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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C996A7 it is the complementary color #366958. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C996A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C996A7 shade: #CE96A2, #DFA8B5, #F0BAC8, #FFCCDB and #FFDEEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C996A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C996A7 shade: #C996A7, #B88494, #A77281, #96606E and #854E5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C996A7 shade: #C996A7, #C99699 and #C99696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C996A7 shade: #C996A7, #C996B5, #C996C2, #C296C9 and #B496C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C996A7 shade matches the following richer shades: #C996A7, #D689A3, #E27D9E, #EF709A and #FC6396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C996A7 shade: #C996A7, #BCA3AB, #AFB0B0, #A2BDB4 and #96C9B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C996A7 shade: #C996C2, #C996B5, #C996A7, #C9969A and #C9A096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C996A7 shade: #AD6079, #BB7B90, #C996A7, #D7B1BE and #E5CDD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C996A7 shade: #C996A7, #C9C296 and #96BBC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C996A7 shade: #C996A7, #A7C996 and #96A7C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C996A7 shade: #C996A7, #C9C296, #96C9B8 and #969DC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C996A7 shade: #C996A7, #C0C996, #96C9B8 and #9F96C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

Complementary color

CMYK 49 / 0 / 16 / 59

HEX #366958

RGB 54 105 88

HSL 160, 0.32%, 0.31%

LAB 40.56, -21.66, 4.28

 

CMYK 0 / 27 / 21 / 19

HEX #CE96A2

RGB 206 150 162

HSL 347.14, 0.36%, 0.7%

LAB 67.68, 22.78, 2.04

 

CMYK 0 / 25 / 19 / 13

HEX #DFA8B5

RGB 223 168 181

HSL 345.82, 0.46%, 0.77%

LAB 74.21, 22.13, 1.22

 

CMYK 0 / 23 / 17 / 6

HEX #F0BAC8

RGB 240 186 200

HSL 344.44, 0.64%, 0.84%

LAB 80.63, 21.53, 0.46

 

CMYK 0 / 20 / 14 / 0

HEX #FFCCDB

RGB 255 204 219

HSL 342.35, 1%, 0.9%

LAB 86.78, 20.29, -0.56

 

CMYK 0 / 13 / 7 / 0

HEX #FFDEEE

RGB 255 222 238

HSL 330.91, 1%, 0.94%

LAB 91.54, 13.99, -3.6

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 28 / 20 / 28

HEX #B88494

RGB 184 132 148

HSL 341.54, 0.27%, 0.62%

LAB 60.63, 22.4, -0.6

 

CMYK 0 / 32 / 23 / 35

HEX #A77281

RGB 167 114 129

HSL 343.02, 0.23%, 0.55%

LAB 53.85, 23.14, 0.27

 

CMYK 0 / 36 / 27 / 41

HEX #96606E

RGB 150 96 110

HSL 344.44, 0.22%, 0.48%

LAB 46.94, 23.97, 1.24

 

CMYK 0 / 41 / 32 / 48

HEX #854E5B

RGB 133 78 91

HSL 345.82, 0.26%, 0.41%

LAB 39.9, 24.89, 2.38

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 25 / 24 / 21

HEX #C99699

RGB 201 150 153

HSL 356.47, 0.32%, 0.69%

LAB 66.92, 19.58, 5.91

 

CMYK 0 / 25 / 25 / 21

HEX #C99696

RGB 201 150 150

HSL 0, 0.32%, 0.69%

LAB 66.85, 19.14, 7.49

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 25 / 10 / 21

HEX #C996B5

RGB 201 150 181

HSL 323.53, 0.32%, 0.69%

LAB 67.7, 24.05, -8.62

 

CMYK 0 / 25 / 3 / 21

HEX #C996C2

RGB 201 150 194

HSL 308.24, 0.32%, 0.69%

LAB 68.11, 26.37, -15.26

 

CMYK 3 / 25 / 0 / 21

HEX #C296C9

RGB 194 150 201

HSL 291.76, 0.32%, 0.69%

LAB 67.65, 25.34, -19.92

 

CMYK 10 / 25 / 0 / 21

HEX #B496C9

RGB 180 150 201

HSL 275.29, 0.32%, 0.69%

LAB 66.32, 20.73, -22.08

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 36 / 24 / 16

HEX #D689A3

RGB 214 137 163

HSL 339.74, 0.48%, 0.69%

LAB 65.62, 32.89, -1.43

 

CMYK 0 / 45 / 30 / 11

HEX #E27D9E

RGB 226 125 158

HSL 340.4, 0.64%, 0.69%

LAB 64.41, 42.74, -0.19

 

CMYK 0 / 53 / 36 / 6

HEX #EF709A

RGB 239 112 154

HSL 340.16, 0.8%, 0.69%

LAB 63.57, 53.05, 1.08

 

