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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C93F71 it is the complementary color #36C08E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C93F71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C93F71 shade: #CE3F6C, #DF517F, #F06392, #FF75A5 and #FF87B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C93F71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C93F71 shade: #C93F71, #B82D5E, #A71B4B, #960938 and #850025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C93F71 shade: #C94071, #C9404C and #C94040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C93F71 shade: #C94071, #C94096, #C940BB, #B140C9 and #8C40C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C93F71 shade matches the following richer shades: #C94071, #DC2C6C and #F01866

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C93F71 shade: #C94071, #B55377, #A1677C, #8D7B82 and #798F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C93F71 shade: #C940BB, #C94096, #C94072, #C9404D and #C95640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C93F71 shade: #8E284D, #AE315E, #C94071, #D26089 and #DB80A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C93F71 shade: #C93F71, #C9B240 and #40A9C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C93F71 shade: #C93F71, #72C940 and #4072C9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C93F71 shade: #C93F71, #C9B240, #40C996 and #4056C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C93F71 shade: #C93F71, #B6C940, #40C996 and #5240C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 44 / 21

HEX #C93F71

RGB 201 63 113

HSL 338.26, 0.56%, 0.52%

LAB 48.47, 58.13, 2.59

 

Complementary color

CMYK 72 / 0 / 26 / 25

HEX #36C08E

RGB 54 192 142

HSL 158.26, 0.56%, 0.48%

LAB 69.78, -48.3, 14.83

 

CMYK 0 / 69 / 48 / 19

HEX #CE3F6C

RGB 206 63 108

HSL 341.12, 0.59%, 0.53%

LAB 49.2, 59.15, 6.8

 

CMYK 0 / 64 / 43 / 13

HEX #DF517F

RGB 223 81 127

HSL 340.56, 0.69%, 0.6%

LAB 55.18, 58.94, 4.35

 

CMYK 0 / 59 / 39 / 6

HEX #F06392

RGB 240 99 146

HSL 340, 0.82%, 0.66%

LAB 61.24, 58.44, 2.33

 

CMYK 0 / 54 / 35 / 0

HEX #FF75A5

RGB 255 117 165

HSL 339.13, 1%, 0.73%

LAB 67.05, 57.14, 0.17

 

CMYK 0 / 47 / 28 / 0

HEX #FF87B8

RGB 255 135 184

HSL 335.5, 1%, 0.76%

LAB 70.9, 50.86, -4.85

 

CMYK 0 / 69 / 44 / 21

HEX #C93F71

RGB 201 63 113

HSL 338.26, 0.56%, 0.52%

LAB 48.47, 58.13, 2.59

 

CMYK 0 / 76 / 49 / 28

HEX #B82D5E

RGB 184 45 94

HSL 338.85, 0.61%, 0.45%

LAB 42.57, 57.86, 5.43

 

CMYK 0 / 84 / 55 / 35

HEX #A71B4B

RGB 167 27 75

HSL 339.43, 0.72%, 0.38%

LAB 36.94, 56.78, 9.06

 

CMYK 0 / 94 / 63 / 41

HEX #960938

RGB 150 9 56

HSL 340, 0.89%, 0.31%

LAB 31.73, 54.44, 13.76

 

CMYK 0 / 100 / 72 / 48

HEX #850025

RGB 133 0 37

HSL 343.31, 1%, 0.26%

LAB 27.07, 50.43, 19.7

 

CMYK 0 / 68 / 44 / 21

HEX #C94071

RGB 201 64 113

HSL 338.54, 0.56%, 0.52%

LAB 48.61, 57.75, 2.79

 

CMYK 0 / 68 / 62 / 21

HEX #C9404C

RGB 201 64 76

HSL 354.74, 0.56%, 0.52%

LAB 47.76, 54.77, 24.09

 

CMYK 0 / 68 / 68 / 21

HEX #C94040

RGB 201 64 64

HSL 0, 0.56%, 0.52%

LAB 47.57, 54.07, 30.99

 

CMYK 0 / 68 / 44 / 21

HEX #C94071

RGB 201 64 113

HSL 338.54, 0.56%, 0.52%

LAB 48.61, 57.75, 2.79

 

CMYK 0 / 68 / 25 / 21

HEX #C94096

RGB 201 64 150

HSL 322.34, 0.56%, 0.52%

LAB 49.84, 61.94, -17.67

 

CMYK 0 / 68 / 7 / 21

HEX #C940BB

RGB 201 64 187

HSL 306.13, 0.56%, 0.52%

LAB 51.46, 67.21, -36.92

 

CMYK 12 / 68 / 0 / 21

HEX #B140C9

RGB 177 64 201

HSL 289.49, 0.56%, 0.52%

LAB 48.55, 64.11, -49.87

 

CMYK 30 / 68 / 0 / 21

HEX #8C40C9

RGB 140 64 201

HSL 273.28, 0.56%, 0.52%

LAB 43.45, 56.2, -58.35

 

CMYK 0 / 68 / 44 / 21

HEX #C94071

RGB 201 64 113

HSL 338.54, 0.56%, 0.52%

LAB 48.61, 57.75, 2.79

 

CMYK 0 / 80 / 51 / 14

HEX #DC2C6C

RGB 220 44 108

HSL 338.18, 0.72%, 0.52%

LAB 49.62, 69.03, 7.74

 

CMYK 0 / 90 / 58 / 6

HEX #F01866

RGB 240 24 102

HSL 338.33, 0.88%, 0.52%

LAB 51.99, 77.39, 15.28

 

CMYK 0 / 68 / 44 / 21

HEX #C94071

RGB 201 64 113

HSL 338.54, 0.56%, 0.52%

LAB 48.61, 57.75, 2.79

 

