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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C98A68 it is the complementary color #367597. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C98A68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C98A68 shade: #CE8A63, #DF9C76, #F0AE89, #FFC09C and #FFD2AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C98A68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C98A68 shade: #C98A68, #B87855, #A76642, #96542F and #85421C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C98A68 shade: #C88A69, #C87069 and #C86969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C98A68 shade: #C88A69, #C8A469, #C8BE69, #B9C869 and #9FC869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C98A68 shade matches the following richer shades: #C88A69, #D98558, #E98048 and #FA7B37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C98A68 shade: #C88A69, #B88F79, #A7948A, #97999A and #869EAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C98A68 shade: #C8697A, #C87169, #C88A69, #C8A469 and #C8BD69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C98A68 shade: #A4603B, #BE734A, #C88A69, #D3A287 and #DEB9A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C98A68 shade: #C98A68, #94C869 and #696DC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C98A68 shade: #C98A68, #69C88A and #8A69C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C98A68 shade: #C98A68, #94C869, #69A7C8 and #9D69C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C98A68 shade: #C98A68, #77C869, #69A7C8 and #BA69C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 48 / 21

HEX #C98A68

RGB 201 138 104

HSL 21.03, 0.47%, 0.6%

LAB 63.01, 20.13, 27.86

 

Complementary color

CMYK 64 / 23 / 0 / 41

HEX #367597

RGB 54 117 151

HSL 201.03, 0.47%, 0.4%

LAB 46.63, -9.3, -24.44

 

CMYK 0 / 33 / 52 / 19

HEX #CE8A63

RGB 206 138 99

HSL 21.87, 0.52%, 0.6%

LAB 63.51, 21.7, 31.37

 

CMYK 0 / 30 / 47 / 13

HEX #DF9C76

RGB 223 156 118

HSL 21.71, 0.62%, 0.67%

LAB 70.02, 20.63, 29.88

 

CMYK 0 / 28 / 43 / 6

HEX #F0AE89

RGB 240 174 137

HSL 21.55, 0.77%, 0.74%

LAB 76.44, 19.69, 28.51

 

CMYK 0 / 25 / 39 / 0

HEX #FFC09C

RGB 255 192 156

HSL 21.82, 1%, 0.81%

LAB 82.57, 18.09, 26.94

 

CMYK 0 / 18 / 31 / 0

HEX #FFD2AF

RGB 255 210 175

HSL 26.25, 1%, 0.84%

LAB 87.22, 10.95, 23.29

 

CMYK 0 / 31 / 48 / 21

HEX #C98A68

RGB 201 138 104

HSL 21.03, 0.47%, 0.6%

LAB 63.01, 20.13, 27.86

 

CMYK 0 / 35 / 54 / 28

HEX #B87855

RGB 184 120 85

HSL 21.21, 0.41%, 0.53%

LAB 56.37, 21.26, 29.42

 

CMYK 0 / 39 / 60 / 35

HEX #A76642

RGB 167 102 66

HSL 21.39, 0.43%, 0.46%

LAB 49.63, 22.56, 31.14

 

CMYK 0 / 44 / 69 / 41

HEX #96542F

RGB 150 84 47

HSL 21.55, 0.52%, 0.39%

LAB 42.81, 24.09, 33.04

 

CMYK 0 / 50 / 79 / 48

HEX #85421C

RGB 133 66 28

HSL 21.71, 0.65%, 0.32%

LAB 35.92, 25.85, 35

 

CMYK 0 / 31 / 48 / 22

HEX #C88A69

RGB 200 138 105

HSL 20.84, 0.46%, 0.6%

LAB 62.91, 19.82, 27.16

 

CMYK 0 / 44 / 48 / 22

HEX #C87069

RGB 200 112 105

HSL 4.42, 0.46%, 0.6%

LAB 56.97, 33.92, 19.23

 

