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Color name
HEX #C9B425

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9B425 it is the complementary color #364BDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9B425. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9B425 shade: #CEB420, #DFC633, #F0D846, #FFEA59 and #FFFC6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9B425. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9B425 shade: #C9B425, #B8A212, #A79000, #967E00 and #856C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9B425 shade: #CAB525, #CA8825, #CA5C25, #CA2F25 and #CA2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9B425 shade: #CAB525, #B3CA25, #86CA25, #59CA25 and #2DCA25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9B425 shade matches the following richer shades: #CAB525 and #DDC311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9B425 shade: #CAB525, #B7A638, #A3984B, #908A5F and #7C7B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9B425 shade: #CA5C25, #CA8825, #CAB425, #B4CA25 and #88CA25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9B425 shade: #847618, #A7961E, #CAB525, #DBC73D and #E1D160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9B425 shade: #C9B425, #25CA30 and #7225CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9B425 shade: #C9B425, #25CAB4 and #B425CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9B425 shade: #C9B425, #25CA30, #253BCA and #CA25BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9B425 shade: #C9B425, #25CA61, #253BCA and #CA258D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 82 / 21

HEX #C9B425

RGB 201 180 37

HSL 52.32, 0.69%, 0.47%

LAB 73.02, -6.7, 68.59

 

Complementary color

CMYK 75 / 66 / 0 / 15

HEX #364BDA

RGB 54 75 218

HSL 232.32, 0.69%, 0.53%

LAB 39.37, 41.32, -75.1

 

CMYK 0 / 13 / 84 / 19

HEX #CEB420

RGB 206 180 32

HSL 51.03, 0.73%, 0.47%

LAB 73.46, -4.66, 70.46

 

CMYK 0 / 11 / 77 / 13

HEX #DFC633

RGB 223 198 51

HSL 51.28, 0.73%, 0.54%

LAB 79.79, -6.01, 71.17

 

CMYK 0 / 10 / 71 / 6

HEX #F0D846

RGB 240 216 70

HSL 51.53, 0.85%, 0.61%

LAB 86.05, -7.16, 71.09

 

CMYK 0 / 8 / 65 / 0

HEX #FFEA59

RGB 255 234 89

HSL 52.41, 1%, 0.67%

LAB 92.05, -8.98, 70.32

 

CMYK 0 / 1 / 58 / 0

HEX #FFFC6C

RGB 255 252 108

HSL 58.78, 1%, 0.71%

LAB 96.81, -16.6, 67.63

 

CMYK 0 / 10 / 82 / 21

HEX #C9B425

RGB 201 180 37

HSL 52.32, 0.69%, 0.47%

LAB 73.02, -6.7, 68.59

 

CMYK 0 / 12 / 90 / 28

HEX #B8A212

RGB 184 162 18

HSL 52.05, 0.82%, 0.4%

LAB 66.58, -5.24, 67.09

 

CMYK 0 / 14 / 100 / 35

HEX #A79000

RGB 167 144 0

HSL 51.74, 1%, 0.33%

LAB 60.03, -3.54, 64.22

 

CMYK 0 / 16 / 100 / 41

HEX #967E00

RGB 150 126 0

HSL 50.4, 1%, 0.29%

LAB 53.39, -1.51, 58.73

 

CMYK 0 / 19 / 100 / 48

HEX #856C00

RGB 133 108 0

HSL 48.72, 1%, 0.26%

LAB 46.59, 0.61, 53.12

 

CMYK 0 / 10 / 82 / 21

HEX #CAB525

RGB 202 181 37

HSL 52.36, 0.69%, 0.47%

LAB 73.38, -6.79, 68.93

 

CMYK 0 / 33 / 82 / 21

HEX #CA8825

RGB 202 136 37

HSL 36, 0.69%, 0.47%

LAB 61.91, 17.35, 58.93

 

