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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C938CD it is the complementary color #36C732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C938CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C938CD shade: #CE38C8, #DF4ADB, #F05CEE, #FF6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C938CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C938CD shade: #C938CD, #B826BA, #A714A7, #960294 and #850081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C938CD shade: #C837CD, #CD37A8, #CD3780, #CD3757 and #CD3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C938CD shade: #C837CD, #A037CD, #7837CD, #4F37CD and #3737CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C938CD shade matches the following richer shades: #C837CD, #DC22E1 and #EF0EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C938CD shade: #C837CD, #B54BB8, #A25FA4, #8F7390 and #7C877C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C938CD shade: #7837CD, #A037CD, #C837CD, #CD37AA and #CD3782

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C938CD shade: #8B238E, #AB2BAF, #C837CD, #D158D5 and #DA79DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C938CD shade: #C938CD, #CD5037 and #37CD8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C938CD shade: #C938CD, #CDC837 and #37CDC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C938CD shade: #C938CD, #CD5037, #3CCD37 and #37B4CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C938CD shade: #C938CD, #CD7D37, #3CCD37 and #3787CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 73 / 0 / 20

HEX #C938CD

RGB 201 56 205

HSL 298.39, 0.6%, 0.51%

LAB 51.44, 72.8, -47.35

 

Complementary color

CMYK 73 / 0 / 75 / 22

HEX #36C732

RGB 54 199 50

HSL 118.39, 0.6%, 0.49%

LAB 70.78, -64.63, 59.65

 

CMYK 0 / 73 / 3 / 19

HEX #CE38C8

RGB 206 56 200

HSL 302.4, 0.6%, 0.51%

LAB 51.97, 73.06, -43.58

 

CMYK 0 / 67 / 2 / 13

HEX #DF4ADB

RGB 223 74 219

HSL 301.61, 0.7%, 0.58%

LAB 57.75, 73.72, -45.1

 

CMYK 0 / 62 / 1 / 6

HEX #F05CEE

RGB 240 92 238

HSL 300.81, 0.83%, 0.65%

LAB 63.63, 73.9, -46.29

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 2 / 73 / 0 / 20

HEX #C938CD

RGB 201 56 205

HSL 298.39, 0.6%, 0.51%

LAB 51.44, 72.8, -47.35

 

CMYK 1 / 80 / 0 / 27

HEX #B826BA

RGB 184 38 186

HSL 299.19, 0.66%, 0.44%

LAB 45.8, 71.47, -45.48

 

CMYK 0 / 88 / 0 / 35

HEX #A714A7

RGB 167 20 167

HSL 300, 0.79%, 0.37%

LAB 40.42, 69.12, -42.99

 

CMYK 0 / 99 / 1 / 41

HEX #960294

RGB 150 2 148

HSL 300.81, 0.97%, 0.3%

LAB 35.33, 65.58, -39.8

 

CMYK 0 / 100 / 3 / 48

HEX #850081

RGB 133 0 129

HSL 301.8, 1%, 0.26%

LAB 30.81, 59.97, -35.43

 

CMYK 2 / 73 / 0 / 20

HEX #C837CD

RGB 200 55 205

HSL 298, 0.6%, 0.51%

LAB 51.17, 72.9, -47.78

 

CMYK 0 / 73 / 18 / 20

HEX #CD37A8

RGB 205 55 168

HSL 314.8, 0.6%, 0.51%

LAB 50.14, 68.48, -27.82

 

CMYK 0 / 73 / 38 / 20

HEX #CD3780

RGB 205 55 128

HSL 330.8, 0.6%, 0.51%

LAB 48.6, 63.64, -6.25

 

CMYK 0 / 73 / 58 / 20

HEX #CD3757

RGB 205 55 87

HSL 347.2, 0.6%, 0.51%

LAB 47.49, 60.05, 17.2

 

CMYK 0 / 73 / 73 / 20

HEX #CD3737

RGB 205 55 55

HSL 0, 0.6%, 0.51%

LAB 46.96, 58.25, 35.68

 

CMYK 2 / 73 / 0 / 20

HEX #C837CD

RGB 200 55 205

HSL 298, 0.6%, 0.51%

LAB 51.17, 72.9, -47.78

 

CMYK 22 / 73 / 0 / 20

HEX #A037CD

RGB 160 55 205

HSL 282, 0.6%, 0.51%

LAB 45.1, 64.84, -57.86

 

CMYK 41 / 73 / 0 / 20

HEX #7837CD

RGB 120 55 205

HSL 266, 0.6%, 0.51%

LAB 39.8, 57.51, -66.7

 

CMYK 61 / 73 / 0 / 20

HEX #4F37CD

RGB 79 55 205

HSL 249.6, 0.6%, 0.51%

LAB 35.6, 51.4, -73.75

 

CMYK 73 / 73 / 0 / 20

HEX #3737CD

RGB 55 55 205

HSL 240, 0.6%, 0.51%

LAB 33.88, 48.8, -76.64

 

CMYK 2 / 73 / 0 / 20

HEX #C837CD

RGB 200 55 205

HSL 298, 0.6%, 0.51%

LAB 51.17, 72.9, -47.78

 

CMYK 2 / 85 / 0 / 12

HEX #DC22E1

RGB 220 34 225

HSL 298.43, 0.76%, 0.51%

LAB 53.81, 84.94, -54.79

 

CMYK 2 / 94 / 0 / 4

HEX #EF0EF5

RGB 239 14 245

HSL 298.44, 0.92%, 0.51%

LAB 57.33, 93.5, -60.23

 

