92

HSL 13.7, 0.99%, 0.68%

LAB 67.68, 44.68, 41.68

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 37 / 0 / 64 / 0

HEX #A0FE5C

RGB 160 254 92

HSL 94.81, 0.99%, 0.68%

LAB 91.29, -53.87, 66.46

 

CMYK 54 / 0 / 64 / 0

HEX #75FE5C

RGB 117 254 92

HSL 110.74, 0.99%, 0.68%

LAB 89.6, -66.31, 64.12

 

CMYK 64 / 0 / 56 / 0

HEX #5CFE6F

RGB 92 254 111

HSL 127.04, 0.99%, 0.68%

LAB 89.07, -69.86, 55.3

 

CMYK 64 / 0 / 39 / 0

HEX #5CFE9B

RGB 92 254 155

HSL 143.33, 0.99%, 0.68%

LAB 89.64, -63.43, 35.2

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 17 / 0 / 56 / 6

HEX #C7F069

RGB 199 240 105

HSL 78.22, 0.82%, 0.68%

LAB 89.62, -32.96, 59.77

 

CMYK 15 / 0 / 48 / 11

HEX #C2E377

RGB 194 227 119

HSL 78.33, 0.66%, 0.68%

LAB 85.88, -27.46, 48.87

 

CMYK 12 / 0 / 38 / 16

HEX #BDD684

RGB 189 214 132

HSL 78.29, 0.5%, 0.68%

LAB 82.15, -21.61, 37.75

 

CMYK 8 / 0 / 28 / 21

HEX #B8C991

RGB 184 201 145

HSL 78.21, 0.34%, 0.68%

LAB 78.47, -15.29, 26.13

 

CMYK 0 / 15 / 64 / 0

HEX #FED85C

RGB 254 216 92

HSL 45.93, 0.99%, 0.68%

LAB 87.46, -0.18, 64.18

 

CMYK 2 / 0 / 64 / 0

HEX #F8FE5C

RGB 248 254 92

HSL 62.22, 0.99%, 0.68%

LAB 96.66, -21.36, 73.77

 

CMYK 19 / 0 / 64 / 0

HEX #CDFE5C

RGB 205 254 92

HSL 78.15, 0.99%, 0.68%

LAB 93.73, -38.04, 69.79

 

CMYK 36 / 0 / 64 / 0

HEX #A2FE5C

RGB 162 254 92

HSL 94.07, 0.99%, 0.68%

LAB 91.39, -53.22, 66.59

 

CMYK 53 / 0 / 64 / 0

HEX #77FE5C

RGB 119 254 92

HSL 110, 0.99%, 0.68%

LAB 89.66, -65.8, 64.21

 

CMYK 30 / 0 / 96 / 1

HEX #B2FD0A

RGB 178 253 10

HSL 78.52, 0.98%, 0.52%

LAB 91.57, -50.71, 87.34

 

CMYK 25 / 0 / 80 / 1

HEX #BFFD33

RGB 191 253 51

HSL 78.42, 0.98%, 0.6%

LAB 92.38, -45.01, 81.63

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 15 / 0 / 48 / 0

HEX #D9FE85

RGB 217 254 133

HSL 78.35, 0.98%, 0.76%

LAB 94.88, -30.09, 53.58

 

CMYK 10 / 0 / 31 / 0

HEX #E5FEAE

RGB 229 254 174

HSL 78.75, 0.98%, 0.84%

LAB 96.24, -20.96, 35.65

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 64 / 0 / 32 / 0

HEX #5CFEAD

RGB 92 254 173

HSL 150, 0.99%, 0.68%

LAB 89.94, -60.14, 26.59

 

CMYK 6 / 64 / 0 / 0

HEX #EE5CFE

RGB 238 92 254

HSL 294.07, 0.99%, 0.68%

LAB 64.15, 76.11, -54.34

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 64 / 19 / 0 / 0

HEX #5CCDFE

RGB 92 205 254

HSL 198.15, 0.99%, 0.68%

LAB 77.93, -17.69, -33.55

 

CMYK 0 / 64 / 19 / 0

HEX #FE5CCD

RGB 254 92 205

HSL 318.15, 0.99%, 0.68%

LAB 64.27, 72.48, -26.68

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 64 / 0 / 32 / 0

HEX #5CFEAD

RGB 92 254 173

HSL 150, 0.99%, 0.68%

LAB 89.94, -60.14, 26.59

 

CMYK 44 / 64 / 0 / 0

HEX #8D5CFE

RGB 141 92 254

HSL 258.15, 0.99%, 0.68%

LAB 52.37, 55.67, -73.9

 

CMYK 0 / 64 / 32 / 0

HEX #FE5CAD

RGB 254 92 173

HSL 330, 0.99%, 0.68%

LAB 63.13, 68.5, -10.2

 

CMYK 20 / 0 / 64 / 0

HEX #CCFE5C

RGB 204 254 92

HSL 78.52, 0.99%, 0.68%

LAB 93.66, -38.42, 69.7

 

CMYK 64 / 0 / 13 / 0

HEX #5CFEDD

RGB 92 254 221

HSL 167.78, 0.99%, 0.68%

LAB 90.95, -49.7, 3.37

 

CMYK 44 / 64 / 0 / 0

HEX #8D5CFE

RGB 141 92 254

HSL 258.15, 0.99%, 0.68%

LAB 52.37, 55.67, -73.9

 

CMYK 0 / 64 / 51 / 0

HEX #FE5C7C

RGB 254 92 124

HSL 348.15, 0.99%, 0.68%

LAB 61.81, 63.72, 16.18

 

Description

Color code: HEX #CCFE5C | qconv.com Color code: HEX #CCFE5C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 254 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 254 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 64 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 64% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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