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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCE685 it is the complementary color #33197A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCE685. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCE685 shade: #D1E680, #E2F893, #F3FFA6, #FFFFB9 and #FFFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCE685. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCE685 shade: #CCE685, #BBD472, #AAC25F, #99B04C and #889E39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCE685 shade: #CBE584, #E5E584, #E5CB84, #E5B184 and #E59684

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCE685 shade: #CBE584, #B1E584, #97E584, #84E58B and #84E5A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCE685 shade matches the following richer shades: #CBE584, #D1F178 and #D6FD6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCE685 shade: #CBE584, #C6D990, #C0CD9C, #BBC1A8 and #B5B5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCE685 shade: #E5CB84, #E5E584, #CBE584, #B1E584 and #97E584

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCE685 shade: #AFD73F, #BDDE61, #CBE584, #DAECA6 and #E8F3C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCE685 shade: #CCE685, #84E5B1 and #D884E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCE685 shade: #CCE685, #84CBE5 and #E584CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCE685 shade: #CCE685, #84E5B1, #9E84E5 and #E584B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCE685 shade: #CCE685, #84E5CF, #9E84E5 and #E5849B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 42 / 10

HEX #CCE685

RGB 204 230 133

HSL 76.08, 0.66%, 0.71%

LAB 87.55, -23.61, 44.33

 

Complementary color

CMYK 58 / 80 / 0 / 52

HEX #33197A

RGB 51 25 122

HSL 256.08, 0.66%, 0.29%

LAB 19.24, 38.22, -50.37

 

CMYK 9 / 0 / 44 / 10

HEX #D1E680

RGB 209 230 128

HSL 72.35, 0.67%, 0.7%

LAB 87.83, -22.25, 47.19

 

CMYK 9 / 0 / 41 / 3

HEX #E2F893

RGB 226 248 147

HSL 73.07, 0.88%, 0.77%

LAB 94.06, -22.44, 46.05

 

CMYK 5 / 0 / 35 / 0

HEX #F3FFA6

RGB 243 255 166

HSL 68.09, 1%, 0.83%

LAB 97.36, -17.32, 41.26

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 11 / 0 / 42 / 10

HEX #CCE685

RGB 204 230 133

HSL 76.08, 0.66%, 0.71%

LAB 87.55, -23.61, 44.33

 

CMYK 12 / 0 / 46 / 17

HEX #BBD472

RGB 187 212 114

HSL 75.31, 0.53%, 0.64%

LAB 81.22, -23.45, 45.48

 

CMYK 12 / 0 / 51 / 24

HEX #AAC25F

RGB 170 194 95

HSL 74.55, 0.45%, 0.57%

LAB 74.8, -23.23, 46.61

 

CMYK 13 / 0 / 57 / 31

HEX #99B04C

RGB 153 176 76

HSL 73.8, 0.4%, 0.49%

LAB 68.27, -22.94, 47.69

 

CMYK 14 / 0 / 64 / 38

HEX #889E39

RGB 136 158 57

HSL 73.07, 0.47%, 0.42%

LAB 61.64, -22.54, 48.59

 

CMYK 11 / 0 / 42 / 10

HEX #CBE584

RGB 203 229 132

HSL 76.08, 0.65%, 0.71%

LAB 87.19, -23.61, 44.36

 

CMYK 0 / 0 / 42 / 10

HEX #E5E584

RGB 229 229 132

HSL 60, 0.65%, 0.71%

LAB 89.09, -13.61, 47.15

 

CMYK 0 / 11 / 42 / 10

HEX #E5CB84

RGB 229 203 132

HSL 43.92, 0.65%, 0.71%

LAB 82.4, -0.44, 38.7

 

CMYK 0 / 23 / 42 / 10

HEX #E5B184

RGB 229 177 132

HSL 27.84, 0.65%, 0.71%

LAB 75.93, 13.23, 30.28

 

CMYK 0 / 34 / 42 / 10

HEX #E59684

RGB 229 150 132

HSL 11.13, 0.65%, 0.71%

LAB 69.57, 27.64, 21.76

 

CMYK 11 / 0 / 42 / 10

HEX #CBE584

RGB 203 229 132

HSL 76.08, 0.65%, 0.71%

LAB 87.19, -23.61, 44.36

 

CMYK 23 / 0 / 42 / 10

HEX #B1E584

RGB 177 229 132

HSL 92.16, 0.65%, 0.71%

LAB 85.53, -33.15, 41.91

 

CMYK 34 / 0 / 42 / 10

HEX #97E584

RGB 151 229 132

HSL 108.25, 0.65%, 0.71%

LAB 84.11, -41.98, 39.82

 

CMYK 42 / 0 / 39 / 10

HEX #84E58B

RGB 132 229 139

HSL 124.33, 0.65%, 0.71%

LAB 83.34, -46.77, 35.16

 

CMYK 42 / 0 / 28 / 10

HEX #84E5A6

RGB 132 229 166

HSL 141.03, 0.65%, 0.71%

LAB 83.81, -42.2, 21.98

 

CMYK 11 / 0 / 42 / 10

HEX #CBE584

RGB 203 229 132

HSL 76.08, 0.65%, 0.71%

LAB 87.19, -23.61, 44.36

 

CMYK 13 / 0 / 50 / 5

HEX #D1F178

RGB 209 241 120

HSL 75.87, 0.81%, 0.71%

LAB 90.7, -28.29, 54.45

 

CMYK 15 / 0 / 57 / 1

HEX #D6FD6C

RGB 214 253 108

HSL 76.14, 0.97%, 0.71%

LAB 94.15, -33.01, 63.87

 

CMYK 11 / 0 / 42 / 10

HEX #CBE584

RGB 203 229 132

HSL 76.08, 0.65%, 0.71%

LAB 87.19, -23.61, 44.36

 

