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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD21C it is the complementary color #332DE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD21C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD21C shade: #D1D217, #E2E42A, #F3F63D, #FFFF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD21C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD21C shade: #CCD21C, #BBC009, #AAAE00, #999C00 and #888A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD21C shade: #CCD21C, #D2A71C, #D2761C, #D2451C and #D21C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD21C shade: #CCD21C, #9BD21C, #6AD21C, #39D21C and #1CD231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD21C shade matches the following richer shades: #CCD21C and #DFE609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD21C shade: #CCD21C, #BABF30, #A8AC43, #969856 and #84856A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD21C shade: #D2741C, #D2A51C, #CFD21C, #9FD21C and #6ED21C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD21C shade: #868A12, #A9AE17, #CCD21C, #DDE335 and #E3E859

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD21C shade: #CCD21C, #1CD244 and #8D1CD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD21C shade: #CCD21C, #1CCFD2 and #D21CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD21C shade: #CCD21C, #1CD244, #1F1CD2 and #D21CAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD21C shade: #CCD21C, #1CD27A, #1F1CD2 and #D21C74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

Complementary color

CMYK 78 / 80 / 0 / 11

HEX #332DE3

RGB 51 45 227

HSL 241.98, 0.76%, 0.53%

LAB 34.25, 60.47, -88.73

 

CMYK 0 / 0 / 89 / 18

HEX #D1D217

RGB 209 210 23

HSL 60.32, 0.8%, 0.46%

LAB 81.68, -18.77, 79.01

 

CMYK 1 / 0 / 82 / 11

HEX #E2E42A

RGB 226 228 42

HSL 60.65, 0.78%, 0.53%

LAB 87.88, -19.99, 80.84

 

CMYK 1 / 0 / 75 / 4

HEX #F3F63D

RGB 243 246 61

HSL 60.97, 0.91%, 0.6%

LAB 94.01, -21.03, 81.67

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 3 / 0 / 95 / 25

HEX #BBC009

RGB 187 192 9

HSL 61.64, 0.91%, 0.39%

LAB 75, -19.47, 74.91

 

CMYK 2 / 0 / 100 / 32

HEX #AAAE00

RGB 170 174 0

HSL 61.38, 1%, 0.34%

LAB 68.62, -17.94, 70.55

 

CMYK 2 / 0 / 100 / 39

HEX #999C00

RGB 153 156 0

HSL 61.15, 1%, 0.31%

LAB 62.13, -16.28, 65.16

 

CMYK 1 / 0 / 100 / 46

HEX #888A00

RGB 136 138 0

HSL 60.87, 1%, 0.27%

LAB 55.49, -14.57, 59.64

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 0 / 20 / 87 / 18

HEX #D2A71C

RGB 210 167 28

HSL 45.82, 0.76%, 0.47%

LAB 70.47, 3.86, 69.14

 

CMYK 0 / 44 / 87 / 18

HEX #D2761C

RGB 210 118 28

HSL 29.67, 0.76%, 0.47%

LAB 58.74, 30.23, 59.67

 

CMYK 0 / 67 / 87 / 18

HEX #D2451C

RGB 210 69 28

HSL 13.52, 0.76%, 0.47%

LAB 49.55, 53.75, 52.23

 

CMYK 0 / 87 / 87 / 18

HEX #D21C1C

RGB 210 28 28

HSL 0, 0.76%, 0.47%

LAB 45.1, 66.13, 48.61

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 26 / 0 / 87 / 18

HEX #9BD21C

RGB 155 210 28

HSL 78.13, 0.76%, 0.47%

LAB 77.96, -40.67, 73.55

 

CMYK 50 / 0 / 87 / 18

HEX #6AD21C

RGB 106 210 28

HSL 94.29, 0.76%, 0.47%

LAB 75.6, -57.45, 70.61

 

CMYK 73 / 0 / 87 / 18

HEX #39D21C

RGB 57 210 28

HSL 110.44, 0.76%, 0.47%

LAB 74.22, -68.76, 68.87

 

CMYK 87 / 0 / 77 / 18

HEX #1CD231

RGB 28 210 49

HSL 126.92, 0.76%, 0.47%

LAB 73.91, -71.16, 62.94

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 3 / 0 / 96 / 10

HEX #DFE609

RGB 223 230 9

HSL 61.9, 0.92%, 0.47%

LAB 88.11, -22.78, 86.03

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 3 / 0 / 75 / 25

HEX #BABF30

RGB 186 191 48

HSL 62.1, 0.6%, 0.47%

LAB 74.77, -18.4, 66.36

 

