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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAE31 it is the complementary color #3351CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAE31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAE31 shade: #D1AE2C, #E2C03F, #F3D252, #FFE465 and #FFF678

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAE31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAE31 shade: #CCAE31, #BB9C1E, #AA8A0B, #997800 and #886600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAE31 shade: #CDAF31, #CD8531, #CD5B31 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAE31 shade: #CDAF31, #C1CD31, #97CD31, #6DCD31 and #43CD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAE31 shade matches the following richer shades: #CDAF31, #E1BB1D and #F6C808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAE31 shade: #CDAF31, #B8A246, #A4955A, #8F896F and #7A7C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAE31 shade: #CD5B31, #CD8431, #CDAE31, #C2CD31 and #99CD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAE31 shade: #8A7621, #AC9229, #CDAF31, #D5BC52 and #DDC974

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAE31 shade: #CCAE31, #31CD31 and #6F31CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAE31 shade: #CCAE31, #31CDAE and #AE31CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAE31 shade: #CCAE31, #31CD31, #3150CD and #CD31CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAE31 shade: #CCAE31, #31CD60, #3150CD and #CD319E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 76 / 20

HEX #CCAE31

RGB 204 174 49

HSL 48.39, 0.61%, 0.5%

LAB 71.78, -1.82, 63.8

 

Complementary color

CMYK 75 / 61 / 0 / 19

HEX #3351CE

RGB 51 81 206

HSL 228.39, 0.61%, 0.5%

LAB 39.66, 32.97, -67.75

 

CMYK 0 / 17 / 79 / 18

HEX #D1AE2C

RGB 209 174 44

HSL 47.27, 0.65%, 0.5%

LAB 72.23, 0.17, 66.09

 

CMYK 0 / 15 / 72 / 11

HEX #E2C03F

RGB 226 192 63

HSL 47.48, 0.74%, 0.57%

LAB 78.59, -1.14, 65.95

 

CMYK 0 / 14 / 66 / 5

HEX #F3D252

RGB 243 210 82

HSL 47.7, 0.87%, 0.64%

LAB 84.87, -2.26, 65.32

 

CMYK 0 / 11 / 60 / 0

HEX #FFE465

RGB 255 228 101

HSL 49.48, 1%, 0.7%

LAB 90.64, -5.26, 63.81

 

CMYK 0 / 4 / 53 / 0

HEX #FFF678

RGB 255 246 120

HSL 56, 1%, 0.74%

LAB 95.38, -12.81, 60.8

 

CMYK 0 / 15 / 76 / 20

HEX #CCAE31

RGB 204 174 49

HSL 48.39, 0.61%, 0.5%

LAB 71.78, -1.82, 63.8

 

CMYK 0 / 17 / 84 / 27

HEX #BB9C1E

RGB 187 156 30

HSL 48.15, 0.72%, 0.43%

LAB 65.31, -0.41, 63.42

 

CMYK 0 / 19 / 94 / 33

HEX #AA8A0B

RGB 170 138 11

HSL 47.92, 0.88%, 0.35%

LAB 58.74, 1.28, 61.7

 

CMYK 0 / 22 / 100 / 40

HEX #997800

RGB 153 120 0

HSL 47.06, 1%, 0.3%

LAB 52.07, 3.27, 57.95

 

CMYK 0 / 25 / 100 / 47

HEX #886600

RGB 136 102 0

HSL 45, 1%, 0.27%

LAB 45.27, 5.53, 52.36

 

CMYK 0 / 15 / 76 / 20

HEX #CDAF31

RGB 205 175 49

HSL 48.46, 0.61%, 0.5%

LAB 72.14, -1.91, 64.17

 

CMYK 0 / 35 / 76 / 20

HEX #CD8531

RGB 205 133 49

HSL 32.31, 0.61%, 0.5%

LAB 61.63, 20.72, 54.14

 

CMYK 0 / 56 / 76 / 20

HEX #CD5B31

RGB 205 91 49

HSL 16.15, 0.61%, 0.5%

LAB 52.6, 42.73, 45.05

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 15 / 76 / 20

HEX #CDAF31

RGB 205 175 49

HSL 48.46, 0.61%, 0.5%

LAB 72.14, -1.91, 64.17

 

CMYK 6 / 0 / 76 / 20

HEX #C1CD31

RGB 193 205 49

HSL 64.62, 0.61%, 0.5%

LAB 79.17, -22.32, 70.3

 

CMYK 26 / 0 / 76 / 20

HEX #97CD31

RGB 151 205 49

HSL 80.77, 0.61%, 0.5%

LAB 76.35, -39.19, 66.67

 

CMYK 47 / 0 / 76 / 20

HEX #6DCD31

RGB 109 205 49

HSL 96.92, 0.61%, 0.5%

LAB 74.28, -53.71, 63.96

 

CMYK 67 / 0 / 76 / 20

HEX #43CD31

RGB 67 205 49

HSL 113.08, 0.61%, 0.5%

LAB 72.94, -64.3, 62.21

 

CMYK 0 / 15 / 76 / 20

HEX #CDAF31

RGB 205 175 49

HSL 48.46, 0.61%, 0.5%

LAB 72.14, -1.91, 64.17

 

CMYK 0 / 17 / 87 / 12

HEX #E1BB1D

RGB 225 187 29

HSL 48.37, 0.77%, 0.5%

LAB 77.06, -0.1, 74.83

 

CMYK 0 / 19 / 97 / 4

HEX #F6C808

RGB 246 200 8

HSL 48.4, 0.94%, 0.5%

LAB 82.34, 1.95, 82.76

 

CMYK 0 / 15 / 76 / 20

HEX #CDAF31

RGB 205 175 49

HSL 48.46, 0.61%, 0.5%

LAB 72.14, -1.91, 64.17

 

