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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C98E95 it is the complementary color #36716A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C98E95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C98E95 shade: #CE8E90, #DFA0A3, #F0B2B6, #FFC4C9 and #FFD6DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C98E95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C98E95 shade: #C98E95, #B87C82, #A76A6F, #96585C and #854649

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C98E95 shade: #C88D94 and #C88D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C98E95 shade: #C88D94, #C88DA4, #C88DB4, #C88DC4 and #BC8DC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C98E95 shade matches the following richer shades: #C88D94, #D57F8A, #E3727F, #F16475 and #FE566A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C98E95 shade: #C88D94, #BA9B9E, #ADA8A9, #9FB6B3 and #91C3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C98E95 shade: #C88DB4, #C88DA4, #C88D95, #C8958D and #C8A48D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C98E95 shade: #AD5560, #BA717A, #C88D94, #D5A9AE and #E3C5C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C98E95 shade: #C98E95, #C4C88D and #8DACC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C98E95 shade: #C98E95, #95C88D and #8D95C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C98E95 shade: #C98E95, #C4C88D, #8DC8C0 and #918DC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C98E95 shade: #C98E95, #B2C88D, #8DC8C0 and #A28DC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 26 / 21

HEX #C98E95

RGB 201 142 149

HSL 352.88, 0.35%, 0.67%

LAB 64.91, 23.38, 5.27

 

Complementary color

CMYK 52 / 0 / 6 / 56

HEX #36716A

RGB 54 113 106

HSL 172.88, 0.35%, 0.33%

LAB 43.71, -21.09, -2.02

 

CMYK 0 / 31 / 30 / 19

HEX #CE8E90

RGB 206 142 144

HSL 358.13, 0.4%, 0.68%

LAB 65.34, 24.58, 8.78

 

CMYK 0 / 28 / 27 / 13

HEX #DFA0A3

RGB 223 160 163

HSL 357.14, 0.5%, 0.75%

LAB 71.88, 23.81, 7.76

 

CMYK 0 / 26 / 24 / 6

HEX #F0B2B6

RGB 240 178 182

HSL 356.13, 0.67%, 0.82%

LAB 78.31, 23.11, 6.83

 

CMYK 0 / 23 / 21 / 0

HEX #FFC4C9

RGB 255 196 201

HSL 354.92, 1%, 0.88%

LAB 84.46, 21.76, 5.65

 

CMYK 0 / 16 / 14 / 0

HEX #FFD6DC

RGB 255 214 220

HSL 351.22, 1%, 0.92%

LAB 89.17, 15.22, 2.39

 

CMYK 0 / 29 / 26 / 21

HEX #C98E95

RGB 201 142 149

HSL 352.88, 0.35%, 0.67%

LAB 64.91, 23.38, 5.27

 

CMYK 0 / 33 / 29 / 28

HEX #B87C82

RGB 184 124 130

HSL 354, 0.3%, 0.6%

LAB 58.24, 24.18, 6.28

 

CMYK 0 / 37 / 34 / 35

HEX #A76A6F

RGB 167 106 111

HSL 355.08, 0.26%, 0.54%

LAB 51.46, 25.06, 7.43

 

CMYK 0 / 41 / 39 / 41

HEX #96585C

RGB 150 88 92

HSL 356.13, 0.26%, 0.47%

LAB 44.57, 26.05, 8.74

 

CMYK 0 / 47 / 45 / 48

HEX #854649

RGB 133 70 73

HSL 357.14, 0.31%, 0.4%

LAB 37.57, 27.15, 10.32

 

CMYK 0 / 30 / 26 / 22

HEX #C88D94

RGB 200 141 148

HSL 352.88, 0.35%, 0.67%

LAB 64.54, 23.41, 5.28

 

CMYK 0 / 30 / 30 / 22

HEX #C88D8D

RGB 200 141 141

HSL 0, 0.35%, 0.67%

LAB 64.36, 22.43, 8.99

 

