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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9F063 it is the complementary color #360F9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9F063. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9F063 shade: #CEF05E, #DFFF71, #F0FF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9F063. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9F063 shade: #C9F063, #B8DE50, #A7CC3D, #96BA2A and #85A817

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9F063 shade: #C8EF61, #EEEF61, #EFCA61, #EFA361 and #EF7D61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9F063 shade: #C8EF61, #A1EF61, #7BEF61, #61EF6D and #61EF93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9F063 shade matches the following richer shades: #C8EF61 and #CEFD53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9F063 shade: #C8EF61, #C1E16F, #BBD37D, #B5C58B and #AEB799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9F063 shade: #EFC961, #EFEF61, #C9EF61, #A3EF61 and #7DEF61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9F063 shade: #ADE716, #BAEB3B, #C8EF61, #D5F386 and #E2F6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9F063 shade: #C9F063, #61EFA3 and #DC61EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9F063 shade: #C9F063, #61C9EF and #EF61C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9F063 shade: #C9F063, #61EFA3, #8761EF and #EF61AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9F063 shade: #C9F063, #61EFCE, #8761EF and #EF6182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 59 / 6

HEX #C9F063

RGB 201 240 99

HSL 76.6, 0.82%, 0.66%

LAB 89.69, -32.69, 62.47

 

Complementary color

CMYK 65 / 90 / 0 / 39

HEX #360F9C

RGB 54 15 156

HSL 256.6, 0.82%, 0.34%

LAB 22.04, 52.32, -67.01

 

CMYK 14 / 0 / 61 / 6

HEX #CEF05E

RGB 206 240 94

HSL 73.97, 0.83%, 0.65%

LAB 89.98, -31.15, 64.97

 

CMYK 13 / 0 / 56 / 0

HEX #DFFF71

RGB 223 255 113

HSL 73.52, 1%, 0.72%

LAB 95.33, -30.12, 63.21

 

CMYK 6 / 0 / 48 / 0

HEX #F0FF84

RGB 240 255 132

HSL 67.32, 1%, 0.76%

LAB 96.7, -21.99, 56.62

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 16 / 0 / 59 / 6

HEX #C9F063

RGB 201 240 99

HSL 76.6, 0.82%, 0.66%

LAB 89.69, -32.69, 62.47

 

CMYK 17 / 0 / 64 / 13

HEX #B8DE50

RGB 184 222 80

HSL 76.06, 0.68%, 0.59%

LAB 83.45, -32.33, 63.23

 

CMYK 18 / 0 / 70 / 20

HEX #A7CC3D

RGB 167 204 61

HSL 75.52, 0.58%, 0.52%

LAB 77.12, -31.86, 63.67

 

CMYK 19 / 0 / 77 / 27

HEX #96BA2A

RGB 150 186 42

HSL 75, 0.63%, 0.45%

LAB 70.71, -31.24, 63.55

 

CMYK 21 / 0 / 86 / 34

HEX #85A817

RGB 133 168 23

HSL 74.48, 0.76%, 0.37%

LAB 64.2, -30.43, 62.45

 

CMYK 16 / 0 / 59 / 6

HEX #C8EF61

RGB 200 239 97

HSL 76.48, 0.82%, 0.66%

LAB 89.33, -32.77, 62.91

 

CMYK 0 / 0 / 59 / 6

HEX #EEEF61

RGB 238 239 97

HSL 60.42, 0.82%, 0.66%

LAB 92.03, -17.84, 66.63

 

CMYK 0 / 15 / 59 / 6

HEX #EFCA61

RGB 239 202 97

HSL 44.37, 0.82%, 0.66%

LAB 82.62, 1.12, 56.22

 

CMYK 0 / 32 / 59 / 6

HEX #EFA361

RGB 239 163 97

HSL 27.89, 0.82%, 0.66%

LAB 73.16, 21.6, 45.2

 

CMYK 0 / 48 / 59 / 6

HEX #EF7D61

RGB 239 125 97

HSL 11.83, 0.82%, 0.66%

LAB 64.87, 41.38, 35.06

 

CMYK 16 / 0 / 59 / 6

HEX #C8EF61

RGB 200 239 97

HSL 76.48, 0.82%, 0.66%

LAB 89.33, -32.77, 62.91

 

CMYK 33 / 0 / 59 / 6

HEX #A1EF61

RGB 161 239 97

HSL 92.96, 0.82%, 0.66%

LAB 87.08, -46.92, 59.77

 

CMYK 49 / 0 / 59 / 6

HEX #7BEF61

RGB 123 239 97

HSL 109.01, 0.82%, 0.66%

LAB 85.41, -58.71, 57.42

 

CMYK 59 / 0 / 54 / 6

HEX #61EF6D

RGB 97 239 109

HSL 125.07, 0.82%, 0.66%

LAB 84.68, -63.83, 51.03

 

CMYK 59 / 0 / 38 / 6

HEX #61EF93

RGB 97 239 147

HSL 141.13, 0.82%, 0.66%

LAB 85.19, -58.18, 33.34

 

CMYK 16 / 0 / 59 / 6

HEX #C8EF61

RGB 200 239 97

HSL 76.48, 0.82%, 0.66%

LAB 89.33, -32.77, 62.91

 

CMYK 19 / 0 / 67 / 1

HEX #CEFD53

RGB 206 253 83

HSL 76.59, 0.98%, 0.66%

LAB 93.45, -37.81, 72.93

 

CMYK 16 / 0 / 59 / 6

HEX #C8EF61

RGB 200 239 97

HSL 76.48, 0.82%, 0.66%

LAB 89.33, -32.77, 62.91

 

