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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCB673 it is the complementary color #33498C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCB673. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCB673 shade: #D1B66E, #E2C881, #F3DA94, #FFECA7 and #FFFEBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCB673. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCB673 shade: #CCB673, #BBA460, #AA924D, #99803A and #886E27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCB673 shade: #CCB774, #CC9F74, #CC8774 and #CC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCB673 shade: #CCB774, #CACC74, #B3CC74, #9BCC74 and #83CC74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCB673 shade matches the following richer shades: #CCB774, #DCBE65, #EBC655 and #FACE46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCB673 shade: #CCB774, #BDAF83, #AEA792, #9F9FA2 and #8F98B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCB673 shade: #CC8774, #CC9F74, #CCB674, #CBCC74 and #B3CC74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCB673 shade: #AF933F, #C2A755, #CCB774, #D7C692 and #E2D6B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCB673 shade: #CCB673, #78CC74 and #9374CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCB673 shade: #CCB673, #74CCB6 and #B674CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCB673 shade: #CCB673, #78CC74, #748ACC and #C874CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCB673 shade: #CCB673, #74CC8A, #748ACC and #CC74B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 44 / 20

HEX #CCB673

RGB 204 182 115

HSL 45.17, 0.47%, 0.63%

LAB 74.53, -1.31, 36.91

 

Complementary color

CMYK 64 / 48 / 0 / 45

HEX #33498C

RGB 51 73 140

HSL 225.17, 0.47%, 0.37%

LAB 32.62, 13.87, -39.91

 

CMYK 0 / 13 / 47 / 18

HEX #D1B66E

RGB 209 182 110

HSL 43.64, 0.52%, 0.63%

LAB 74.91, 0.24, 40.05

 

CMYK 0 / 12 / 43 / 11

HEX #E2C881

RGB 226 200 129

HSL 43.92, 0.63%, 0.7%

LAB 81.33, -0.39, 38.8

 

CMYK 0 / 10 / 39 / 5

HEX #F3DA94

RGB 243 218 148

HSL 44.21, 0.8%, 0.77%

LAB 87.65, -0.93, 37.6

 

CMYK 0 / 7 / 35 / 0

HEX #FFECA7

RGB 255 236 167

HSL 47.05, 1%, 0.83%

LAB 93.47, -3.31, 35.83

 

CMYK 0 / 0 / 27 / 0

HEX #FFFEBA

RGB 255 254 186

HSL 59.13, 1%, 0.86%

LAB 98.31, -9.96, 32.74

 

CMYK 0 / 11 / 44 / 20

HEX #CCB673

RGB 204 182 115

HSL 45.17, 0.47%, 0.63%

LAB 74.53, -1.31, 36.91

 

CMYK 0 / 12 / 49 / 27

HEX #BBA460

RGB 187 164 96

HSL 44.84, 0.4%, 0.55%

LAB 67.99, -0.67, 38.18

 

CMYK 0 / 14 / 55 / 33

HEX #AA924D

RGB 170 146 77

HSL 44.52, 0.38%, 0.48%

LAB 61.34, 0.1, 39.48

 

CMYK 0 / 16 / 62 / 40

HEX #99803A

RGB 153 128 58

HSL 44.21, 0.45%, 0.41%

LAB 54.57, 1.03, 40.76

 

CMYK 0 / 19 / 71 / 47

HEX #886E27

RGB 136 110 39

HSL 43.92, 0.55%, 0.34%

LAB 47.67, 2.2, 41.86

 

CMYK 0 / 10 / 43 / 20

HEX #CCB774

RGB 204 183 116

HSL 45.68, 0.46%, 0.63%

LAB 74.8, -1.73, 36.74

 

CMYK 0 / 22 / 43 / 20

HEX #CC9F74

RGB 204 159 116

HSL 29.32, 0.46%, 0.63%

LAB 68.67, 11.12, 28.81

 

