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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCD452 it is the complementary color #332BAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCD452. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCD452 shade: #D1D44D, #E2E660, #F3F873, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCD452. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCD452 shade: #CCD452, #BBC23F, #AAB02C, #999E19 and #888C06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCD452 shade: #CCD453, #D4B953, #D49653, #D47453 and #D45353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCD452 shade: #CCD453, #A9D453, #86D453, #64D453 and #53D465

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCD452 shade matches the following richer shades: #CCD453, #DBE542 and #EAF630

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCD452 shade: #CCD453, #BDC264, #ADB176, #9EA087 and #8F8E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCD452 shade: #D49653, #D4B853, #CDD453, #ABD453 and #89D453

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCD452 shade: #A2AA2A, #C2CB32, #CCD453, #D6DC74 and #DFE495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCD452 shade: #CCD452, #53D473 and #A753D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCD452 shade: #CCD452, #53CDD4 and #D453CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCD452 shade: #CCD452, #53D473, #5A53D4 and #D453B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCD452 shade: #CCD452, #53D49A, #5A53D4 and #D4538D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 61 / 17

HEX #CCD452

RGB 204 212 82

HSL 63.69, 0.6%, 0.58%

LAB 82.13, -19.42, 61.42

 

Complementary color

CMYK 71 / 75 / 0 / 32

HEX #332BAD

RGB 51 43 173

HSL 243.69, 0.6%, 0.42%

LAB 27.98, 44.68, -67.5

 

CMYK 1 / 0 / 64 / 17

HEX #D1D44D

RGB 209 212 77

HSL 61.33, 0.61%, 0.57%

LAB 82.47, -17.69, 63.95

 

CMYK 2 / 0 / 58 / 10

HEX #E2E660

RGB 226 230 96

HSL 61.79, 0.73%, 0.64%

LAB 88.74, -18.35, 63.19

 

CMYK 2 / 0 / 54 / 3

HEX #F3F873

RGB 243 248 115

HSL 62.26, 0.9%, 0.71%

LAB 94.92, -18.91, 62.24

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 4 / 0 / 61 / 17

HEX #CCD452

RGB 204 212 82

HSL 63.69, 0.6%, 0.58%

LAB 82.13, -19.42, 61.42

 

CMYK 4 / 0 / 68 / 24

HEX #BBC23F

RGB 187 194 63

HSL 63.21, 0.52%, 0.5%

LAB 75.77, -18.73, 62.02

 

CMYK 3 / 0 / 75 / 31

HEX #AAB02C

RGB 170 176 44

HSL 62.73, 0.6%, 0.43%

LAB 69.31, -17.88, 62.13

 

CMYK 3 / 0 / 84 / 38

HEX #999E19

RGB 153 158 25

HSL 62.26, 0.73%, 0.36%

LAB 62.76, -16.82, 61.35

 

CMYK 3 / 0 / 96 / 45

HEX #888C06

RGB 136 140 6

HSL 61.79, 0.92%, 0.29%

LAB 56.09, -15.52, 59.08

 

CMYK 4 / 0 / 61 / 17

HEX #CCD453

RGB 204 212 83

HSL 63.72, 0.6%, 0.58%

LAB 82.14, -19.35, 61.01

 

CMYK 0 / 13 / 61 / 17

HEX #D4B953

RGB 212 185 83

HSL 47.44, 0.6%, 0.58%

LAB 75.65, -2.3, 54.09

 

CMYK 0 / 29 / 61 / 17

HEX #D49653

RGB 212 150 83

HSL 31.16, 0.6%, 0.58%

LAB 66.85, 16.39, 44.04

 

CMYK 0 / 45 / 61 / 17

HEX #D47453

RGB 212 116 83

HSL 15.35, 0.6%, 0.58%

LAB 59.08, 34.63, 34.7

 

CMYK 0 / 61 / 61 / 17

HEX #D45353

RGB 212 83 83

HSL 0, 0.6%, 0.58%

LAB 52.74, 50.84, 26.73

 

CMYK 4 / 0 / 61 / 17

HEX #CCD453

RGB 204 212 83

HSL 63.72, 0.6%, 0.58%

LAB 82.14, -19.35, 61.01

 

CMYK 20 / 0 / 61 / 17

HEX #A9D453

RGB 169 212 83

HSL 80, 0.6%, 0.58%

LAB 79.7, -33.27, 57.65

 

CMYK 37 / 0 / 61 / 17

HEX #86D453

RGB 134 212 83

HSL 96.28, 0.6%, 0.58%

LAB 77.74, -45.91, 54.94

 

CMYK 53 / 0 / 61 / 17

HEX #64D453

RGB 100 212 83

HSL 112.09, 0.6%, 0.58%

LAB 76.33, -56.17, 52.95

 

CMYK 61 / 0 / 52 / 17

HEX #53D465

RGB 83 212 101

HSL 128.37, 0.6%, 0.58%

LAB 75.99, -58.12, 44.18

 

CMYK 4 / 0 / 61 / 17

HEX #CCD453

RGB 204 212 83

HSL 63.72, 0.6%, 0.58%

LAB 82.14, -19.35, 61.01

 

CMYK 4 / 0 / 71 / 10

HEX #DBE542

RGB 219 229 66

HSL 63.68, 0.76%, 0.58%

LAB 87.72, -22.46, 73.55

 

CMYK 5 / 0 / 80 / 4

HEX #EAF630

RGB 234 246 48

HSL 63.64, 0.92%, 0.58%

LAB 93.28, -25.13, 84.26

 

CMYK 4 / 0 / 61 / 17

HEX #CCD453

RGB 204 212 83

HSL 63.72, 0.6%, 0.58%

LAB 82.14, -19.35, 61.01

 

