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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D83F it is the complementary color #3627C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D83F shade: #CED83A, #DFEA4D, #F0FC60, #FFFF73 and #FFFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D83F shade: #C9D83F, #B8C62C, #A7B419, #96A206 and #859000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D83F shade: #C9D740, #D7BD40, #D79540, #D76C40 and #D74340

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D83F shade: #C9D740, #A0D740, #77D740, #4ED740 and #40D75B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D83F shade matches the following richer shades: #C9D740, #D8EA2D and #E6FD1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D83F shade: #C9D740, #BAC553, #ABB265, #9CA078 and #8D8D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D83F shade: #D79340, #D7BC40, #CBD740, #A2D740 and #7AD740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D83F shade: #97A421, #B7C628, #C9D740, #D2DE62 and #DCE685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D83F shade: #C9D83F, #40D76B and #A840D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D83F shade: #C9D83F, #40CBD7 and #D740CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D83F shade: #C9D83F, #40D76B, #4D40D7 and #D740AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D83F shade: #C9D83F, #40D798, #4D40D7 and #D7407F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 71 / 15

HEX #C9D83F

RGB 201 216 63

HSL 65.88, 0.66%, 0.55%

LAB 82.85, -23.71, 69.4

 

Complementary color

CMYK 72 / 80 / 0 / 25

HEX #3627C0

RGB 54 39 192

HSL 245.88, 0.66%, 0.45%

LAB 29.52, 52.97, -76.25

 

CMYK 5 / 0 / 73 / 15

HEX #CED83A

RGB 206 216 58

HSL 63.8, 0.67%, 0.54%

LAB 83.2, -21.89, 71.56

 

CMYK 5 / 0 / 67 / 8

HEX #DFEA4D

RGB 223 234 77

HSL 64.2, 0.79%, 0.61%

LAB 89.43, -22.68, 71.42

 

CMYK 5 / 0 / 62 / 1

HEX #F0FC60

RGB 240 252 96

HSL 64.62, 0.96%, 0.68%

LAB 95.58, -23.34, 70.89

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 7 / 0 / 71 / 15

HEX #C9D83F

RGB 201 216 63

HSL 65.88, 0.66%, 0.55%

LAB 82.85, -23.71, 69.4

 

CMYK 7 / 0 / 78 / 22

HEX #B8C62C

RGB 184 198 44

HSL 65.45, 0.64%, 0.47%

LAB 76.53, -22.86, 69.15

 

CMYK 7 / 0 / 86 / 29

HEX #A7B419

RGB 167 180 25

HSL 65.03, 0.76%, 0.4%

LAB 70.13, -21.83, 67.95

 

CMYK 7 / 0 / 96 / 36

HEX #96A206

RGB 150 162 6

HSL 64.62, 0.93%, 0.33%

LAB 63.62, -20.58, 65.33

 

CMYK 8 / 0 / 100 / 44

HEX #859000

RGB 133 144 0

HSL 64.58, 1%, 0.28%

LAB 57.01, -19.07, 60.65

 

CMYK 7 / 0 / 70 / 16

HEX #C9D740

RGB 201 215 64

HSL 65.56, 0.65%, 0.55%

LAB 82.59, -23.17, 68.79

 

CMYK 0 / 12 / 70 / 16

HEX #D7BD40

RGB 215 189 64

HSL 49.67, 0.65%, 0.55%

LAB 76.81, -4.23, 63.46

 

CMYK 0 / 31 / 70 / 16

HEX #D79540

RGB 215 149 64

HSL 33.77, 0.65%, 0.55%

LAB 66.76, 17.03, 53.16

 

CMYK 0 / 50 / 70 / 16

HEX #D76C40

RGB 215 108 64

HSL 17.48, 0.65%, 0.55%

LAB 57.6, 38.78, 43.23

 

CMYK 0 / 69 / 70 / 16

HEX #D74340

RGB 215 67 64

HSL 1.19, 0.65%, 0.55%

LAB 50.49, 57.42, 35.08

 

CMYK 7 / 0 / 70 / 16

HEX #C9D740

RGB 201 215 64

HSL 65.56, 0.65%, 0.55%

LAB 82.59, -23.17, 68.79

 

CMYK 26 / 0 / 70 / 16

HEX #A0D740

RGB 160 215 64

HSL 81.85, 0.65%, 0.55%

LAB 79.87, -39.39, 65.19

 

CMYK 45 / 0 / 70 / 16

HEX #77D740

RGB 119 215 64

HSL 98.15, 0.65%, 0.55%

LAB 77.81, -53.53, 62.44

 

CMYK 64 / 0 / 70 / 16

HEX #4ED740

RGB 78 215 64

HSL 114.44, 0.65%, 0.55%

LAB 76.43, -64.26, 60.58

 

CMYK 70 / 0 / 58 / 16

HEX #40D75B

RGB 64 215 91

HSL 130.73, 0.65%, 0.55%

LAB 76.34, -64.14, 49.16

 

CMYK 7 / 0 / 70 / 16

HEX #C9D740

RGB 201 215 64

HSL 65.56, 0.65%, 0.55%

LAB 82.59, -23.17, 68.79

 

CMYK 8 / 0 / 81 / 8

HEX #D8EA2D

RGB 216 234 45

HSL 65.71, 0.82%, 0.55%

LAB 88.75, -26.88, 80.56

 

CMYK 9 / 0 / 89 / 1

HEX #E6FD1B

RGB 230 253 27

HSL 66.11, 0.98%, 0.55%

LAB 94.8, -30.5, 89.43

 

CMYK 7 / 0 / 70 / 16

HEX #C9D740

RGB 201 215 64

HSL 65.56, 0.65%, 0.55%

LAB 82.59, -23.17, 68.79

 

