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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9E203 it is the complementary color #361DFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9E203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9E203 shade: #CEE200, #DFF411, #F0FF24, #FFFF37 and #FFFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9E203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9E203 shade: #C9E203, #B8D000, #A7BE00, #96AC00 and #859A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9E203 shade: #C9E203, #E2BE03, #E28203, #E24603 and #E20A03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9E203 shade: #C9E203, #8DE203, #51E203, #14E203 and #03E22D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9E203 shade matches the following richer shades: #C9E203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9E203 shade: #C9E203, #BACF16, #ACBC28, #9DAA3B and #8F974D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9E203 shade: #E28103, #E2BC03, #CBE203, #90E203 and #55E203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9E203 shade: #809002, #A4B902, #C9E203, #E1FB13 and #E6FC3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9E203 shade: #C9E203, #03E246 and #9F03E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9E203 shade: #C9E203, #03CBE2 and #E203CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9E203 shade: #C9E203, #03E246, #1903E2 and #E2039F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9E203 shade: #C9E203, #03E289, #1903E2 and #E2035C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

Complementary color

CMYK 79 / 88 / 0 / 1

HEX #361DFC

RGB 54 29 252

HSL 246.73, 0.97%, 0.55%

LAB 35.38, 73.58, -100.99

 

CMYK 9 / 0 / 100 / 11

HEX #CEE200

RGB 206 226 0

HSL 65.31, 1%, 0.44%

LAB 85.76, -28, 84.45

 

CMYK 9 / 0 / 93 / 4

HEX #DFF411

RGB 223 244 17

HSL 65.55, 0.91%, 0.51%

LAB 91.88, -29.31, 88.17

 

CMYK 6 / 0 / 86 / 0

HEX #F0FF24

RGB 240 255 36

HSL 64.11, 1%, 0.57%

LAB 96.07, -27.23, 89.29

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF37

RGB 255 255 55

HSL 60, 1%, 0.61%

LAB 97.25, -20.65, 86.56

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4A

RGB 255 255 74

HSL 60, 1%, 0.65%

LAB 97.34, -19.94, 81.05

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 12 / 0 / 100 / 18

HEX #B8D000

RGB 184 208 0

HSL 66.92, 1%, 0.41%

LAB 79.21, -28.6, 78.88

 

CMYK 12 / 0 / 100 / 25

HEX #A7BE00

RGB 167 190 0

HSL 67.26, 1%, 0.37%

LAB 72.92, -27.13, 73.64

 

CMYK 13 / 0 / 100 / 33

HEX #96AC00

RGB 150 172 0

HSL 67.67, 1%, 0.34%

LAB 66.51, -25.63, 68.3

 

CMYK 14 / 0 / 100 / 40

HEX #859A00

RGB 133 154 0

HSL 68.18, 1%, 0.3%

LAB 59.98, -24.12, 62.86

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 0 / 16 / 99 / 11

HEX #E2BE03

RGB 226 190 3

HSL 50.31, 0.97%, 0.45%

LAB 77.88, -1.57, 79.18

 

CMYK 0 / 42 / 99 / 11

HEX #E28203

RGB 226 130 3

HSL 34.17, 0.97%, 0.45%

LAB 63.46, 30.2, 69.34

 

CMYK 0 / 69 / 99 / 11

HEX #E24603

RGB 226 70 3

HSL 18.03, 0.97%, 0.45%

LAB 52.46, 58.35, 62.87

 

CMYK 0 / 96 / 99 / 11

HEX #E20A03

RGB 226 10 3

HSL 1.88, 0.97%, 0.45%

LAB 47.49, 72.33, 60.57

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 38 / 0 / 99 / 11

HEX #8DE203

RGB 141 226 3

HSL 82.87, 0.97%, 0.45%

LAB 81.87, -52.88, 79.53

 

CMYK 64 / 0 / 99 / 11

HEX #51E203

RGB 81 226 3

HSL 99.01, 0.97%, 0.45%

LAB 79.7, -69.78, 76.88

 

CMYK 91 / 0 / 99 / 11

HEX #14E203

RGB 20 226 3

HSL 115.43, 0.97%, 0.45%

LAB 78.78, -77.83, 75.76

 

CMYK 99 / 0 / 80 / 11

HEX #03E22D

RGB 3 226 45

HSL 131.3, 0.97%, 0.45%

LAB 78.81, -77.14, 68.76

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 10 / 0 / 89 / 19

HEX #BACF16

RGB 186 207 22

HSL 66.81, 0.81%, 0.45%

LAB 79.11, -27, 76.39

 

