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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C95A36 it is the complementary color #36A5C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C95A36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C95A36 shade: #CE5A31, #DF6C44, #F07E57, #FF906A and #FFA27D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C95A36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C95A36 shade: #C95A36, #B84823, #A73610, #962400 and #851200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C95A36 shade: #C95935 and #C93535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C95A36 shade: #C95935, #C98135, #C9A935, #C1C935 and #99C935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C95A36 shade matches the following richer shades: #C95935, #DE4F20 and #F2440C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C95A36 shade: #C95935, #B4644A, #A06E5E, #8B7973 and #768388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C95A36 shade: #C93561, #C9353A, #C95835, #C97F35 and #C9A635

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C95A36 shade: #883C24, #A84B2C, #C95935, #D27456 and #DA8F76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C95A36 shade: #C95A36, #89C935 and #354EC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C95A36 shade: #C95A36, #35C958 and #5835C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C95A36 shade: #C95A36, #89C935, #35A6C9 and #7535C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C95A36 shade: #C95A36, #5CC935, #35A6C9 and #A235C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 73 / 21

HEX #C95A36

RGB 201 90 54

HSL 14.69, 0.58%, 0.5%

LAB 51.83, 41.92, 41.48

 

Complementary color

CMYK 73 / 18 / 0 / 21

HEX #36A5C9

RGB 54 165 201

HSL 194.69, 0.58%, 0.5%

LAB 63.27, -19.12, -27.36

 

CMYK 0 / 56 / 76 / 19

HEX #CE5A31

RGB 206 90 49

HSL 15.67, 0.62%, 0.5%

LAB 52.57, 43.59, 45.07

 

CMYK 0 / 52 / 70 / 13

HEX #DF6C44

RGB 223 108 68

HSL 15.48, 0.71%, 0.57%

LAB 58.82, 42.06, 42.83

 

CMYK 0 / 48 / 64 / 6

HEX #F07E57

RGB 240 126 87

HSL 15.29, 0.84%, 0.64%

LAB 65.07, 40.6, 40.72

 

CMYK 0 / 44 / 58 / 0

HEX #FF906A

RGB 255 144 106

HSL 15.3, 1%, 0.71%

LAB 71.04, 38.47, 38.4

 

CMYK 0 / 36 / 51 / 0

HEX #FFA27D

RGB 255 162 125

HSL 17.08, 1%, 0.75%

LAB 75.19, 30.7, 33.58

 

CMYK 0 / 55 / 73 / 21

HEX #C95A36

RGB 201 90 54

HSL 14.69, 0.58%, 0.5%

LAB 51.83, 41.92, 41.48

 

CMYK 0 / 61 / 81 / 28

HEX #B84823

RGB 184 72 35

HSL 14.9, 0.68%, 0.43%

LAB 45.56, 43.44, 43.81

 

CMYK 0 / 68 / 90 / 35

HEX #A73610

RGB 167 54 16

HSL 15.1, 0.83%, 0.36%

LAB 39.4, 44.85, 45.74

 

CMYK 0 / 76 / 100 / 41

HEX #962400

RGB 150 36 0

HSL 14.4, 1%, 0.29%

LAB 33.45, 45.85, 46.24

 

CMYK 0 / 86 / 100 / 48

HEX #851200

RGB 133 18 0

HSL 8.12, 1%, 0.26%

LAB 27.9, 45.96, 40.59

 

CMYK 0 / 56 / 74 / 21

HEX #C95935

RGB 201 89 53

HSL 14.59, 0.58%, 0.5%

LAB 51.63, 42.37, 41.78

 

CMYK 0 / 74 / 74 / 21

HEX #C93535

RGB 201 53 53

HSL 0, 0.58%, 0.5%

LAB 45.94, 57.63, 35.47

 

CMYK 0 / 56 / 74 / 21

HEX #C95935

RGB 201 89 53

HSL 14.59, 0.58%, 0.5%

LAB 51.63, 42.37, 41.78

 

CMYK 0 / 36 / 74 / 21

HEX #C98135

RGB 201 129 53

HSL 30.81, 0.58%, 0.5%

LAB 60.23, 21.36, 50.82

 

CMYK 0 / 16 / 74 / 21

HEX #C9A935

RGB 201 169 53

HSL 47.03, 0.58%, 0.5%

LAB 70.21, -0.32, 60.75

 

CMYK 4 / 0 / 74 / 21

HEX #C1C935

RGB 193 201 53

HSL 63.24, 0.58%, 0.5%

LAB 78.09, -20.18, 68.03

 

CMYK 24 / 0 / 74 / 21

HEX #99C935

RGB 153 201 53

HSL 79.46, 0.58%, 0.5%

LAB 75.33, -36.42, 64.43

 

CMYK 0 / 56 / 74 / 21

HEX #C95935

RGB 201 89 53

HSL 14.59, 0.58%, 0.5%

LAB 51.63, 42.37, 41.78

 

CMYK 0 / 64 / 86 / 13

HEX #DE4F20

RGB 222 79 32

HSL 14.84, 0.75%, 0.5%

LAB 53.2, 53.8, 54.44

 

CMYK 0 / 72 / 95 / 5

HEX #F2440C

RGB 242 68 12

HSL 14.61, 0.91%, 0.5%

LAB 55.11, 64.24, 63.91

 

CMYK 0 / 56 / 74 / 21

HEX #C95935

RGB 201 89 53

HSL 14.59, 0.58%, 0.5%

LAB 51.63, 42.37, 41.78

 

