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Color name
HEX #CCBFA2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCBFA2 it is the complementary color #33405D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCBFA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCBFA2 shade: #D1BF9D, #E2D1B0, #F3E3C3, #FFF5D6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCBFA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCBFA2 shade: #CCBFA2, #BBAD8F, #AA9B7C, #998969 and #887756

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCBFA2 shade: #CCBFA2, #CCB4A2, #CCA9A2 and #CCA2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCBFA2 shade: #CCBFA2, #CCCAA2, #C2CCA2, #B7CCA2 and #ACCCA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCBFA2 shade matches the following richer shades: #CCBFA2, #D7C397, #E3C88B, #EECC80 and #FAD174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCBFA2 shade: #CCBFA2, #C0BBAE, #B5B6B9, #A9B2C5 and #9EADD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCBFA2 shade: #CCA9A2, #CCB4A2, #CCBFA2, #CCCAA2 and #C3CCA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCBFA2 shade: #AF9A6D, #BDAD88, #CCBFA2, #DAD1BD and #E9E4D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCBFA2 shade: #CCBFA2, #A7CCA2 and #AEA2CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCBFA2 shade: #CCBFA2, #A2CCBF and #BFA2CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCBFA2 shade: #CCBFA2, #A7CCA2, #A2B0CC and #C7A2CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCBFA2 shade: #CCBFA2, #A2CCAA, #A2B0CC and #CCA2C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

Complementary color

CMYK 45 / 31 / 0 / 64

HEX #33405D

RGB 51 64 93

HSL 221.43, 0.29%, 0.28%

LAB 27.19, 3.34, -18.91

 

CMYK 0 / 9 / 25 / 18

HEX #D1BF9D

RGB 209 191 157

HSL 39.23, 0.36%, 0.72%

LAB 78.02, 1.06, 19.48

 

CMYK 0 / 8 / 22 / 11

HEX #E2D1B0

RGB 226 209 176

HSL 39.6, 0.46%, 0.79%

LAB 84.43, 0.73, 18.52

 

CMYK 0 / 7 / 20 / 5

HEX #F3E3C3

RGB 243 227 195

HSL 40, 0.67%, 0.86%

LAB 90.75, 0.43, 17.61

 

CMYK 0 / 4 / 16 / 0

HEX #FFF5D6

RGB 255 245 214

HSL 45.37, 1%, 0.92%

LAB 96.58, -1.61, 16.13

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 0 / 7 / 24 / 27

HEX #BBAD8F

RGB 187 173 143

HSL 40.91, 0.24%, 0.65%

LAB 71.17, 0.19, 17.25

 

CMYK 0 / 9 / 27 / 33

HEX #AA9B7C

RGB 170 155 124

HSL 40.43, 0.21%, 0.58%

LAB 64.52, 0.54, 18.28

 

CMYK 0 / 10 / 31 / 40

HEX #998969

RGB 153 137 105

HSL 40, 0.19%, 0.51%

LAB 57.74, 0.96, 19.39

 

CMYK 0 / 13 / 37 / 47

HEX #887756

RGB 136 119 86

HSL 39.6, 0.23%, 0.44%

LAB 50.8, 1.45, 20.59

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 0 / 12 / 21 / 20

HEX #CCB4A2

RGB 204 180 162

HSL 25.71, 0.29%, 0.72%

LAB 74.88, 5.74, 12.33

 

CMYK 0 / 17 / 21 / 20

HEX #CCA9A2

RGB 204 169 162

HSL 10, 0.29%, 0.72%

LAB 72.11, 11.67, 8.39

 

CMYK 0 / 21 / 21 / 20

HEX #CCA2A2

RGB 204 162 162

HSL 0, 0.29%, 0.72%

LAB 70.38, 15.48, 5.91

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 0 / 1 / 21 / 20

HEX #CCCAA2

RGB 204 202 162

HSL 57.14, 0.29%, 0.72%

LAB 80.56, -5.87, 20.27

 

CMYK 5 / 0 / 21 / 20

HEX #C2CCA2

RGB 194 204 162

HSL 74.29, 0.29%, 0.72%

LAB 80.33, -10.6, 19.83

 

CMYK 10 / 0 / 21 / 20

HEX #B7CCA2

RGB 183 204 162

HSL 90, 0.29%, 0.72%

LAB 79.54, -14.61, 18.6

 

CMYK 16 / 0 / 21 / 20

HEX #ACCCA2

RGB 172 204 162

HSL 105.71, 0.29%, 0.72%

LAB 78.79, -18.51, 17.46

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 0 / 9 / 30 / 16

HEX #D7C397

RGB 215 195 151

HSL 41.25, 0.44%, 0.72%

LAB 79.45, 0.45, 24.71

 

CMYK 0 / 12 / 39 / 11

HEX #E3C88B

RGB 227 200 139

HSL 41.59, 0.61%, 0.72%

LAB 81.57, 1.08, 34

 

