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Color name
HEX #CCF217

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCF217 it is the complementary color #330DE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCF217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCF217 shade: #D1F212, #E2FF25, #F3FF38, #FFFF4B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCF217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCF217 shade: #CCF217, #BBE004, #AACE00, #99BC00 and #88AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCF217 shade: #CBF117, #F1DC17, #F1A117, #F16717 and #F12C17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCF217 shade: #CBF117, #90F117, #56F117, #1BF117 and #17F14E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCF217 shade matches the following richer shades: #CBF117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCF217 shade: #CBF117, #BEDD2B, #B1C93F, #A4B653 and #98A266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCF217 shade: #F1A117, #F1DB17, #CDF117, #93F117 and #59F117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCF217 shade: #90AC0A, #B1D30C, #CBF117, #D4F33E and #DDF665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCF217 shade: #CCF217, #17F167 and #BE17F1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCF217 shade: #CCF217, #17CDF1 and #F117CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCF217 shade: #CCF217, #17F167, #3B17F1 and #F117A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCF217 shade: #CCF217, #17F1A8, #3B17F1 and #F11760

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 90 / 5

HEX #CCF217

RGB 204 242 23

HSL 70.41, 0.89%, 0.52%

LAB 90.05, -35.92, 85.47

 

Complementary color

CMYK 78 / 94 / 0 / 9

HEX #330DE8

RGB 51 13 232

HSL 250.41, 0.89%, 0.48%

LAB 31.39, 72.24, -96.34

 

CMYK 14 / 0 / 93 / 5

HEX #D1F212

RGB 209 242 18

HSL 68.84, 0.9%, 0.51%

LAB 90.37, -34.01, 86.48

 

CMYK 11 / 0 / 85 / 0

HEX #E2FF25

RGB 226 255 37

HSL 67.98, 1%, 0.57%

LAB 95.09, -32.82, 87.9

 

CMYK 5 / 0 / 78 / 0

HEX #F3FF38

RGB 243 255 56

HSL 63.62, 1%, 0.61%

LAB 96.35, -25.47, 85.16

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 16 / 0 / 90 / 5

HEX #CCF217

RGB 204 242 23

HSL 70.41, 0.89%, 0.52%

LAB 90.05, -35.92, 85.47

 

CMYK 17 / 0 / 98 / 12

HEX #BBE004

RGB 187 224 4

HSL 70.09, 0.96%, 0.45%

LAB 83.91, -34.76, 82.14

 

CMYK 17 / 0 / 100 / 19

HEX #AACE00

RGB 170 206 0

HSL 70.49, 1%, 0.4%

LAB 77.69, -33.41, 77.31

 

CMYK 19 / 0 / 100 / 26

HEX #99BC00

RGB 153 188 0

HSL 71.17, 1%, 0.37%

LAB 71.38, -32.01, 72.05

 

CMYK 20 / 0 / 100 / 33

HEX #88AA00

RGB 136 170 0

HSL 72, 1%, 0.33%

LAB 64.95, -30.59, 66.7

 

CMYK 16 / 0 / 90 / 5

HEX #CBF117

RGB 203 241 23

HSL 70.46, 0.89%, 0.52%

LAB 89.71, -35.87, 85.17

 

CMYK 0 / 9 / 90 / 5

HEX #F1DC17

RGB 241 220 23

HSL 54.22, 0.89%, 0.52%

LAB 86.97, -10.16, 84.27

 

CMYK 0 / 33 / 90 / 5

HEX #F1A117

RGB 241 161 23

HSL 37.98, 0.89%, 0.52%

LAB 72.4, 20.37, 73.21

 

CMYK 0 / 57 / 90 / 5

HEX #F16717

RGB 241 103 23

HSL 22.02, 0.89%, 0.52%

LAB 60.3, 49.75, 64.37

 

CMYK 0 / 82 / 90 / 5

HEX #F12C17

RGB 241 44 23

HSL 5.78, 0.89%, 0.52%

LAB 52.47, 71.04, 58.93

 

CMYK 16 / 0 / 90 / 5

HEX #CBF117

RGB 203 241 23

HSL 70.46, 0.89%, 0.52%

LAB 89.71, -35.87, 85.17

 

CMYK 40 / 0 / 90 / 5

HEX #90F117

RGB 144 241 23

HSL 86.7, 0.89%, 0.52%

LAB 86.46, -57.45, 81.19

 

CMYK 64 / 0 / 90 / 5

HEX #56F117

RGB 86 241 23

HSL 102.66, 0.89%, 0.52%

LAB 84.46, -73.11, 78.72

 

CMYK 89 / 0 / 90 / 5

HEX #1BF117

RGB 27 241 23

HSL 118.9, 0.89%, 0.52%

LAB 83.55, -81.04, 77.59

 

CMYK 90 / 0 / 68 / 5

HEX #17F14E

RGB 23 241 78

HSL 135.14, 0.89%, 0.52%

LAB 83.78, -78.01, 62.79

 

CMYK 16 / 0 / 90 / 5

HEX #CBF117

RGB 203 241 23

HSL 70.46, 0.89%, 0.52%

LAB 89.71, -35.87, 85.17

 

CMYK 16 / 0 / 90 / 5

HEX #CBF117

RGB 203 241 23

HSL 70.46, 0.89%, 0.52%

LAB 89.71, -35.87, 85.17

 

CMYK 14 / 0 / 81 / 13

HEX #BEDD2B

RGB 190 221 43

HSL 70.45, 0.72%, 0.52%

LAB 83.36, -31.39, 75.66

 

