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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE2A6 it is the complementary color #331D59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE2A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCE2A6 shade: #D1E2A1, #E2F4B4, #F3FFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE2A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCE2A6 shade: #CCE2A6, #BBD093, #AABE80, #99AC6D and #889A5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCE2A6 shade: #CCE2A6, #DCE2A6, #E2D7A6, #E2C7A6 and #E2B7A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCE2A6 shade: #CCE2A6, #BCE2A6, #ACE2A6, #A6E2B0 and #A6E2C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCE2A6 shade matches the following richer shades: #CCE2A6, #CEEB9C, #D1F593 and #D3FE89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCE2A6 shade: #CCE2A6, #C9D8AF, #C7CFB9, #C4C5C2 and #C2BCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCE2A6 shade: #E2D8A6, #DCE2A6, #CCE2A6, #BCE2A6 and #ACE2A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCE2A6 shade: #A8CE68, #BAD887, #CCE2A6, #DEECC5 and #EFF6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCE2A6 shade: #CCE2A6, #A6E2C8 and #E0A6E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCE2A6 shade: #CCE2A6, #A6CCE2 and #E2A6CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCE2A6 shade: #CCE2A6, #A6E2C8, #BCA6E2 and #E2A6C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCE2A6 shade: #CCE2A6, #A6E2DA, #BCA6E2 and #E2A6AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

Complementary color

CMYK 43 / 67 / 0 / 65

HEX #331D59

RGB 51 29 89

HSL 262, 0.51%, 0.23%

LAB 17.01, 25.76, -32.43

 

CMYK 8 / 0 / 29 / 11

HEX #D1E2A1

RGB 209 226 161

HSL 75.69, 0.53%, 0.76%

LAB 87.25, -16.31, 29.96

 

CMYK 7 / 0 / 26 / 4

HEX #E2F4B4

RGB 226 244 180

HSL 76.88, 0.74%, 0.83%

LAB 93.52, -16.38, 28.94

 

CMYK 5 / 0 / 22 / 0

HEX #F3FFC7

RGB 243 255 199

HSL 72.86, 1%, 0.89%

LAB 97.91, -13.03, 25.5

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 10 / 0 / 29 / 18

HEX #BBD093

RGB 187 208 147

HSL 80.66, 0.39%, 0.7%

LAB 80.62, -17.41, 28.02

 

CMYK 11 / 0 / 33 / 25

HEX #AABE80

RGB 170 190 128

HSL 79.35, 0.32%, 0.62%

LAB 74.15, -17.37, 29.11

 

CMYK 11 / 0 / 37 / 33

HEX #99AC6D

RGB 153 172 109

HSL 78.1, 0.28%, 0.55%

LAB 67.56, -17.31, 30.25

 

CMYK 12 / 0 / 42 / 40

HEX #889A5A

RGB 136 154 90

HSL 76.88, 0.26%, 0.48%

LAB 60.86, -17.21, 31.46

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 3 / 0 / 27 / 11

HEX #DCE2A6

RGB 220 226 166

HSL 66, 0.51%, 0.77%

LAB 88.14, -11.57, 28.74

 

CMYK 0 / 5 / 27 / 11

HEX #E2D7A6

RGB 226 215 166

HSL 49, 0.51%, 0.77%

LAB 85.77, -3.75, 25.59

 

CMYK 0 / 12 / 27 / 11

HEX #E2C7A6

RGB 226 199 166

HSL 33, 0.51%, 0.77%

LAB 81.71, 4.55, 20.03

 

CMYK 0 / 19 / 27 / 11

HEX #E2B7A6

RGB 226 183 166

HSL 17, 0.51%, 0.77%

LAB 77.75, 13.02, 14.5

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 17 / 0 / 27 / 11

HEX #BCE2A6

RGB 188 226 166

HSL 98, 0.51%, 0.77%

LAB 85.93, -23.13, 25.36

 

CMYK 24 / 0 / 27 / 11

HEX #ACE2A6

RGB 172 226 166

HSL 114, 0.51%, 0.77%

LAB 84.95, -28.6, 23.87

 

CMYK 27 / 0 / 22 / 11

HEX #A6E2B0

RGB 166 226 176

HSL 130, 0.51%, 0.77%

LAB 84.81, -28.87, 18.42

 

CMYK 27 / 0 / 15 / 11

HEX #A6E2C1

RGB 166 226 193

HSL 147, 0.51%, 0.77%

LAB 85.17, -25.73, 10.03

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 12 / 0 / 34 / 8

HEX #CEEB9C

RGB 206 235 156

HSL 82.03, 0.66%, 0.77%

LAB 89.36, -22.49, 35.28

 

CMYK 15 / 0 / 40 / 4

HEX #D1F593

RGB 209 245 147

HSL 82.04, 0.83%, 0.77%

LAB 92.12, -27.29, 43.35

 