CMYK 0 / 30 / 26 / 22

HEX #C88D94

RGB 200 141 148

HSL 352.88, 0.35%, 0.67%

LAB 64.54, 23.41, 5.28

 

CMYK 0 / 30 / 18 / 22

HEX #C88DA4

RGB 200 141 164

HSL 336.61, 0.35%, 0.67%

LAB 64.97, 25.83, -3.13

 

CMYK 0 / 30 / 10 / 22

HEX #C88DB4

RGB 200 141 180

HSL 320.34, 0.35%, 0.67%

LAB 65.46, 28.47, -11.43

 

CMYK 0 / 30 / 2 / 22

HEX #C88DC4

RGB 200 141 196

HSL 304.07, 0.35%, 0.67%

LAB 65.99, 31.33, -19.59

 

CMYK 6 / 30 / 0 / 22

HEX #BC8DC8

RGB 188 141 200

HSL 287.8, 0.35%, 0.67%

LAB 64.89, 28.16, -23.62

 

CMYK 0 / 30 / 26 / 22

HEX #C88D94

RGB 200 141 148

HSL 352.88, 0.35%, 0.67%

LAB 64.54, 23.41, 5.28

 

CMYK 0 / 40 / 35 / 16

HEX #D57F8A

RGB 213 127 138

HSL 352.33, 0.51%, 0.67%

LAB 62.64, 34.52, 8.45

 

CMYK 0 / 50 / 44 / 11

HEX #E3727F

RGB 227 114 127

HSL 353.1, 0.67%, 0.67%

LAB 61.57, 45.07, 13.49

 

CMYK 0 / 59 / 51 / 5

HEX #F16475

RGB 241 100 117

HSL 352.77, 0.83%, 0.67%

LAB 60.87, 55.58, 18.61

 

CMYK 0 / 66 / 58 / 0

HEX #FE566A

RGB 254 86 106

HSL 352.86, 0.99%, 0.67%

LAB 60.58, 64.77, 24.92

 

CMYK 0 / 30 / 26 / 22

HEX #C88D94

RGB 200 141 148

HSL 352.88, 0.35%, 0.67%

LAB 64.54, 23.41, 5.28

 

CMYK 0 / 17 / 15 / 27

HEX #BA9B9E

RGB 186 155 158

HSL 354.19, 0.18%, 0.67%

LAB 66.79, 11.96, 2.73

 

CMYK 0 / 3 / 2 / 32

HEX #ADA8A9

RGB 173 168 169

HSL 348, 0.03%, 0.67%

LAB 69.29, 1.98, 0.11

 

CMYK 13 / 0 / 2 / 29

HEX #9FB6B3

RGB 159 182 179

HSL 172.17, 0.14%, 0.67%

LAB 72.28, -8.47, -1.15

 

CMYK 26 / 0 / 3 / 24

HEX #91C3BD

RGB 145 195 189

HSL 172.8, 0.29%, 0.67%

LAB 75.28, -17.58, -2.31

 

CMYK 0 / 30 / 10 / 22

HEX #C88DB4

RGB 200 141 180

HSL 320.34, 0.35%, 0.67%

LAB 65.46, 28.47, -11.43

 

CMYK 0 / 30 / 18 / 22

HEX #C88DA4

RGB 200 141 164

HSL 336.61, 0.35%, 0.67%

LAB 64.97, 25.83, -3.13

 

CMYK 0 / 30 / 26 / 22

HEX #C88D95

RGB 200 141 149

HSL 351.86, 0.35%, 0.67%

LAB 64.56, 23.56, 4.75

 

CMYK 0 / 26 / 30 / 22

HEX #C8958D

RGB 200 149 141

HSL 8.14, 0.35%, 0.67%

LAB 66.29, 18.04, 11.71

 

CMYK 0 / 18 / 30 / 22

HEX #C8A48D

RGB 200 164 141

HSL 23.39, 0.35%, 0.67%

LAB 70, 9.84, 16.91

 

