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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9A06B it is the complementary color #365F94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9A06B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9A06B shade: #CEA066, #DFB279, #F0C48C, #FFD69F and #FFE8B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9A06B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9A06B shade: #C9A06B, #B88E58, #A77C45, #966A32 and #85581F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9A06B shade: #C89F69, #C88569, #C86B69 and #C86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9A06B shade: #C89F69, #C8B869, #BFC869, #A5C869 and #8BC869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9A06B shade matches the following richer shades: #C89F69, #D9A158, #E9A348 and #FAA537

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9A06B shade: #C89F69, #B89D79, #A79A8A, #97989A and #8696AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9A06B shade: #C86A69, #C88469, #C89D69, #C8B769 and #C0C869

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9A06B shade: #A4763B, #BE8B4A, #C89F69, #D3B287 and #DEC5A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9A06B shade: #C9A06B, #81C869 and #7769C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9A06B shade: #C9A06B, #69C89D and #9D69C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9A06B shade: #C9A06B, #81C869, #6994C8 and #B069C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9A06B shade: #C9A06B, #69C86D, #6994C8 and #C869C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 47 / 21

HEX #C9A06B

RGB 201 160 107

HSL 33.83, 0.47%, 0.6%

LAB 68.48, 8.41, 33.31

 

Complementary color

CMYK 64 / 36 / 0 / 42

HEX #365F94

RGB 54 95 148

HSL 213.83, 0.47%, 0.4%

LAB 39.76, 3.01, -33.4

 

CMYK 0 / 22 / 50 / 19

HEX #CEA066

RGB 206 160 102

HSL 33.46, 0.51%, 0.6%

LAB 68.91, 10.01, 36.61

 

CMYK 0 / 20 / 46 / 13

HEX #DFB279

RGB 223 178 121

HSL 33.53, 0.61%, 0.67%

LAB 75.39, 9.15, 35.26

 

CMYK 0 / 18 / 42 / 6

HEX #F0C48C

RGB 240 196 140

HSL 33.6, 0.77%, 0.75%

LAB 81.78, 8.41, 33.99

 

CMYK 0 / 16 / 38 / 0

HEX #FFD69F

RGB 255 214 159

HSL 34.38, 1%, 0.81%

LAB 87.9, 6.99, 32.52

 

CMYK 0 / 9 / 30 / 0

HEX #FFE8B2

RGB 255 232 178

HSL 42.08, 1%, 0.85%

LAB 92.66, 0.03, 29.16

 

CMYK 0 / 20 / 47 / 21

HEX #C9A06B

RGB 201 160 107

HSL 33.83, 0.47%, 0.6%

LAB 68.48, 8.41, 33.31

 

CMYK 0 / 23 / 52 / 28

HEX #B88E58

RGB 184 142 88

HSL 33.75, 0.4%, 0.53%

LAB 61.86, 9.31, 34.7

 

CMYK 0 / 26 / 59 / 35

HEX #A77C45

RGB 167 124 69

HSL 33.67, 0.42%, 0.46%

LAB 55.13, 10.37, 36.16

 

CMYK 0 / 29 / 67 / 41

HEX #966A32

RGB 150 106 50

HSL 33.6, 0.5%, 0.39%

LAB 48.29, 11.65, 37.64

 

CMYK 0 / 34 / 77 / 48

HEX #85581F

RGB 133 88 31

HSL 33.53, 0.62%, 0.32%

LAB 41.32, 13.23, 38.97

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 34 / 48 / 22

HEX #C88569

RGB 200 133 105

HSL 17.68, 0.46%, 0.6%

LAB 61.72, 22.56, 25.59

 

CMYK 0 / 47 / 48 / 22

HEX #C86B69

RGB 200 107 105

HSL 1.26, 0.46%, 0.6%

LAB 55.9, 36.56, 17.79

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 8 / 48 / 22

HEX #C8B869

RGB 200 184 105

HSL 49.89, 0.46%, 0.6%

LAB 74.56, -4.99, 41.97

 

CMYK 5 / 0 / 48 / 22

HEX #BFC869

RGB 191 200 105

HSL 65.68, 0.46%, 0.6%

LAB 78.11, -16.86, 46.13

 

CMYK 18 / 0 / 48 / 22

HEX #A5C869

RGB 165 200 105

HSL 82.11, 0.46%, 0.6%

LAB 76.27, -27.06, 43.46

 

CMYK 31 / 0 / 48 / 22

HEX #8BC869

RGB 139 200 105

HSL 98.53, 0.46%, 0.6%

LAB 74.71, -36.57, 41.19

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 26 / 59 / 15

HEX #D9A158

RGB 217 161 88

HSL 33.95, 0.63%, 0.6%

LAB 70.14, 12.91, 45.54

 

CMYK 0 / 30 / 69 / 9

HEX #E9A348

RGB 233 163 72

HSL 33.91, 0.79%, 0.6%

LAB 72.22, 17.56, 55.95

 

CMYK 0 / 34 / 78 / 2

HEX #FAA537

RGB 250 165 55

HSL 33.85, 0.95%, 0.6%

LAB 74.51, 22.86, 65.94

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 15 / 34 / 28

HEX #B89D79

RGB 184 157 121

HSL 34.29, 0.31%, 0.6%

LAB 66.28, 4.67, 22.55

 