CMYK 6 / 0 / 58 / 23

HEX #BAC553

RGB 186 197 83

HSL 65.79, 0.5%, 0.55%

LAB 76.68, -19.3, 54.63

 

CMYK 4 / 0 / 43 / 30

HEX #ABB265

RGB 171 178 101

HSL 65.45, 0.33%, 0.55%

LAB 70.48, -14.17, 38.41

 

CMYK 2 / 0 / 25 / 37

HEX #9CA078

RGB 156 160 120

HSL 66, 0.17%, 0.55%

LAB 64.62, -8.3, 20.43

 

CMYK 0 / 0 / 2 / 45

HEX #8D8D8A

RGB 141 141 138

HSL 60, 0.01%, 0.55%

LAB 58.55, -0.58, 1.59

 

CMYK 0 / 32 / 70 / 16

HEX #D79340

RGB 215 147 64

HSL 32.98, 0.65%, 0.55%

LAB 66.28, 18.11, 52.65

 

CMYK 0 / 13 / 70 / 16

HEX #D7BC40

RGB 215 188 64

HSL 49.27, 0.65%, 0.55%

LAB 76.55, -3.71, 63.2

 

CMYK 6 / 0 / 70 / 16

HEX #CBD740

RGB 203 215 64

HSL 64.77, 0.65%, 0.55%

LAB 82.74, -22.35, 68.99

 

CMYK 25 / 0 / 70 / 16

HEX #A2D740

RGB 162 215 64

HSL 81.06, 0.65%, 0.55%

LAB 79.98, -38.63, 65.34

 

CMYK 43 / 0 / 70 / 16

HEX #7AD740

RGB 122 215 64

HSL 96.95, 0.65%, 0.55%

LAB 77.94, -52.6, 62.61

 

CMYK 8 / 0 / 80 / 36

HEX #97A421

RGB 151 164 33

HSL 65.95, 0.66%, 0.39%

LAB 64.35, -20.49, 60.51

 

CMYK 8 / 0 / 80 / 22

HEX #B7C628

RGB 183 198 40

HSL 65.7, 0.66%, 0.47%

LAB 76.44, -23.43, 70.17

 

CMYK 7 / 0 / 70 / 16

HEX #C9D740

RGB 201 215 64

HSL 65.56, 0.65%, 0.55%

LAB 82.59, -23.17, 68.79

 

CMYK 5 / 0 / 56 / 13

HEX #D2DE62

RGB 210 222 98

HSL 65.81, 0.65%, 0.63%

LAB 85.42, -20.72, 58.28

 

CMYK 4 / 0 / 42 / 10

HEX #DCE685

RGB 220 230 133

HSL 66.19, 0.66%, 0.71%

LAB 88.69, -17.5, 46.01

 

CMYK 7 / 0 / 71 / 15

HEX #C9D83F

RGB 201 216 63

HSL 65.88, 0.66%, 0.55%

LAB 82.85, -23.71, 69.4

 

CMYK 70 / 0 / 50 / 16

HEX #40D76B

RGB 64 215 107

HSL 137.09, 0.65%, 0.55%

LAB 76.53, -61.96, 41.86

 

CMYK 22 / 70 / 0 / 16

HEX #A840D7

RGB 168 64 215

HSL 281.32, 0.65%, 0.55%

LAB 48.13, 64.94, -58.65

 

CMYK 7 / 0 / 71 / 15

HEX #C9D83F

RGB 201 216 63

HSL 65.88, 0.66%, 0.55%

LAB 82.85, -23.71, 69.4

 

CMYK 70 / 6 / 0 / 16

HEX #40CBD7

RGB 64 203 215

HSL 184.77, 0.65%, 0.55%

LAB 75.27, -32.53, -16.73

 

CMYK 0 / 70 / 6 / 16

HEX #D740CB

RGB 215 64 203

HSL 304.77, 0.65%, 0.55%

LAB 54.48, 72.9, -41.25

 

CMYK 7 / 0 / 71 / 15

HEX #C9D83F

RGB 201 216 63

HSL 65.88, 0.66%, 0.55%

LAB 82.85, -23.71, 69.4

 

CMYK 70 / 0 / 50 / 16

HEX #40D76B

RGB 64 215 107

HSL 137.09, 0.65%, 0.55%

LAB 76.53, -61.96, 41.86

 

CMYK 64 / 70 / 0 / 16

HEX #4D40D7

RGB 77 64 215

HSL 245.17, 0.65%, 0.55%

LAB 38.11, 49.35, -75.4

 

CMYK 0 / 70 / 20 / 16

HEX #D740AD

RGB 215 64 173

HSL 316.69, 0.65%, 0.55%

LAB 53.09, 68.58, -26.05

 

CMYK 7 / 0 / 71 / 15

HEX #C9D83F

RGB 201 216 63

HSL 65.88, 0.66%, 0.55%

LAB 82.85, -23.71, 69.4

 

CMYK 70 / 0 / 29 / 16

HEX #40D798

RGB 64 215 152

HSL 154.97, 0.65%, 0.55%

LAB 77.26, -53.83, 19.92

 

CMYK 64 / 70 / 0 / 16

HEX #4D40D7

RGB 77 64 215

HSL 245.17, 0.65%, 0.55%

LAB 38.11, 49.35, -75.4

 

CMYK 0 / 70 / 41 / 16

HEX #D7407F

RGB 215 64 127

HSL 334.97, 0.65%, 0.55%

LAB 51.43, 63.18, -1.26

 

Description

Color code: HEX #C9D83F | qconv.com Color code: HEX #C9D83F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 216 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 216 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 71 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 71% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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