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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D2B8 it is the complementary color #362D47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D2B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D2B8 shade: #CED2B3, #DFE4C6, #F0F6D9, #FFFFEC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D2B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D2B8 shade: #C9D2B8, #B8C0A5, #A7AE92, #969C7F and #858A6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D2B8 shade: #C8D1B7, #CFD1B7, #D1CCB7, #D1C5B7 and #D1BEB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D2B8 shade: #C8D1B7, #C1D1B7, #BAD1B7, #B7D1BB and #B7D1C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D2B8 shade matches the following richer shades: #C8D1B7, #CBDAAD, #CEE4A4, #D1ED9A and #D3F791

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D2B8 shade: #C8D1B7, #C5C7C0, #C2BECA, #BFB4D3 and #BCABDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D2B8 shade: #D1CCB7, #CFD1B7, #C8D1B7, #C1D1B7 and #BAD1B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D2B8 shade: #A1B185, #B5C19E, #C8D1B7, #DBE1D0 and #EEF1E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D2B8 shade: #C9D2B8, #B7D1C5 and #CFB7D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D2B8 shade: #C9D2B8, #B7C8D1 and #D1B7C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D2B8 shade: #C9D2B8, #B7D1C5, #C0B7D1 and #D1B7C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D2B8 shade: #C9D2B8, #B7D1CC, #C0B7D1 and #D1B7BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 12 / 18

HEX #C9D2B8

RGB 201 210 184

HSL 80.77, 0.22%, 0.77%

LAB 82.9, -7.65, 11.84

 

Complementary color

CMYK 24 / 37 / 0 / 72

HEX #362D47

RGB 54 45 71

HSL 260.77, 0.22%, 0.23%

LAB 20.5, 10.53, -14.72

 

CMYK 2 / 0 / 15 / 18

HEX #CED2B3

RGB 206 210 179

HSL 67.74, 0.26%, 0.76%

LAB 83.16, -6.68, 14.92

 

CMYK 2 / 0 / 13 / 11

HEX #DFE4C6

RGB 223 228 198

HSL 70, 0.36%, 0.84%

LAB 89.51, -6.79, 14.08

 

CMYK 2 / 0 / 12 / 4

HEX #F0F6D9

RGB 240 246 217

HSL 72.41, 0.62%, 0.91%

LAB 95.77, -6.9, 13.27

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 4 / 0 / 12 / 18

HEX #C9D2B8

RGB 201 210 184

HSL 80.77, 0.22%, 0.77%

LAB 82.9, -7.65, 11.84

 

CMYK 4 / 0 / 14 / 25

HEX #B8C0A5

RGB 184 192 165

HSL 77.78, 0.18%, 0.7%

LAB 76.44, -7.57, 12.68

 

CMYK 4 / 0 / 16 / 32

HEX #A7AE92

RGB 167 174 146

HSL 75, 0.15%, 0.63%

LAB 69.87, -7.49, 13.55

 

CMYK 4 / 0 / 19 / 39

HEX #969C7F

RGB 150 156 127

HSL 72.41, 0.13%, 0.55%

LAB 63.17, -7.39, 14.49

 

CMYK 4 / 0 / 22 / 46

HEX #858A6C

RGB 133 138 108

HSL 70, 0.12%, 0.48%

LAB 56.33, -7.28, 15.49

 

CMYK 4 / 0 / 12 / 18

HEX #C8D1B7

RGB 200 209 183

HSL 80.77, 0.22%, 0.77%

LAB 82.54, -7.66, 11.86

 

CMYK 1 / 0 / 12 / 18

HEX #CFD1B7

RGB 207 209 183

HSL 64.62, 0.22%, 0.77%

LAB 83.06, -5.16, 12.67

 

CMYK 0 / 2 / 12 / 18

HEX #D1CCB7

RGB 209 204 183

HSL 48.46, 0.22%, 0.77%

LAB 81.93, -1.84, 11.08

 

CMYK 0 / 6 / 12 / 18

HEX #D1C5B7

RGB 209 197 183

HSL 32.31, 0.22%, 0.77%

LAB 80.13, 1.83, 8.51

 