CMYK 0 / 61 / 40 / 1

HEX #FC6396

RGB 252 99 150

HSL 340, 0.96%, 0.69%

LAB 63.19, 62.57, 3.08

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 13 / 9 / 26

HEX #BCA3AB

RGB 188 163 171

HSL 340.8, 0.16%, 0.69%

LAB 69.35, 10.5, -0.77

 

CMYK 1 / 0 / 0 / 31

HEX #AFB0B0

RGB 175 176 176

HSL 180, 0.01%, 0.69%

LAB 71.76, -0.35, -0.13

 

CMYK 14 / 0 / 5 / 26

HEX #A2BDB4

RGB 162 189 180

HSL 160, 0.17%, 0.69%

LAB 74.43, -10.95, 1.46

 

CMYK 25 / 0 / 8 / 21

HEX #96C9B8

RGB 150 201 184

HSL 160, 0.32%, 0.69%

LAB 77.11, -20.16, 3.1

 

CMYK 0 / 25 / 3 / 21

HEX #C996C2

RGB 201 150 194

HSL 308.24, 0.32%, 0.69%

LAB 68.11, 26.37, -15.26

 

CMYK 0 / 25 / 10 / 21

HEX #C996B5

RGB 201 150 181

HSL 323.53, 0.32%, 0.69%

LAB 67.7, 24.05, -8.62

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 25 / 23 / 21

HEX #C9969A

RGB 201 150 154

HSL 355.29, 0.32%, 0.69%

LAB 66.95, 19.72, 5.39

 

CMYK 0 / 20 / 25 / 21

HEX #C9A096

RGB 201 160 150

HSL 11.76, 0.32%, 0.69%

LAB 69.3, 13.66, 10.97

 

CMYK 0 / 45 / 30 / 32

HEX #AD6079

RGB 173 96 121

HSL 340.52, 0.32%, 0.53%

LAB 50.25, 34.22, -0.17

 

CMYK 0 / 34 / 23 / 27

HEX #BB7B90

RGB 187 123 144

HSL 340.31, 0.32%, 0.61%

LAB 58.74, 27.89, -1.04

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 18 / 12 / 16

HEX #D7B1BE

RGB 215 177 190

HSL 339.47, 0.32%, 0.77%

LAB 75.83, 15.84, -1.43

 

CMYK 0 / 10 / 7 / 10

HEX #E5CDD5

RGB 229 205 213

HSL 340, 0.32%, 0.85%

LAB 84.55, 9.71, -0.91

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 3 / 25 / 21

HEX #C9C296

RGB 201 194 150

HSL 51.76, 0.32%, 0.69%

LAB 77.99, -4.55, 23.07

 

CMYK 25 / 7 / 0 / 21

HEX #96BBC9

RGB 150 187 201

HSL 196.47, 0.32%, 0.69%

LAB 73.7, -9.19, -11.14

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 17 / 0 / 25 / 21

HEX #A7C996

RGB 167 201 150

HSL 100, 0.32%, 0.69%

LAB 77.39, -20.74, 21.84

 

CMYK 25 / 17 / 0 / 21

HEX #96A7C9

RGB 150 167 201

HSL 220, 0.32%, 0.69%

LAB 68.27, 1.65, -19.32

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 0 / 3 / 25 / 21

HEX #C9C296

RGB 201 194 150

HSL 51.76, 0.32%, 0.69%

LAB 77.99, -4.55, 23.07

 

CMYK 25 / 0 / 8 / 21

HEX #96C9B8

RGB 150 201 184

HSL 160, 0.32%, 0.69%

LAB 77.11, -20.16, 3.1

 

CMYK 25 / 22 / 0 / 21

HEX #969DC9

RGB 150 157 201

HSL 231.76, 0.32%, 0.69%

LAB 65.6, 7.24, -23.38

 

CMYK 0 / 25 / 17 / 21

HEX #C996A7

RGB 201 150 167

HSL 340, 0.32%, 0.69%

LAB 67.29, 21.73, -1.39

 

CMYK 4 / 0 / 25 / 21

HEX #C0C996

RGB 192 201 150

HSL 70.59, 0.32%, 0.69%

LAB 79.15, -11.58, 24.52

 

CMYK 25 / 0 / 8 / 21

HEX #96C9B8

RGB 150 201 184

HSL 160, 0.32%, 0.69%

LAB 77.11, -20.16, 3.1

 

CMYK 21 / 25 / 0 / 21

HEX #9F96C9

RGB 159 150 201

HSL 250.59, 0.32%, 0.69%

LAB 64.48, 14, -25.04

 

Description

Color code: HEX #C996A7 | qconv.com Color code: HEX #C996A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 150 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 150 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 17 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 17% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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