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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9E56C it is the complementary color #361A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9E56C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9E56C shade: #CEE567, #DFF77A, #F0FF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9E56C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9E56C shade: #C9E56C, #B8D359, #A7C146, #96AF33 and #859D20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9E56C shade: #C8E46B, #E4E06B, #E4BF6B, #E49E6B and #E47E6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9E56C shade: #C8E46B, #A8E46B, #87E46B, #6BE470 and #6BE491

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9E56C shade matches the following richer shades: #C8E46B and #D0F35D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9E56C shade: #C8E46B, #C1D679, #B9C887, #B2BA95 and #AAACA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9E56C shade: #E4BE6B, #E4DE6B, #CAE46B, #AAE46B and #89E46B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9E56C shade: #AED726, #BCDE48, #C8E46B, #D5EB8E and #E2F1B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9E56C shade: #C9E56C, #6BE49E and #CE6BE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9E56C shade: #C9E56C, #6BCAE4 and #E46BCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9E56C shade: #C9E56C, #6BE49E, #856BE4 and #E46BB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9E56C shade: #C9E56C, #6BE4C2, #856BE4 and #E46B8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 53 / 10

HEX #C9E56C

RGB 201 229 108

HSL 73.88, 0.7%, 0.66%

LAB 86.77, -26.79, 55.18

 

Complementary color

CMYK 63 / 82 / 0 / 42

HEX #361A93

RGB 54 26 147

HSL 253.88, 0.7%, 0.34%

LAB 22.41, 45.59, -60.85

 

CMYK 10 / 0 / 55 / 10

HEX #CEE567

RGB 206 229 103

HSL 70.95, 0.71%, 0.65%

LAB 87.07, -25.28, 57.86

 

CMYK 10 / 0 / 51 / 3

HEX #DFF77A

RGB 223 247 122

HSL 71.52, 0.89%, 0.72%

LAB 93.28, -25.6, 56.83

 

CMYK 6 / 0 / 45 / 0

HEX #F0FF8D

RGB 240 255 141

HSL 67.89, 1%, 0.78%

LAB 96.81, -21.13, 52.56

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 12 / 0 / 53 / 10

HEX #C9E56C

RGB 201 229 108

HSL 73.88, 0.7%, 0.66%

LAB 86.77, -26.79, 55.18

 

CMYK 13 / 0 / 58 / 17

HEX #B8D359

RGB 184 211 89

HSL 73.28, 0.58%, 0.59%

LAB 80.46, -26.47, 56.17

 

CMYK 13 / 0 / 64 / 24

HEX #A7C146

RGB 167 193 70

HSL 72.68, 0.5%, 0.52%

LAB 74.06, -26.05, 56.99

 

CMYK 14 / 0 / 71 / 31

HEX #96AF33

RGB 150 175 51

HSL 72.1, 0.55%, 0.44%

LAB 67.56, -25.51, 57.46

 

CMYK 15 / 0 / 80 / 38

HEX #859D20

RGB 133 157 32

HSL 71.52, 0.66%, 0.37%

LAB 60.96, -24.78, 57.25

 

CMYK 12 / 0 / 53 / 11

HEX #C8E46B

RGB 200 228 107

HSL 73.88, 0.69%, 0.66%

LAB 86.42, -26.79, 55.21

 

CMYK 0 / 2 / 53 / 11

HEX #E4E06B

RGB 228 224 107

HSL 58.02, 0.69%, 0.66%

LAB 87.42, -13.77, 56.9

 

CMYK 0 / 16 / 53 / 11

HEX #E4BF6B

RGB 228 191 107

HSL 41.65, 0.69%, 0.66%

LAB 78.94, 3.06, 46.89

 

CMYK 0 / 31 / 53 / 11

HEX #E49E6B

RGB 228 158 107

HSL 25.29, 0.69%, 0.66%

LAB 70.88, 20.57, 36.96

 

CMYK 0 / 45 / 53 / 11

HEX #E47E6B

RGB 228 126 107

HSL 9.42, 0.69%, 0.66%

LAB 63.74, 37.48, 27.79

 

CMYK 12 / 0 / 53 / 11

HEX #C8E46B

RGB 200 228 107

HSL 73.88, 0.69%, 0.66%

LAB 86.42, -26.79, 55.21

 

CMYK 26 / 0 / 53 / 11

HEX #A8E46B

RGB 168 228 107

HSL 89.75, 0.69%, 0.66%

LAB 84.42, -38.73, 52.36

 

CMYK 41 / 0 / 53 / 11

HEX #87E46B

RGB 135 228 107

HSL 106.12, 0.69%, 0.66%

LAB 82.75, -49.76, 49.97

 

CMYK 53 / 0 / 51 / 11

HEX #6BE470

RGB 107 228 112

HSL 122.48, 0.69%, 0.66%

LAB 81.72, -57.01, 46.12

 

CMYK 53 / 0 / 36 / 11

HEX #6BE491

RGB 107 228 145

HSL 138.84, 0.69%, 0.66%

LAB 82.19, -51.97, 30.44

 

CMYK 12 / 0 / 53 / 11

HEX #C8E46B

RGB 200 228 107

HSL 73.88, 0.69%, 0.66%

LAB 86.42, -26.79, 55.21

 

CMYK 14 / 0 / 62 / 5

HEX #D0F35D

RGB 208 243 93

HSL 74, 0.86%, 0.66%

LAB 90.92, -31.84, 66.44

 

CMYK 12 / 0 / 53 / 11

HEX #C8E46B

RGB 200 228 107

HSL 73.88, 0.69%, 0.66%

LAB 86.42, -26.79, 55.21

 