CMYK 0 / 44 / 59 / 29

HEX #B4644A

RGB 180 100 74

HSL 14.72, 0.42%, 0.5%

LAB 51.05, 29.7, 28.78

 

CMYK 0 / 31 / 41 / 37

HEX #A06E5E

RGB 160 110 94

HSL 14.55, 0.26%, 0.5%

LAB 51.19, 17.81, 16.92

 

CMYK 0 / 13 / 17 / 45

HEX #8B7973

RGB 139 121 115

HSL 15, 0.09%, 0.5%

LAB 52.29, 5.89, 5.83

 

CMYK 13 / 4 / 0 / 47

HEX #768388

RGB 118 131 136

HSL 196.67, 0.07%, 0.5%

LAB 53.88, -3.66, -4.32

 

CMYK 0 / 74 / 52 / 21

HEX #C93561

RGB 201 53 97

HSL 342.16, 0.58%, 0.5%

LAB 46.75, 60.31, 9.92

 

CMYK 0 / 74 / 71 / 21

HEX #C9353A

RGB 201 53 58

HSL 357.97, 0.58%, 0.5%

LAB 46, 57.85, 32.64

 

CMYK 0 / 56 / 74 / 21

HEX #C95835

RGB 201 88 53

HSL 14.19, 0.58%, 0.5%

LAB 51.44, 42.85, 41.58

 

CMYK 0 / 37 / 74 / 21

HEX #C97F35

RGB 201 127 53

HSL 30, 0.58%, 0.5%

LAB 59.76, 22.45, 50.34

 

CMYK 0 / 17 / 74 / 21

HEX #C9A635

RGB 201 166 53

HSL 45.81, 0.58%, 0.5%

LAB 69.43, 1.28, 59.99

 

CMYK 0 / 56 / 74 / 47

HEX #883C24

RGB 136 60 36

HSL 14.4, 0.58%, 0.34%

LAB 35.19, 30.8, 30

 

CMYK 0 / 55 / 74 / 34

HEX #A84B2C

RGB 168 75 44

HSL 15, 0.58%, 0.42%

LAB 43.56, 36.22, 36.27

 

CMYK 0 / 56 / 74 / 21

HEX #C95935

RGB 201 89 53

HSL 14.59, 0.58%, 0.5%

LAB 51.63, 42.37, 41.78

 

CMYK 0 / 45 / 59 / 18

HEX #D27456

RGB 210 116 86

HSL 14.52, 0.58%, 0.58%

LAB 58.85, 34.06, 32.71

 

CMYK 0 / 34 / 46 / 15

HEX #DA8F76

RGB 218 143 118

HSL 15, 0.57%, 0.66%

LAB 66.41, 25.63, 25

 

CMYK 0 / 55 / 73 / 21

HEX #C95A36

RGB 201 90 54

HSL 14.69, 0.58%, 0.5%

LAB 51.83, 41.92, 41.48

 

CMYK 32 / 0 / 74 / 21

HEX #89C935

RGB 137 201 53

HSL 85.95, 0.58%, 0.5%

LAB 74.41, -42.43, 63.22

 

CMYK 74 / 61 / 0 / 21

HEX #354EC9

RGB 53 78 201

HSL 229.86, 0.58%, 0.5%

LAB 38.59, 33.3, -66.59

 

CMYK 0 / 55 / 73 / 21

HEX #C95A36

RGB 201 90 54

HSL 14.69, 0.58%, 0.5%

LAB 51.83, 41.92, 41.48

 

CMYK 74 / 0 / 56 / 21

HEX #35C958

RGB 53 201 88

HSL 134.19, 0.58%, 0.5%

LAB 71.71, -61.54, 45.02

 

CMYK 56 / 74 / 0 / 21

HEX #5835C9

RGB 88 53 201

HSL 254.19, 0.58%, 0.5%

LAB 35.67, 52.44, -71.28

 

CMYK 0 / 55 / 73 / 21

HEX #C95A36

RGB 201 90 54

HSL 14.69, 0.58%, 0.5%

LAB 51.83, 41.92, 41.48

 

CMYK 32 / 0 / 74 / 21

HEX #89C935

RGB 137 201 53

HSL 85.95, 0.58%, 0.5%

LAB 74.41, -42.43, 63.22

 

CMYK 74 / 17 / 0 / 21

HEX #35A6C9

RGB 53 166 201

HSL 194.19, 0.58%, 0.5%

LAB 63.55, -19.77, -26.94

 

CMYK 42 / 74 / 0 / 21

HEX #7535C9

RGB 117 53 201

HSL 265.95, 0.58%, 0.5%

LAB 38.8, 56.91, -66.02

 

CMYK 0 / 55 / 73 / 21

HEX #C95A36

RGB 201 90 54

HSL 14.69, 0.58%, 0.5%

LAB 51.83, 41.92, 41.48

 

CMYK 54 / 0 / 74 / 21

HEX #5CC935

RGB 92 201 53

HSL 104.19, 0.58%, 0.5%

LAB 72.43, -56.84, 60.6

 

CMYK 74 / 17 / 0 / 21

HEX #35A6C9

RGB 53 166 201

HSL 194.19, 0.58%, 0.5%

LAB 63.55, -19.77, -26.94

 

CMYK 19 / 74 / 0 / 21

HEX #A235C9

RGB 162 53 201

HSL 284.19, 0.58%, 0.5%

LAB 44.86, 65.18, -55.91

 

Description

Color code: HEX #C95A36 | qconv.com Color code: HEX #C95A36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 90 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 90 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 73 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 73% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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