CMYK 0 / 54 / 34 / 29

HEX #B55377

RGB 181 83 119

HSL 337.96, 0.4%, 0.52%

LAB 48.69, 43.56, -1.12

 

CMYK 0 / 36 / 23 / 37

HEX #A1677C

RGB 161 103 124

HSL 338.28, 0.24%, 0.52%

LAB 50.37, 26.33, -1.96

 

CMYK 0 / 13 / 8 / 45

HEX #8D7B82

RGB 141 123 130

HSL 336.67, 0.07%, 0.52%

LAB 53.43, 8.19, -1.27

 

CMYK 15 / 0 / 6 / 44

HEX #798F87

RGB 121 143 135

HSL 158.18, 0.09%, 0.52%

LAB 57.52, -9.53, 1.62

 

CMYK 0 / 68 / 7 / 21

HEX #C940BB

RGB 201 64 187

HSL 306.13, 0.56%, 0.52%

LAB 51.46, 67.21, -36.92

 

CMYK 0 / 68 / 25 / 21

HEX #C94096

RGB 201 64 150

HSL 322.34, 0.56%, 0.52%

LAB 49.84, 61.94, -17.67

 

CMYK 0 / 68 / 43 / 21

HEX #C94072

RGB 201 64 114

HSL 338.1, 0.56%, 0.52%

LAB 48.63, 57.85, 2.22

 

CMYK 0 / 68 / 62 / 21

HEX #C9404D

RGB 201 64 77

HSL 354.31, 0.56%, 0.52%

LAB 47.78, 54.83, 23.52

 

CMYK 0 / 57 / 68 / 21

HEX #C95640

RGB 201 86 64

HSL 9.64, 0.56%, 0.52%

LAB 51.2, 44.37, 35.33

 

CMYK 0 / 72 / 46 / 44

HEX #8E284D

RGB 142 40 77

HSL 338.24, 0.56%, 0.36%

LAB 33.57, 45.61, 2.3

 

CMYK 0 / 72 / 46 / 32

HEX #AE315E

RGB 174 49 94

HSL 338.4, 0.56%, 0.44%

LAB 41.22, 53.57, 3.24

 

CMYK 0 / 68 / 44 / 21

HEX #C94071

RGB 201 64 113

HSL 338.54, 0.56%, 0.52%

LAB 48.61, 57.75, 2.79

 

CMYK 0 / 54 / 35 / 18

HEX #D26089

RGB 210 96 137

HSL 338.42, 0.56%, 0.6%

LAB 55.96, 49.15, -0.67

 

CMYK 0 / 42 / 26 / 14

HEX #DB80A1

RGB 219 128 161

HSL 338.24, 0.56%, 0.68%

LAB 64.22, 39.15, -2.28

 

CMYK 0 / 69 / 44 / 21

HEX #C93F71

RGB 201 63 113

HSL 338.26, 0.56%, 0.52%

LAB 48.47, 58.13, 2.59

 

CMYK 0 / 11 / 68 / 21

HEX #C9B240

RGB 201 178 64

HSL 49.93, 0.56%, 0.52%

LAB 72.65, -4.51, 58.83

 

CMYK 68 / 16 / 0 / 21

HEX #40A9C9

RGB 64 169 201

HSL 194.01, 0.56%, 0.52%

LAB 64.71, -19.84, -25.13

 

CMYK 0 / 69 / 44 / 21

HEX #C93F71

RGB 201 63 113

HSL 338.26, 0.56%, 0.52%

LAB 48.47, 58.13, 2.59

 

CMYK 43 / 0 / 68 / 21

HEX #72C940

RGB 114 201 64

HSL 98.1, 0.56%, 0.52%

LAB 73.36, -49.55, 57.76

 

CMYK 68 / 43 / 0 / 21

HEX #4072C9

RGB 64 114 201

HSL 218.1, 0.56%, 0.52%

LAB 48.69, 11.85, -50.24

 

CMYK 0 / 69 / 44 / 21

HEX #C93F71

RGB 201 63 113

HSL 338.26, 0.56%, 0.52%

LAB 48.47, 58.13, 2.59

 

CMYK 0 / 11 / 68 / 21

HEX #C9B240

RGB 201 178 64

HSL 49.93, 0.56%, 0.52%

LAB 72.65, -4.51, 58.83

 

CMYK 68 / 0 / 25 / 21

HEX #40C996

RGB 64 201 150

HSL 157.66, 0.56%, 0.52%

LAB 72.93, -48.66, 14.98

 

CMYK 68 / 57 / 0 / 21

HEX #4056C9

RGB 64 86 201

HSL 230.36, 0.56%, 0.52%

LAB 41.16, 29.62, -62.38

 

CMYK 0 / 69 / 44 / 21

HEX #C93F71

RGB 201 63 113

HSL 338.26, 0.56%, 0.52%

LAB 48.47, 58.13, 2.59

 

CMYK 9 / 0 / 68 / 21

HEX #B6C940

RGB 182 201 64

HSL 68.32, 0.56%, 0.52%

LAB 77.33, -24.19, 63.1

 

CMYK 68 / 0 / 25 / 21

HEX #40C996

RGB 64 201 150

HSL 157.66, 0.56%, 0.52%

LAB 72.93, -48.66, 14.98

 

CMYK 59 / 68 / 0 / 21

HEX #5240C9

RGB 82 64 201

HSL 247.88, 0.56%, 0.52%

LAB 37.26, 45.69, -68.69

 

Description

Color code: HEX #C93F71 | qconv.com Color code: HEX #C93F71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 63 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 63 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 44 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 44% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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