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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D74A it is the complementary color #3628B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D74A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D74A shade: #CED745, #DFE958, #F0FB6B, #FFFF7E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D74A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D74A shade: #C9D74A, #B8C537, #A7B324, #96A111 and #858F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D74A shade: #C9D74B, #D7BF4B, #D7994B, #D7734B and #D74E4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D74A shade: #C9D74B, #A3D74B, #7DD74B, #58D74B and #4BD764

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D74A shade matches the following richer shades: #C9D74B, #D7E939 and #E6FB27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D74A shade: #C9D74B, #BBC55C, #ADB46E, #9EA280 and #909092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D74A shade: #D7984B, #D7BD4B, #CBD74B, #A6D74B and #80D74B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D74A shade: #9DAA25, #BCCC2C, #C9D74B, #D3DE6D and #DDE68E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D74A shade: #C9D74A, #4BD772 and #AB4BD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D74A shade: #C9D74A, #4BCBD7 and #D74BCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D74A shade: #C9D74A, #4BD772, #564BD7 and #D74BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D74A shade: #C9D74A, #4BD79D, #564BD7 and #D74B85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 66 / 16

HEX #C9D74A

RGB 201 215 74

HSL 65.96, 0.64%, 0.57%

LAB 82.65, -22.62, 65.14

 

Complementary color

CMYK 70 / 78 / 0 / 29

HEX #3628B5

RGB 54 40 181

HSL 245.96, 0.64%, 0.43%

LAB 28.48, 49.1, -71.45

 

CMYK 4 / 0 / 68 / 16

HEX #CED745

RGB 206 215 69

HSL 63.7, 0.65%, 0.56%

LAB 82.99, -20.86, 67.51

 

CMYK 4 / 0 / 62 / 9

HEX #DFE958

RGB 223 233 88

HSL 64.14, 0.77%, 0.63%

LAB 89.24, -21.55, 66.98

 

CMYK 4 / 0 / 57 / 2

HEX #F0FB6B

RGB 240 251 107

HSL 64.58, 0.95%, 0.7%

LAB 95.41, -22.12, 66.19

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 7 / 0 / 66 / 16

HEX #C9D74A

RGB 201 215 74

HSL 65.96, 0.64%, 0.57%

LAB 82.65, -22.62, 65.14

 

CMYK 7 / 0 / 72 / 23

HEX #B8C537

RGB 184 197 55

HSL 65.49, 0.56%, 0.49%

LAB 76.31, -21.89, 65.42

 

CMYK 7 / 0 / 80 / 30

HEX #A7B324

RGB 167 179 36

HSL 65.03, 0.67%, 0.42%

LAB 69.88, -21, 65.02

 

CMYK 7 / 0 / 89 / 37

HEX #96A111

RGB 150 161 17

HSL 64.58, 0.81%, 0.35%

LAB 63.35, -19.89, 63.48

 

CMYK 7 / 0 / 100 / 44

HEX #858F00

RGB 133 143 0

HSL 64.2, 1%, 0.28%

LAB 56.71, -18.55, 60.43

 

CMYK 7 / 0 / 65 / 16

HEX #C9D74B

RGB 201 215 75

HSL 66, 0.64%, 0.57%

LAB 82.66, -22.56, 64.75

 

CMYK 0 / 11 / 65 / 16

HEX #D7BF4B

RGB 215 191 75

HSL 49.71, 0.64%, 0.57%

LAB 77.41, -4.67, 59.61

 

CMYK 0 / 29 / 65 / 16

HEX #D7994B

RGB 215 153 75

HSL 33.43, 0.64%, 0.57%

LAB 67.83, 15.5, 49.19

 

CMYK 0 / 47 / 65 / 16

HEX #D7734B

RGB 215 115 75

HSL 17.14, 0.64%, 0.57%

LAB 59.17, 35.8, 39.25

 

CMYK 0 / 64 / 65 / 16

HEX #D74E4B

RGB 215 78 75

HSL 1.29, 0.64%, 0.57%

LAB 52.29, 53.55, 30.92

 

CMYK 7 / 0 / 65 / 16

HEX #C9D74B

RGB 201 215 75

HSL 66, 0.64%, 0.57%

LAB 82.66, -22.56, 64.75

 

CMYK 24 / 0 / 65 / 16

HEX #A3D74B

RGB 163 215 75

HSL 82.29, 0.64%, 0.57%

LAB 80.12, -37.52, 61.31

 

CMYK 42 / 0 / 65 / 16

HEX #7DD74B

RGB 125 215 75

HSL 98.57, 0.64%, 0.57%

LAB 78.15, -50.79, 58.62

 

CMYK 59 / 0 / 65 / 16

HEX #58D74B

RGB 88 215 75

HSL 114.43, 0.64%, 0.57%

LAB 76.79, -61.06, 56.74

 

CMYK 65 / 0 / 53 / 16

HEX #4BD764

RGB 75 215 100

HSL 130.71, 0.64%, 0.57%

LAB 76.69, -60.98, 45.46

 

CMYK 7 / 0 / 65 / 16

HEX #C9D74B

RGB 201 215 75

HSL 66, 0.64%, 0.57%

LAB 82.66, -22.56, 64.75

 

CMYK 8 / 0 / 76 / 9

HEX #D7E939

RGB 215 233 57

HSL 66.14, 0.8%, 0.57%

LAB 88.46, -26.39, 77

 

CMYK 8 / 0 / 84 / 2

HEX #E6FB27

RGB 230 251 39

HSL 65.94, 0.96%, 0.57%

LAB 94.3, -29.33, 86.98

 

CMYK 7 / 0 / 65 / 16

HEX #C9D74B

RGB 201 215 75

HSL 66, 0.64%, 0.57%

LAB 82.66, -22.56, 64.75

 