CMYK 0 / 48 / 48 / 22

HEX #C86969

RGB 200 105 105

HSL 0, 0.46%, 0.6%

LAB 55.48, 37.6, 17.22

 

CMYK 0 / 31 / 48 / 22

HEX #C88A69

RGB 200 138 105

HSL 20.84, 0.46%, 0.6%

LAB 62.91, 19.82, 27.16

 

CMYK 0 / 18 / 48 / 22

HEX #C8A469

RGB 200 164 105

HSL 37.26, 0.46%, 0.6%

LAB 69.36, 5.64, 35.48

 

CMYK 0 / 5 / 48 / 22

HEX #C8BE69

RGB 200 190 105

HSL 53.68, 0.46%, 0.6%

LAB 76.15, -8.11, 43.91

 

CMYK 8 / 0 / 48 / 22

HEX #B9C869

RGB 185 200 105

HSL 69.47, 0.46%, 0.6%

LAB 77.66, -19.26, 45.48

 

CMYK 21 / 0 / 48 / 22

HEX #9FC869

RGB 159 200 105

HSL 85.89, 0.46%, 0.6%

LAB 75.88, -29.33, 42.9

 

CMYK 0 / 31 / 48 / 22

HEX #C88A69

RGB 200 138 105

HSL 20.84, 0.46%, 0.6%

LAB 62.91, 19.82, 27.16

 

CMYK 0 / 39 / 59 / 15

HEX #D98558

RGB 217 133 88

HSL 20.93, 0.63%, 0.6%

LAB 63.53, 27.98, 37.62

 

CMYK 0 / 45 / 69 / 9

HEX #E98048

RGB 233 128 72

HSL 20.87, 0.79%, 0.6%

LAB 64.35, 36, 47.38

 

CMYK 0 / 51 / 78 / 2

HEX #FA7B37

RGB 250 123 55

HSL 20.92, 0.95%, 0.6%

LAB 65.57, 44.36, 57.44

 

CMYK 0 / 31 / 48 / 22

HEX #C88A69

RGB 200 138 105

HSL 20.84, 0.46%, 0.6%

LAB 62.91, 19.82, 27.16

 

CMYK 0 / 22 / 34 / 28

HEX #B88F79

RGB 184 143 121

HSL 20.95, 0.31%, 0.6%

LAB 62.69, 12.39, 17.65

 

CMYK 0 / 11 / 17 / 35

HEX #A7948A

RGB 167 148 138

HSL 20.69, 0.14%, 0.6%

LAB 62.7, 5.36, 7.86

 

CMYK 2 / 1 / 0 / 40

HEX #97999A

RGB 151 153 154

HSL 200, 0.01%, 0.6%

LAB 63.09, -0.52, -0.78

 

CMYK 22 / 8 / 0 / 33

HEX #869EAB

RGB 134 158 171

HSL 201.08, 0.18%, 0.6%

LAB 63.72, -5.45, -9.56

 

CMYK 0 / 48 / 39 / 22

HEX #C8697A

RGB 200 105 122

HSL 349.26, 0.46%, 0.6%

LAB 55.87, 39.42, 7.83

 

CMYK 0 / 44 / 48 / 22

HEX #C87169

RGB 200 113 105

HSL 5.05, 0.46%, 0.6%

LAB 57.18, 33.39, 19.53

 

CMYK 0 / 31 / 48 / 22

HEX #C88A69

RGB 200 138 105

HSL 20.84, 0.46%, 0.6%

LAB 62.91, 19.82, 27.16

 

CMYK 0 / 18 / 48 / 22

HEX #C8A469

RGB 200 164 105

HSL 37.26, 0.46%, 0.6%

LAB 69.36, 5.64, 35.48

 

CMYK 0 / 5 / 48 / 22

HEX #C8BD69

RGB 200 189 105

HSL 53.05, 0.46%, 0.6%

LAB 75.88, -7.6, 43.59

 

