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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA431 it is the complementary color #335BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA431 shade: #D1A42C, #E2B63F, #F3C852, #FFDA65 and #FFEC78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA431 shade: #CCA431, #BB921E, #AA800B, #996E00 and #885C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA431 shade: #CDA531, #CD7B31, #CD5131 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA431 shade: #CDA531, #CBCD31, #A1CD31, #77CD31 and #4DCD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA431 shade matches the following richer shades: #CDA531, #E1AF1D and #F6B908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA431 shade: #CDA531, #B89B46, #A4915A, #8F876F and #7A7D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA431 shade: #CD5031, #CD7A31, #CDA331, #CDCD31 and #A3CD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA431 shade: #8A6F21, #AC8A29, #CDA531, #D5B352 and #DDC274

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA431 shade: #CCA431, #3CCD31 and #6531CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA431 shade: #CCA431, #31CDA3 and #A331CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA431 shade: #CCA431, #3CCD31, #315BCD and #C231CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA431 shade: #CCA431, #31CD56, #315BCD and #CD31A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 76 / 20

HEX #CCA431

RGB 204 164 49

HSL 44.52, 0.61%, 0.5%

LAB 69.19, 3.49, 61.37

 

Complementary color

CMYK 75 / 56 / 0 / 19

HEX #335BCE

RGB 51 91 206

HSL 224.52, 0.61%, 0.5%

LAB 42.22, 26.55, -63.57

 

CMYK 0 / 22 / 79 / 18

HEX #D1A42C

RGB 209 164 44

HSL 43.64, 0.65%, 0.5%

LAB 69.67, 5.49, 63.77

 

CMYK 0 / 19 / 72 / 11

HEX #E2B63F

RGB 226 182 63

HSL 43.8, 0.74%, 0.57%

LAB 76.06, 4.08, 63.45

 

CMYK 0 / 18 / 66 / 5

HEX #F3C852

RGB 243 200 82

HSL 43.98, 0.87%, 0.64%

LAB 82.36, 2.88, 62.68

 

CMYK 0 / 15 / 60 / 0

HEX #FFDA65

RGB 255 218 101

HSL 45.58, 1%, 0.7%

LAB 88.13, -0.22, 61.02

 

CMYK 0 / 7 / 53 / 0

HEX #FFEC78

RGB 255 236 120

HSL 51.56, 1%, 0.74%

LAB 92.84, -7.88, 57.83

 

CMYK 0 / 20 / 76 / 20

HEX #CCA431

RGB 204 164 49

HSL 44.52, 0.61%, 0.5%

LAB 69.19, 3.49, 61.37

 

CMYK 0 / 22 / 84 / 27

HEX #BB921E

RGB 187 146 30

HSL 44.33, 0.72%, 0.43%

LAB 62.69, 5.02, 61.21

 

CMYK 0 / 25 / 94 / 33

HEX #AA800B

RGB 170 128 11

HSL 44.15, 0.88%, 0.35%

LAB 56.1, 6.83, 59.72

 

CMYK 0 / 28 / 100 / 40

HEX #996E00

RGB 153 110 0

HSL 43.14, 1%, 0.3%

LAB 49.4, 8.96, 56.12

 

CMYK 0 / 32 / 100 / 47

HEX #885C00

RGB 136 92 0

HSL 40.59, 1%, 0.27%

LAB 42.59, 11.37, 50.54

 

CMYK 0 / 20 / 76 / 20

HEX #CDA531

RGB 205 165 49

HSL 44.62, 0.61%, 0.5%

LAB 69.55, 3.39, 61.74

 

CMYK 0 / 40 / 76 / 20

HEX #CD7B31

RGB 205 123 49

HSL 28.46, 0.61%, 0.5%

LAB 59.31, 26.14, 51.85

 

CMYK 0 / 60 / 76 / 20

HEX #CD5131

RGB 205 81 49

HSL 12.31, 0.61%, 0.5%

LAB 50.79, 47.46, 43.16

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 20 / 76 / 20

HEX #CDA531

RGB 205 165 49

HSL 44.62, 0.61%, 0.5%

LAB 69.55, 3.39, 61.74

 

CMYK 1 / 0 / 76 / 20

HEX #CBCD31

RGB 203 205 49

HSL 60.77, 0.61%, 0.5%

LAB 79.94, -18.12, 71.3

 

CMYK 21 / 0 / 76 / 20

HEX #A1CD31

RGB 161 205 49

HSL 76.92, 0.61%, 0.5%

LAB 76.96, -35.32, 67.45

 

CMYK 42 / 0 / 76 / 20

HEX #77CD31

RGB 119 205 49

HSL 93.08, 0.61%, 0.5%

LAB 74.7, -50.55, 64.52

 

CMYK 62 / 0 / 76 / 20

HEX #4DCD31

RGB 77 205 49

HSL 109.23, 0.61%, 0.5%

LAB 73.2, -62.21, 62.54

 

CMYK 0 / 20 / 76 / 20

HEX #CDA531

RGB 205 165 49

HSL 44.62, 0.61%, 0.5%

LAB 69.55, 3.39, 61.74

 

CMYK 0 / 22 / 87 / 12

HEX #E1AF1D

RGB 225 175 29

HSL 44.69, 0.77%, 0.5%

LAB 74.03, 6.2, 72.41

 

CMYK 0 / 25 / 97 / 4

HEX #F6B908

RGB 246 185 8

HSL 44.62, 0.94%, 0.5%

LAB 78.64, 9.73, 80.14

 

CMYK 0 / 20 / 76 / 20

HEX #CDA531

RGB 205 165 49

HSL 44.62, 0.61%, 0.5%

LAB 69.55, 3.39, 61.74

 