CMYK 12 / 0 / 69 / 21

HEX #B1C93F

RGB 177 201 63

HSL 70.43, 0.56%, 0.52%

LAB 76.97, -26.3, 63

 

CMYK 10 / 0 / 54 / 29

HEX #A4B653

RGB 164 182 83

HSL 70.91, 0.4%, 0.52%

LAB 70.85, -20.83, 47.58

 

CMYK 6 / 0 / 37 / 36

HEX #98A266

RGB 152 162 102

HSL 70, 0.24%, 0.52%

LAB 64.54, -13.42, 30.04

 

CMYK 0 / 33 / 90 / 5

HEX #F1A117

RGB 241 161 23

HSL 37.98, 0.89%, 0.52%

LAB 72.4, 20.37, 73.21

 

CMYK 0 / 9 / 90 / 5

HEX #F1DB17

RGB 241 219 23

HSL 53.94, 0.89%, 0.52%

LAB 86.71, -9.66, 84.07

 

CMYK 15 / 0 / 90 / 5

HEX #CDF117

RGB 205 241 23

HSL 69.91, 0.89%, 0.52%

LAB 89.84, -35.07, 85.33

 

CMYK 39 / 0 / 90 / 5

HEX #93F117

RGB 147 241 23

HSL 85.87, 0.89%, 0.52%

LAB 86.59, -56.46, 81.36

 

CMYK 63 / 0 / 90 / 5

HEX #59F117

RGB 89 241 23

HSL 101.83, 0.89%, 0.52%

LAB 84.53, -72.48, 78.82

 

CMYK 16 / 0 / 94 / 33

HEX #90AC0A

RGB 144 172 10

HSL 70.37, 0.89%, 0.36%

LAB 66.1, -28.03, 66.55

 

CMYK 16 / 0 / 94 / 17

HEX #B1D30C

RGB 177 211 12

HSL 70.25, 0.89%, 0.44%

LAB 79.59, -32.74, 77.81

 

CMYK 16 / 0 / 90 / 5

HEX #CBF117

RGB 203 241 23

HSL 70.46, 0.89%, 0.52%

LAB 89.71, -35.87, 85.17

 

CMYK 13 / 0 / 74 / 5

HEX #D4F33E

RGB 212 243 62

HSL 70.28, 0.88%, 0.6%

LAB 90.98, -32.05, 77.75

 

CMYK 10 / 0 / 59 / 4

HEX #DDF665

RGB 221 246 101

HSL 70.34, 0.89%, 0.68%

LAB 92.67, -27.62, 65.31

 

CMYK 16 / 0 / 90 / 5

HEX #CCF217

RGB 204 242 23

HSL 70.41, 0.89%, 0.52%

LAB 90.05, -35.92, 85.47

 

CMYK 90 / 0 / 57 / 5

HEX #17F167

RGB 23 241 103

HSL 142.02, 0.89%, 0.52%

LAB 84, -75.22, 52.63

 

CMYK 21 / 90 / 0 / 5

HEX #BE17F1

RGB 190 23 241

HSL 285.96, 0.89%, 0.52%

LAB 49.39, 84.61, -71.2

 

CMYK 16 / 0 / 90 / 5

HEX #CCF217

RGB 204 242 23

HSL 70.41, 0.89%, 0.52%

LAB 90.05, -35.92, 85.47

 

CMYK 90 / 15 / 0 / 5

HEX #17CDF1

RGB 23 205 241

HSL 189.91, 0.89%, 0.52%

LAB 76.19, -28.83, -29.37

 

CMYK 0 / 90 / 15 / 5

HEX #F117CD

RGB 241 23 205

HSL 309.91, 0.89%, 0.52%

LAB 55.81, 87.55, -40

 

CMYK 16 / 0 / 90 / 5

HEX #CCF217

RGB 204 242 23

HSL 70.41, 0.89%, 0.52%

LAB 90.05, -35.92, 85.47

 

CMYK 90 / 0 / 57 / 5

HEX #17F167

RGB 23 241 103

HSL 142.02, 0.89%, 0.52%

LAB 84, -75.22, 52.63

 

CMYK 76 / 90 / 0 / 5

HEX #3B17F1

RGB 59 23 241

HSL 249.91, 0.89%, 0.52%

LAB 33.76, 72.58, -97.49

 

CMYK 0 / 90 / 33 / 5

HEX #F117A1

RGB 241 23 161

HSL 322.02, 0.89%, 0.52%

LAB 53.91, 82.56, -17.35

 

CMYK 16 / 0 / 90 / 5

HEX #CCF217

RGB 204 242 23

HSL 70.41, 0.89%, 0.52%

LAB 90.05, -35.92, 85.47

 

CMYK 90 / 0 / 30 / 5

HEX #17F1A8

RGB 23 241 168

HSL 159.91, 0.89%, 0.52%

LAB 84.96, -64, 22.14

 

CMYK 76 / 90 / 0 / 5

HEX #3B17F1

RGB 59 23 241

HSL 249.91, 0.89%, 0.52%

LAB 33.76, 72.58, -97.49

 

CMYK 0 / 90 / 60 / 5

HEX #F11760

RGB 241 23 96

HSL 339.91, 0.89%, 0.52%

LAB 52.02, 77.4, 18.99

 

Description

Color code: HEX #CCF217 | qconv.com Color code: HEX #CCF217 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 242 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 242 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 90 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 90% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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