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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9CD96 it is the complementary color #363269. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9CD96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9CD96 shade: #CECD91, #DFDFA4, #F0F1B7, #FFFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9CD96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9CD96 shade: #C9CD96, #B8BB83, #A7A970, #96975D and #85854A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9CD96 shade: #C9CD97, #CDC297, #CDB497, #CDA597 and #CD9797

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9CD96 shade: #C9CD97, #BACD97, #ACCD97, #9ECD97 and #97CD9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9CD96 shade matches the following richer shades: #C9CD97, #D3D98B, #DEE67E, #E9F272 and #F3FE66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9CD96 shade: #C9CD97, #BEC0A4, #B4B4B0, #A9A8BC and #9F9BC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9CD96 shade: #CDB497, #CDC297, #C9CD97, #BBCD97 and #ADCD97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9CD96 shade: #ACB260, #BABF7B, #C9CD97, #D7DAB3 and #E6E8CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9CD96 shade: #C9CD96, #97CDA6 and #BB97CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9CD96 shade: #C9CD96, #97C9CD and #CD97C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9CD96 shade: #C9CD96, #97CDA6, #9B97CD and #CD97BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9CD96 shade: #C9CD96, #97CDB6, #9B97CD and #CD97AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 27 / 20

HEX #C9CD96

RGB 201 205 150

HSL 64.36, 0.35%, 0.7%

LAB 80.9, -10.23, 27

 

Complementary color

CMYK 49 / 52 / 0 / 59

HEX #363269

RGB 54 50 105

HSL 244.36, 0.35%, 0.3%

LAB 23.95, 17.75, -31.77

 

CMYK 0 / 0 / 30 / 19

HEX #CECD91

RGB 206 205 145

HSL 59.02, 0.38%, 0.69%

LAB 81.2, -8.98, 30.08

 

CMYK 0 / 0 / 26 / 13

HEX #DFDFA4

RGB 223 223 164

HSL 60, 0.48%, 0.76%

LAB 87.55, -9.21, 29.01

 

CMYK 0 / 0 / 24 / 5

HEX #F0F1B7

RGB 240 241 183

HSL 61.03, 0.67%, 0.83%

LAB 93.82, -9.41, 27.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 2 / 0 / 27 / 20

HEX #C9CD96

RGB 201 205 150

HSL 64.36, 0.35%, 0.7%

LAB 80.9, -10.23, 27

 

CMYK 2 / 0 / 30 / 27

HEX #B8BB83

RGB 184 187 131

HSL 63.21, 0.29%, 0.62%

LAB 74.43, -10.04, 28.09

 

CMYK 1 / 0 / 34 / 34

HEX #A7A970

RGB 167 169 112

HSL 62.11, 0.25%, 0.55%

LAB 67.84, -9.8, 29.23

 

CMYK 1 / 0 / 38 / 41

HEX #96975D

RGB 150 151 93

HSL 61.03, 0.24%, 0.48%

LAB 61.14, -9.51, 30.44

 

CMYK 0 / 0 / 44 / 48

HEX #85854A

RGB 133 133 74

HSL 60, 0.29%, 0.41%

LAB 54.3, -9.14, 31.7

 

CMYK 2 / 0 / 26 / 20

HEX #C9CD97

RGB 201 205 151

HSL 64.44, 0.35%, 0.7%

LAB 80.91, -10.09, 26.5

 

CMYK 0 / 5 / 26 / 20

HEX #CDC297

RGB 205 194 151

HSL 47.78, 0.35%, 0.7%

LAB 78.34, -2.88, 23.07

 

CMYK 0 / 12 / 26 / 20

HEX #CDB497

RGB 205 180 151

HSL 32.22, 0.35%, 0.7%

LAB 74.73, 4.53, 18.1

 

CMYK 0 / 20 / 26 / 20

HEX #CDA597

RGB 205 165 151

HSL 15.56, 0.35%, 0.7%

LAB 70.96, 12.62, 12.82

 

