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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C97E2B it is the complementary color #3681D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C97E2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C97E2B shade: #CE7E26, #DF9039, #F0A24C, #FFB45F and #FFC672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C97E2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C97E2B shade: #C97E2B, #B86C18, #A75A05, #964800 and #853600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C97E2B shade: #C97E2A, #C9532A and #C92A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C97E2B shade: #C97E2A, #C9A92A, #BFC92A, #94C92A and #69C92A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C97E2B shade matches the following richer shades: #C97E2A, #DD7F17 and #F18003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C97E2B shade: #C97E2A, #B67D3E, #A27C52, #8E7B66 and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C97E2B shade: #C92A2D, #C9522A, #C97D2A, #C9A72A and #C2C92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C97E2B shade: #85531C, #A76923, #C97E2A, #D79246 and #DFA668

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C97E2B shade: #C97E2B, #57C92A and #3D2AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C97E2B shade: #C97E2B, #2AC97D and #7D2AC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C97E2B shade: #C97E2B, #57C92A, #2A77C9 and #9C2AC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C97E2B shade: #C97E2B, #2AC92D, #2A77C9 and #C92AC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 79 / 21

HEX #C97E2B

RGB 201 126 43

HSL 31.52, 0.65%, 0.48%

LAB 59.45, 22.58, 54.35

 

Complementary color

CMYK 75 / 39 / 0 / 17

HEX #3681D4

RGB 54 129 212

HSL 211.52, 0.65%, 0.52%

LAB 53.21, 5.18, -49.31

 

CMYK 0 / 39 / 82 / 19

HEX #CE7E26

RGB 206 126 38

HSL 31.43, 0.69%, 0.48%

LAB 60.05, 24.54, 57.1

 

CMYK 0 / 35 / 74 / 13

HEX #DF9039

RGB 223 144 57

HSL 31.45, 0.72%, 0.55%

LAB 66.47, 22.77, 56.25

 

CMYK 0 / 33 / 68 / 6

HEX #F0A24C

RGB 240 162 76

HSL 31.46, 0.85%, 0.62%

LAB 72.82, 21.22, 55.01

 

CMYK 0 / 29 / 63 / 0

HEX #FFB45F

RGB 255 180 95

HSL 31.88, 1%, 0.69%

LAB 78.88, 19.04, 53.33

 

CMYK 0 / 22 / 55 / 0

HEX #FFC672

RGB 255 198 114

HSL 35.74, 1%, 0.72%

LAB 83.37, 11, 49.43

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2B

RGB 201 126 43

HSL 31.52, 0.65%, 0.48%

LAB 59.45, 22.58, 54.35

 

CMYK 0 / 41 / 87 / 28

HEX #B86C18

RGB 184 108 24

HSL 31.5, 0.77%, 0.41%

LAB 52.93, 24.5, 54.77

 

CMYK 0 / 46 / 97 / 35

HEX #A75A05

RGB 167 90 5

HSL 31.48, 0.94%, 0.34%

LAB 46.36, 26.69, 53.81

 

CMYK 0 / 52 / 100 / 41

HEX #964800

RGB 150 72 0

HSL 28.8, 1%, 0.29%

LAB 39.78, 29.14, 49.76

 

CMYK 0 / 59 / 100 / 48

HEX #853600

RGB 133 54 0

HSL 24.36, 1%, 0.26%

LAB 33.19, 31.58, 44.46

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2A

RGB 201 126 42

HSL 31.7, 0.65%, 0.48%

LAB 59.44, 22.54, 54.75

 

CMYK 0 / 59 / 79 / 21

HEX #C9532A

RGB 201 83 42

HSL 15.47, 0.65%, 0.48%

LAB 50.42, 44.81, 46.1

 

CMYK 0 / 79 / 79 / 21

HEX #C92A2A

RGB 201 42 42

HSL 0, 0.65%, 0.48%

LAB 44.58, 60.67, 40.23

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2A

RGB 201 126 42

HSL 31.7, 0.65%, 0.48%

LAB 59.44, 22.54, 54.75

 

CMYK 0 / 16 / 79 / 21

HEX #C9A92A

RGB 201 169 42

HSL 47.92, 0.65%, 0.48%

LAB 70.15, -0.76, 64.56

 

CMYK 5 / 0 / 79 / 21

HEX #BFC92A

RGB 191 201 42

HSL 63.77, 0.65%, 0.48%

LAB 77.88, -21.46, 71.13

 

CMYK 26 / 0 / 79 / 21

HEX #94C92A

RGB 148 201 42

HSL 80, 0.65%, 0.48%

LAB 74.97, -38.88, 67.42

 

CMYK 48 / 0 / 79 / 21

HEX #69C92A

RGB 105 201 42

HSL 96.23, 0.65%, 0.48%

LAB 72.85, -53.78, 64.69

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2A

RGB 201 126 42

HSL 31.7, 0.65%, 0.48%

LAB 59.44, 22.54, 54.75

 

CMYK 0 / 43 / 90 / 13

HEX #DD7F17

RGB 221 127 23

HSL 31.52, 0.81%, 0.48%

LAB 62.18, 29.94, 64.44

 

CMYK 0 / 47 / 99 / 5

HEX #F18003

RGB 241 128 3

HSL 31.51, 0.98%, 0.48%

LAB 65.08, 37.35, 71.38

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2A

RGB 201 126 42

HSL 31.7, 0.65%, 0.48%

LAB 59.44, 22.54, 54.75

 