CMYK 9 / 0 / 79 / 26

HEX #ACBC28

RGB 172 188 40

HSL 66.49, 0.65%, 0.45%

LAB 72.82, -23.17, 66.64

 

CMYK 8 / 0 / 65 / 33

HEX #9DAA3B

RGB 157 170 59

HSL 67.03, 0.48%, 0.45%

LAB 66.7, -19.58, 53.57

 

CMYK 5 / 0 / 49 / 41

HEX #8F974D

RGB 143 151 77

HSL 66.49, 0.32%, 0.45%

LAB 60.35, -14.22, 37.72

 

CMYK 0 / 43 / 99 / 11

HEX #E28103

RGB 226 129 3

HSL 33.9, 0.97%, 0.45%

LAB 63.24, 30.72, 69.2

 

CMYK 0 / 17 / 99 / 11

HEX #E2BC03

RGB 226 188 3

HSL 49.78, 0.97%, 0.45%

LAB 77.37, -0.53, 78.81

 

CMYK 10 / 0 / 99 / 11

HEX #CBE203

RGB 203 226 3

HSL 66.19, 0.97%, 0.45%

LAB 85.55, -29.2, 83.95

 

CMYK 36 / 0 / 99 / 11

HEX #90E203

RGB 144 226 3

HSL 82.06, 0.97%, 0.45%

LAB 82.02, -51.85, 79.7

 

CMYK 62 / 0 / 99 / 11

HEX #55E203

RGB 85 226 3

HSL 97.94, 0.97%, 0.45%

LAB 79.8, -68.92, 77.01

 

CMYK 11 / 0 / 99 / 44

HEX #809002

RGB 128 144 2

HSL 66.76, 0.97%, 0.29%

LAB 56.62, -21.27, 59.86

 

CMYK 11 / 0 / 99 / 27

HEX #A4B902

RGB 164 185 2

HSL 66.89, 0.98%, 0.37%

LAB 71.28, -25.96, 72.09

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 10 / 0 / 92 / 2

HEX #E1FB13

RGB 225 251 19

HSL 66.72, 0.97%, 0.53%

LAB 93.9, -31.71, 89.59

 

CMYK 9 / 0 / 77 / 1

HEX #E6FC3B

RGB 230 252 59

HSL 66.84, 0.97%, 0.61%

LAB 94.64, -29.18, 82.45

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 99 / 0 / 69 / 11

HEX #03E246

RGB 3 226 70

HSL 138.03, 0.97%, 0.45%

LAB 78.96, -75.27, 60.68

 

CMYK 30 / 99 / 0 / 11

HEX #9F03E2

RGB 159 3 226

HSL 281.97, 0.97%, 0.45%

LAB 42.65, 80.11, -73.89

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 99 / 10 / 0 / 11

HEX #03CBE2

RGB 3 203 226

HSL 186.19, 0.97%, 0.45%

LAB 74.96, -33.3, -23.19

 

CMYK 0 / 99 / 10 / 11

HEX #E203CB

RGB 226 3 203

HSL 306.19, 0.97%, 0.45%

LAB 52.45, 86.33, -44.34

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 99 / 0 / 69 / 11

HEX #03E246

RGB 3 226 70

HSL 138.03, 0.97%, 0.45%

LAB 78.96, -75.27, 60.68

 

CMYK 89 / 99 / 0 / 11

HEX #1903E2

RGB 25 3 226

HSL 245.92, 0.97%, 0.45%

LAB 28.81, 71.94, -97.25

 

CMYK 0 / 99 / 30 / 11

HEX #E2039F

RGB 226 3 159

HSL 318.03, 0.97%, 0.45%

LAB 50.38, 81.11, -21.81

 

CMYK 11 / 0 / 99 / 11

HEX #C9E203

RGB 201 226 3

HSL 66.73, 0.97%, 0.45%

LAB 85.41, -30.02, 83.78

 

CMYK 99 / 0 / 39 / 11

HEX #03E289

RGB 3 226 137

HSL 156.05, 0.97%, 0.45%

LAB 79.74, -65.74, 30.93

 

CMYK 89 / 99 / 0 / 11

HEX #1903E2

RGB 25 3 226

HSL 245.92, 0.97%, 0.45%

LAB 28.81, 71.94, -97.25

 

CMYK 0 / 99 / 59 / 11

HEX #E2035C

RGB 226 3 92

HSL 336.05, 0.97%, 0.45%

LAB 48.27, 75.56, 15.86

 

Description

Color code: HEX #C9E203 | qconv.com Color code: HEX #C9E203 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 226 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 226 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 99 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 99% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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