CMYK 9 / 0 / 34 / 15

HEX #C6D990

RGB 198 217 144

HSL 75.62, 0.49%, 0.71%

LAB 83.78, -18.19, 33.91

 

CMYK 6 / 0 / 24 / 20

HEX #C0CD9C

RGB 192 205 156

HSL 75.92, 0.33%, 0.71%

LAB 80.33, -12.75, 22.97

 

CMYK 3 / 0 / 13 / 24

HEX #BBC1A8

RGB 187 193 168

HSL 74.4, 0.17%, 0.71%

LAB 77, -6.51, 11.88

 

CMYK 0 / 0 / 1 / 29

HEX #B5B5B4

RGB 181 181 180

HSL 60, 0.01%, 0.71%

LAB 73.65, -0.18, 0.5

 

CMYK 0 / 11 / 42 / 10

HEX #E5CB84

RGB 229 203 132

HSL 43.92, 0.65%, 0.71%

LAB 82.4, -0.44, 38.7

 

CMYK 0 / 0 / 42 / 10

HEX #E5E584

RGB 229 229 132

HSL 60, 0.65%, 0.71%

LAB 89.09, -13.61, 47.15

 

CMYK 11 / 0 / 42 / 10

HEX #CBE584

RGB 203 229 132

HSL 76.08, 0.65%, 0.71%

LAB 87.19, -23.61, 44.36

 

CMYK 23 / 0 / 42 / 10

HEX #B1E584

RGB 177 229 132

HSL 92.16, 0.65%, 0.71%

LAB 85.53, -33.15, 41.91

 

CMYK 34 / 0 / 42 / 10

HEX #97E584

RGB 151 229 132

HSL 108.25, 0.65%, 0.71%

LAB 84.11, -41.98, 39.82

 

CMYK 19 / 0 / 71 / 16

HEX #AFD73F

RGB 175 215 63

HSL 75.79, 0.66%, 0.55%

LAB 80.78, -33.68, 66.76

 

CMYK 15 / 0 / 56 / 13

HEX #BDDE61

RGB 189 222 97

HSL 75.84, 0.65%, 0.63%

LAB 83.93, -29.08, 56.64

 

CMYK 11 / 0 / 42 / 10

HEX #CBE584

RGB 203 229 132

HSL 76.08, 0.65%, 0.71%

LAB 87.19, -23.61, 44.36

 

CMYK 8 / 0 / 30 / 7

HEX #DAECA6

RGB 218 236 166

HSL 75.43, 0.65%, 0.79%

LAB 90.62, -17.27, 32.04

 

CMYK 5 / 0 / 18 / 5

HEX #E8F3C8

RGB 232 243 200

HSL 75.35, 0.64%, 0.87%

LAB 94.07, -10.84, 19.54

 

CMYK 11 / 0 / 42 / 10

HEX #CCE685

RGB 204 230 133

HSL 76.08, 0.66%, 0.71%

LAB 87.55, -23.61, 44.33

 

CMYK 42 / 0 / 23 / 10

HEX #84E5B1

RGB 132 229 177

HSL 147.84, 0.65%, 0.71%

LAB 84.03, -40.1, 16.56

 

CMYK 6 / 42 / 0 / 10

HEX #D884E5

RGB 216 132 229

HSL 291.96, 0.65%, 0.71%

LAB 67.1, 47.37, -36.11

 

CMYK 11 / 0 / 42 / 10

HEX #CCE685

RGB 204 230 133

HSL 76.08, 0.66%, 0.71%

LAB 87.55, -23.61, 44.33

 

CMYK 42 / 11 / 0 / 10

HEX #84CBE5

RGB 132 203 229

HSL 196.08, 0.65%, 0.71%

LAB 78.04, -15.59, -19.86

 

CMYK 0 / 42 / 11 / 10

HEX #E584CB

RGB 229 132 203

HSL 316.08, 0.65%, 0.71%

LAB 67.63, 46.74, -20.71

 

CMYK 11 / 0 / 42 / 10

HEX #CCE685

RGB 204 230 133

HSL 76.08, 0.66%, 0.71%

LAB 87.55, -23.61, 44.33

 

CMYK 42 / 0 / 23 / 10

HEX #84E5B1

RGB 132 229 177

HSL 147.84, 0.65%, 0.71%

LAB 84.03, -40.1, 16.56

 

CMYK 31 / 42 / 0 / 10

HEX #9E84E5

RGB 158 132 229

HSL 256.08, 0.65%, 0.71%

LAB 61.16, 30.83, -45.84

 

CMYK 0 / 42 / 20 / 10

HEX #E584B8

RGB 229 132 184

HSL 327.84, 0.65%, 0.71%

LAB 66.99, 43.78, -11.03

 

CMYK 11 / 0 / 42 / 10

HEX #CCE685

RGB 204 230 133

HSL 76.08, 0.66%, 0.71%

LAB 87.55, -23.61, 44.33

 

CMYK 42 / 0 / 10 / 10

HEX #84E5CF

RGB 132 229 207

HSL 166.39, 0.65%, 0.71%

LAB 84.71, -33.75, 1.78

 

CMYK 31 / 42 / 0 / 10

HEX #9E84E5

RGB 158 132 229

HSL 256.08, 0.65%, 0.71%

LAB 61.16, 30.83, -45.84

 

CMYK 0 / 42 / 32 / 10

HEX #E5849B

RGB 229 132 155

HSL 345.77, 0.65%, 0.71%

LAB 66.16, 39.8, 4.1

 

Description

Color code: HEX #CCE685 | qconv.com Color code: HEX #CCE685 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 230 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 230 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 42 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 42% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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