CMYK 0 / 9 / 12 / 18

HEX #D1BEB7

RGB 209 190 183

HSL 16.15, 0.22%, 0.77%

LAB 78.35, 5.54, 5.96

 

CMYK 4 / 0 / 12 / 18

HEX #C8D1B7

RGB 200 209 183

HSL 80.77, 0.22%, 0.77%

LAB 82.54, -7.66, 11.86

 

CMYK 8 / 0 / 12 / 18

HEX #C1D1B7

RGB 193 209 183

HSL 96.92, 0.22%, 0.77%

LAB 82.03, -10.13, 11.06

 

CMYK 11 / 0 / 12 / 18

HEX #BAD1B7

RGB 186 209 183

HSL 113.08, 0.22%, 0.77%

LAB 81.54, -12.56, 10.3

 

CMYK 12 / 0 / 11 / 18

HEX #B7D1BB

RGB 183 209 187

HSL 129.23, 0.22%, 0.77%

LAB 81.43, -12.87, 7.99

 

CMYK 12 / 0 / 7 / 18

HEX #B7D1C2

RGB 183 209 194

HSL 145.38, 0.22%, 0.77%

LAB 81.6, -11.58, 4.5

 

CMYK 4 / 0 / 12 / 18

HEX #C8D1B7

RGB 200 209 183

HSL 80.77, 0.22%, 0.77%

LAB 82.54, -7.66, 11.86

 

CMYK 7 / 0 / 21 / 15

HEX #CBDAAD

RGB 203 218 173

HSL 80, 0.38%, 0.77%

LAB 84.92, -12.77, 20.5

 

CMYK 10 / 0 / 28 / 11

HEX #CEE4A4

RGB 206 228 164

HSL 80.63, 0.54%, 0.77%

LAB 87.63, -17.99, 28.89

 

CMYK 12 / 0 / 35 / 7

HEX #D1ED9A

RGB 209 237 154

HSL 80.24, 0.7%, 0.77%

LAB 90.07, -22.61, 37.25

 

CMYK 15 / 0 / 41 / 3

HEX #D3F791

RGB 211 247 145

HSL 81.18, 0.86%, 0.77%

LAB 92.76, -27.74, 45.17

 

CMYK 4 / 0 / 12 / 18

HEX #C8D1B7

RGB 200 209 183

HSL 80.77, 0.22%, 0.77%

LAB 82.54, -7.66, 11.86

 

CMYK 1 / 0 / 4 / 22

HEX #C5C7C0

RGB 197 199 192

HSL 77.14, 0.06%, 0.77%

LAB 79.91, -1.96, 3.25

 

CMYK 4 / 6 / 0 / 21

HEX #C2BECA

RGB 194 190 202

HSL 260, 0.1%, 0.77%

LAB 77.61, 3.64, -5.53

 

CMYK 9 / 15 / 0 / 17

HEX #BFB4D3

RGB 191 180 211

HSL 261.29, 0.26%, 0.77%

LAB 75.09, 9.82, -14.2

 

CMYK 15 / 23 / 0 / 13

HEX #BCABDD

RGB 188 171 221

HSL 260.4, 0.42%, 0.77%

LAB 72.92, 15.88, -22.97

 

CMYK 0 / 2 / 12 / 18

HEX #D1CCB7

RGB 209 204 183

HSL 48.46, 0.22%, 0.77%

LAB 81.93, -1.84, 11.08

 

CMYK 1 / 0 / 12 / 18

HEX #CFD1B7

RGB 207 209 183

HSL 64.62, 0.22%, 0.77%

LAB 83.06, -5.16, 12.67

 

CMYK 4 / 0 / 12 / 18

HEX #C8D1B7

RGB 200 209 183

HSL 80.77, 0.22%, 0.77%

LAB 82.54, -7.66, 11.86

 

CMYK 8 / 0 / 12 / 18

HEX #C1D1B7

RGB 193 209 183

HSL 96.92, 0.22%, 0.77%

LAB 82.03, -10.13, 11.06

 

