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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C93F95 it is the complementary color #36C06A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C93F95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C93F95 shade: #CE3F90, #DF51A3, #F063B6, #FF75C9 and #FF87DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C93F95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C93F95 shade: #C93F95, #B82D82, #A71B6F, #96095C and #850049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C93F95 shade: #C94095, #C94070, #C9404B and #C94040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C93F95 shade: #C94095, #C940BA, #B240C9, #8D40C9 and #6840C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C93F95 shade matches the following richer shades: #C94095, #DC2C9A and #F0189F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C93F95 shade: #C94095, #B55390, #A1678B, #8D7B86 and #798F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C93F95 shade: #B240C9, #C940BB, #C94096, #C94072 and #C9404D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C93F95 shade: #8E2867, #AE317F, #C94095, #D260A7 and #DB80B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C93F95 shade: #C93F95, #C98D40 and #40C9C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C93F95 shade: #C93F95, #96C940 and #4096C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C93F95 shade: #C93F95, #C98D40, #40C972 and #407BC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C93F95 shade: #C93F95, #C9B640, #40C972 and #4052C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 26 / 21

HEX #C93F95

RGB 201 63 149

HSL 322.61, 0.56%, 0.52%

LAB 49.67, 62.19, -17.33

 

Complementary color

CMYK 72 / 0 / 45 / 25

HEX #36C06A

RGB 54 192 106

HSL 142.61, 0.56%, 0.48%

LAB 69.13, -55.48, 32.98

 

CMYK 0 / 69 / 30 / 19

HEX #CE3F90

RGB 206 63 144

HSL 326.01, 0.59%, 0.53%

LAB 50.32, 62.92, -13.27

 

CMYK 0 / 64 / 27 / 13

HEX #DF51A3

RGB 223 81 163

HSL 325.35, 0.69%, 0.6%

LAB 56.3, 62.99, -15.17

 

CMYK 0 / 59 / 24 / 6

HEX #F063B6

RGB 240 99 182

HSL 324.68, 0.82%, 0.66%

LAB 62.36, 62.72, -16.72

 

CMYK 0 / 54 / 21 / 0

HEX #FF75C9

RGB 255 117 201

HSL 323.48, 1%, 0.73%

LAB 68.17, 61.66, -18.46

 

CMYK 0 / 47 / 14 / 0

HEX #FF87DC

RGB 255 135 220

HSL 317.5, 1%, 0.76%

LAB 72.06, 55.95, -23.09

 

CMYK 0 / 69 / 26 / 21

HEX #C93F95

RGB 201 63 149

HSL 322.61, 0.56%, 0.52%

LAB 49.67, 62.19, -17.33

 

CMYK 0 / 76 / 29 / 28

HEX #B82D82

RGB 184 45 130

HSL 323.31, 0.61%, 0.45%

LAB 43.77, 61.6, -15.11

 

CMYK 0 / 84 / 34 / 35

HEX #A71B6F

RGB 167 27 111

HSL 324, 0.72%, 0.38%

LAB 38.11, 60.15, -12.22

 

CMYK 0 / 94 / 39 / 41

HEX #96095C

RGB 150 9 92

HSL 324.68, 0.89%, 0.31%

LAB 32.81, 57.41, -8.4

 

CMYK 0 / 100 / 45 / 48

HEX #850049

RGB 133 0 73

HSL 327.07, 1%, 0.26%

LAB 28.03, 52.97, -3.38

 

CMYK 0 / 68 / 26 / 21

HEX #C94095

RGB 201 64 149

HSL 322.77, 0.56%, 0.52%

LAB 49.8, 61.81, -17.13

 

CMYK 0 / 68 / 44 / 21

HEX #C94070

RGB 201 64 112

HSL 338.98, 0.56%, 0.52%

LAB 48.58, 57.65, 3.35

 

CMYK 0 / 68 / 63 / 21

HEX #C9404B

RGB 201 64 75

HSL 355.18, 0.56%, 0.52%

LAB 47.74, 54.71, 24.67

 

CMYK 0 / 68 / 68 / 21

HEX #C94040

RGB 201 64 64

HSL 0, 0.56%, 0.52%

LAB 47.57, 54.07, 30.99

 

CMYK 0 / 68 / 26 / 21

HEX #C94095

RGB 201 64 149

HSL 322.77, 0.56%, 0.52%

LAB 49.8, 61.81, -17.13

 

CMYK 0 / 68 / 7 / 21

HEX #C940BA

RGB 201 64 186

HSL 306.57, 0.56%, 0.52%

LAB 51.42, 67.06, -36.41

 

CMYK 11 / 68 / 0 / 21

HEX #B240C9

RGB 178 64 201

HSL 289.93, 0.56%, 0.52%

LAB 48.7, 64.33, -49.63

 

CMYK 30 / 68 / 0 / 21

HEX #8D40C9

RGB 141 64 201

HSL 273.72, 0.56%, 0.52%

LAB 43.58, 56.41, -58.13

 

CMYK 48 / 68 / 0 / 21

HEX #6840C9

RGB 104 64 201

HSL 257.52, 0.56%, 0.52%

LAB 39.29, 49.28, -65.29

 

CMYK 0 / 68 / 26 / 21

HEX #C94095

RGB 201 64 149

HSL 322.77, 0.56%, 0.52%

LAB 49.8, 61.81, -17.13

 

CMYK 0 / 80 / 30 / 14

HEX #DC2C9A

RGB 220 44 154

HSL 322.5, 0.72%, 0.52%

LAB 51.09, 73.39, -17.84

 

CMYK 0 / 90 / 34 / 6

HEX #F0189F

RGB 240 24 159

HSL 322.5, 0.88%, 0.52%

LAB 53.69, 82.02, -16.52

 

