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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD692 it is the complementary color #33296D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD692. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD692 shade: #D1D68D, #E2E8A0, #F3FAB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD692. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD692 shade: #CCD692, #BBC47F, #AAB26C, #99A059 and #888E46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD692 shade: #CCD693, #D6CE93, #D6BC93, #D6AA93 and #D69893

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD692 shade: #CCD693, #BAD693, #A8D693, #96D693 and #93D6A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD692 shade matches the following richer shades: #CCD693, #D4E287, #DDEE7B and #E5FA6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD692 shade: #CCD693, #C4CA9F, #BBBEAB, #B3B2B7 and #AAA6C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD692 shade: #D6BB93, #D6CD93, #CDD693, #BBD693 and #A9D693

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD692 shade: #B0BF57, #BECA75, #CCD693, #DAE1B1 and #E8EDCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD692 shade: #CCD692, #93D6A9 and #C493D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD692 shade: #CCD692, #93CDD6 and #D693CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD692 shade: #CCD692, #93D6A9, #9C93D6 and #D693C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD692 shade: #CCD692, #93D6BD, #9C93D6 and #D693AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 32 / 16

HEX #CCD692

RGB 204 214 146

HSL 68.82, 0.45%, 0.71%

LAB 83.45, -14.18, 32.52

 

Complementary color

CMYK 53 / 62 / 0 / 57

HEX #33296D

RGB 51 41 109

HSL 248.82, 0.45%, 0.29%

LAB 21.56, 24.44, -38.23

 

CMYK 2 / 0 / 34 / 16

HEX #D1D68D

RGB 209 214 141

HSL 64.11, 0.47%, 0.7%

LAB 83.74, -12.89, 35.54

 

CMYK 3 / 0 / 31 / 9

HEX #E2E8A0

RGB 226 232 160

HSL 65, 0.61%, 0.77%

LAB 90.05, -13.1, 34.43

 

CMYK 3 / 0 / 28 / 2

HEX #F3FAB3

RGB 243 250 179

HSL 65.92, 0.88%, 0.84%

LAB 96.28, -13.28, 33.37

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 5 / 0 / 32 / 16

HEX #CCD692

RGB 204 214 146

HSL 68.82, 0.45%, 0.71%

LAB 83.45, -14.18, 32.52

 

CMYK 5 / 0 / 35 / 23

HEX #BBC47F

RGB 187 196 127

HSL 67.83, 0.37%, 0.63%

LAB 77.03, -14, 33.65

 

CMYK 4 / 0 / 39 / 30

HEX #AAB26C

RGB 170 178 108

HSL 66.86, 0.31%, 0.56%

LAB 70.5, -13.78, 34.82

 

CMYK 4 / 0 / 44 / 37

HEX #99A059

RGB 153 160 89

HSL 65.92, 0.29%, 0.49%

LAB 63.86, -13.5, 36.04

 

CMYK 4 / 0 / 51 / 44

HEX #888E46

RGB 136 142 70

HSL 65, 0.34%, 0.42%

LAB 57.1, -13.13, 37.26

 

CMYK 5 / 0 / 31 / 16

HEX #CCD693

RGB 204 214 147

HSL 68.96, 0.45%, 0.71%

LAB 83.46, -14.05, 32.03

 

CMYK 0 / 4 / 31 / 16

HEX #D6CE93

RGB 214 206 147

HSL 52.84, 0.45%, 0.71%

LAB 82.13, -6.16, 30.4

 

CMYK 0 / 12 / 31 / 16

HEX #D6BC93

RGB 214 188 147

HSL 36.72, 0.45%, 0.71%

LAB 77.5, 3.23, 24.17

 

CMYK 0 / 21 / 31 / 16

HEX #D6AA93

RGB 214 170 147

HSL 20.6, 0.45%, 0.71%

LAB 72.99, 12.84, 17.99

 