CMYK 3 / 0 / 48 / 24

HEX #BDC264

RGB 189 194 100

HSL 63.19, 0.44%, 0.58%

LAB 76.27, -15.12, 46.3

 

CMYK 2 / 0 / 33 / 31

HEX #ADB176

RGB 173 177 118

HSL 64.07, 0.27%, 0.58%

LAB 70.62, -10.84, 29.77

 

CMYK 1 / 0 / 16 / 37

HEX #9EA087

RGB 158 160 135

HSL 64.8, 0.12%, 0.58%

LAB 65.09, -5.18, 12.81

 

CMYK 6 / 7 / 0 / 40

HEX #8F8E98

RGB 143 142 152

HSL 246, 0.05%, 0.58%

LAB 59.39, 2.37, -5.17

 

CMYK 0 / 29 / 61 / 17

HEX #D49653

RGB 212 150 83

HSL 31.16, 0.6%, 0.58%

LAB 66.85, 16.39, 44.04

 

CMYK 0 / 13 / 61 / 17

HEX #D4B853

RGB 212 184 83

HSL 46.98, 0.6%, 0.58%

LAB 75.39, -1.78, 53.81

 

CMYK 3 / 0 / 61 / 17

HEX #CDD453

RGB 205 212 83

HSL 63.26, 0.6%, 0.58%

LAB 82.21, -18.94, 61.12

 

CMYK 19 / 0 / 61 / 17

HEX #ABD453

RGB 171 212 83

HSL 79.07, 0.6%, 0.58%

LAB 79.82, -32.5, 57.82

 

CMYK 35 / 0 / 61 / 17

HEX #89D453

RGB 137 212 83

HSL 94.88, 0.6%, 0.58%

LAB 77.89, -44.89, 55.14

 

CMYK 5 / 0 / 75 / 33

HEX #A2AA2A

RGB 162 170 42

HSL 63.75, 0.6%, 0.42%

LAB 66.97, -18.38, 60.39

 

CMYK 4 / 0 / 75 / 20

HEX #C2CB32

RGB 194 203 50

HSL 63.53, 0.6%, 0.5%

LAB 78.7, -20.88, 69.59

 

CMYK 4 / 0 / 61 / 17

HEX #CCD453

RGB 204 212 83

HSL 63.72, 0.6%, 0.58%

LAB 82.14, -19.35, 61.01

 

CMYK 3 / 0 / 47 / 14

HEX #D6DC74

RGB 214 220 116

HSL 63.46, 0.6%, 0.66%

LAB 85.37, -16.6, 50.02

 

CMYK 2 / 0 / 35 / 11

HEX #DFE495

RGB 223 228 149

HSL 63.8, 0.59%, 0.74%

LAB 88.61, -13.58, 38.04

 

CMYK 4 / 0 / 61 / 17

HEX #CCD452

RGB 204 212 82

HSL 63.69, 0.6%, 0.58%

LAB 82.13, -19.42, 61.42

 

CMYK 61 / 0 / 46 / 17

HEX #53D473

RGB 83 212 115

HSL 134.88, 0.6%, 0.58%

LAB 76.17, -56.08, 37.58

 

CMYK 21 / 61 / 0 / 17

HEX #A753D4

RGB 167 83 212

HSL 279.07, 0.6%, 0.58%

LAB 50.87, 55.63, -52.55

 

CMYK 4 / 0 / 61 / 17

HEX #CCD452

RGB 204 212 82

HSL 63.69, 0.6%, 0.58%

LAB 82.13, -19.42, 61.42

 

CMYK 61 / 3 / 0 / 17

HEX #53CDD4

RGB 83 205 212

HSL 183.26, 0.6%, 0.58%

LAB 76.23, -31.52, -13.62

 

CMYK 0 / 61 / 3 / 17

HEX #D453CD

RGB 212 83 205

HSL 303.26, 0.6%, 0.58%

LAB 56.68, 65.35, -38.97

 

CMYK 4 / 0 / 61 / 17

HEX #CCD452

RGB 204 212 82

HSL 63.69, 0.6%, 0.58%

LAB 82.13, -19.42, 61.42

 

CMYK 61 / 0 / 46 / 17

HEX #53D473

RGB 83 212 115

HSL 134.88, 0.6%, 0.58%

LAB 76.17, -56.08, 37.58

 

CMYK 58 / 61 / 0 / 17

HEX #5A53D4

RGB 90 83 212

HSL 243.26, 0.6%, 0.58%

LAB 42.93, 39.32, -65.76

 

CMYK 0 / 61 / 15 / 17

HEX #D453B4

RGB 212 83 180

HSL 314.88, 0.6%, 0.58%

LAB 55.56, 61.44, -26.34

 

CMYK 4 / 0 / 61 / 17

HEX #CCD452

RGB 204 212 82

HSL 63.69, 0.6%, 0.58%

LAB 82.13, -19.42, 61.42

 

CMYK 61 / 0 / 27 / 17

HEX #53D49A

RGB 83 212 154

HSL 153.02, 0.6%, 0.58%

LAB 76.84, -48.93, 18.35

 

CMYK 58 / 61 / 0 / 17

HEX #5A53D4

RGB 90 83 212

HSL 243.26, 0.6%, 0.58%

LAB 42.93, 39.32, -65.76

 

CMYK 0 / 61 / 33 / 17

HEX #D4538D

RGB 212 83 141

HSL 333.02, 0.6%, 0.58%

LAB 54.14, 56.23, -5.67

 

Description

Color code: HEX #CCD452 | qconv.com Color code: HEX #CCD452 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 212 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 212 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 61 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 61% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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