CMYK 0 / 54 / 82 / 21

HEX #CA5C25

RGB 202 92 37

HSL 20, 0.69%, 0.47%

LAB 52.22, 40.66, 50.19

 

CMYK 0 / 77 / 82 / 21

HEX #CA2F25

RGB 202 47 37

HSL 3.64, 0.69%, 0.47%

LAB 45.25, 59.33, 43.65

 

CMYK 0 / 82 / 82 / 21

HEX #CA2525

RGB 202 37 37

HSL 0, 0.69%, 0.47%

LAB 44.25, 62.15, 42.69

 

CMYK 0 / 10 / 82 / 21

HEX #CAB525

RGB 202 181 37

HSL 52.36, 0.69%, 0.47%

LAB 73.38, -6.79, 68.93

 

CMYK 11 / 0 / 82 / 21

HEX #B3CA25

RGB 179 202 37

HSL 68.36, 0.69%, 0.47%

LAB 77.26, -27.13, 71.56

 

CMYK 34 / 0 / 82 / 21

HEX #86CA25

RGB 134 202 37

HSL 84.73, 0.69%, 0.47%

LAB 74.47, -44.74, 68.04

 

CMYK 56 / 0 / 82 / 21

HEX #59CA25

RGB 89 202 37

HSL 101.09, 0.69%, 0.47%

LAB 72.56, -58.93, 65.6

 

CMYK 78 / 0 / 82 / 21

HEX #2DCA25

RGB 45 202 37

HSL 117.09, 0.69%, 0.47%

LAB 71.51, -67.72, 64.25

 

CMYK 0 / 10 / 82 / 21

HEX #CAB525

RGB 202 181 37

HSL 52.36, 0.69%, 0.47%

LAB 73.38, -6.79, 68.93

 

CMYK 0 / 12 / 92 / 13

HEX #DDC311

RGB 221 195 17

HSL 52.35, 0.86%, 0.47%

LAB 78.72, -6.17, 78.06

 

CMYK 0 / 10 / 82 / 21

HEX #CAB525

RGB 202 181 37

HSL 52.36, 0.69%, 0.47%

LAB 73.38, -6.79, 68.93

 

CMYK 0 / 9 / 69 / 28

HEX #B7A638

RGB 183 166 56

HSL 51.97, 0.53%, 0.47%

LAB 67.74, -6.45, 56.57

 

CMYK 0 / 7 / 54 / 36

HEX #A3984B

RGB 163 152 75

HSL 52.5, 0.37%, 0.47%

LAB 62.3, -6.38, 41.46

 

CMYK 0 / 4 / 34 / 44

HEX #908A5F

RGB 144 138 95

HSL 52.65, 0.21%, 0.47%

LAB 57.01, -4.68, 23.88

 

CMYK 0 / 1 / 8 / 51

HEX #7C7B72

RGB 124 123 114

HSL 54, 0.04%, 0.47%

LAB 51.46, -1.35, 5.05

 

CMYK 0 / 54 / 82 / 21

HEX #CA5C25

RGB 202 92 37

HSL 20, 0.69%, 0.47%

LAB 52.22, 40.66, 50.19

 

CMYK 0 / 33 / 82 / 21

HEX #CA8825

RGB 202 136 37

HSL 36, 0.69%, 0.47%

LAB 61.91, 17.35, 58.93

 

CMYK 0 / 11 / 82 / 21

HEX #CAB425

RGB 202 180 37

HSL 52, 0.69%, 0.47%

LAB 73.11, -6.27, 68.71

 

CMYK 11 / 0 / 82 / 21

HEX #B4CA25

RGB 180 202 37

HSL 68, 0.69%, 0.47%

LAB 77.33, -26.72, 71.65

 

CMYK 33 / 0 / 82 / 21

HEX #88CA25

RGB 136 202 37

HSL 84, 0.69%, 0.47%

LAB 74.58, -44.01, 68.17

 

