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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C947CE it is the complementary color #36B831. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C947CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C947CE shade: #CE47C9, #DF59DC, #F06BEF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C947CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C947CE shade: #C947CE, #B835BB, #A723A8, #961195 and #850082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C947CE shade: #C845CD, #CD45AE, #CD4589, #CD4564 and #CD4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C947CE shade: #C845CD, #A445CD, #7F45CD, #5A45CD and #4545CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C947CE shade matches the following richer shades: #C845CD, #DA32E0 and #EB1FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C947CE shade: #C845CD, #B758BA, #A56BA7, #937E94 and #829181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C947CE shade: #7E45CD, #A245CD, #C645CD, #CD45B0 and #CD458B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C947CE shade: #942898, #B331B8, #C845CD, #D266D6 and #DB86DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C947CE shade: #C947CE, #CD5A45 and #45CD90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C947CE shade: #C947CE, #CDC645 and #45CDC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C947CE shade: #C947CE, #CD5A45, #4CCD45 and #45B9CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C947CE shade: #C947CE, #CD8245, #4CCD45 and #4590CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 66 / 0 / 19

HEX #C947CE

RGB 201 71 206

HSL 297.78, 0.58%, 0.54%

LAB 53.36, 67.68, -44.87

 

Complementary color

CMYK 71 / 0 / 73 / 28

HEX #36B831

RGB 54 184 49

HSL 117.78, 0.58%, 0.46%

LAB 65.97, -59.87, 55.17

 

CMYK 0 / 66 / 2 / 19

HEX #CE47C9

RGB 206 71 201

HSL 302.22, 0.58%, 0.54%

LAB 53.86, 68.02, -41.17

 

CMYK 0 / 60 / 1 / 13

HEX #DF59DC

RGB 223 89 220

HSL 301.34, 0.68%, 0.61%

LAB 59.89, 68.06, -42.3

 

CMYK 0 / 55 / 0 / 6

HEX #F06BEF

RGB 240 107 239

HSL 300.45, 0.82%, 0.68%

LAB 65.96, 67.81, -43.19

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 2 / 66 / 0 / 19

HEX #C947CE

RGB 201 71 206

HSL 297.78, 0.58%, 0.54%

LAB 53.36, 67.68, -44.87

 

CMYK 2 / 72 / 0 / 27

HEX #B835BB

RGB 184 53 187

HSL 298.66, 0.56%, 0.47%

LAB 47.4, 67.21, -43.52

 

CMYK 1 / 79 / 0 / 34

HEX #A723A8

RGB 167 35 168

HSL 299.55, 0.66%, 0.4%

LAB 41.6, 66, -41.7

 

CMYK 0 / 89 / 1 / 41

HEX #961195

RGB 150 17 149

HSL 300.45, 0.8%, 0.33%

LAB 36.09, 63.68, -39.2

 

CMYK 0 / 100 / 2 / 48

HEX #850082

RGB 133 0 130

HSL 301.35, 1%, 0.26%

LAB 30.87, 60.13, -35.95

 

CMYK 2 / 66 / 0 / 20

HEX #C845CD

RGB 200 69 205

HSL 297.79, 0.58%, 0.54%

LAB 52.89, 68.05, -45.06

 

CMYK 0 / 66 / 15 / 20

HEX #CD45AE

RGB 205 69 174

HSL 313.68, 0.58%, 0.54%

LAB 52.17, 64.38, -28.2

 

CMYK 0 / 66 / 33 / 20

HEX #CD4589

RGB 205 69 137

HSL 330, 0.58%, 0.54%

LAB 50.74, 59.53, -8.48

 

CMYK 0 / 66 / 51 / 20

HEX #CD4564

RGB 205 69 100

HSL 346.32, 0.58%, 0.54%

LAB 49.68, 55.81, 12.3

 

CMYK 0 / 66 / 66 / 20

HEX #CD4545

RGB 205 69 69

HSL 0, 0.58%, 0.54%

LAB 49.09, 53.64, 30.07

 

CMYK 2 / 66 / 0 / 20

HEX #C845CD

RGB 200 69 205

HSL 297.79, 0.58%, 0.54%

LAB 52.89, 68.05, -45.06

 

CMYK 20 / 66 / 0 / 20

HEX #A445CD

RGB 164 69 205

HSL 281.91, 0.58%, 0.54%

LAB 47.7, 59.94, -53.65

 

CMYK 38 / 66 / 0 / 20

HEX #7F45CD

RGB 127 69 205

HSL 265.59, 0.58%, 0.54%

LAB 43.03, 52.1, -61.42

 

CMYK 56 / 66 / 0 / 20

HEX #5A45CD

RGB 90 69 205

HSL 249.26, 0.58%, 0.54%

LAB 39.31, 45.32, -67.64

 

CMYK 66 / 66 / 0 / 20

HEX #4545CD

RGB 69 69 205

HSL 240, 0.58%, 0.54%

LAB 37.72, 42.24, -70.3

 

CMYK 2 / 66 / 0 / 20

HEX #C845CD

RGB 200 69 205

HSL 297.79, 0.58%, 0.54%

LAB 52.89, 68.05, -45.06

 

CMYK 3 / 78 / 0 / 12

HEX #DA32E0

RGB 218 50 224

HSL 297.93, 0.74%, 0.54%

LAB 54.63, 80.93, -52.95

 

CMYK 3 / 87 / 0 / 5

HEX #EB1FF3

RGB 235 31 243

HSL 297.74, 0.9%, 0.54%

LAB 57.19, 90.66, -59.38

 

CMYK 2 / 66 / 0 / 20

HEX #C845CD

RGB 200 69 205

HSL 297.79, 0.58%, 0.54%

LAB 52.89, 68.05, -45.06

 