CMYK 0 / 34 / 43 / 20

HEX #CC8774

RGB 204 135 116

HSL 12.95, 0.46%, 0.63%

LAB 62.87, 24.21, 21.06

 

CMYK 0 / 43 / 43 / 20

HEX #CC7474

RGB 204 116 116

HSL 0, 0.46%, 0.63%

LAB 58.59, 34.46, 15.21

 

CMYK 0 / 10 / 43 / 20

HEX #CCB774

RGB 204 183 116

HSL 45.68, 0.46%, 0.63%

LAB 74.8, -1.73, 36.74

 

CMYK 1 / 0 / 43 / 20

HEX #CACC74

RGB 202 204 116

HSL 61.36, 0.46%, 0.63%

LAB 80.18, -13.38, 43.46

 

CMYK 12 / 0 / 43 / 20

HEX #B3CC74

RGB 179 204 116

HSL 77.05, 0.46%, 0.63%

LAB 78.48, -22.41, 40.97

 

CMYK 24 / 0 / 43 / 20

HEX #9BCC74

RGB 155 204 116

HSL 93.41, 0.46%, 0.63%

LAB 76.93, -31.37, 38.69

 

CMYK 36 / 0 / 43 / 20

HEX #83CC74

RGB 131 204 116

HSL 109.77, 0.46%, 0.63%

LAB 75.62, -39.61, 36.76

 

CMYK 0 / 10 / 43 / 20

HEX #CCB774

RGB 204 183 116

HSL 45.68, 0.46%, 0.63%

LAB 74.8, -1.73, 36.74

 

CMYK 0 / 14 / 54 / 14

HEX #DCBE65

RGB 220 190 101

HSL 44.87, 0.63%, 0.63%

LAB 77.86, -0.22, 48.36

 

CMYK 0 / 16 / 64 / 8

HEX #EBC655

RGB 235 198 85

HSL 45.2, 0.79%, 0.63%

LAB 81.13, 0.74, 59.84

 

CMYK 0 / 18 / 72 / 2

HEX #FACE46

RGB 250 206 70

HSL 45.33, 0.95%, 0.63%

LAB 84.44, 2.11, 69.82

 

CMYK 0 / 10 / 43 / 20

HEX #CCB774

RGB 204 183 116

HSL 45.68, 0.46%, 0.63%

LAB 74.8, -1.73, 36.74

 

CMYK 0 / 7 / 31 / 26

HEX #BDAF83

RGB 189 175 131

HSL 45.52, 0.31%, 0.63%

LAB 71.63, -1.76, 24.42

 

CMYK 0 / 4 / 16 / 32

HEX #AEA792

RGB 174 167 146

HSL 45, 0.15%, 0.63%

LAB 68.54, -1.1, 11.77

 

CMYK 2 / 2 / 0 / 36

HEX #9F9FA2

RGB 159 159 162

HSL 240, 0.02%, 0.63%

LAB 65.57, 0.58, -1.57

 

CMYK 19 / 14 / 0 / 31

HEX #8F98B1

RGB 143 152 177

HSL 224.12, 0.18%, 0.63%

LAB 62.9, 2.18, -14.1

 

CMYK 0 / 34 / 43 / 20

HEX #CC8774

RGB 204 135 116

HSL 12.95, 0.46%, 0.63%

LAB 62.87, 24.21, 21.06

 

CMYK 0 / 22 / 43 / 20

HEX #CC9F74

RGB 204 159 116

HSL 29.32, 0.46%, 0.63%

LAB 68.67, 11.12, 28.81

 

CMYK 0 / 11 / 43 / 20

HEX #CCB674

RGB 204 182 116

HSL 45, 0.46%, 0.63%

LAB 74.54, -1.2, 36.41

 

CMYK 0 / 0 / 43 / 20

HEX #CBCC74

RGB 203 204 116

HSL 60.68, 0.46%, 0.63%

LAB 80.26, -12.98, 43.58

 