CMYK 11 / 0 / 12 / 18

HEX #BAD1B7

RGB 186 209 183

HSL 113.08, 0.22%, 0.77%

LAB 81.54, -12.56, 10.3

 

CMYK 9 / 0 / 25 / 31

HEX #A1B185

RGB 161 177 133

HSL 81.82, 0.22%, 0.61%

LAB 69.98, -13.39, 20.71

 

CMYK 6 / 0 / 18 / 24

HEX #B5C19E

RGB 181 193 158

HSL 80.57, 0.22%, 0.69%

LAB 76.33, -10.33, 16.26

 

CMYK 4 / 0 / 12 / 18

HEX #C8D1B7

RGB 200 209 183

HSL 80.77, 0.22%, 0.77%

LAB 82.54, -7.66, 11.86

 

CMYK 3 / 0 / 8 / 12

HEX #DBE1D0

RGB 219 225 208

HSL 81.18, 0.22%, 0.85%

LAB 88.67, -5.01, 7.61

 

CMYK 1 / 0 / 3 / 5

HEX #EEF1E9

RGB 238 241 233

HSL 82.5, 0.22%, 0.93%

LAB 94.73, -2.4, 3.5

 

CMYK 4 / 0 / 12 / 18

HEX #C9D2B8

RGB 201 210 184

HSL 80.77, 0.22%, 0.77%

LAB 82.9, -7.65, 11.84

 

CMYK 12 / 0 / 6 / 18

HEX #B7D1C5

RGB 183 209 197

HSL 152.31, 0.22%, 0.77%

LAB 81.67, -11.01, 3.01

 

CMYK 1 / 12 / 0 / 18

HEX #CFB7D1

RGB 207 183 209

HSL 295.38, 0.22%, 0.77%

LAB 77.12, 13.17, -9.94

 

CMYK 4 / 0 / 12 / 18

HEX #C9D2B8

RGB 201 210 184

HSL 80.77, 0.22%, 0.77%

LAB 82.9, -7.65, 11.84

 

CMYK 12 / 4 / 0 / 18

HEX #B7C8D1

RGB 183 200 209

HSL 200.77, 0.22%, 0.77%

LAB 79.6, -3.95, -6.46

 

CMYK 0 / 12 / 4 / 18

HEX #D1B7C8

RGB 209 183 200

HSL 320.77, 0.22%, 0.77%

LAB 77.04, 12.21, -5.16

 

CMYK 4 / 0 / 12 / 18

HEX #C9D2B8

RGB 201 210 184

HSL 80.77, 0.22%, 0.77%

LAB 82.9, -7.65, 11.84

 

CMYK 12 / 0 / 6 / 18

HEX #B7D1C5

RGB 183 209 197

HSL 152.31, 0.22%, 0.77%

LAB 81.67, -11.01, 3.01

 

CMYK 8 / 12 / 0 / 18

HEX #C0B7D1

RGB 192 183 209

HSL 260.77, 0.22%, 0.77%

LAB 75.87, 8.12, -11.94

 

CMYK 0 / 12 / 7 / 18

HEX #D1B7C3

RGB 209 183 195

HSL 332.31, 0.22%, 0.77%

LAB 76.9, 11.32, -2.65

 

CMYK 4 / 0 / 12 / 18

HEX #C9D2B8

RGB 201 210 184

HSL 80.77, 0.22%, 0.77%

LAB 82.9, -7.65, 11.84

 

CMYK 12 / 0 / 2 / 18

HEX #B7D1CC

RGB 183 209 204

HSL 168.46, 0.22%, 0.77%

LAB 81.85, -9.65, -0.47

 

CMYK 8 / 12 / 0 / 18

HEX #C0B7D1

RGB 192 183 209

HSL 260.77, 0.22%, 0.77%

LAB 75.87, 8.12, -11.94

 

CMYK 0 / 12 / 11 / 18

HEX #D1B7BB

RGB 209 183 187

HSL 350.77, 0.22%, 0.77%

LAB 76.69, 9.95, 1.39

 

Description

Color code: HEX #C9D2B8 | qconv.com Color code: HEX #C9D2B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 210 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 210 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 12 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 12% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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