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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9EE53 it is the complementary color #3611AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9EE53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9EE53 shade: #CEEE4E, #DFFF61, #F0FF74, #FFFF87 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9EE53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9EE53 shade: #C9EE53, #B8DC40, #A7CA2D, #96B81A and #85A607

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9EE53 shade: #C9EE53, #EEE953, #EEBF53, #EE9553 and #EE6C53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9EE53 shade: #C9EE53, #9FEE53, #75EE53, #53EE5A and #53EE84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9EE53 shade matches the following richer shades: #C9EE53 and #D1FD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9EE53 shade: #C9EE53, #C1DE62, #B9CF71, #B1C081 and #A9B090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9EE53 shade: #EEBF53, #EEE853, #C9EE53, #A0EE53 and #77EE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9EE53 shade: #AAD915, #BDEA2D, #C9EE53, #D4F178 and #E0F59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9EE53 shade: #C9EE53, #53EE96 and #D453EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9EE53 shade: #C9EE53, #53C9EE and #EE53C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9EE53 shade: #C9EE53, #53EE96, #7753EE and #EE53AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9EE53 shade: #C9EE53, #53EEC4, #7753EE and #EE537C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

Complementary color

CMYK 69 / 90 / 0 / 33

HEX #3611AC

RGB 54 17 172

HSL 254.32, 0.82%, 0.37%

LAB 24.21, 56.01, -73.14

 

CMYK 13 / 0 / 67 / 7

HEX #CEEE4E

RGB 206 238 78

HSL 72, 0.82%, 0.62%

LAB 89.31, -31.28, 70.55

 

CMYK 13 / 0 / 62 / 0

HEX #DFFF61

RGB 223 255 97

HSL 72.15, 1%, 0.69%

LAB 95.19, -31.32, 69.72

 

CMYK 6 / 0 / 55 / 0

HEX #F0FF74

RGB 240 255 116

HSL 66.47, 1%, 0.73%

LAB 96.54, -23.34, 63.59

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 16 / 0 / 71 / 14

HEX #B8DC40

RGB 184 220 64

HSL 73.85, 0.69%, 0.56%

LAB 82.78, -32.4, 68.58

 

CMYK 17 / 0 / 78 / 21

HEX #A7CA2D

RGB 167 202 45

HSL 73.38, 0.64%, 0.48%

LAB 76.46, -31.73, 68.35

 

CMYK 18 / 0 / 86 / 28

HEX #96B81A

RGB 150 184 26

HSL 72.91, 0.75%, 0.41%

LAB 70.06, -30.89, 67.2

 

CMYK 20 / 0 / 96 / 35

HEX #85A607

RGB 133 166 7

HSL 72.45, 0.92%, 0.34%

LAB 63.57, -29.83, 64.63

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 0 / 2 / 65 / 7

HEX #EEE953

RGB 238 233 83

HSL 58.06, 0.82%, 0.63%

LAB 90.36, -15.77, 70.48

 

CMYK 0 / 20 / 65 / 7

HEX #EEBF53

RGB 238 191 83

HSL 41.81, 0.82%, 0.63%

LAB 79.65, 5.51, 59.19

 

CMYK 0 / 37 / 65 / 7

HEX #EE9553

RGB 238 149 83

HSL 25.55, 0.82%, 0.63%

LAB 69.68, 27.66, 48.11

 

CMYK 0 / 55 / 65 / 7

HEX #EE6C53

RGB 238 108 83

HSL 9.68, 0.82%, 0.63%

LAB 61.24, 48.45, 38.21

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 33 / 0 / 65 / 7

HEX #9FEE53

RGB 159 238 83

HSL 90.58, 0.82%, 0.63%

LAB 86.58, -48.34, 64.93

 

CMYK 51 / 0 / 65 / 7

HEX #75EE53

RGB 117 238 83

HSL 106.84, 0.82%, 0.63%

LAB 84.77, -61.31, 62.46

 

CMYK 65 / 0 / 62 / 7

HEX #53EE5A

RGB 83 238 90

HSL 122.71, 0.82%, 0.63%

LAB 83.82, -68.55, 58.27

 

CMYK 65 / 0 / 45 / 7

HEX #53EE84

RGB 83 238 132

HSL 138.97, 0.82%, 0.63%

LAB 84.31, -63.02, 39.57

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 17 / 0 / 73 / 1

HEX #D1FD44

RGB 209 253 68

HSL 74.27, 0.98%, 0.63%

LAB 93.55, -37.48, 78.23

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 13 / 0 / 56 / 13

HEX #C1DE62

RGB 193 222 98

HSL 74.03, 0.65%, 0.63%

LAB 84.21, -27.44, 56.58

 