CMYK 0 / 51 / 45 / 32

HEX #AD5560

RGB 173 85 96

HSL 352.5, 0.35%, 0.51%

LAB 47.27, 37.02, 10.58

 

CMYK 0 / 39 / 34 / 27

HEX #BA717A

RGB 186 113 122

HSL 352.6, 0.35%, 0.59%

LAB 55.74, 29.95, 7.38

 

CMYK 0 / 30 / 26 / 22

HEX #C88D94

RGB 200 141 148

HSL 352.88, 0.35%, 0.67%

LAB 64.54, 23.41, 5.28

 

CMYK 0 / 21 / 18 / 16

HEX #D5A9AE

RGB 213 169 174

HSL 353.18, 0.34%, 0.75%

LAB 73.27, 16.86, 3.58

 

CMYK 0 / 13 / 12 / 11

HEX #E3C5C8

RGB 227 197 200

HSL 354, 0.35%, 0.83%

LAB 82.07, 11.07, 2.4

 

CMYK 0 / 29 / 26 / 21

HEX #C98E95

RGB 201 142 149

HSL 352.88, 0.35%, 0.67%

LAB 64.91, 23.38, 5.27

 

CMYK 2 / 0 / 30 / 22

HEX #C4C88D

RGB 196 200 141

HSL 64.07, 0.35%, 0.67%

LAB 79.02, -10.78, 29.13

 

CMYK 30 / 14 / 0 / 22

HEX #8DACC8

RGB 141 172 200

HSL 208.47, 0.35%, 0.67%

LAB 69, -4.05, -17.73

 

CMYK 0 / 29 / 26 / 21

HEX #C98E95

RGB 201 142 149

HSL 352.88, 0.35%, 0.67%

LAB 64.91, 23.38, 5.27

 

CMYK 26 / 0 / 30 / 22

HEX #95C88D

RGB 149 200 141

HSL 111.86, 0.35%, 0.67%

LAB 75.84, -27.97, 24.29

 

CMYK 30 / 26 / 0 / 22

HEX #8D95C8

RGB 141 149 200

HSL 231.86, 0.35%, 0.67%

LAB 62.78, 8.82, -27.22

 

CMYK 0 / 29 / 26 / 21

HEX #C98E95

RGB 201 142 149

HSL 352.88, 0.35%, 0.67%

LAB 64.91, 23.38, 5.27

 

CMYK 2 / 0 / 30 / 22

HEX #C4C88D

RGB 196 200 141

HSL 64.07, 0.35%, 0.67%

LAB 79.02, -10.78, 29.13

 

CMYK 30 / 0 / 4 / 22

HEX #8DC8C0

RGB 141 200 192

HSL 171.86, 0.35%, 0.67%

LAB 76.54, -20.63, -2.1

 

CMYK 28 / 30 / 0 / 22

HEX #918DC8

RGB 145 141 200

HSL 244.07, 0.35%, 0.67%

LAB 60.99, 14.62, -29.96

 

CMYK 0 / 29 / 26 / 21

HEX #C98E95

RGB 201 142 149

HSL 352.88, 0.35%, 0.67%

LAB 64.91, 23.38, 5.27

 

CMYK 11 / 0 / 30 / 22

HEX #B2C88D

RGB 178 200 141

HSL 82.37, 0.35%, 0.67%

LAB 77.7, -17.59, 27.12

 

CMYK 30 / 0 / 4 / 22

HEX #8DC8C0

RGB 141 200 192

HSL 171.86, 0.35%, 0.67%

LAB 76.54, -20.63, -2.1

 

CMYK 19 / 30 / 0 / 22

HEX #A28DC8

RGB 162 141 200

HSL 261.36, 0.35%, 0.67%

LAB 62.42, 19.84, -27.63

 

Description

Color code: HEX #C98E95 | qconv.com Color code: HEX #C98E95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 142 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 142 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 26 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 26% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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