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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCDD5C it is the complementary color #3322A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCDD5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCDD5C shade: #D1DD57, #E2EF6A, #F3FF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCDD5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCDD5C shade: #CCDD5C, #BBCB49, #AAB936, #99A723 and #889510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCDD5C shade: #CBDC5A, #DCCA5A, #DCA75A, #DC845A and #DC615A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCDD5C shade: #CBDC5A, #A8DC5A, #85DC5A, #62DC5A and #5ADC76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCDD5C shade matches the following richer shades: #CBDC5A, #D6EC4A and #E2FC3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCDD5C shade: #CBDC5A, #BFCC6A, #B3BC7B, #A7AB8B and #9B9B9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCDD5C shade: #DCA65A, #DCC85A, #CDDC5A, #AADC5A and #88DC5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCDD5C shade: #A8BC28, #C0D438, #CBDC5A, #D5E37C and #E0EA9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCDD5C shade: #CCDD5C, #5ADC83 and #B75ADC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCDD5C shade: #CCDD5C, #5ACDDC and #DC5ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCDD5C shade: #CCDD5C, #5ADC83, #695ADC and #DC5AB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCDD5C shade: #CCDD5C, #5ADCAA, #695ADC and #DC5A8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 58 / 13

HEX #CCDD5C

RGB 204 221 92

HSL 67.91, 0.65%, 0.61%

LAB 84.65, -23.1, 59.93

 

Complementary color

CMYK 69 / 79 / 0 / 36

HEX #3322A3

RGB 51 34 163

HSL 247.91, 0.65%, 0.39%

LAB 25.24, 46.28, -65.99

 

CMYK 5 / 0 / 61 / 13

HEX #D1DD57

RGB 209 221 87

HSL 65.37, 0.66%, 0.6%

LAB 84.97, -21.45, 62.51

 

CMYK 5 / 0 / 56 / 6

HEX #E2EF6A

RGB 226 239 106

HSL 65.86, 0.81%, 0.68%

LAB 91.21, -21.97, 61.63

 

CMYK 5 / 0 / 51 / 0

HEX #F3FF7D

RGB 243 255 125

HSL 65.54, 1%, 0.75%

LAB 96.84, -21.45, 60.02

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 8 / 0 / 58 / 13

HEX #CCDD5C

RGB 204 221 92

HSL 67.91, 0.65%, 0.61%

LAB 84.65, -23.1, 59.93

 

CMYK 8 / 0 / 64 / 20

HEX #BBCB49

RGB 187 203 73

HSL 67.38, 0.56%, 0.54%

LAB 78.32, -22.56, 60.7

 

CMYK 8 / 0 / 71 / 27

HEX #AAB936

RGB 170 185 54

HSL 66.87, 0.55%, 0.47%

LAB 71.9, -21.89, 61.12

 

CMYK 8 / 0 / 79 / 35

HEX #99A723

RGB 153 167 35

HSL 66.36, 0.65%, 0.4%

LAB 65.38, -21.05, 60.89

 

CMYK 9 / 0 / 89 / 42

HEX #889510

RGB 136 149 16

HSL 65.86, 0.81%, 0.32%

LAB 58.76, -19.99, 59.49

 

CMYK 8 / 0 / 59 / 14

HEX #CBDC5A

RGB 203 220 90

HSL 67.85, 0.65%, 0.61%

LAB 84.29, -23.16, 60.37

 

CMYK 0 / 8 / 59 / 14

HEX #DCCA5A

RGB 220 202 90

HSL 51.69, 0.65%, 0.61%

LAB 80.85, -7.25, 56.93

 

CMYK 0 / 24 / 59 / 14

HEX #DCA75A

RGB 220 167 90

HSL 35.54, 0.65%, 0.61%

LAB 71.95, 11.1, 46.76

 

CMYK 0 / 40 / 59 / 14

HEX #DC845A

RGB 220 132 90

HSL 19.38, 0.65%, 0.61%

LAB 63.72, 29.87, 36.86

 

CMYK 0 / 56 / 59 / 14

HEX #DC615A

RGB 220 97 90

HSL 3.23, 0.65%, 0.61%

LAB 56.59, 47.66, 27.89

 

CMYK 8 / 0 / 59 / 14

HEX #CBDC5A

RGB 203 220 90

HSL 67.85, 0.65%, 0.61%

LAB 84.29, -23.16, 60.37

 

CMYK 24 / 0 / 59 / 14

HEX #A8DC5A

RGB 168 220 90

HSL 84, 0.65%, 0.61%

LAB 81.97, -36.72, 57.15

 

CMYK 40 / 0 / 59 / 14

HEX #85DC5A

RGB 133 220 90

HSL 100.15, 0.65%, 0.61%

LAB 80.13, -48.9, 54.57

 

CMYK 55 / 0 / 59 / 14

HEX #62DC5A

RGB 98 220 90

HSL 116.31, 0.65%, 0.61%

LAB 78.76, -58.92, 52.64

 

CMYK 59 / 0 / 46 / 14

HEX #5ADC76

RGB 90 220 118

HSL 132.92, 0.65%, 0.61%

LAB 78.85, -57.13, 39.54

 

CMYK 8 / 0 / 59 / 14

HEX #CBDC5A

RGB 203 220 90

HSL 67.85, 0.65%, 0.61%

LAB 84.29, -23.16, 60.37

 

CMYK 9 / 0 / 69 / 7

HEX #D6EC4A

RGB 214 236 74

HSL 68.15, 0.81%, 0.61%

LAB 89.29, -27.41, 72.17

 

CMYK 10 / 0 / 77 / 1

HEX #E2FC3A

RGB 226 252 58

HSL 68.04, 0.97%, 0.61%

LAB 94.35, -30.81, 82.37

 