CMYK 5 / 0 / 53 / 23

HEX #BBC55C

RGB 187 197 92

HSL 65.71, 0.48%, 0.57%

LAB 76.84, -18.16, 50.74

 

CMYK 4 / 0 / 39 / 29

HEX #ADB46E

RGB 173 180 110

HSL 66, 0.32%, 0.57%

LAB 71.32, -13.38, 34.87

 

CMYK 2 / 0 / 21 / 36

HEX #9EA280

RGB 158 162 128

HSL 67.06, 0.15%, 0.57%

LAB 65.49, -7.38, 17.25

 

CMYK 1 / 1 / 0 / 43

HEX #909092

RGB 144 144 146

HSL 240, 0.01%, 0.57%

LAB 59.84, 0.4, -1.07

 

CMYK 0 / 29 / 65 / 16

HEX #D7984B

RGB 215 152 75

HSL 33, 0.64%, 0.57%

LAB 67.58, 16.04, 48.91

 

CMYK 0 / 12 / 65 / 16

HEX #D7BD4B

RGB 215 189 75

HSL 48.86, 0.64%, 0.57%

LAB 76.89, -3.63, 59.05

 

CMYK 6 / 0 / 65 / 16

HEX #CBD74B

RGB 203 215 75

HSL 65.14, 0.64%, 0.57%

LAB 82.81, -21.74, 64.95

 

CMYK 23 / 0 / 65 / 16

HEX #A6D74B

RGB 166 215 75

HSL 81, 0.64%, 0.57%

LAB 80.3, -36.39, 61.55

 

CMYK 40 / 0 / 65 / 16

HEX #80D74B

RGB 128 215 75

HSL 97.29, 0.64%, 0.57%

LAB 78.29, -49.83, 58.8

 

CMYK 8 / 0 / 78 / 33

HEX #9DAA25

RGB 157 170 37

HSL 65.86, 0.64%, 0.41%

LAB 66.56, -20.75, 61.46

 

CMYK 8 / 0 / 78 / 20

HEX #BCCC2C

RGB 188 204 44

HSL 66, 0.65%, 0.49%

LAB 78.5, -24.11, 71.03

 

CMYK 7 / 0 / 65 / 16

HEX #C9D74B

RGB 201 215 75

HSL 66, 0.64%, 0.57%

LAB 82.66, -22.56, 64.75

 

CMYK 5 / 0 / 51 / 13

HEX #D3DE6D

RGB 211 222 109

HSL 65.84, 0.63%, 0.65%

LAB 85.6, -19.41, 53.53

 

CMYK 4 / 0 / 38 / 10

HEX #DDE68E

RGB 221 230 142

HSL 66.14, 0.64%, 0.73%

LAB 88.88, -16.14, 41.85

 

CMYK 7 / 0 / 66 / 16

HEX #C9D74A

RGB 201 215 74

HSL 65.96, 0.64%, 0.57%

LAB 82.65, -22.62, 65.14

 

CMYK 65 / 0 / 47 / 16

HEX #4BD772

RGB 75 215 114

HSL 136.71, 0.64%, 0.57%

LAB 76.87, -58.96, 38.92

 

CMYK 20 / 65 / 0 / 16

HEX #AB4BD7

RGB 171 75 215

HSL 281.14, 0.64%, 0.57%

LAB 50.21, 60.9, -55.29

 

CMYK 7 / 0 / 66 / 16

HEX #C9D74A

RGB 201 215 74

HSL 65.96, 0.64%, 0.57%

LAB 82.65, -22.62, 65.14

 

CMYK 65 / 6 / 0 / 16

HEX #4BCBD7

RGB 75 203 215

HSL 185.14, 0.64%, 0.57%

LAB 75.52, -30.98, -16.32

 

CMYK 0 / 65 / 6 / 16

HEX #D74BCB

RGB 215 75 203

HSL 305.14, 0.64%, 0.57%

LAB 55.88, 68.95, -39.05

 

CMYK 7 / 0 / 66 / 16

HEX #C9D74A

RGB 201 215 74

HSL 65.96, 0.64%, 0.57%

LAB 82.65, -22.62, 65.14

 

CMYK 65 / 0 / 47 / 16

HEX #4BD772

RGB 75 215 114

HSL 136.71, 0.64%, 0.57%

LAB 76.87, -58.96, 38.92

 

CMYK 60 / 65 / 0 / 16

HEX #564BD7

RGB 86 75 215

HSL 244.71, 0.64%, 0.57%

LAB 41.08, 44.34, -70.51

 

CMYK 0 / 65 / 19 / 16

HEX #D74BAF

RGB 215 75 175

HSL 317.14, 0.64%, 0.57%

LAB 54.63, 64.79, -24.84

 

CMYK 7 / 0 / 66 / 16

HEX #C9D74A

RGB 201 215 74

HSL 65.96, 0.64%, 0.57%

LAB 82.65, -22.62, 65.14

 

CMYK 65 / 0 / 27 / 16

HEX #4BD79D

RGB 75 215 157

HSL 155.14, 0.64%, 0.57%

LAB 77.6, -51, 17.8

 

CMYK 60 / 65 / 0 / 16

HEX #564BD7

RGB 86 75 215

HSL 244.71, 0.64%, 0.57%

LAB 41.08, 44.34, -70.51

 

CMYK 0 / 65 / 38 / 16

HEX #D74B85

RGB 215 75 133

HSL 335.14, 0.64%, 0.57%

LAB 53.14, 59.6, -2.35

 

Description

Color code: HEX #C9D74A | qconv.com Color code: HEX #C9D74A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 215 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 215 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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