CMYK 0 / 41 / 64 / 36

HEX #A4603B

RGB 164 96 59

HSL 21.14, 0.47%, 0.44%

LAB 47.72, 24.14, 32.64

 

CMYK 0 / 39 / 61 / 25

HEX #BE734A

RGB 190 115 74

HSL 21.21, 0.47%, 0.52%

LAB 55.79, 25.62, 34.93

 

CMYK 0 / 31 / 48 / 22

HEX #C88A69

RGB 200 138 105

HSL 20.84, 0.46%, 0.6%

LAB 62.91, 19.82, 27.16

 

CMYK 0 / 23 / 36 / 17

HEX #D3A287

RGB 211 162 135

HSL 21.32, 0.46%, 0.68%

LAB 70.48, 14.48, 21.03

 

CMYK 0 / 17 / 26 / 13

HEX #DEB9A5

RGB 222 185 165

HSL 21.05, 0.46%, 0.76%

LAB 77.84, 10.3, 15.11

 

CMYK 0 / 31 / 48 / 21

HEX #C98A68

RGB 201 138 104

HSL 21.03, 0.47%, 0.6%

LAB 63.01, 20.13, 27.86

 

CMYK 26 / 0 / 48 / 22

HEX #94C869

RGB 148 200 105

HSL 92.84, 0.46%, 0.6%

LAB 75.22, -33.38, 41.93

 

CMYK 48 / 46 / 0 / 22

HEX #696DC8

RGB 105 109 200

HSL 237.47, 0.46%, 0.6%

LAB 49.63, 22.8, -48.03

 

CMYK 0 / 31 / 48 / 21

HEX #C98A68

RGB 201 138 104

HSL 21.03, 0.47%, 0.6%

LAB 63.01, 20.13, 27.86

 

CMYK 48 / 0 / 31 / 22

HEX #69C88A

RGB 105 200 138

HSL 140.84, 0.46%, 0.6%

LAB 73.64, -41.96, 22.54

 

CMYK 31 / 48 / 0 / 22

HEX #8A69C8

RGB 138 105 200

HSL 260.84, 0.46%, 0.6%

LAB 51.47, 33.58, -44.93

 

CMYK 0 / 31 / 48 / 21

HEX #C98A68

RGB 201 138 104

HSL 21.03, 0.47%, 0.6%

LAB 63.01, 20.13, 27.86

 

CMYK 26 / 0 / 48 / 22

HEX #94C869

RGB 148 200 105

HSL 92.84, 0.46%, 0.6%

LAB 75.22, -33.38, 41.93

 

CMYK 48 / 17 / 0 / 22

HEX #69A7C8

RGB 105 167 200

HSL 200.84, 0.46%, 0.6%

LAB 65.6, -11.03, -23.07

 

CMYK 22 / 48 / 0 / 22

HEX #9D69C8

RGB 157 105 200

HSL 272.84, 0.46%, 0.6%

LAB 53.43, 38.81, -41.7

 

CMYK 0 / 31 / 48 / 21

HEX #C98A68

RGB 201 138 104

HSL 21.03, 0.47%, 0.6%

LAB 63.01, 20.13, 27.86

 

CMYK 41 / 0 / 48 / 22

HEX #77C869

RGB 119 200 105

HSL 111.16, 0.46%, 0.6%

LAB 73.71, -43.2, 39.73

 

CMYK 48 / 17 / 0 / 22

HEX #69A7C8

RGB 105 167 200

HSL 200.84, 0.46%, 0.6%

LAB 65.6, -11.03, -23.07

 

CMYK 7 / 48 / 0 / 22

HEX #BA69C8

RGB 186 105 200

HSL 291.16, 0.46%, 0.6%

LAB 56.79, 47.08, -36.18

 

Description

Color code: HEX #C98A68 | qconv.com Color code: HEX #C98A68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 138 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 138 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 48 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 48% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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