CMYK 0 / 16 / 62 / 28

HEX #B89B46

RGB 184 155 70

HSL 44.74, 0.45%, 0.5%

LAB 65.02, 0.74, 47.53

 

CMYK 0 / 12 / 45 / 36

HEX #A4915A

RGB 164 145 90

HSL 44.59, 0.29%, 0.5%

LAB 60.68, -0.68, 31.72

 

CMYK 0 / 6 / 22 / 44

HEX #8F876F

RGB 143 135 111

HSL 45, 0.13%, 0.5%

LAB 56.4, -1.13, 14

 

CMYK 8 / 5 / 0 / 48

HEX #7A7D84

RGB 122 125 132

HSL 222, 0.04%, 0.5%

LAB 52.37, 0.34, -4.19

 

CMYK 0 / 61 / 76 / 20

HEX #CD5031

RGB 205 80 49

HSL 11.92, 0.61%, 0.5%

LAB 50.61, 47.92, 42.98

 

CMYK 0 / 40 / 76 / 20

HEX #CD7A31

RGB 205 122 49

HSL 28.08, 0.61%, 0.5%

LAB 59.09, 26.68, 51.62

 

CMYK 0 / 20 / 76 / 20

HEX #CDA331

RGB 205 163 49

HSL 43.85, 0.61%, 0.5%

LAB 69.04, 4.46, 61.26

 

CMYK 0 / 0 / 76 / 20

HEX #CDCD31

RGB 205 205 49

HSL 60, 0.61%, 0.5%

LAB 80.1, -17.28, 71.5

 

CMYK 20 / 0 / 76 / 20

HEX #A3CD31

RGB 163 205 49

HSL 76.15, 0.61%, 0.5%

LAB 77.08, -34.54, 67.61

 

CMYK 0 / 20 / 76 / 46

HEX #8A6F21

RGB 138 111 33

HSL 44.57, 0.61%, 0.34%

LAB 48.11, 2.25, 45

 

CMYK 0 / 20 / 76 / 33

HEX #AC8A29

RGB 172 138 41

HSL 44.43, 0.62%, 0.42%

LAB 59.07, 3.06, 53.61

 

CMYK 0 / 20 / 76 / 20

HEX #CDA531

RGB 205 165 49

HSL 44.62, 0.61%, 0.5%

LAB 69.55, 3.39, 61.74

 

CMYK 0 / 16 / 62 / 16

HEX #D5B352

RGB 213 179 82

HSL 44.43, 0.61%, 0.58%

LAB 74.19, 1.2, 52.95

 

CMYK 0 / 12 / 48 / 13

HEX #DDC274

RGB 221 194 116

HSL 44.57, 0.61%, 0.66%

LAB 79.17, -0.57, 42.55

 

CMYK 0 / 20 / 76 / 20

HEX #CCA431

RGB 204 164 49

HSL 44.52, 0.61%, 0.5%

LAB 69.19, 3.49, 61.37

 

CMYK 71 / 0 / 76 / 20

HEX #3CCD31

RGB 60 205 49

HSL 115.77, 0.61%, 0.5%

LAB 72.79, -65.59, 62.01

 

CMYK 51 / 76 / 0 / 20

HEX #6531CD

RGB 101 49 205

HSL 260, 0.61%, 0.5%

LAB 36.69, 57.26, -71.88

 

CMYK 0 / 20 / 76 / 20

HEX #CCA431

RGB 204 164 49

HSL 44.52, 0.61%, 0.5%

LAB 69.19, 3.49, 61.37

 

CMYK 76 / 0 / 20 / 20

HEX #31CDA3

RGB 49 205 163

HSL 163.85, 0.61%, 0.5%

LAB 74.16, -49.31, 9.7

 

CMYK 20 / 76 / 0 / 20

HEX #A331CD

RGB 163 49 205

HSL 283.85, 0.61%, 0.5%

LAB 44.79, 67.56, -58.34

 

CMYK 0 / 20 / 76 / 20

HEX #CCA431

RGB 204 164 49

HSL 44.52, 0.61%, 0.5%

LAB 69.19, 3.49, 61.37

 

CMYK 71 / 0 / 76 / 20

HEX #3CCD31

RGB 60 205 49

HSL 115.77, 0.61%, 0.5%

LAB 72.79, -65.59, 62.01

 

CMYK 76 / 56 / 0 / 20

HEX #315BCD

RGB 49 91 205

HSL 223.85, 0.61%, 0.5%

LAB 42.07, 25.95, -63.25

 

CMYK 5 / 76 / 0 / 20

HEX #C231CD

RGB 194 49 205

HSL 295.77, 0.61%, 0.5%

LAB 49.59, 73.51, -50.37

 

CMYK 0 / 20 / 76 / 20

HEX #CCA431

RGB 204 164 49

HSL 44.52, 0.61%, 0.5%

LAB 69.19, 3.49, 61.37

 

CMYK 76 / 0 / 58 / 20

HEX #31CD56

RGB 49 205 86

HSL 134.23, 0.61%, 0.5%

LAB 72.88, -63.71, 47.31

 

CMYK 76 / 56 / 0 / 20

HEX #315BCD

RGB 49 91 205

HSL 223.85, 0.61%, 0.5%

LAB 42.07, 25.95, -63.25

 

CMYK 0 / 76 / 18 / 20

HEX #CD31A8

RGB 205 49 168

HSL 314.23, 0.61%, 0.5%

LAB 49.5, 70.31, -28.82

 

Description

Color code: HEX #CCA431 | qconv.com Color code: HEX #CCA431 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 164 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 164 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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