CMYK 10 / 0 / 43 / 16

HEX #C1D679

RGB 193 214 121

HSL 73.55, 0.53%, 0.66%

LAB 82.28, -21.36, 43.45

 

CMYK 8 / 0 / 33 / 22

HEX #B9C887

RGB 185 200 135

HSL 73.85, 0.37%, 0.66%

LAB 78.09, -15.78, 30.87

 

CMYK 4 / 0 / 20 / 27

HEX #B2BA95

RGB 178 186 149

HSL 72.97, 0.21%, 0.66%

LAB 74.03, -9.22, 17.86

 

CMYK 1 / 0 / 5 / 33

HEX #AAACA3

RGB 170 172 163

HSL 73.33, 0.05%, 0.66%

LAB 69.96, -2.37, 4.37

 

CMYK 0 / 17 / 53 / 11

HEX #E4BE6B

RGB 228 190 107

HSL 41.16, 0.69%, 0.66%

LAB 78.68, 3.58, 46.59

 

CMYK 0 / 3 / 53 / 11

HEX #E4DE6B

RGB 228 222 107

HSL 57.02, 0.69%, 0.66%

LAB 86.9, -12.78, 56.3

 

CMYK 11 / 0 / 53 / 11

HEX #CAE46B

RGB 202 228 107

HSL 72.89, 0.69%, 0.66%

LAB 86.56, -26.02, 55.4

 

CMYK 25 / 0 / 53 / 11

HEX #AAE46B

RGB 170 228 107

HSL 88.76, 0.69%, 0.66%

LAB 84.53, -38.01, 52.52

 

CMYK 40 / 0 / 53 / 11

HEX #89E46B

RGB 137 228 107

HSL 105.12, 0.69%, 0.66%

LAB 82.84, -49.14, 50.1

 

CMYK 19 / 0 / 82 / 16

HEX #AED726

RGB 174 215 38

HSL 73.9, 0.7%, 0.5%

LAB 80.59, -35.19, 74.08

 

CMYK 15 / 0 / 68 / 13

HEX #BCDE48

RGB 188 222 72

HSL 73.6, 0.69%, 0.58%

LAB 83.65, -31.29, 66.64

 

CMYK 12 / 0 / 53 / 11

HEX #C8E46B

RGB 200 228 107

HSL 73.88, 0.69%, 0.66%

LAB 86.42, -26.79, 55.21

 

CMYK 9 / 0 / 40 / 8

HEX #D5EB8E

RGB 213 235 142

HSL 74.19, 0.7%, 0.74%

LAB 89.63, -21.61, 42.69

 

CMYK 6 / 0 / 27 / 5

HEX #E2F1B1

RGB 226 241 177

HSL 74.06, 0.7%, 0.82%

LAB 92.69, -15.33, 29.33

 

CMYK 12 / 0 / 53 / 10

HEX #C9E56C

RGB 201 229 108

HSL 73.88, 0.7%, 0.66%

LAB 86.77, -26.79, 55.18

 

CMYK 53 / 0 / 31 / 11

HEX #6BE49E

RGB 107 228 158

HSL 145.29, 0.69%, 0.66%

LAB 82.42, -49.61, 24.07

 

CMYK 10 / 53 / 0 / 11

HEX #CE6BE4

RGB 206 107 228

HSL 289.09, 0.69%, 0.66%

LAB 60.99, 57.01, -45.2

 

CMYK 12 / 0 / 53 / 10

HEX #C9E56C

RGB 201 229 108

HSL 73.88, 0.7%, 0.66%

LAB 86.77, -26.79, 55.18

 

CMYK 53 / 11 / 0 / 11

HEX #6BCAE4

RGB 107 202 228

HSL 192.89, 0.69%, 0.66%

LAB 76.66, -21.03, -21.51

 

CMYK 0 / 53 / 11 / 11

HEX #E46BCA

RGB 228 107 202

HSL 312.89, 0.69%, 0.66%

LAB 62.74, 58.54, -27.65

 

CMYK 12 / 0 / 53 / 10

HEX #C9E56C

RGB 201 229 108

HSL 73.88, 0.7%, 0.66%

LAB 86.77, -26.79, 55.18

 

CMYK 53 / 0 / 31 / 11

HEX #6BE49E

RGB 107 228 158

HSL 145.29, 0.69%, 0.66%

LAB 82.42, -49.61, 24.07

 

CMYK 42 / 53 / 0 / 11

HEX #856BE4

RGB 133 107 228

HSL 252.89, 0.69%, 0.66%

LAB 53.06, 38.67, -58.3

 

CMYK 0 / 53 / 22 / 11

HEX #E46BB2

RGB 228 107 178

HSL 324.79, 0.69%, 0.66%

LAB 61.85, 54.98, -15.38

 

CMYK 12 / 0 / 53 / 10

HEX #C9E56C

RGB 201 229 108

HSL 73.88, 0.7%, 0.66%

LAB 86.77, -26.79, 55.18

 

CMYK 53 / 0 / 15 / 11

HEX #6BE4C2

RGB 107 228 194

HSL 163.14, 0.69%, 0.66%

LAB 83.18, -42.06, 6.3

 

CMYK 42 / 53 / 0 / 11

HEX #856BE4

RGB 133 107 228

HSL 252.89, 0.69%, 0.66%

LAB 53.06, 38.67, -58.3

 

CMYK 0 / 53 / 38 / 11

HEX #E46B8E

RGB 228 107 142

HSL 342.64, 0.69%, 0.66%

LAB 60.75, 50.43, 3.7

 

Description

Color code: HEX #C9E56C | qconv.com Color code: HEX #C9E56C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 229 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 229 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 53 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 53% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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