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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9DA57 it is the complementary color #3625A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9DA57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9DA57 shade: #CEDA52, #DFEC65, #F0FE78, #FFFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9DA57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9DA57 shade: #C9DA57, #B8C844, #A7B631, #96A41E and #85920B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9DA57 shade: #C9DA57, #DAC857, #DAA457, #DA8157 and #DA5E57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9DA57 shade: #C9DA57, #A6DA57, #82DA57, #5FDA57 and #57DA72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9DA57 shade matches the following richer shades: #C9DA57, #D5EA47 and #E1FB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9DA57 shade: #C9DA57, #BDC968, #B0B978, #A4A889 and #989899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9DA57 shade: #DAA357, #DAC657, #CBDA57, #A8DA57 and #85DA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9DA57 shade: #A4B728, #BED235, #C9DA57, #D4E179 and #DFE99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9DA57 shade: #C9DA57, #57DA81 and #B557DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9DA57 shade: #C9DA57, #57CBDA and #DA57CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9DA57 shade: #C9DA57, #57DA81, #6657DA and #DA57B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9DA57 shade: #C9DA57, #57DAA8, #6657DA and #DA5789

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

Complementary color

CMYK 68 / 78 / 0 / 34

HEX #3625A8

RGB 54 37 168

HSL 247.79, 0.64%, 0.4%

LAB 26.55, 46.6, -66.85

 

CMYK 6 / 0 / 62 / 15

HEX #CEDA52

RGB 206 218 82

HSL 65.29, 0.65%, 0.59%

LAB 83.9, -21.54, 63.36

 

CMYK 6 / 0 / 57 / 7

HEX #DFEC65

RGB 223 236 101

HSL 65.78, 0.78%, 0.66%

LAB 90.15, -22.09, 62.55

 

CMYK 6 / 0 / 53 / 0

HEX #F0FE78

RGB 240 254 120

HSL 66.27, 0.99%, 0.73%

LAB 96.31, -22.55, 61.58

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8B

RGB 255 255 139

HSL 60, 1%, 0.77%

LAB 97.89, -15.58, 55.07

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 8 / 0 / 66 / 22

HEX #B8C844

RGB 184 200 68

HSL 67.27, 0.55%, 0.53%

LAB 77.23, -22.64, 61.5

 

CMYK 8 / 0 / 73 / 29

HEX #A7B631

RGB 167 182 49

HSL 66.77, 0.58%, 0.45%

LAB 70.8, -21.93, 61.76

 

CMYK 9 / 0 / 82 / 36

HEX #96A41E

RGB 150 164 30

HSL 66.27, 0.69%, 0.38%

LAB 64.26, -21.03, 61.25

 

CMYK 9 / 0 / 92 / 43

HEX #85920B

RGB 133 146 11

HSL 65.78, 0.86%, 0.31%

LAB 57.63, -19.89, 59.38

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 0 / 8 / 60 / 15

HEX #DAC857

RGB 218 200 87

HSL 51.76, 0.64%, 0.6%

LAB 80.12, -7.27, 57.41

 

CMYK 0 / 25 / 60 / 15

HEX #DAA457

RGB 218 164 87

HSL 35.27, 0.64%, 0.6%

LAB 70.97, 11.65, 47.03

 

CMYK 0 / 41 / 60 / 15

HEX #DA8157

RGB 218 129 87

HSL 19.24, 0.64%, 0.6%

LAB 62.76, 30.44, 37.23

 

CMYK 0 / 57 / 60 / 15

HEX #DA5E57

RGB 218 94 87

HSL 3.21, 0.64%, 0.6%

LAB 55.68, 48.15, 28.38

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 24 / 0 / 60 / 15

HEX #A6DA57

RGB 166 218 87

HSL 83.82, 0.64%, 0.6%

LAB 81.26, -36.82, 57.61

 

CMYK 40 / 0 / 60 / 15

HEX #82DA57

RGB 130 218 87

HSL 100.31, 0.64%, 0.6%

LAB 79.37, -49.33, 54.98

 

CMYK 56 / 0 / 60 / 15

HEX #5FDA57

RGB 95 218 87

HSL 116.34, 0.64%, 0.6%

LAB 78.03, -59.25, 53.1

 

CMYK 60 / 0 / 48 / 15

HEX #57DA72

RGB 87 218 114

HSL 132.37, 0.64%, 0.6%

LAB 78.1, -57.63, 40.54

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 9 / 0 / 70 / 8

HEX #D5EA47

RGB 213 234 71

HSL 67.73, 0.8%, 0.6%

LAB 88.66, -27.02, 72.58

 

