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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C99C6D it is the complementary color #366392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C99C6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C99C6D shade: #CE9C68, #DFAE7B, #F0C08E, #FFD2A1 and #FFE4B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C99C6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C99C6D shade: #C99C6D, #B88A5A, #A77847, #966634 and #855421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C99C6D shade: #C99C6D, #C9836D and #C96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C99C6D shade: #C99C6D, #C9B56D, #C4C96D, #ACC96D and #93C96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C99C6D shade matches the following richer shades: #C99C6D, #D99C5D, #E99D4D and #F99D3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C99C6D shade: #C99C6D, #B99C7D, #A99B8D, #999B9E and #889BAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C99C6D shade: #C96D70, #C9836D, #C99B6D, #C9B36D and #C6C96D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C99C6D shade: #A6733D, #BE884F, #C99C6D, #D4B08B and #DFC5AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C99C6D shade: #C99C6D, #89C96D and #766DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C99C6D shade: #C99C6D, #6DC99B and #9B6DC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C99C6D shade: #C99C6D, #89C96D, #6D9BC9 and #AD6DC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C99C6D shade: #C99C6D, #6DC96D, #6D9BC9 and #C96DC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

Complementary color

CMYK 63 / 32 / 0 / 43

HEX #366392

RGB 54 99 146

HSL 210.65, 0.46%, 0.39%

LAB 40.87, -0.21, -30.45

 

CMYK 0 / 24 / 50 / 19

HEX #CE9C68

RGB 206 156 104

HSL 30.59, 0.51%, 0.61%

LAB 67.95, 12.36, 34.34

 

CMYK 0 / 22 / 45 / 13

HEX #DFAE7B

RGB 223 174 123

HSL 30.6, 0.61%, 0.68%

LAB 74.44, 11.49, 32.98

 

CMYK 0 / 20 / 41 / 6

HEX #F0C08E

RGB 240 192 142

HSL 30.61, 0.77%, 0.75%

LAB 80.84, 10.72, 31.71

 

CMYK 0 / 18 / 37 / 0

HEX #FFD2A1

RGB 255 210 161

HSL 31.28, 1%, 0.82%

LAB 86.96, 9.28, 30.23

 

CMYK 0 / 11 / 29 / 0

HEX #FFE4B4

RGB 255 228 180

HSL 38.4, 1%, 0.85%

LAB 91.7, 2.32, 26.84

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 0 / 25 / 51 / 28

HEX #B88A5A

RGB 184 138 90

HSL 30.64, 0.4%, 0.54%

LAB 60.87, 11.71, 32.39

 

CMYK 0 / 28 / 57 / 35

HEX #A77847

RGB 167 120 71

HSL 30.63, 0.4%, 0.47%

LAB 54.14, 12.79, 33.89

 

CMYK 0 / 32 / 65 / 41

HEX #966634

RGB 150 102 52

HSL 30.61, 0.49%, 0.4%

LAB 47.28, 14.1, 35.46

 

CMYK 0 / 37 / 75 / 48

HEX #855421

RGB 133 84 33

HSL 30.6, 0.6%, 0.33%

LAB 40.31, 15.69, 36.98

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 46 / 46 / 21

HEX #C96D6D

RGB 201 109 109

HSL 0, 0.46%, 0.61%

LAB 56.54, 36.29, 16.37

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 0 / 10 / 46 / 21

HEX #C9B56D

RGB 201 181 109

HSL 46.96, 0.46%, 0.61%

LAB 73.91, -2.62, 39.16

 

CMYK 2 / 0 / 46 / 21

HEX #C4C96D

RGB 196 201 109

HSL 63.26, 0.46%, 0.61%

LAB 78.82, -14.97, 45.13

 

CMYK 14 / 0 / 46 / 21

HEX #ACC96D

RGB 172 201 109

HSL 78.91, 0.46%, 0.61%

LAB 77.07, -24.42, 42.59

 

CMYK 27 / 0 / 46 / 21

HEX #93C96D

RGB 147 201 109

HSL 95.22, 0.46%, 0.61%

LAB 75.5, -33.72, 40.29

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 0 / 28 / 57 / 15

HEX #D99C5D

RGB 217 156 93

HSL 30.48, 0.62%, 0.61%

LAB 68.98, 15.98, 41.63

 

CMYK 0 / 33 / 67 / 9

HEX #E99D4D

RGB 233 157 77

HSL 30.77, 0.78%, 0.61%

LAB 70.85, 21.03, 52.17

 

CMYK 0 / 37 / 76 / 2

HEX #F99D3D

RGB 249 157 61

HSL 30.64, 0.94%, 0.61%

LAB 72.62, 26.86, 61.72

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 0 / 16 / 32 / 27

HEX #B99C7D

RGB 185 156 125

HSL 31, 0.3%, 0.61%

LAB 66.19, 6.14, 20.24

 

