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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB709 it is the complementary color #3348F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB709. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB709 shade: #D1B704, #E2C917, #F3DB2A, #FFED3D and #FFFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB709. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB709 shade: #CCB709, #BBA500, #AA9300, #998100 and #886F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB709 shade: #CDB808, #CD8308, #CD4E08, #CD1808 and #CD0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB709 shade: #CDB808, #ADCD08, #78CD08, #43CD08 and #0ECD08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB709 shade matches the following richer shades: #CDB808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB709 shade: #CDB808, #BCAA19, #AA9D2B, #998F3C and #88824D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB709 shade: #CD4D08, #CD8208, #CDB608, #B0CD08 and #7BCD08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB709 shade: #7E7105, #A69406, #CDB808, #F4DB0A and #F6E132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB709 shade: #CCB709, #08CD18 and #6708CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB709 shade: #CCB709, #08CDB6 and #B608CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB709 shade: #CCB709, #08CD18, #081FCD and #CD08BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB709 shade: #CCB709, #08CD54, #081FCD and #CD0882

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 96 / 20

HEX #CCB709

RGB 204 183 9

HSL 53.54, 0.92%, 0.42%

LAB 74.01, -7.5, 74.81

 

Complementary color

CMYK 79 / 71 / 0 / 4

HEX #3348F6

RGB 51 72 246

HSL 233.54, 0.92%, 0.58%

LAB 41.2, 52.39, -87.97

 

CMYK 0 / 12 / 98 / 18

HEX #D1B704

RGB 209 183 4

HSL 52.39, 0.96%, 0.42%

LAB 74.46, -5.35, 75.89

 

CMYK 0 / 11 / 90 / 11

HEX #E2C917

RGB 226 201 23

HSL 52.61, 0.82%, 0.49%

LAB 80.74, -6.99, 78.89

 

CMYK 0 / 10 / 83 / 5

HEX #F3DB2A

RGB 243 219 42

HSL 52.84, 0.89%, 0.56%

LAB 86.94, -8.42, 80.61

 

CMYK 0 / 7 / 76 / 0

HEX #FFED3D

RGB 255 237 61

HSL 54.43, 1%, 0.62%

LAB 92.65, -11.74, 80.78

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 10 / 96 / 20

HEX #CCB709

RGB 204 183 9

HSL 53.54, 0.92%, 0.42%

LAB 74.01, -7.5, 74.81

 

CMYK 0 / 12 / 100 / 27

HEX #BBA500

RGB 187 165 0

HSL 52.94, 1%, 0.37%

LAB 67.63, -5.73, 70.51

 

CMYK 0 / 14 / 100 / 33

HEX #AA9300

RGB 170 147 0

HSL 51.88, 1%, 0.33%

LAB 61.14, -3.79, 65.15

 

CMYK 0 / 16 / 100 / 40

HEX #998100

RGB 153 129 0

HSL 50.59, 1%, 0.3%

LAB 54.53, -1.78, 59.67

 

CMYK 0 / 18 / 100 / 47

HEX #886F00

RGB 136 111 0

HSL 48.97, 1%, 0.27%

LAB 47.76, 0.33, 54.08

 

CMYK 0 / 10 / 96 / 20

HEX #CDB808

RGB 205 184 8

HSL 53.6, 0.92%, 0.42%

LAB 74.37, -7.59, 75.22

 

CMYK 0 / 36 / 96 / 20

HEX #CD8308

RGB 205 131 8

HSL 37.46, 0.92%, 0.42%

LAB 60.98, 20.79, 65.62

 

CMYK 0 / 62 / 96 / 20

HEX #CD4E08

RGB 205 78 8

HSL 21.32, 0.92%, 0.42%

LAB 50.03, 47.85, 58.42

 

CMYK 0 / 88 / 96 / 20

HEX #CD1808

RGB 205 24 8

HSL 4.87, 0.92%, 0.42%

LAB 43.73, 65.24, 54.84

 

CMYK 0 / 96 / 96 / 20

HEX #CD0808

RGB 205 8 8

HSL 0, 0.92%, 0.42%

LAB 43.02, 67.28, 54.48

 

CMYK 0 / 10 / 96 / 20

HEX #CDB808

RGB 205 184 8

HSL 53.6, 0.92%, 0.42%

LAB 74.37, -7.59, 75.22

 

CMYK 16 / 0 / 96 / 20

HEX #ADCD08

RGB 173 205 8

HSL 69.75, 0.92%, 0.42%

LAB 77.62, -31.63, 76.56

 

CMYK 41 / 0 / 96 / 20

HEX #78CD08

RGB 120 205 8

HSL 85.89, 0.92%, 0.42%

LAB 74.62, -51.6, 72.93

 

CMYK 67 / 0 / 96 / 20

HEX #43CD08

RGB 67 205 8

HSL 102.03, 0.92%, 0.42%

LAB 72.81, -65.93, 70.71

 

CMYK 93 / 0 / 96 / 20

HEX #0ECD08

RGB 14 205 8

HSL 118.17, 0.92%, 0.42%

LAB 72.08, -72.39, 69.81

 

CMYK 0 / 10 / 96 / 20

HEX #CDB808

RGB 205 184 8

HSL 53.6, 0.92%, 0.42%

LAB 74.37, -7.59, 75.22

 

CMYK 0 / 10 / 96 / 20

HEX #CDB808

RGB 205 184 8

HSL 53.6, 0.92%, 0.42%

LAB 74.37, -7.59, 75.22

 