CMYK 0 / 11 / 82 / 48

HEX #847618

RGB 132 118 24

HSL 52.22, 0.69%, 0.31%

LAB 49.41, -4.95, 49.35

 

CMYK 0 / 10 / 82 / 35

HEX #A7961E

RGB 167 150 30

HSL 52.55, 0.7%, 0.39%

LAB 61.76, -6.17, 59.62

 

CMYK 0 / 10 / 82 / 21

HEX #CAB525

RGB 202 181 37

HSL 52.36, 0.69%, 0.47%

LAB 73.38, -6.79, 68.93

 

CMYK 0 / 9 / 72 / 14

HEX #DBC73D

RGB 219 199 61

HSL 52.41, 0.69%, 0.55%

LAB 79.75, -7.81, 67.6

 

CMYK 0 / 7 / 57 / 12

HEX #E1D160

RGB 225 209 96

HSL 52.56, 0.68%, 0.63%

LAB 83.15, -8.31, 56.94

 

CMYK 0 / 10 / 82 / 21

HEX #C9B425

RGB 201 180 37

HSL 52.32, 0.69%, 0.47%

LAB 73.02, -6.7, 68.59

 

CMYK 82 / 0 / 76 / 21

HEX #25CA30

RGB 37 202 48

HSL 124, 0.69%, 0.47%

LAB 71.45, -68.02, 60.89

 

CMYK 44 / 82 / 0 / 21

HEX #7225CA

RGB 114 37 202

HSL 268, 0.69%, 0.47%

LAB 36.3, 63.09, -70.72

 

CMYK 0 / 10 / 82 / 21

HEX #C9B425

RGB 201 180 37

HSL 52.32, 0.69%, 0.47%

LAB 73.02, -6.7, 68.59

 

CMYK 82 / 0 / 11 / 21

HEX #25CAB4

RGB 37 202 180

HSL 172, 0.69%, 0.47%

LAB 73.5, -44.88, -0.46

 

CMYK 11 / 82 / 0 / 21

HEX #B425CA

RGB 180 37 202

HSL 292, 0.69%, 0.47%

LAB 46.03, 73.61, -54.47

 

CMYK 0 / 10 / 82 / 21

HEX #C9B425

RGB 201 180 37

HSL 52.32, 0.69%, 0.47%

LAB 73.02, -6.7, 68.59

 

CMYK 82 / 0 / 76 / 21

HEX #25CA30

RGB 37 202 48

HSL 124, 0.69%, 0.47%

LAB 71.45, -68.02, 60.89

 

CMYK 82 / 71 / 0 / 21

HEX #253BCA

RGB 37 59 202

HSL 232, 0.69%, 0.47%

LAB 33.53, 44.03, -75.5

 

CMYK 0 / 82 / 5 / 21

HEX #CA25BF

RGB 202 37 191

HSL 304, 0.69%, 0.47%

LAB 49.06, 75.98, -43.03

 

CMYK 0 / 10 / 82 / 21

HEX #C9B425

RGB 201 180 37

HSL 52.32, 0.69%, 0.47%

LAB 73.02, -6.7, 68.59

 

CMYK 82 / 0 / 52 / 21

HEX #25CA61

RGB 37 202 97

HSL 141.82, 0.69%, 0.47%

LAB 71.89, -62.63, 40.89

 

CMYK 82 / 71 / 0 / 21

HEX #253BCA

RGB 37 59 202

HSL 232, 0.69%, 0.47%

LAB 33.53, 44.03, -75.5

 

CMYK 0 / 82 / 30 / 21

HEX #CA258D

RGB 202 37 141

HSL 322.18, 0.69%, 0.47%

LAB 46.71, 69.45, -17.02

 

Description

Color code: HEX #C9B425 | qconv.com Color code: HEX #C9B425 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 180 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 180 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 82 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 82% 21% C M Y K

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Provide designers and agencies with accurate color values.

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