CMYK 10 / 0 / 78 / 2

HEX #E1FB36

RGB 225 251 54

HSL 67.92, 0.96%, 0.6%

LAB 94, -30.89, 83.11

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 6 / 0 / 48 / 21

HEX #BDC968

RGB 189 201 104

HSL 67.42, 0.47%, 0.6%

LAB 78.22, -18.26, 46.71

 

CMYK 5 / 0 / 35 / 27

HEX #B0B978

RGB 176 185 120

HSL 68.31, 0.32%, 0.6%

LAB 73.08, -13.55, 31.98

 

CMYK 2 / 0 / 18 / 34

HEX #A4A889

RGB 164 168 137

HSL 67.74, 0.15%, 0.6%

LAB 67.8, -6.88, 15.57

 

CMYK 1 / 1 / 0 / 40

HEX #989899

RGB 152 152 153

HSL 240, 0%, 0.6%

LAB 62.87, 0.2, -0.53

 

CMYK 0 / 25 / 60 / 15

HEX #DAA357

RGB 218 163 87

HSL 34.81, 0.64%, 0.6%

LAB 70.72, 12.19, 46.74

 

CMYK 0 / 9 / 60 / 15

HEX #DAC657

RGB 218 198 87

HSL 50.84, 0.64%, 0.6%

LAB 79.6, -6.24, 56.84

 

CMYK 7 / 0 / 60 / 15

HEX #CBDA57

RGB 203 218 87

HSL 66.87, 0.64%, 0.6%

LAB 83.72, -22.41, 61.02

 

CMYK 23 / 0 / 60 / 15

HEX #A8DA57

RGB 168 218 87

HSL 82.9, 0.64%, 0.6%

LAB 81.38, -36.07, 57.78

 

CMYK 39 / 0 / 60 / 15

HEX #85DA57

RGB 133 218 87

HSL 98.93, 0.64%, 0.6%

LAB 79.51, -48.37, 55.17

 

CMYK 10 / 0 / 78 / 28

HEX #A4B728

RGB 164 183 40

HSL 67.97, 0.64%, 0.44%

LAB 70.81, -24.09, 64.61

 

CMYK 10 / 0 / 75 / 18

HEX #BED235

RGB 190 210 53

HSL 67.64, 0.64%, 0.52%

LAB 80.35, -25.81, 70.07

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 6 / 0 / 46 / 12

HEX #D4E179

RGB 212 225 121

HSL 67.5, 0.63%, 0.68%

LAB 86.62, -19.37, 49.11

 

CMYK 4 / 0 / 33 / 9

HEX #DFE99B

RGB 223 233 155

HSL 67.69, 0.64%, 0.76%

LAB 90.01, -15.34, 36.86

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 60 / 0 / 41 / 15

HEX #57DA81

RGB 87 218 129

HSL 139.24, 0.64%, 0.6%

LAB 78.32, -55.25, 33.34

 

CMYK 17 / 60 / 0 / 15

HEX #B557DA

RGB 181 87 218

HSL 283.05, 0.64%, 0.6%

LAB 53.71, 58.32, -51.32

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 60 / 7 / 0 / 15

HEX #57CBDA

RGB 87 203 218

HSL 186.87, 0.64%, 0.6%

LAB 75.95, -28.17, -17.27

 

CMYK 0 / 60 / 7 / 15

HEX #DA57CB

RGB 218 87 203

HSL 306.87, 0.64%, 0.6%

LAB 58.07, 64.87, -35.58

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 60 / 0 / 41 / 15

HEX #57DA81

RGB 87 218 129

HSL 139.24, 0.64%, 0.6%

LAB 78.32, -55.25, 33.34

 

CMYK 53 / 60 / 0 / 15

HEX #6657DA

RGB 102 87 218

HSL 246.87, 0.64%, 0.6%

LAB 45.22, 40.95, -65.42

 

CMYK 0 / 60 / 19 / 15

HEX #DA57B0

RGB 218 87 176

HSL 319.24, 0.64%, 0.6%

LAB 56.94, 60.81, -21.84

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA57

RGB 201 218 87

HSL 67.79, 0.64%, 0.6%

LAB 83.57, -23.21, 60.82

 

CMYK 60 / 0 / 23 / 15

HEX #57DAA8

RGB 87 218 168

HSL 157.1, 0.64%, 0.6%

LAB 79.04, -47.65, 14.05

 

CMYK 53 / 60 / 0 / 15

HEX #6657DA

RGB 102 87 218

HSL 246.87, 0.64%, 0.6%

LAB 45.22, 40.95, -65.42

 

CMYK 0 / 60 / 37 / 15

HEX #DA5789

RGB 218 87 137

HSL 337.1, 0.64%, 0.6%

LAB 55.61, 55.87, -1.03

 

Description

Color code: HEX #C9DA57 | qconv.com Color code: HEX #C9DA57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 218 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 218 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 60 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 60% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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