CMYK 0 / 26 / 26 / 20

HEX #CD9797

RGB 205 151 151

HSL 0, 0.35%, 0.7%

LAB 67.54, 20.25, 7.97

 

CMYK 2 / 0 / 26 / 20

HEX #C9CD97

RGB 201 205 151

HSL 64.44, 0.35%, 0.7%

LAB 80.91, -10.09, 26.5

 

CMYK 9 / 0 / 26 / 20

HEX #BACD97

RGB 186 205 151

HSL 81.11, 0.35%, 0.7%

LAB 79.8, -15.7, 24.82

 

CMYK 16 / 0 / 26 / 20

HEX #ACCD97

RGB 172 205 151

HSL 96.67, 0.35%, 0.7%

LAB 78.85, -20.79, 23.36

 

CMYK 23 / 0 / 26 / 20

HEX #9ECD97

RGB 158 205 151

HSL 112.22, 0.35%, 0.7%

LAB 77.97, -25.68, 22.02

 

CMYK 26 / 0 / 22 / 20

HEX #97CD9F

RGB 151 205 159

HSL 128.89, 0.35%, 0.7%

LAB 77.72, -26.65, 17.37

 

CMYK 2 / 0 / 26 / 20

HEX #C9CD97

RGB 201 205 151

HSL 64.44, 0.35%, 0.7%

LAB 80.91, -10.09, 26.5

 

CMYK 3 / 0 / 36 / 15

HEX #D3D98B

RGB 211 217 139

HSL 64.62, 0.51%, 0.7%

LAB 84.66, -13.86, 37.77

 

CMYK 3 / 0 / 45 / 10

HEX #DEE67E

RGB 222 230 126

HSL 64.62, 0.68%, 0.7%

LAB 88.75, -17.43, 49.49

 

CMYK 4 / 0 / 53 / 5

HEX #E9F272

RGB 233 242 114

HSL 64.22, 0.83%, 0.7%

LAB 92.59, -20.02, 59.82

 

CMYK 4 / 0 / 60 / 0

HEX #F3FE66

RGB 243 254 102

HSL 64.34, 0.99%, 0.7%

LAB 96.37, -22.71, 69.38

 

CMYK 2 / 0 / 26 / 20

HEX #C9CD97

RGB 201 205 151

HSL 64.44, 0.35%, 0.7%

LAB 80.91, -10.09, 26.5

 

CMYK 1 / 0 / 15 / 25

HEX #BEC0A4

RGB 190 192 164

HSL 64.29, 0.18%, 0.7%

LAB 76.88, -5.54, 13.9

 

CMYK 0 / 0 / 2 / 29

HEX #B4B4B0

RGB 180 180 176

HSL 60, 0.03%, 0.7%

LAB 73.21, -0.74, 2.03

 

CMYK 10 / 11 / 0 / 26

HEX #A9A8BC

RGB 169 168 188

HSL 243, 0.13%, 0.7%

LAB 69.52, 4.32, -10.11

 

CMYK 21 / 23 / 0 / 21

HEX #9F9BC9

RGB 159 155 201

HSL 245.22, 0.3%, 0.7%

LAB 65.77, 11.17, -23.07

 

CMYK 0 / 12 / 26 / 20

HEX #CDB497

RGB 205 180 151

HSL 32.22, 0.35%, 0.7%

LAB 74.73, 4.53, 18.1

 

CMYK 0 / 5 / 26 / 20

HEX #CDC297

RGB 205 194 151

HSL 47.78, 0.35%, 0.7%

LAB 78.34, -2.88, 23.07

 

CMYK 2 / 0 / 26 / 20

HEX #C9CD97

RGB 201 205 151

HSL 64.44, 0.35%, 0.7%

LAB 80.91, -10.09, 26.5

 

CMYK 9 / 0 / 26 / 20

HEX #BBCD97

RGB 187 205 151

HSL 80, 0.35%, 0.7%

LAB 79.88, -15.33, 24.92

 