CMYK 0 / 29 / 31 / 16

HEX #D69893

RGB 214 152 147

HSL 4.48, 0.45%, 0.71%

LAB 68.65, 22.58, 11.91

 

CMYK 5 / 0 / 31 / 16

HEX #CCD693

RGB 204 214 147

HSL 68.96, 0.45%, 0.71%

LAB 83.46, -14.05, 32.03

 

CMYK 13 / 0 / 31 / 16

HEX #BAD693

RGB 186 214 147

HSL 85.07, 0.45%, 0.71%

LAB 82.18, -20.76, 30.1

 

CMYK 21 / 0 / 31 / 16

HEX #A8D693

RGB 168 214 147

HSL 101.19, 0.45%, 0.71%

LAB 81.03, -27.21, 28.35

 

CMYK 30 / 0 / 31 / 16

HEX #96D693

RGB 150 214 147

HSL 117.31, 0.45%, 0.71%

LAB 80, -33.29, 26.79

 

CMYK 31 / 0 / 24 / 16

HEX #93D6A2

RGB 147 214 162

HSL 133.43, 0.45%, 0.71%

LAB 80.13, -31.69, 19.09

 

CMYK 5 / 0 / 31 / 16

HEX #CCD693

RGB 204 214 147

HSL 68.96, 0.45%, 0.71%

LAB 83.46, -14.05, 32.03

 

CMYK 6 / 0 / 40 / 11

HEX #D4E287

RGB 212 226 135

HSL 69.23, 0.61%, 0.71%

LAB 87.07, -18.4, 42.86

 

CMYK 7 / 0 / 48 / 7

HEX #DDEE7B

RGB 221 238 123

HSL 68.87, 0.77%, 0.71%

LAB 90.76, -21.99, 53.33

 

CMYK 8 / 0 / 56 / 2

HEX #E5FA6F

RGB 229 250 111

HSL 69.06, 0.93%, 0.71%

LAB 94.39, -25.64, 63.12

 

CMYK 5 / 0 / 31 / 16

HEX #CCD693

RGB 204 214 147

HSL 68.96, 0.45%, 0.71%

LAB 83.46, -14.05, 32.03

 

CMYK 3 / 0 / 21 / 21

HEX #C4CA9F

RGB 196 202 159

HSL 68.37, 0.29%, 0.71%

LAB 79.89, -9.29, 20.83

 

CMYK 2 / 0 / 10 / 25

HEX #BBBEAB

RGB 187 190 171

HSL 69.47, 0.13%, 0.71%

LAB 76.27, -4.43, 9.23

 

CMYK 2 / 3 / 0 / 28

HEX #B3B2B7

RGB 179 178 183

HSL 252, 0.03%, 0.71%

LAB 72.79, 1.3, -2.43

 

CMYK 13 / 15 / 0 / 24

HEX #AAA6C3

RGB 170 166 195

HSL 248.28, 0.19%, 0.71%

LAB 69.3, 7.23, -14.31

 

CMYK 0 / 13 / 31 / 16

HEX #D6BB93

RGB 214 187 147

HSL 35.82, 0.45%, 0.71%

LAB 77.25, 3.76, 23.83

 

CMYK 0 / 4 / 31 / 16

HEX #D6CD93

RGB 214 205 147

HSL 51.94, 0.45%, 0.71%

LAB 81.87, -5.64, 30.06

 

CMYK 4 / 0 / 31 / 16

HEX #CDD693

RGB 205 214 147

HSL 68.06, 0.45%, 0.71%

LAB 83.54, -13.67, 32.14

 

CMYK 13 / 0 / 31 / 16

HEX #BBD693

RGB 187 214 147

HSL 84.18, 0.45%, 0.71%

LAB 82.25, -20.39, 30.2

 

CMYK 21 / 0 / 31 / 16

HEX #A9D693

RGB 169 214 147

HSL 100.3, 0.45%, 0.71%

LAB 81.09, -26.86, 28.45

 