CMYK 2 / 73 / 0 / 20

HEX #C837CD

RGB 200 55 205

HSL 298, 0.6%, 0.51%

LAB 51.17, 72.9, -47.78

 

CMYK 2 / 59 / 0 / 28

HEX #B54BB8

RGB 181 75 184

HSL 298.35, 0.43%, 0.51%

LAB 49.88, 57.32, -37.88

 

CMYK 1 / 42 / 0 / 36

HEX #A25FA4

RGB 162 95 164

HSL 298.26, 0.27%, 0.51%

LAB 50.15, 38.16, -25.95

 

CMYK 1 / 20 / 0 / 44

HEX #8F7390

RGB 143 115 144

HSL 297.93, 0.12%, 0.51%

LAB 51.97, 16.31, -11.62

 

CMYK 8 / 0 / 8 / 47

HEX #7C877C

RGB 124 135 124

HSL 120, 0.04%, 0.51%

LAB 55.14, -6.24, 4.53

 

CMYK 41 / 73 / 0 / 20

HEX #7837CD

RGB 120 55 205

HSL 266, 0.6%, 0.51%

LAB 39.8, 57.51, -66.7

 

CMYK 22 / 73 / 0 / 20

HEX #A037CD

RGB 160 55 205

HSL 282, 0.6%, 0.51%

LAB 45.1, 64.84, -57.86

 

CMYK 2 / 73 / 0 / 20

HEX #C837CD

RGB 200 55 205

HSL 298, 0.6%, 0.51%

LAB 51.17, 72.9, -47.78

 

CMYK 0 / 73 / 17 / 20

HEX #CD37AA

RGB 205 55 170

HSL 314, 0.6%, 0.51%

LAB 50.23, 68.75, -28.86

 

CMYK 0 / 73 / 37 / 20

HEX #CD3782

RGB 205 55 130

HSL 330, 0.6%, 0.51%

LAB 48.66, 63.86, -7.36

 

CMYK 2 / 75 / 0 / 44

HEX #8B238E

RGB 139 35 142

HSL 298.32, 0.6%, 0.35%

LAB 35.29, 55.75, -36.3

 

CMYK 2 / 75 / 0 / 31

HEX #AB2BAF

RGB 171 43 175

HSL 298.18, 0.61%, 0.43%

LAB 43.48, 65.67, -42.83

 

CMYK 2 / 73 / 0 / 20

HEX #C837CD

RGB 200 55 205

HSL 298, 0.6%, 0.51%

LAB 51.17, 72.9, -47.78

 

CMYK 2 / 59 / 0 / 16

HEX #D158D5

RGB 209 88 213

HSL 298.08, 0.6%, 0.59%

LAB 57.4, 63.82, -42.39

 

CMYK 1 / 45 / 0 / 13

HEX #DA79DD

RGB 218 121 221

HSL 298.2, 0.6%, 0.67%

LAB 64.8, 52.08, -35.21

 

CMYK 2 / 73 / 0 / 20

HEX #C938CD

RGB 201 56 205

HSL 298.39, 0.6%, 0.51%

LAB 51.44, 72.8, -47.35

 

CMYK 0 / 61 / 73 / 20

HEX #CD5037

RGB 205 80 55

HSL 10, 0.6%, 0.51%

LAB 50.68, 48.17, 39.86

 

CMYK 73 / 0 / 32 / 20

HEX #37CD8C

RGB 55 205 140

HSL 154, 0.6%, 0.51%

LAB 73.78, -53.75, 21.44

 

CMYK 2 / 73 / 0 / 20

HEX #C938CD

RGB 201 56 205

HSL 298.39, 0.6%, 0.51%

LAB 51.44, 72.8, -47.35

 

CMYK 0 / 2 / 73 / 20

HEX #CDC837

RGB 205 200 55

HSL 58, 0.6%, 0.51%

LAB 78.79, -14.54, 68.36

 

CMYK 73 / 0 / 2 / 20

HEX #37CDC8

RGB 55 205 200

HSL 178, 0.6%, 0.51%

LAB 75.23, -38.88, -8.7

 

CMYK 2 / 73 / 0 / 20

HEX #C938CD

RGB 201 56 205

HSL 298.39, 0.6%, 0.51%

LAB 51.44, 72.8, -47.35

 

CMYK 0 / 61 / 73 / 20

HEX #CD5037

RGB 205 80 55

HSL 10, 0.6%, 0.51%

LAB 50.68, 48.17, 39.86

 

CMYK 71 / 0 / 73 / 20

HEX #3CCD37

RGB 60 205 55

HSL 118, 0.6%, 0.51%

LAB 72.83, -65.16, 60.01

 

CMYK 73 / 12 / 0 / 20

HEX #37B4CD

RGB 55 180 205

HSL 190, 0.6%, 0.51%

LAB 67.92, -25.44, -22.45

 

CMYK 2 / 73 / 0 / 20

HEX #C938CD

RGB 201 56 205

HSL 298.39, 0.6%, 0.51%

LAB 51.44, 72.8, -47.35

 

CMYK 0 / 39 / 73 / 20

HEX #CD7D37

RGB 205 125 55

HSL 28, 0.6%, 0.51%

LAB 59.82, 25.33, 49.64

 

CMYK 71 / 0 / 73 / 20

HEX #3CCD37

RGB 60 205 55

HSL 118, 0.6%, 0.51%

LAB 72.83, -65.16, 60.01

 

CMYK 73 / 34 / 0 / 20

HEX #3787CD

RGB 55 135 205

HSL 208, 0.6%, 0.51%

LAB 54.6, -0.82, -43.13

 

Description

Color code: HEX #C938CD | qconv.com Color code: HEX #C938CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 56 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 56 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 73 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 73% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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