CMYK 0 / 8 / 17 / 34

HEX #A99B8D

RGB 169 155 141

HSL 30, 0.14%, 0.61%

LAB 64.8, 2.74, 9.19

 

CMYK 3 / 2 / 0 / 38

HEX #999B9E

RGB 153 155 158

HSL 216, 0.03%, 0.61%

LAB 63.9, -0.13, -1.83

 

CMYK 22 / 11 / 0 / 32

HEX #889BAE

RGB 136 155 174

HSL 210, 0.19%, 0.61%

LAB 63.12, -2.45, -12.13

 

CMYK 0 / 46 / 44 / 21

HEX #C96D70

RGB 201 109 112

HSL 358.04, 0.46%, 0.61%

LAB 56.61, 36.6, 14.71

 

CMYK 0 / 35 / 46 / 21

HEX #C9836D

RGB 201 131 109

HSL 14.35, 0.46%, 0.61%

LAB 61.44, 24.46, 23.01

 

CMYK 0 / 23 / 46 / 21

HEX #C99B6D

RGB 201 155 109

HSL 30, 0.46%, 0.61%

LAB 67.25, 11.33, 30.67

 

CMYK 0 / 11 / 46 / 21

HEX #C9B36D

RGB 201 179 109

HSL 45.65, 0.46%, 0.61%

LAB 73.39, -1.56, 38.5

 

CMYK 1 / 0 / 46 / 21

HEX #C6C96D

RGB 198 201 109

HSL 61.96, 0.46%, 0.61%

LAB 78.97, -14.16, 45.35

 

CMYK 0 / 31 / 63 / 35

HEX #A6733D

RGB 166 115 61

HSL 30.86, 0.46%, 0.45%

LAB 52.63, 14.41, 37.39

 

CMYK 0 / 28 / 58 / 25

HEX #BE884F

RGB 190 136 79

HSL 30.81, 0.46%, 0.53%

LAB 60.89, 14.42, 38.41

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 0 / 17 / 34 / 17

HEX #D4B08B

RGB 212 176 139

HSL 30.41, 0.46%, 0.69%

LAB 74.13, 7.82, 23.85

 

CMYK 0 / 12 / 24 / 13

HEX #DFC5AA

RGB 223 197 170

HSL 30.57, 0.45%, 0.77%

LAB 81.03, 5.03, 16.91

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 32 / 0 / 46 / 21

HEX #89C96D

RGB 137 201 109

HSL 101.74, 0.46%, 0.61%

LAB 74.95, -37.21, 39.48

 

CMYK 41 / 46 / 0 / 21

HEX #766DC9

RGB 118 109 201

HSL 245.87, 0.46%, 0.61%

LAB 50.69, 26.27, -46.85

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 46 / 0 / 23 / 21

HEX #6DC99B

RGB 109 201 155

HSL 150, 0.46%, 0.61%

LAB 74.44, -38.01, 14.61

 

CMYK 23 / 46 / 0 / 21

HEX #9B6DC9

RGB 155 109 201

HSL 270, 0.46%, 0.61%

LAB 54.16, 36.24, -41.14

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 32 / 0 / 46 / 21

HEX #89C96D

RGB 137 201 109

HSL 101.74, 0.46%, 0.61%

LAB 74.95, -37.21, 39.48

 

CMYK 46 / 23 / 0 / 21

HEX #6D9BC9

RGB 109 155 201

HSL 210, 0.46%, 0.61%

LAB 62.43, -3.13, -28.48

 

CMYK 14 / 46 / 0 / 21

HEX #AD6DC9

RGB 173 109 201

HSL 281.74, 0.46%, 0.61%

LAB 56.13, 41.4, -37.91

 

CMYK 0 / 22 / 46 / 21

HEX #C99C6D

RGB 201 156 109

HSL 30.65, 0.46%, 0.61%

LAB 67.5, 10.79, 30.99

 

CMYK 46 / 0 / 46 / 21

HEX #6DC96D

RGB 109 201 109

HSL 120, 0.46%, 0.61%

LAB 73.63, -46.07, 37.54

 

CMYK 46 / 23 / 0 / 21

HEX #6D9BC9

RGB 109 155 201

HSL 210, 0.46%, 0.61%

LAB 62.43, -3.13, -28.48

 

CMYK 0 / 46 / 0 / 21

HEX #C96DC9

RGB 201 109 201

HSL 300, 0.46%, 0.61%

LAB 59.5, 49.57, -32.39

 

Description

Color code: HEX #C99C6D | qconv.com Color code: HEX #C99C6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 156 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 156 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 46 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 46% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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