CMYK 0 / 10 / 87 / 26

HEX #BCAA19

RGB 188 170 25

HSL 53.37, 0.77%, 0.42%

LAB 69.12, -7.53, 67.85

 

CMYK 0 / 8 / 75 / 33

HEX #AA9D2B

RGB 170 157 43

HSL 53.86, 0.6%, 0.42%

LAB 64.03, -8.06, 57.51

 

CMYK 0 / 7 / 61 / 40

HEX #998F3C

RGB 153 143 60

HSL 53.55, 0.44%, 0.42%

LAB 58.74, -7.1, 44.45

 

CMYK 0 / 4 / 43 / 47

HEX #88824D

RGB 136 130 77

HSL 53.9, 0.28%, 0.42%

LAB 53.75, -5.85, 29.45

 

CMYK 0 / 62 / 96 / 20

HEX #CD4D08

RGB 205 77 8

HSL 21.02, 0.92%, 0.42%

LAB 49.86, 48.3, 58.32

 

CMYK 0 / 37 / 96 / 20

HEX #CD8208

RGB 205 130 8

HSL 37.16, 0.92%, 0.42%

LAB 60.75, 21.33, 65.45

 

CMYK 0 / 11 / 96 / 20

HEX #CDB608

RGB 205 182 8

HSL 52.99, 0.92%, 0.42%

LAB 73.84, -6.55, 74.83

 

CMYK 14 / 0 / 96 / 20

HEX #B0CD08

RGB 176 205 8

HSL 68.83, 0.92%, 0.42%

LAB 77.82, -30.4, 76.8

 

CMYK 40 / 0 / 96 / 20

HEX #7BCD08

RGB 123 205 8

HSL 84.97, 0.92%, 0.42%

LAB 74.76, -50.59, 73.09

 

CMYK 0 / 10 / 96 / 51

HEX #7E7105

RGB 126 113 5

HSL 53.55, 0.92%, 0.26%

LAB 47.31, -5.5, 52.19

 

CMYK 0 / 11 / 96 / 35

HEX #A69406

RGB 166 148 6

HSL 53.25, 0.93%, 0.34%

LAB 61.05, -6.07, 64

 

CMYK 0 / 10 / 96 / 20

HEX #CDB808

RGB 205 184 8

HSL 53.6, 0.92%, 0.42%

LAB 74.37, -7.59, 75.22

 

CMYK 0 / 10 / 96 / 4

HEX #F4DB0A

RGB 244 219 10

HSL 53.59, 0.92%, 0.5%

LAB 86.96, -8.53, 85.86

 

CMYK 0 / 9 / 80 / 4

HEX #F6E132

RGB 246 225 50

HSL 53.57, 0.92%, 0.58%

LAB 88.77, -9.93, 80.21

 

CMYK 0 / 10 / 96 / 20

HEX #CCB709

RGB 204 183 9

HSL 53.54, 0.92%, 0.42%

LAB 74.01, -7.5, 74.81

 

CMYK 96 / 0 / 88 / 20

HEX #08CD18

RGB 8 205 24

HSL 124.87, 0.92%, 0.42%

LAB 72.08, -72.22, 67.58

 

CMYK 50 / 96 / 0 / 20

HEX #6708CD

RGB 103 8 205

HSL 268.93, 0.92%, 0.42%

LAB 32.84, 69.52, -78.21

 

CMYK 0 / 10 / 96 / 20

HEX #CCB709

RGB 204 183 9

HSL 53.54, 0.92%, 0.42%

LAB 74.01, -7.5, 74.81

 

CMYK 96 / 0 / 11 / 20

HEX #08CDB6

RGB 8 205 182

HSL 172.99, 0.92%, 0.42%

LAB 74.25, -47.16, -0.47

 

CMYK 11 / 96 / 0 / 20

HEX #B608CD

RGB 182 8 205

HSL 292.99, 0.92%, 0.42%

LAB 44.98, 79.09, -57.88

 

CMYK 0 / 10 / 96 / 20

HEX #CCB709

RGB 204 183 9

HSL 53.54, 0.92%, 0.42%

LAB 74.01, -7.5, 74.81

 

CMYK 96 / 0 / 88 / 20

HEX #08CD18

RGB 8 205 24

HSL 124.87, 0.92%, 0.42%

LAB 72.08, -72.22, 67.58

 

CMYK 96 / 85 / 0 / 20

HEX #081FCD

RGB 8 31 205

HSL 232.99, 0.92%, 0.42%

LAB 27.95, 58.64, -86.53

 

CMYK 0 / 96 / 8 / 20

HEX #CD08BD

RGB 205 8 189

HSL 304.87, 0.92%, 0.42%

LAB 48.04, 80.45, -43.45

 

CMYK 0 / 10 / 96 / 20

HEX #CCB709

RGB 204 183 9

HSL 53.54, 0.92%, 0.42%

LAB 74.01, -7.5, 74.81

 

CMYK 96 / 0 / 59 / 20

HEX #08CD54

RGB 8 205 84

HSL 143.15, 0.92%, 0.42%

LAB 72.46, -67.35, 47.63

 

CMYK 96 / 85 / 0 / 20

HEX #081FCD

RGB 8 31 205

HSL 232.99, 0.92%, 0.42%

LAB 27.95, 58.64, -86.53

 

CMYK 0 / 96 / 37 / 20

HEX #CD0882

RGB 205 8 130

HSL 322.84, 0.92%, 0.42%

LAB 45.31, 73.47, -12.4

 

Description

Color code: HEX #CCB709 | qconv.com Color code: HEX #CCB709 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 183 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 183 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 96 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 96% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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