CMYK 8 / 0 / 59 / 14

HEX #CBDC5A

RGB 203 220 90

HSL 67.85, 0.65%, 0.61%

LAB 84.29, -23.16, 60.37

 

CMYK 6 / 0 / 48 / 20

HEX #BFCC6A

RGB 191 204 106

HSL 67.96, 0.49%, 0.61%

LAB 79.22, -18.76, 46.98

 

CMYK 5 / 0 / 35 / 26

HEX #B3BC7B

RGB 179 188 123

HSL 68.31, 0.33%, 0.61%

LAB 74.18, -13.54, 31.89

 

CMYK 2 / 0 / 19 / 33

HEX #A7AB8B

RGB 167 171 139

HSL 67.5, 0.16%, 0.61%

LAB 68.9, -7.02, 16.03

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 0 / 25 / 59 / 14

HEX #DCA65A

RGB 220 166 90

HSL 35.08, 0.65%, 0.61%

LAB 71.71, 11.64, 46.47

 

CMYK 0 / 9 / 59 / 14

HEX #DCC85A

RGB 220 200 90

HSL 50.77, 0.65%, 0.61%

LAB 80.33, -6.22, 56.35

 

CMYK 7 / 0 / 59 / 14

HEX #CDDC5A

RGB 205 220 90

HSL 66.92, 0.65%, 0.61%

LAB 84.43, -22.36, 60.57

 

CMYK 23 / 0 / 59 / 14

HEX #AADC5A

RGB 170 220 90

HSL 83.08, 0.65%, 0.61%

LAB 82.09, -35.98, 57.32

 

CMYK 38 / 0 / 59 / 14

HEX #88DC5A

RGB 136 220 90

HSL 98.77, 0.65%, 0.61%

LAB 80.27, -47.93, 54.76

 

CMYK 11 / 0 / 79 / 26

HEX #A8BC28

RGB 168 188 40

HSL 68.11, 0.65%, 0.45%

LAB 72.52, -24.85, 66.27

 

CMYK 9 / 0 / 74 / 17

HEX #C0D438

RGB 192 212 56

HSL 67.69, 0.64%, 0.53%

LAB 81.06, -25.81, 69.82

 

CMYK 8 / 0 / 59 / 14

HEX #CBDC5A

RGB 203 220 90

HSL 67.85, 0.65%, 0.61%

LAB 84.29, -23.16, 60.37

 

CMYK 6 / 0 / 45 / 11

HEX #D5E37C

RGB 213 227 124

HSL 68.16, 0.65%, 0.69%

LAB 87.26, -19.66, 48.48

 

CMYK 4 / 0 / 32 / 8

HEX #E0EA9E

RGB 224 234 158

HSL 67.89, 0.64%, 0.77%

LAB 90.4, -15.09, 35.86

 

CMYK 8 / 0 / 58 / 13

HEX #CCDD5C

RGB 204 221 92

HSL 67.91, 0.65%, 0.61%

LAB 84.65, -23.1, 59.93

 

CMYK 59 / 0 / 40 / 14

HEX #5ADC83

RGB 90 220 131

HSL 138.92, 0.65%, 0.61%

LAB 79.04, -55.05, 33.29

 

CMYK 17 / 59 / 0 / 14

HEX #B75ADC

RGB 183 90 220

HSL 282.92, 0.65%, 0.61%

LAB 54.6, 57.79, -51.02

 

CMYK 8 / 0 / 58 / 13

HEX #CCDD5C

RGB 204 221 92

HSL 67.91, 0.65%, 0.61%

LAB 84.65, -23.1, 59.93

 

CMYK 59 / 7 / 0 / 14

HEX #5ACDDC

RGB 90 205 220

HSL 186.92, 0.65%, 0.61%

LAB 76.68, -28.05, -17.23

 

CMYK 0 / 59 / 7 / 14

HEX #DC5ACD

RGB 220 90 205

HSL 306.92, 0.65%, 0.61%

LAB 58.91, 64.44, -35.37

 

CMYK 8 / 0 / 58 / 13

HEX #CCDD5C

RGB 204 221 92

HSL 67.91, 0.65%, 0.61%

LAB 84.65, -23.1, 59.93

 

CMYK 59 / 0 / 40 / 14

HEX #5ADC83

RGB 90 220 131

HSL 138.92, 0.65%, 0.61%

LAB 79.04, -55.05, 33.29

 

CMYK 52 / 59 / 0 / 14

HEX #695ADC

RGB 105 90 220

HSL 246.92, 0.65%, 0.61%

LAB 46.29, 40.36, -64.82

 

CMYK 0 / 59 / 19 / 14

HEX #DC5AB3

RGB 220 90 179

HSL 318.92, 0.65%, 0.61%

LAB 57.83, 60.5, -22.17

 

CMYK 8 / 0 / 58 / 13

HEX #CCDD5C

RGB 204 221 92

HSL 67.91, 0.65%, 0.61%

LAB 84.65, -23.1, 59.93

 

CMYK 59 / 0 / 23 / 14

HEX #5ADCAA

RGB 90 220 170

HSL 156.92, 0.65%, 0.61%

LAB 79.76, -47.47, 14.03

 

CMYK 52 / 59 / 0 / 14

HEX #695ADC

RGB 105 90 220

HSL 246.92, 0.65%, 0.61%

LAB 46.29, 40.36, -64.82

 

CMYK 0 / 59 / 36 / 14

HEX #DC5A8C

RGB 220 90 140

HSL 336.92, 0.65%, 0.61%

LAB 56.51, 55.5, -1.45

 

Description

Color code: HEX #CCDD5C | qconv.com Color code: HEX #CCDD5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 221 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 221 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 58 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 58% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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