CMYK 0 / 31 / 66 / 29

HEX #B67D3E

RGB 182 125 62

HSL 31.5, 0.49%, 0.48%

LAB 57.04, 15.87, 42.42

 

CMYK 0 / 23 / 49 / 36

HEX #A27C52

RGB 162 124 82

HSL 31.5, 0.33%, 0.48%

LAB 54.77, 9.37, 28.53

 

CMYK 0 / 13 / 28 / 44

HEX #8E7B66

RGB 142 123 102

HSL 31.5, 0.16%, 0.48%

LAB 52.81, 3.91, 14.19

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 0 / 79 / 78 / 21

HEX #C92A2D

RGB 201 42 45

HSL 358.87, 0.65%, 0.48%

LAB 44.61, 60.77, 38.58

 

CMYK 0 / 59 / 79 / 21

HEX #C9522A

RGB 201 82 42

HSL 15.09, 0.65%, 0.48%

LAB 50.24, 45.28, 45.92

 

CMYK 0 / 38 / 79 / 21

HEX #C97D2A

RGB 201 125 42

HSL 31.32, 0.65%, 0.48%

LAB 59.21, 23.08, 54.53

 

CMYK 0 / 17 / 79 / 21

HEX #C9A72A

RGB 201 167 42

HSL 47.17, 0.65%, 0.48%

LAB 69.63, 0.3, 64.1

 

CMYK 3 / 0 / 79 / 21

HEX #C2C92A

RGB 194 201 42

HSL 62.64, 0.65%, 0.48%

LAB 78.12, -20.2, 71.42

 

CMYK 0 / 38 / 79 / 48

HEX #85531C

RGB 133 83 28

HSL 31.43, 0.65%, 0.32%

LAB 40.01, 16.03, 39.07

 

CMYK 0 / 37 / 79 / 35

HEX #A76923

RGB 167 105 35

HSL 31.82, 0.65%, 0.4%

LAB 50.03, 19.07, 47.2

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2A

RGB 201 126 42

HSL 31.7, 0.65%, 0.48%

LAB 59.44, 22.54, 54.75

 

CMYK 0 / 32 / 67 / 16

HEX #D79246

RGB 215 146 70

HSL 31.45, 0.64%, 0.56%

LAB 66.1, 18.98, 49.66

 

CMYK 0 / 26 / 53 / 13

HEX #DFA668

RGB 223 166 104

HSL 31.26, 0.65%, 0.64%

LAB 72.2, 13.99, 40.06

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2B

RGB 201 126 43

HSL 31.52, 0.65%, 0.48%

LAB 59.45, 22.58, 54.35

 

CMYK 57 / 0 / 79 / 21

HEX #57C92A

RGB 87 201 42

HSL 103.02, 0.65%, 0.48%

LAB 72.21, -58.84, 63.85

 

CMYK 70 / 79 / 0 / 21

HEX #3D2AC9

RGB 61 42 201

HSL 247.17, 0.65%, 0.48%

LAB 31.5, 54.82, -78.24

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2B

RGB 201 126 43

HSL 31.52, 0.65%, 0.48%

LAB 59.45, 22.58, 54.35

 

CMYK 79 / 0 / 38 / 21

HEX #2AC97D

RGB 42 201 125

HSL 151.32, 0.65%, 0.48%

LAB 72.06, -56.9, 26.96

 

CMYK 38 / 79 / 0 / 21

HEX #7D2AC9

RGB 125 42 201

HSL 271.32, 0.65%, 0.48%

LAB 38.26, 62.67, -66.87

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2B

RGB 201 126 43

HSL 31.52, 0.65%, 0.48%

LAB 59.45, 22.58, 54.35

 

CMYK 57 / 0 / 79 / 21

HEX #57C92A

RGB 87 201 42

HSL 103.02, 0.65%, 0.48%

LAB 72.21, -58.84, 63.85

 

CMYK 79 / 41 / 0 / 21

HEX #2A77C9

RGB 42 119 201

HSL 210.94, 0.65%, 0.48%

LAB 49.38, 5.83, -49.18

 

CMYK 22 / 79 / 0 / 21

HEX #9C2AC9

RGB 156 42 201

HSL 283.02, 0.65%, 0.48%

LAB 42.67, 67.8, -59.49

 

CMYK 0 / 37 / 79 / 21

HEX #C97E2B

RGB 201 126 43

HSL 31.52, 0.65%, 0.48%

LAB 59.45, 22.58, 54.35

 

CMYK 79 / 0 / 78 / 21

HEX #2AC92D

RGB 42 201 45

HSL 121.13, 0.65%, 0.48%

LAB 71.18, -67.34, 61.61

 

CMYK 79 / 41 / 0 / 21

HEX #2A77C9

RGB 42 119 201

HSL 210.94, 0.65%, 0.48%

LAB 49.38, 5.83, -49.18

 

CMYK 0 / 79 / 1 / 21

HEX #C92AC7

RGB 201 42 199

HSL 300.75, 0.65%, 0.48%

LAB 49.73, 75.81, -46.61

 

Description

Color code: HEX #C97E2B | qconv.com Color code: HEX #C97E2B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 126 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 126 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 79 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 79% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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