CMYK 0 / 8 / 17 / 35

HEX #A79A8A

RGB 167 154 138

HSL 33.1, 0.14%, 0.6%

LAB 64.29, 2.04, 10.12

 

CMYK 2 / 1 / 0 / 40

HEX #97989A

RGB 151 152 154

HSL 220, 0.01%, 0.6%

LAB 62.82, 0.03, -1.18

 

CMYK 22 / 12 / 0 / 33

HEX #8696AB

RGB 134 150 171

HSL 214.05, 0.18%, 0.6%

LAB 61.5, -1.01, -12.89

 

CMYK 0 / 47 / 48 / 22

HEX #C86A69

RGB 200 106 105

HSL 0.63, 0.46%, 0.6%

LAB 55.69, 37.08, 17.5

 

CMYK 0 / 34 / 48 / 22

HEX #C88469

RGB 200 132 105

HSL 17.05, 0.46%, 0.6%

LAB 61.48, 23.1, 25.28

 

CMYK 0 / 22 / 48 / 22

HEX #C89D69

RGB 200 157 105

HSL 32.84, 0.46%, 0.6%

LAB 67.59, 9.43, 33.22

 

CMYK 0 / 9 / 48 / 22

HEX #C8B769

RGB 200 183 105

HSL 49.26, 0.46%, 0.6%

LAB 74.3, -4.47, 41.64

 

CMYK 4 / 0 / 48 / 22

HEX #C0C869

RGB 192 200 105

HSL 65.05, 0.46%, 0.6%

LAB 78.19, -16.46, 46.24

 

CMYK 0 / 28 / 64 / 36

HEX #A4763B

RGB 164 118 59

HSL 33.71, 0.47%, 0.44%

LAB 53.13, 11.69, 38.94

 

CMYK 0 / 27 / 61 / 25

HEX #BE8B4A

RGB 190 139 74

HSL 33.62, 0.47%, 0.52%

LAB 61.57, 12.39, 41.8

 

CMYK 0 / 21 / 48 / 22

HEX #C89F69

RGB 200 159 105

HSL 34.11, 0.46%, 0.6%

LAB 68.09, 8.34, 33.86

 

CMYK 0 / 16 / 36 / 17

HEX #D3B287

RGB 211 178 135

HSL 33.95, 0.46%, 0.68%

LAB 74.47, 5.87, 26.43

 

CMYK 0 / 11 / 26 / 13

HEX #DEC5A5

RGB 222 197 165

HSL 33.68, 0.46%, 0.76%

LAB 80.84, 3.95, 19.29

 

CMYK 0 / 20 / 47 / 21

HEX #C9A06B

RGB 201 160 107

HSL 33.83, 0.47%, 0.6%

LAB 68.48, 8.41, 33.31

 

CMYK 36 / 0 / 48 / 22

HEX #81C869

RGB 129 200 105

HSL 104.84, 0.46%, 0.6%

LAB 74.19, -39.97, 40.43

 

CMYK 41 / 48 / 0 / 22

HEX #7769C8

RGB 119 105 200

HSL 248.84, 0.46%, 0.6%

LAB 49.73, 28.63, -47.8

 

CMYK 0 / 20 / 47 / 21

HEX #C9A06B

RGB 201 160 107

HSL 33.83, 0.47%, 0.6%

LAB 68.48, 8.41, 33.31

 

CMYK 48 / 0 / 22 / 22

HEX #69C89D

RGB 105 200 157

HSL 152.84, 0.46%, 0.6%

LAB 74.03, -38.17, 12.94

 

CMYK 22 / 48 / 0 / 22

HEX #9D69C8

RGB 157 105 200

HSL 272.84, 0.46%, 0.6%

LAB 53.43, 38.81, -41.7

 

CMYK 0 / 20 / 47 / 21

HEX #C9A06B

RGB 201 160 107

HSL 33.83, 0.47%, 0.6%

LAB 68.48, 8.41, 33.31

 

CMYK 36 / 0 / 48 / 22

HEX #81C869

RGB 129 200 105

HSL 104.84, 0.46%, 0.6%

LAB 74.19, -39.97, 40.43

 

CMYK 48 / 26 / 0 / 22

HEX #6994C8

RGB 105 148 200

HSL 212.84, 0.46%, 0.6%

LAB 60.21, -0.44, -31.39

 

CMYK 12 / 48 / 0 / 22

HEX #B069C8

RGB 176 105 200

HSL 284.84, 0.46%, 0.6%

LAB 55.59, 44.21, -38.16

 

CMYK 0 / 20 / 47 / 21

HEX #C9A06B

RGB 201 160 107

HSL 33.83, 0.47%, 0.6%

LAB 68.48, 8.41, 33.31

 

CMYK 48 / 0 / 46 / 22

HEX #69C86D

RGB 105 200 109

HSL 122.53, 0.46%, 0.6%

LAB 73.16, -46.8, 36.92

 

CMYK 48 / 26 / 0 / 22

HEX #6994C8

RGB 105 148 200

HSL 212.84, 0.46%, 0.6%

LAB 60.21, -0.44, -31.39

 

CMYK 0 / 48 / 2 / 22

HEX #C869C4

RGB 200 105 196

HSL 302.53, 0.46%, 0.6%

LAB 58.38, 50.4, -31.29

 

Description

Color code: HEX #C9A06B | qconv.com Color code: HEX #C9A06B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 160 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 160 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 47 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 47% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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