CMYK 16 / 0 / 26 / 20

HEX #ADCD97

RGB 173 205 151

HSL 95.56, 0.35%, 0.7%

LAB 78.92, -20.43, 23.46

 

CMYK 3 / 0 / 46 / 30

HEX #ACB260

RGB 172 178 96

HSL 64.39, 0.35%, 0.54%

LAB 70.49, -14.28, 40.97

 

CMYK 3 / 0 / 36 / 25

HEX #BABF7B

RGB 186 191 123

HSL 64.41, 0.35%, 0.62%

LAB 75.53, -12.33, 33.76

 

CMYK 2 / 0 / 26 / 20

HEX #C9CD97

RGB 201 205 151

HSL 64.44, 0.35%, 0.7%

LAB 80.91, -10.09, 26.5

 

CMYK 1 / 0 / 18 / 15

HEX #D7DAB3

RGB 215 218 179

HSL 64.62, 0.35%, 0.78%

LAB 85.93, -7.51, 18.89

 

CMYK 1 / 0 / 11 / 9

HEX #E6E8CF

RGB 230 232 207

HSL 64.8, 0.35%, 0.86%

LAB 91.25, -4.92, 11.93

 

CMYK 2 / 0 / 27 / 20

HEX #C9CD96

RGB 201 205 150

HSL 64.36, 0.35%, 0.7%

LAB 80.9, -10.23, 27

 

CMYK 26 / 0 / 19 / 20

HEX #97CDA6

RGB 151 205 166

HSL 136.67, 0.35%, 0.7%

LAB 77.87, -25.37, 13.85

 

CMYK 9 / 26 / 0 / 20

HEX #BB97CD

RGB 187 151 205

HSL 280, 0.35%, 0.7%

LAB 67.36, 23.29, -22.65

 

CMYK 2 / 0 / 27 / 20

HEX #C9CD96

RGB 201 205 150

HSL 64.36, 0.35%, 0.7%

LAB 80.9, -10.23, 27

 

CMYK 26 / 2 / 0 / 20

HEX #97C9CD

RGB 151 201 205

HSL 184.44, 0.35%, 0.7%

LAB 77.73, -15.28, -7.3

 

CMYK 0 / 26 / 2 / 20

HEX #CD97C9

RGB 205 151 201

HSL 304.44, 0.35%, 0.7%

LAB 68.99, 28.45, -17.78

 

CMYK 2 / 0 / 27 / 20

HEX #C9CD96

RGB 201 205 150

HSL 64.36, 0.35%, 0.7%

LAB 80.9, -10.23, 27

 

CMYK 26 / 0 / 19 / 20

HEX #97CDA6

RGB 151 205 166

HSL 136.67, 0.35%, 0.7%

LAB 77.87, -25.37, 13.85

 

CMYK 24 / 26 / 0 / 20

HEX #9B97CD

RGB 155 151 205

HSL 244.44, 0.35%, 0.7%

LAB 64.57, 13.14, -27.16

 

CMYK 0 / 26 / 7 / 20

HEX #CD97BE

RGB 205 151 190

HSL 316.67, 0.35%, 0.7%

LAB 68.63, 26.47, -12.21

 

CMYK 2 / 0 / 27 / 20

HEX #C9CD96

RGB 201 205 150

HSL 64.36, 0.35%, 0.7%

LAB 80.9, -10.23, 27

 

CMYK 26 / 0 / 11 / 20

HEX #97CDB6

RGB 151 205 182

HSL 154.44, 0.35%, 0.7%

LAB 78.24, -22.26, 5.81

 

CMYK 24 / 26 / 0 / 20

HEX #9B97CD

RGB 155 151 205

HSL 244.44, 0.35%, 0.7%

LAB 64.57, 13.14, -27.16

 

CMYK 0 / 26 / 15 / 20

HEX #CD97AE

RGB 205 151 174

HSL 334.44, 0.35%, 0.7%

LAB 68.14, 23.76, -4.01

 

Description

Color code: HEX #C9CD96 | qconv.com Color code: HEX #C9CD96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 205 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 205 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 27 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 27% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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