CMYK 14 / 0 / 51 / 12

HEX #C1E16F

RGB 193 225 111

HSL 76.84, 0.66%, 0.66%

LAB 85.17, -27.69, 51.77

 

CMYK 11 / 0 / 41 / 17

HEX #BBD37D

RGB 187 211 125

HSL 76.74, 0.49%, 0.66%

LAB 81.09, -21.74, 39.89

 

CMYK 8 / 0 / 29 / 23

HEX #B5C58B

RGB 181 197 139

HSL 76.55, 0.33%, 0.66%

LAB 77.05, -15.23, 27.34

 

CMYK 5 / 0 / 16 / 28

HEX #AEB799

RGB 174 183 153

HSL 78, 0.17%, 0.66%

LAB 73, -8.5, 14.21

 

CMYK 0 / 16 / 59 / 6

HEX #EFC961

RGB 239 201 97

HSL 43.94, 0.82%, 0.66%

LAB 82.37, 1.64, 55.94

 

CMYK 0 / 0 / 59 / 6

HEX #EFEF61

RGB 239 239 97

HSL 60, 0.82%, 0.66%

LAB 92.11, -17.43, 66.74

 

CMYK 16 / 0 / 59 / 6

HEX #C9EF61

RGB 201 239 97

HSL 76.06, 0.82%, 0.66%

LAB 89.4, -32.39, 63

 

CMYK 32 / 0 / 59 / 6

HEX #A3EF61

RGB 163 239 97

HSL 92.11, 0.82%, 0.66%

LAB 87.18, -46.23, 59.91

 

CMYK 48 / 0 / 59 / 6

HEX #7DEF61

RGB 125 239 97

HSL 108.17, 0.82%, 0.66%

LAB 85.48, -58.16, 57.53

 

CMYK 25 / 0 / 90 / 9

HEX #ADE716

RGB 173 231 22

HSL 76.65, 0.83%, 0.5%

LAB 85.04, -43.1, 80.8

 

CMYK 21 / 0 / 75 / 8

HEX #BAEB3B

RGB 186 235 59

HSL 76.7, 0.81%, 0.58%

LAB 87.08, -38.69, 74.41

 

CMYK 16 / 0 / 59 / 6

HEX #C8EF61

RGB 200 239 97

HSL 76.48, 0.82%, 0.66%

LAB 89.33, -32.77, 62.91

 

CMYK 12 / 0 / 45 / 5

HEX #D5F386

RGB 213 243 134

HSL 76.51, 0.82%, 0.74%

LAB 91.67, -26.32, 49.12

 

CMYK 8 / 0 / 30 / 4

HEX #E2F6AC

RGB 226 246 172

HSL 76.22, 0.8%, 0.82%

LAB 93.91, -18.44, 33.5

 

CMYK 16 / 0 / 59 / 6

HEX #C9F063

RGB 201 240 99

HSL 76.6, 0.82%, 0.66%

LAB 89.69, -32.69, 62.47

 

CMYK 59 / 0 / 32 / 6

HEX #61EFA3

RGB 97 239 163

HSL 147.89, 0.82%, 0.66%

LAB 85.46, -55.28, 25.6

 

CMYK 8 / 59 / 0 / 6

HEX #DC61EF

RGB 220 97 239

HSL 291.97, 0.82%, 0.66%

LAB 61.65, 67.22, -50.16

 

CMYK 16 / 0 / 59 / 6

HEX #C9F063

RGB 201 240 99

HSL 76.6, 0.82%, 0.66%

LAB 89.69, -32.69, 62.47

 

CMYK 59 / 16 / 0 / 6

HEX #61C9EF

RGB 97 201 239

HSL 196.06, 0.82%, 0.66%

LAB 76.4, -19.29, -27.85

 

CMYK 0 / 59 / 16 / 6

HEX #EF61C9

RGB 239 97 201

HSL 316.06, 0.82%, 0.66%

LAB 62.61, 65.92, -27.16

 

CMYK 16 / 0 / 59 / 6

HEX #C9F063

RGB 201 240 99

HSL 76.6, 0.82%, 0.66%

LAB 89.69, -32.69, 62.47

 

CMYK 59 / 0 / 32 / 6

HEX #61EFA3

RGB 97 239 163

HSL 147.89, 0.82%, 0.66%

LAB 85.46, -55.28, 25.6

 

CMYK 44 / 59 / 0 / 6

HEX #8761EF

RGB 135 97 239

HSL 256.06, 0.82%, 0.66%

LAB 51.76, 47.78, -66.55

 

CMYK 0 / 59 / 28 / 6

HEX #EF61AD

RGB 239 97 173

HSL 327.89, 0.82%, 0.66%

LAB 61.58, 62.14, -12.76

 

CMYK 16 / 0 / 59 / 6

HEX #C9F063

RGB 201 240 99

HSL 76.6, 0.82%, 0.66%

LAB 89.69, -32.69, 62.47

 

CMYK 59 / 0 / 14 / 6

HEX #61EFCE

RGB 97 239 206

HSL 166.06, 0.82%, 0.66%

LAB 86.37, -46.04, 4.56

 

CMYK 44 / 59 / 0 / 6

HEX #8761EF

RGB 135 97 239

HSL 256.06, 0.82%, 0.66%

LAB 51.76, 47.78, -66.55

 

CMYK 0 / 59 / 46 / 6

HEX #EF6182

RGB 239 97 130

HSL 346.06, 0.82%, 0.66%

LAB 60.35, 57.41, 10.31

 

Description

Color code: HEX #C9F063 | qconv.com Color code: HEX #C9F063 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 240 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 240 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 59 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 59% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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