CMYK 2 / 0 / 61 / 33

HEX #A8AC43

RGB 168 172 67

HSL 62.29, 0.44%, 0.47%

LAB 68.19, -15.38, 51.99

 

CMYK 1 / 0 / 43 / 40

HEX #969856

RGB 150 152 86

HSL 61.82, 0.28%, 0.47%

LAB 61.32, -10.85, 34.38

 

CMYK 1 / 0 / 20 / 48

HEX #84856A

RGB 132 133 106

HSL 62.22, 0.11%, 0.47%

LAB 54.78, -5.23, 14.47

 

CMYK 0 / 45 / 87 / 18

HEX #D2741C

RGB 210 116 28

HSL 29.01, 0.76%, 0.47%

LAB 58.3, 31.29, 59.32

 

CMYK 0 / 21 / 87 / 18

HEX #D2A51C

RGB 210 165 28

HSL 45.16, 0.76%, 0.47%

LAB 69.96, 4.93, 68.73

 

CMYK 1 / 0 / 87 / 18

HEX #CFD21C

RGB 207 210 28

HSL 60.99, 0.76%, 0.47%

LAB 81.53, -19.52, 77.96

 

CMYK 24 / 0 / 87 / 18

HEX #9FD21C

RGB 159 210 28

HSL 76.81, 0.76%, 0.47%

LAB 78.2, -39.13, 73.84

 

CMYK 48 / 0 / 87 / 18

HEX #6ED21C

RGB 110 210 28

HSL 92.97, 0.76%, 0.47%

LAB 75.76, -56.26, 70.8

 

CMYK 3 / 0 / 87 / 46

HEX #868A12

RGB 134 138 18

HSL 62, 0.77%, 0.31%

LAB 55.37, -15.12, 56.21

 

CMYK 3 / 0 / 87 / 32

HEX #A9AE17

RGB 169 174 23

HSL 61.99, 0.77%, 0.39%

LAB 68.58, -18.01, 67.17

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 3 / 0 / 77 / 11

HEX #DDE335

RGB 221 227 53

HSL 62.07, 0.76%, 0.55%

LAB 87.27, -21.22, 77.27

 

CMYK 2 / 0 / 62 / 9

HEX #E3E859

RGB 227 232 89

HSL 62.1, 0.76%, 0.63%

LAB 89.28, -19.39, 66.71

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 87 / 0 / 68 / 18

HEX #1CD244

RGB 28 210 68

HSL 133.19, 0.76%, 0.47%

LAB 74.03, -69.57, 56.25

 

CMYK 33 / 87 / 0 / 18

HEX #8D1CD2

RGB 141 28 210

HSL 277.25, 0.76%, 0.47%

LAB 39.83, 71.1, -69.44

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 87 / 1 / 0 / 18

HEX #1CCFD2

RGB 28 207 210

HSL 180.99, 0.76%, 0.47%

LAB 75.78, -39.18, -13.32

 

CMYK 0 / 87 / 1 / 18

HEX #D21CCF

RGB 210 28 207

HSL 300.99, 0.76%, 0.47%

LAB 50.73, 81.54, -49.54

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 87 / 0 / 68 / 18

HEX #1CD244

RGB 28 210 68

HSL 133.19, 0.76%, 0.47%

LAB 74.03, -69.57, 56.25

 

CMYK 85 / 87 / 0 / 18

HEX #1F1CD2

RGB 31 28 210

HSL 240.99, 0.76%, 0.47%

LAB 28.84, 61.77, -87.95

 

CMYK 0 / 87 / 19 / 18

HEX #D21CAB

RGB 210 28 171

HSL 312.86, 0.76%, 0.47%

LAB 48.85, 76.6, -31.54

 

CMYK 3 / 0 / 87 / 18

HEX #CCD21C

RGB 204 210 28

HSL 61.98, 0.76%, 0.47%

LAB 81.3, -20.79, 77.67

 

CMYK 87 / 0 / 42 / 18

HEX #1CD27A

RGB 28 210 122

HSL 150.99, 0.76%, 0.47%

LAB 74.66, -61.95, 31.92

 

CMYK 85 / 87 / 0 / 18

HEX #1F1CD2

RGB 31 28 210

HSL 240.99, 0.76%, 0.47%

LAB 28.84, 61.77, -87.95

 

CMYK 0 / 87 / 45 / 18

HEX #D21C74

RGB 210 28 116

HSL 330.99, 0.76%, 0.47%

LAB 46.7, 70.72, -1.62

 

Description

Color code: HEX #CCD21C | qconv.com Color code: HEX #CCD21C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 210 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 210 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 87 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 87% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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