CMYK 0 / 12 / 62 / 28

HEX #B8A246

RGB 184 162 70

HSL 48.42, 0.45%, 0.5%

LAB 66.88, -3.03, 49.6

 

CMYK 0 / 9 / 45 / 36

HEX #A4955A

RGB 164 149 90

HSL 47.84, 0.29%, 0.5%

LAB 61.76, -2.88, 33.09

 

CMYK 0 / 4 / 22 / 44

HEX #8F896F

RGB 143 137 111

HSL 48.75, 0.13%, 0.5%

LAB 56.96, -2.25, 14.77

 

CMYK 8 / 6 / 0 / 48

HEX #7A7C84

RGB 122 124 132

HSL 228, 0.04%, 0.5%

LAB 52.08, 0.92, -4.61

 

CMYK 0 / 56 / 76 / 20

HEX #CD5B31

RGB 205 91 49

HSL 16.15, 0.61%, 0.5%

LAB 52.6, 42.73, 45.05

 

CMYK 0 / 36 / 76 / 20

HEX #CD8431

RGB 205 132 49

HSL 31.92, 0.61%, 0.5%

LAB 61.4, 21.27, 53.91

 

CMYK 0 / 15 / 76 / 20

HEX #CDAE31

RGB 205 174 49

HSL 48.08, 0.61%, 0.5%

LAB 71.87, -1.39, 63.93

 

CMYK 5 / 0 / 76 / 20

HEX #C2CD31

RGB 194 205 49

HSL 64.23, 0.61%, 0.5%

LAB 79.24, -21.9, 70.4

 

CMYK 25 / 0 / 76 / 20

HEX #99CD31

RGB 153 205 49

HSL 80, 0.61%, 0.5%

LAB 76.47, -38.42, 66.82

 

CMYK 0 / 14 / 76 / 46

HEX #8A7621

RGB 138 118 33

HSL 48.57, 0.61%, 0.34%

LAB 50.06, -1.75, 46.89

 

CMYK 0 / 15 / 76 / 33

HEX #AC9229

RGB 172 146 41

HSL 48.09, 0.62%, 0.42%

LAB 61.21, -1.33, 55.64

 

CMYK 0 / 15 / 76 / 20

HEX #CDAF31

RGB 205 175 49

HSL 48.46, 0.61%, 0.5%

LAB 72.14, -1.91, 64.17

 

CMYK 0 / 12 / 62 / 16

HEX #D5BC52

RGB 213 188 82

HSL 48.55, 0.61%, 0.58%

LAB 76.51, -3.51, 55.53

 

CMYK 0 / 9 / 48 / 13

HEX #DDC974

RGB 221 201 116

HSL 48.57, 0.61%, 0.66%

LAB 80.96, -4.2, 44.78

 

CMYK 0 / 15 / 76 / 20

HEX #CCAE31

RGB 204 174 49

HSL 48.39, 0.61%, 0.5%

LAB 71.78, -1.82, 63.8

 

CMYK 76 / 0 / 76 / 20

HEX #31CD31

RGB 49 205 49

HSL 120, 0.61%, 0.5%

LAB 72.59, -67.34, 61.74

 

CMYK 46 / 76 / 0 / 20

HEX #6F31CD

RGB 111 49 205

HSL 263.85, 0.61%, 0.5%

LAB 37.81, 58.71, -69.99

 

CMYK 0 / 15 / 76 / 20

HEX #CCAE31

RGB 204 174 49

HSL 48.39, 0.61%, 0.5%

LAB 71.78, -1.82, 63.8

 

CMYK 76 / 0 / 15 / 20

HEX #31CDAE

RGB 49 205 174

HSL 168.08, 0.61%, 0.5%

LAB 74.43, -46.57, 4.15

 

CMYK 15 / 76 / 0 / 20

HEX #AE31CD

RGB 174 49 205

HSL 288.08, 0.61%, 0.5%

LAB 46.45, 69.63, -55.57

 

CMYK 0 / 15 / 76 / 20

HEX #CCAE31

RGB 204 174 49

HSL 48.39, 0.61%, 0.5%

LAB 71.78, -1.82, 63.8

 

CMYK 76 / 0 / 76 / 20

HEX #31CD31

RGB 49 205 49

HSL 120, 0.61%, 0.5%

LAB 72.59, -67.34, 61.74

 

CMYK 76 / 61 / 0 / 20

HEX #3150CD

RGB 49 80 205

HSL 228.08, 0.61%, 0.5%

LAB 39.24, 33.03, -67.85

 

CMYK 0 / 76 / 0 / 20

HEX #CD31CD

RGB 205 49 205

HSL 300, 0.61%, 0.5%

LAB 51.36, 75.69, -47.43

 

CMYK 0 / 15 / 76 / 20

HEX #CCAE31

RGB 204 174 49

HSL 48.39, 0.61%, 0.5%

LAB 71.78, -1.82, 63.8

 

CMYK 76 / 0 / 53 / 20

HEX #31CD60

RGB 49 205 96

HSL 138.08, 0.61%, 0.5%

LAB 73, -62.36, 42.76

 

CMYK 76 / 61 / 0 / 20

HEX #3150CD

RGB 49 80 205

HSL 228.08, 0.61%, 0.5%

LAB 39.24, 33.03, -67.85

 

CMYK 0 / 76 / 23 / 20

HEX #CD319E

RGB 205 49 158

HSL 318.08, 0.61%, 0.5%

LAB 49.06, 69.01, -23.57

 

Description

Color code: HEX #CCAE31 | qconv.com Color code: HEX #CCAE31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 174 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 174 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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