CMYK 11 / 0 / 45 / 19

HEX #B9CF71

RGB 185 207 113

HSL 74.04, 0.49%, 0.63%

LAB 79.69, -21.89, 44.05

 

CMYK 8 / 0 / 33 / 25

HEX #B1C081

RGB 177 192 129

HSL 74.29, 0.33%, 0.63%

LAB 75.22, -15.58, 30.1

 

CMYK 4 / 0 / 18 / 31

HEX #A9B090

RGB 169 176 144

HSL 73.13, 0.17%, 0.63%

LAB 70.52, -8.13, 15.59

 

CMYK 0 / 20 / 65 / 7

HEX #EEBF53

RGB 238 191 83

HSL 41.81, 0.82%, 0.63%

LAB 79.65, 5.51, 59.19

 

CMYK 0 / 3 / 65 / 7

HEX #EEE853

RGB 238 232 83

HSL 57.68, 0.82%, 0.63%

LAB 90.1, -15.28, 70.21

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 33 / 0 / 65 / 7

HEX #A0EE53

RGB 160 238 83

HSL 90.19, 0.82%, 0.63%

LAB 86.63, -48, 65

 

CMYK 50 / 0 / 65 / 7

HEX #77EE53

RGB 119 238 83

HSL 106.06, 0.82%, 0.63%

LAB 84.84, -60.77, 62.56

 

CMYK 22 / 0 / 90 / 15

HEX #AAD915

RGB 170 217 21

HSL 74.39, 0.82%, 0.47%

LAB 80.86, -38.12, 77.5

 

CMYK 19 / 0 / 81 / 8

HEX #BDEA2D

RGB 189 234 45

HSL 74.29, 0.82%, 0.55%

LAB 86.93, -37.65, 78.26

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 12 / 0 / 50 / 5

HEX #D4F178

RGB 212 241 120

HSL 74.38, 0.81%, 0.71%

LAB 90.9, -27.15, 54.74

 

CMYK 9 / 0 / 36 / 4

HEX #E0F59E

RGB 224 245 158

HSL 74.48, 0.81%, 0.79%

LAB 93.29, -20.46, 39.65

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 65 / 0 / 37 / 7

HEX #53EE96

RGB 83 238 150

HSL 145.94, 0.82%, 0.63%

LAB 84.58, -59.95, 30.96

 

CMYK 11 / 65 / 0 / 7

HEX #D453EE

RGB 212 83 238

HSL 289.94, 0.82%, 0.63%

LAB 58.37, 71.07, -54.88

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 65 / 16 / 0 / 7

HEX #53C9EE

RGB 83 201 238

HSL 194.32, 0.82%, 0.63%

LAB 75.94, -21.94, -28.06

 

CMYK 0 / 65 / 16 / 7

HEX #EE53C9

RGB 238 83 201

HSL 314.32, 0.82%, 0.63%

LAB 60.41, 71.28, -30.57

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 65 / 0 / 37 / 7

HEX #53EE96

RGB 83 238 150

HSL 145.94, 0.82%, 0.63%

LAB 84.58, -59.95, 30.96

 

CMYK 50 / 65 / 0 / 7

HEX #7753EE

RGB 119 83 238

HSL 253.94, 0.82%, 0.63%

LAB 47.34, 52.11, -73.24

 

CMYK 0 / 65 / 29 / 7

HEX #EE53AA

RGB 238 83 170

HSL 326.32, 0.82%, 0.63%

LAB 59.22, 67.22, -14.6

 

CMYK 16 / 0 / 65 / 7

HEX #C9EE53

RGB 201 238 83

HSL 74.32, 0.82%, 0.63%

LAB 89.01, -32.92, 68.24

 

CMYK 65 / 0 / 18 / 7

HEX #53EEC4

RGB 83 238 196

HSL 163.74, 0.82%, 0.63%

LAB 85.49, -50.36, 8.48

 

CMYK 50 / 65 / 0 / 7

HEX #7753EE

RGB 119 83 238

HSL 253.94, 0.82%, 0.63%

LAB 47.34, 52.11, -73.24

 

CMYK 0 / 65 / 48 / 7

HEX #EE537C

RGB 238 83 124

HSL 344.13, 0.82%, 0.63%

LAB 57.86, 62.43, 10.28

 

Description

Color code: HEX #C9EE53 | qconv.com Color code: HEX #C9EE53 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 238 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 238 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 65 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 65% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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