CMYK 8 / 0 / 54 / 25

HEX #B0BF57

RGB 176 191 87

HSL 68.65, 0.45%, 0.55%

LAB 74.3, -20.08, 49.92

 

CMYK 6 / 0 / 42 / 21

HEX #BECA75

RGB 190 202 117

HSL 68.47, 0.45%, 0.63%

LAB 78.74, -17.02, 40.96

 

CMYK 5 / 0 / 31 / 16

HEX #CCD693

RGB 204 214 147

HSL 68.96, 0.45%, 0.71%

LAB 83.46, -14.05, 32.03

 

CMYK 3 / 0 / 21 / 12

HEX #DAE1B1

RGB 218 225 177

HSL 68.75, 0.44%, 0.79%

LAB 87.93, -10.27, 22.75

 

CMYK 2 / 0 / 13 / 7

HEX #E8EDCF

RGB 232 237 207

HSL 70, 0.45%, 0.87%

LAB 92.68, -6.75, 13.97

 

CMYK 5 / 0 / 32 / 16

HEX #CCD692

RGB 204 214 146

HSL 68.82, 0.45%, 0.71%

LAB 83.45, -14.18, 32.52

 

CMYK 31 / 0 / 21 / 16

HEX #93D6A9

RGB 147 214 169

HSL 139.7, 0.45%, 0.71%

LAB 80.27, -30.41, 15.6

 

CMYK 8 / 31 / 0 / 16

HEX #C493D6

RGB 196 147 214

HSL 283.88, 0.45%, 0.71%

LAB 67.62, 30.24, -27.17

 

CMYK 5 / 0 / 32 / 16

HEX #CCD692

RGB 204 214 146

HSL 68.82, 0.45%, 0.71%

LAB 83.45, -14.18, 32.52

 

CMYK 31 / 4 / 0 / 16

HEX #93CDD6

RGB 147 205 214

HSL 188.06, 0.45%, 0.71%

LAB 78.88, -16.4, -10.46

 

CMYK 0 / 31 / 4 / 16

HEX #D693CD

RGB 214 147 205

HSL 308.06, 0.45%, 0.71%

LAB 69.16, 34.34, -19.65

 

CMYK 5 / 0 / 32 / 16

HEX #CCD692

RGB 204 214 146

HSL 68.82, 0.45%, 0.71%

LAB 83.45, -14.18, 32.52

 

CMYK 31 / 0 / 21 / 16

HEX #93D6A9

RGB 147 214 169

HSL 139.7, 0.45%, 0.71%

LAB 80.27, -30.41, 15.6

 

CMYK 27 / 31 / 0 / 16

HEX #9C93D6

RGB 156 147 214

HSL 248.06, 0.45%, 0.71%

LAB 63.99, 17.92, -33.07

 

CMYK 0 / 31 / 10 / 16

HEX #D693C0

RGB 214 147 192

HSL 319.7, 0.45%, 0.71%

LAB 68.73, 32.07, -13.08

 

CMYK 5 / 0 / 32 / 16

HEX #CCD692

RGB 204 214 146

HSL 68.82, 0.45%, 0.71%

LAB 83.45, -14.18, 32.52

 

CMYK 31 / 0 / 12 / 16

HEX #93D6BD

RGB 147 214 189

HSL 157.61, 0.45%, 0.71%

LAB 80.72, -26.45, 5.62

 

CMYK 27 / 31 / 0 / 16

HEX #9C93D6

RGB 156 147 214

HSL 248.06, 0.45%, 0.71%

LAB 63.99, 17.92, -33.07

 

CMYK 0 / 31 / 20 / 16

HEX #D693AC

RGB 214 147 172

HSL 337.61, 0.45%, 0.71%

LAB 68.13, 28.85, -2.81

 

Description

Color code: HEX #CCD692 | qconv.com Color code: HEX #CCD692 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 214 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 214 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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