CMYK 17 / 0 / 46 / 0

HEX #D3FE89

RGB 211 254 137

HSL 82.05, 0.98%, 0.77%

LAB 94.54, -31.88, 51.22

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 7 / 0 / 19 / 15

HEX #C9D8AF

RGB 201 216 175

HSL 81.95, 0.34%, 0.77%

LAB 84.29, -12.17, 18.55

 

CMYK 4 / 0 / 11 / 19

HEX #C7CFB9

RGB 199 207 185

HSL 81.82, 0.19%, 0.77%

LAB 81.99, -6.65, 9.99

 

CMYK 1 / 0 / 2 / 23

HEX #C4C5C2

RGB 196 197 194

HSL 80, 0.03%, 0.77%

LAB 79.36, -0.89, 1.37

 

CMYK 5 / 8 / 0 / 20

HEX #C2BCCC

RGB 194 188 204

HSL 262.5, 0.14%, 0.77%

LAB 77.16, 5.1, -7.29

 

CMYK 0 / 4 / 27 / 11

HEX #E2D8A6

RGB 226 216 166

HSL 50, 0.51%, 0.77%

LAB 86.02, -4.26, 25.94

 

CMYK 3 / 0 / 27 / 11

HEX #DCE2A6

RGB 220 226 166

HSL 66, 0.51%, 0.77%

LAB 88.14, -11.57, 28.74

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 17 / 0 / 27 / 11

HEX #BCE2A6

RGB 188 226 166

HSL 98, 0.51%, 0.77%

LAB 85.93, -23.13, 25.36

 

CMYK 24 / 0 / 27 / 11

HEX #ACE2A6

RGB 172 226 166

HSL 114, 0.51%, 0.77%

LAB 84.95, -28.6, 23.87

 

CMYK 18 / 0 / 50 / 19

HEX #A8CE68

RGB 168 206 104

HSL 82.35, 0.51%, 0.61%

LAB 78.15, -28.89, 46.28

 

CMYK 14 / 0 / 38 / 15

HEX #BAD887

RGB 186 216 135

HSL 82.22, 0.51%, 0.69%

LAB 82.54, -23.34, 36.7

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 6 / 0 / 17 / 7

HEX #DEECC5

RGB 222 236 197

HSL 81.54, 0.51%, 0.85%

LAB 91.48, -11.33, 17.37

 

CMYK 3 / 0 / 7 / 4

HEX #EFF6E4

RGB 239 246 228

HSL 83.33, 0.5%, 0.93%

LAB 95.94, -5.44, 7.85

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 27 / 0 / 12 / 11

HEX #A6E2C8

RGB 166 226 200

HSL 154, 0.51%, 0.77%

LAB 85.34, -24.36, 6.58

 

CMYK 1 / 27 / 0 / 11

HEX #E0A6E2

RGB 224 166 226

HSL 298, 0.51%, 0.77%

LAB 75.21, 31.21, -21.91

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 27 / 10 / 0 / 11

HEX #A6CCE2

RGB 166 204 226

HSL 202, 0.51%, 0.77%

LAB 80.06, -7.62, -15.02

 

CMYK 0 / 27 / 10 / 11

HEX #E2A6CC

RGB 226 166 204

HSL 322, 0.51%, 0.77%

LAB 74.7, 27.97, -10.64

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 27 / 0 / 12 / 11

HEX #A6E2C8

RGB 166 226 200

HSL 154, 0.51%, 0.77%

LAB 85.34, -24.36, 6.58

 

CMYK 17 / 27 / 0 / 11

HEX #BCA6E2

RGB 188 166 226

HSL 262, 0.51%, 0.77%

LAB 71.86, 19.74, -27.32

 

CMYK 0 / 27 / 15 / 11

HEX #E2A6C0

RGB 226 166 192

HSL 334, 0.51%, 0.77%

LAB 74.35, 26, -4.58

 

CMYK 10 / 0 / 27 / 11

HEX #CCE2A6

RGB 204 226 166

HSL 82, 0.51%, 0.77%

LAB 86.99, -17.44, 26.98

 

CMYK 27 / 0 / 4 / 11

HEX #A6E2DA

RGB 166 226 218

HSL 172, 0.51%, 0.77%

LAB 85.79, -20.63, -2.26

 

CMYK 17 / 27 / 0 / 11

HEX #BCA6E2

RGB 188 166 226

HSL 262, 0.51%, 0.77%

LAB 71.86, 19.74, -27.32

 

CMYK 0 / 27 / 23 / 11

HEX #E2A6AE

RGB 226 166 174

HSL 352, 0.51%, 0.77%

LAB 73.87, 23.25, 4.61

 

Description

Color code: HEX #CCE2A6 | qconv.com Color code: HEX #CCE2A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 226 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 226 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 27 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 27% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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