CMYK 12 / 0 / 43 / 20

HEX #B3CC74

RGB 179 204 116

HSL 77.05, 0.46%, 0.63%

LAB 78.48, -22.41, 40.97

 

CMYK 0 / 16 / 64 / 31

HEX #AF933F

RGB 175 147 63

HSL 45, 0.47%, 0.47%

LAB 61.95, 0.67, 47.17

 

CMYK 0 / 14 / 56 / 24

HEX #C2A755

RGB 194 167 85

HSL 45.14, 0.47%, 0.55%

LAB 69.3, -0.28, 45.45

 

CMYK 0 / 10 / 43 / 20

HEX #CCB774

RGB 204 183 116

HSL 45.68, 0.46%, 0.63%

LAB 74.8, -1.73, 36.74

 

CMYK 0 / 8 / 32 / 16

HEX #D7C692

RGB 215 198 146

HSL 45.22, 0.46%, 0.71%

LAB 80.13, -1.76, 28.26

 

CMYK 0 / 5 / 22 / 11

HEX #E2D6B0

RGB 226 214 176

HSL 45.6, 0.46%, 0.79%

LAB 85.7, -1.86, 20.28

 

CMYK 0 / 11 / 44 / 20

HEX #CCB673

RGB 204 182 115

HSL 45.17, 0.47%, 0.63%

LAB 74.53, -1.31, 36.91

 

CMYK 41 / 0 / 43 / 20

HEX #78CC74

RGB 120 204 116

HSL 117.27, 0.46%, 0.63%

LAB 75.1, -43.07, 35.99

 

CMYK 28 / 43 / 0 / 20

HEX #9374CC

RGB 147 116 204

HSL 261.14, 0.46%, 0.63%

LAB 55.13, 30.71, -41.37

 

CMYK 0 / 11 / 44 / 20

HEX #CCB673

RGB 204 182 115

HSL 45.17, 0.47%, 0.63%

LAB 74.53, -1.31, 36.91

 

CMYK 43 / 0 / 11 / 20

HEX #74CCB6

RGB 116 204 182

HSL 165, 0.46%, 0.63%

LAB 76.24, -31.71, 2.7

 

CMYK 11 / 43 / 0 / 20

HEX #B674CC

RGB 182 116 204

HSL 285, 0.46%, 0.63%

LAB 58.78, 40.87, -35.37

 

CMYK 0 / 11 / 44 / 20

HEX #CCB673

RGB 204 182 115

HSL 45.17, 0.47%, 0.63%

LAB 74.53, -1.31, 36.91

 

CMYK 41 / 0 / 43 / 20

HEX #78CC74

RGB 120 204 116

HSL 117.27, 0.46%, 0.63%

LAB 75.1, -43.07, 35.99

 

CMYK 43 / 32 / 0 / 20

HEX #748ACC

RGB 116 138 204

HSL 225, 0.46%, 0.63%

LAB 58.27, 9.31, -36.6

 

CMYK 2 / 43 / 0 / 20

HEX #C874CC

RGB 200 116 204

HSL 297.27, 0.46%, 0.63%

LAB 60.9, 46.23, -31.93

 

CMYK 0 / 11 / 44 / 20

HEX #CCB673

RGB 204 182 115

HSL 45.17, 0.47%, 0.63%

LAB 74.53, -1.31, 36.91

 

CMYK 43 / 0 / 32 / 20

HEX #74CC8A

RGB 116 204 138

HSL 135, 0.46%, 0.63%

LAB 75.29, -40.7, 24.84

 

CMYK 43 / 32 / 0 / 20

HEX #748ACC

RGB 116 138 204

HSL 225, 0.46%, 0.63%

LAB 58.27, 9.31, -36.6

 

CMYK 0 / 43 / 11 / 20

HEX #CC74B6

RGB 204 116 182

HSL 315, 0.46%, 0.63%

LAB 60.52, 43.58, -19.98

 

Description

Color code: HEX #CCB673 | qconv.com Color code: HEX #CCB673 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 182 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 182 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 44 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 44% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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