CMYK 2 / 53 / 0 / 27

HEX #B758BA

RGB 183 88 186

HSL 298.16, 0.42%, 0.54%

LAB 52.5, 52.15, -34.9

 

CMYK 1 / 36 / 0 / 35

HEX #A56BA7

RGB 165 107 167

HSL 298, 0.25%, 0.54%

LAB 53.28, 33.07, -22.84

 

CMYK 1 / 15 / 0 / 42

HEX #937E94

RGB 147 126 148

HSL 297.27, 0.09%, 0.54%

LAB 55.34, 12.16, -8.85

 

CMYK 10 / 0 / 11 / 43

HEX #829181

RGB 130 145 129

HSL 116.25, 0.07%, 0.54%

LAB 58.59, -8.59, 6.66

 

CMYK 39 / 66 / 0 / 20

HEX #7E45CD

RGB 126 69 205

HSL 265.15, 0.58%, 0.54%

LAB 42.91, 51.9, -61.61

 

CMYK 21 / 66 / 0 / 20

HEX #A245CD

RGB 162 69 205

HSL 281.03, 0.58%, 0.54%

LAB 47.42, 59.5, -54.1

 

CMYK 3 / 66 / 0 / 20

HEX #C645CD

RGB 198 69 205

HSL 296.91, 0.58%, 0.54%

LAB 52.59, 67.59, -45.56

 

CMYK 0 / 66 / 14 / 20

HEX #CD45B0

RGB 205 69 176

HSL 312.79, 0.58%, 0.54%

LAB 52.25, 64.67, -29.23

 

CMYK 0 / 66 / 32 / 20

HEX #CD458B

RGB 205 69 139

HSL 329.12, 0.58%, 0.54%

LAB 50.8, 59.76, -9.58

 

CMYK 3 / 74 / 0 / 40

HEX #942898

RGB 148 40 152

HSL 297.86, 0.58%, 0.38%

LAB 37.99, 57.79, -38.02

 

CMYK 3 / 73 / 0 / 28

HEX #B331B8

RGB 179 49 184

HSL 297.78, 0.58%, 0.46%

LAB 45.96, 66.96, -44.1

 

CMYK 2 / 66 / 0 / 20

HEX #C845CD

RGB 200 69 205

HSL 297.79, 0.58%, 0.54%

LAB 52.89, 68.05, -45.06

 

CMYK 2 / 52 / 0 / 16

HEX #D266D6

RGB 210 102 214

HSL 297.86, 0.58%, 0.62%

LAB 59.94, 57.88, -38.96

 

CMYK 2 / 40 / 0 / 13

HEX #DB86DF

RGB 219 134 223

HSL 297.3, 0.58%, 0.7%

LAB 67.6, 46.09, -31.97

 

CMYK 2 / 66 / 0 / 19

HEX #C947CE

RGB 201 71 206

HSL 297.78, 0.58%, 0.54%

LAB 53.36, 67.68, -44.87

 

CMYK 0 / 56 / 66 / 20

HEX #CD5A45

RGB 205 90 69

HSL 9.26, 0.58%, 0.54%

LAB 52.64, 44.21, 34.4

 

CMYK 66 / 0 / 30 / 20

HEX #45CD90

RGB 69 205 144

HSL 153.09, 0.58%, 0.54%

LAB 74.15, -50.75, 19.88

 

CMYK 2 / 66 / 0 / 19

HEX #C947CE

RGB 201 71 206

HSL 297.78, 0.58%, 0.54%

LAB 53.36, 67.68, -44.87

 

CMYK 0 / 3 / 66 / 20

HEX #CDC645

RGB 205 198 69

HSL 56.91, 0.58%, 0.54%

LAB 78.34, -12.83, 62.77

 

CMYK 66 / 0 / 3 / 20

HEX #45CDC6

RGB 69 205 198

HSL 176.91, 0.58%, 0.54%

LAB 75.45, -37.61, -7.26

 

CMYK 2 / 66 / 0 / 19

HEX #C947CE

RGB 201 71 206

HSL 297.78, 0.58%, 0.54%

LAB 53.36, 67.68, -44.87

 

CMYK 0 / 56 / 66 / 20

HEX #CD5A45

RGB 205 90 69

HSL 9.26, 0.58%, 0.54%

LAB 52.64, 44.21, 34.4

 

CMYK 63 / 0 / 66 / 20

HEX #4CCD45

RGB 76 205 69

HSL 116.91, 0.58%, 0.54%

LAB 73.3, -60.83, 55.31

 

CMYK 66 / 10 / 0 / 20

HEX #45B9CD

RGB 69 185 205

HSL 188.82, 0.58%, 0.54%

LAB 69.73, -26.02, -19.65

 

CMYK 2 / 66 / 0 / 19

HEX #C947CE

RGB 201 71 206

HSL 297.78, 0.58%, 0.54%

LAB 53.36, 67.68, -44.87

 

CMYK 0 / 37 / 66 / 20

HEX #CD8245

RGB 205 130 69

HSL 26.91, 0.58%, 0.54%

LAB 61.11, 23.38, 44.26

 

CMYK 63 / 0 / 66 / 20

HEX #4CCD45

RGB 76 205 69

HSL 116.91, 0.58%, 0.54%

LAB 73.3, -60.83, 55.31

 

CMYK 66 / 30 / 0 / 20

HEX #4590CD

RGB 69 144 205

HSL 206.91, 0.58%, 0.54%

LAB 57.67, -3.98, -38.27

 

Description

Color code: HEX #C947CE | qconv.com Color code: HEX #C947CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 71 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 71 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 66 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 66% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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