CMYK 0 / 68 / 26 / 21

HEX #C94095

RGB 201 64 149

HSL 322.77, 0.56%, 0.52%

LAB 49.8, 61.81, -17.13

 

CMYK 0 / 54 / 20 / 29

HEX #B55390

RGB 181 83 144

HSL 322.65, 0.4%, 0.52%

LAB 49.53, 46.99, -14.86

 

CMYK 0 / 36 / 14 / 37

HEX #A1678B

RGB 161 103 139

HSL 322.76, 0.24%, 0.52%

LAB 50.85, 28.78, -10.15

 

CMYK 0 / 13 / 5 / 45

HEX #8D7B86

RGB 141 123 134

HSL 323.33, 0.07%, 0.52%

LAB 53.55, 8.94, -3.43

 

CMYK 15 / 0 / 10 / 44

HEX #798F81

RGB 121 143 129

HSL 141.82, 0.09%, 0.52%

LAB 57.36, -10.76, 4.82

 

CMYK 11 / 68 / 0 / 21

HEX #B240C9

RGB 178 64 201

HSL 289.93, 0.56%, 0.52%

LAB 48.7, 64.33, -49.63

 

CMYK 0 / 68 / 7 / 21

HEX #C940BB

RGB 201 64 187

HSL 306.13, 0.56%, 0.52%

LAB 51.46, 67.21, -36.92

 

CMYK 0 / 68 / 25 / 21

HEX #C94096

RGB 201 64 150

HSL 322.34, 0.56%, 0.52%

LAB 49.84, 61.94, -17.67

 

CMYK 0 / 68 / 43 / 21

HEX #C94072

RGB 201 64 114

HSL 338.1, 0.56%, 0.52%

LAB 48.63, 57.85, 2.22

 

CMYK 0 / 68 / 62 / 21

HEX #C9404D

RGB 201 64 77

HSL 354.31, 0.56%, 0.52%

LAB 47.78, 54.83, 23.52

 

CMYK 0 / 72 / 27 / 44

HEX #8E2867

RGB 142 40 103

HSL 322.94, 0.56%, 0.36%

LAB 34.49, 48.67, -13.08

 

CMYK 0 / 72 / 27 / 32

HEX #AE317F

RGB 174 49 127

HSL 322.56, 0.56%, 0.44%

LAB 42.35, 57.27, -15.6

 

CMYK 0 / 68 / 26 / 21

HEX #C94095

RGB 201 64 149

HSL 322.77, 0.56%, 0.52%

LAB 49.8, 61.81, -17.13

 

CMYK 0 / 54 / 20 / 18

HEX #D260A7

RGB 210 96 167

HSL 322.63, 0.56%, 0.6%

LAB 56.94, 53.11, -16.73

 

CMYK 0 / 42 / 16 / 14

HEX #DB80B9

RGB 219 128 185

HSL 322.42, 0.56%, 0.68%

LAB 64.96, 42.7, -14.76

 

CMYK 0 / 69 / 26 / 21

HEX #C93F95

RGB 201 63 149

HSL 322.61, 0.56%, 0.52%

LAB 49.67, 62.19, -17.33

 

CMYK 0 / 30 / 68 / 21

HEX #C98D40

RGB 201 141 64

HSL 33.72, 0.56%, 0.52%

LAB 63.21, 15.38, 48.88

 

CMYK 68 / 0 / 2 / 21

HEX #40C9C4

RGB 64 201 196

HSL 177.81, 0.56%, 0.52%

LAB 74.09, -37.04, -8.21

 

CMYK 0 / 69 / 26 / 21

HEX #C93F95

RGB 201 63 149

HSL 322.61, 0.56%, 0.52%

LAB 49.67, 62.19, -17.33

 

CMYK 25 / 0 / 68 / 21

HEX #96C940

RGB 150 201 64

HSL 82.34, 0.56%, 0.52%

LAB 75.22, -36.9, 60.27

 

CMYK 68 / 25 / 0 / 21

HEX #4096C9

RGB 64 150 201

HSL 202.34, 0.56%, 0.52%

LAB 59.08, -9.54, -33.83

 

CMYK 0 / 69 / 26 / 21

HEX #C93F95

RGB 201 63 149

HSL 322.61, 0.56%, 0.52%

LAB 49.67, 62.19, -17.33

 

CMYK 0 / 30 / 68 / 21

HEX #C98D40

RGB 201 141 64

HSL 33.72, 0.56%, 0.52%

LAB 63.21, 15.38, 48.88

 

CMYK 68 / 0 / 43 / 21

HEX #40C972

RGB 64 201 114

HSL 141.9, 0.56%, 0.52%

LAB 72.28, -55.79, 33

 

CMYK 68 / 39 / 0 / 21

HEX #407BC9

RGB 64 123 201

HSL 214.16, 0.56%, 0.52%

LAB 51.24, 6.29, -46.18

 

CMYK 0 / 69 / 26 / 21

HEX #C93F95

RGB 201 63 149

HSL 322.61, 0.56%, 0.52%

LAB 49.67, 62.19, -17.33

 

CMYK 0 / 9 / 68 / 21

HEX #C9B640

RGB 201 182 64

HSL 51.68, 0.56%, 0.52%

LAB 73.7, -6.6, 59.91

 

CMYK 68 / 0 / 43 / 21

HEX #40C972

RGB 64 201 114

HSL 141.9, 0.56%, 0.52%

LAB 72.28, -55.79, 33

 

CMYK 68 / 59 / 0 / 21

HEX #4052C9

RGB 64 82 201

HSL 232.12, 0.56%, 0.52%

LAB 40.15, 32.16, -64.02

 

Description

Color code: HEX #C93F95 | qconv.com Color code: HEX #C93F95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 63 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 63 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 26 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 26% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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