CMYK 0 / 14 / 46 / 7

HEX #EECC80

RGB 238 204 128

HSL 41.45, 0.76%, 0.72%

LAB 83.4, 2.24, 42.16

 

CMYK 0 / 16 / 54 / 2

HEX #FAD174

RGB 250 209 116

HSL 41.64, 0.93%, 0.72%

LAB 85.6, 3.45, 51.02

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 0 / 3 / 9 / 25

HEX #C0BBAE

RGB 192 187 174

HSL 43.33, 0.13%, 0.72%

LAB 75.95, -0.52, 7.2

 

CMYK 2 / 2 / 0 / 27

HEX #B5B6B9

RGB 181 182 185

HSL 225, 0.03%, 0.72%

LAB 74.05, 0.22, -1.65

 

CMYK 14 / 10 / 0 / 23

HEX #A9B2C5

RGB 169 178 197

HSL 220.71, 0.19%, 0.72%

LAB 72.43, 0.75, -10.71

 

CMYK 24 / 17 / 0 / 18

HEX #9EADD1

RGB 158 173 209

HSL 222.35, 0.36%, 0.72%

LAB 70.7, 2.68, -19.98

 

CMYK 0 / 17 / 21 / 20

HEX #CCA9A2

RGB 204 169 162

HSL 10, 0.29%, 0.72%

LAB 72.11, 11.67, 8.39

 

CMYK 0 / 12 / 21 / 20

HEX #CCB4A2

RGB 204 180 162

HSL 25.71, 0.29%, 0.72%

LAB 74.88, 5.74, 12.33

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 0 / 1 / 21 / 20

HEX #CCCAA2

RGB 204 202 162

HSL 57.14, 0.29%, 0.72%

LAB 80.56, -5.87, 20.27

 

CMYK 4 / 0 / 21 / 20

HEX #C3CCA2

RGB 195 204 162

HSL 72.86, 0.29%, 0.72%

LAB 80.4, -10.24, 19.94

 

CMYK 0 / 12 / 38 / 31

HEX #AF9A6D

RGB 175 154 109

HSL 40.91, 0.29%, 0.56%

LAB 64.43, 1.15, 26.48

 

CMYK 0 / 8 / 28 / 26

HEX #BDAD88

RGB 189 173 136

HSL 41.89, 0.29%, 0.64%

LAB 71.2, -0.02, 21.13

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 0 / 4 / 13 / 15

HEX #DAD1BD

RGB 218 209 189

HSL 41.38, 0.28%, 0.8%

LAB 84.06, -0.24, 11.02

 

CMYK 0 / 2 / 7 / 9

HEX #E9E4D8

RGB 233 228 216

HSL 42.35, 0.28%, 0.88%

LAB 90.67, -0.36, 6.44

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 18 / 0 / 21 / 20

HEX #A7CCA2

RGB 167 204 162

HSL 112.86, 0.29%, 0.72%

LAB 78.47, -20.25, 16.96

 

CMYK 15 / 21 / 0 / 20

HEX #AEA2CC

RGB 174 162 204

HSL 257.14, 0.29%, 0.72%

LAB 68.9, 12.71, -19.86

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 21 / 0 / 6 / 20

HEX #A2CCBF

RGB 162 204 191

HSL 161.43, 0.29%, 0.72%

LAB 78.83, -16.47, 1.92

 

CMYK 6 / 21 / 0 / 20

HEX #BFA2CC

RGB 191 162 204

HSL 281.43, 0.29%, 0.72%

LAB 70.37, 18.3, -17.48

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 18 / 0 / 21 / 20

HEX #A7CCA2

RGB 167 204 162

HSL 112.86, 0.29%, 0.72%

LAB 78.47, -20.25, 16.96

 

CMYK 21 / 14 / 0 / 20

HEX #A2B0CC

RGB 162 176 204

HSL 220, 0.29%, 0.72%

LAB 71.62, 1.13, -15.83

 

CMYK 2 / 21 / 0 / 20

HEX #C7A2CC

RGB 199 162 204

HSL 292.86, 0.29%, 0.72%

LAB 71.11, 20.97, -16.3

 

CMYK 0 / 6 / 21 / 20

HEX #CCBFA2

RGB 204 191 162

HSL 41.43, 0.29%, 0.72%

LAB 77.7, -0.11, 16.29

 

CMYK 21 / 0 / 17 / 20

HEX #A2CCAA

RGB 162 204 170

HSL 131.43, 0.29%, 0.72%

LAB 78.33, -20.53, 12.45

 

CMYK 21 / 14 / 0 / 20

HEX #A2B0CC

RGB 162 176 204

HSL 220, 0.29%, 0.72%

LAB 71.62, 1.13, -15.83

 

CMYK 0 / 21 / 4 / 20

HEX #CCA2C4

RGB 204 162 196

HSL 311.43, 0.29%, 0.72%

LAB 71.33, 21.17, -11.51

 

Description

Color code: HEX #CCBFA2 | qconv.com Color code: HEX #CCBFA2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 191 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 191 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 21 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 21% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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