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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92C9F it is the complementary color #36D360. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92C9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92C9F shade: #CE2C9A, #DF3EAD, #F050C0, #FF62D3 and #FF74E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92C9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92C9F shade: #C92C9F, #B81A8C, #A70879, #960066 and #850053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92C9F shade: #C82C9E, #C82C74, #C82C4A and #C82C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92C9F shade: #C82C9E, #C82CC8, #9E2CC8, #732CC8 and #492CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92C9F shade matches the following richer shades: #C82C9E, #DC18A8 and #F004B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92C9F shade: #C82C9E, #B43F95, #A1538C, #8D6783 and #797B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92C9F shade: #9E2CC8, #C82CC8, #C82C9E, #C82C75 and #C82C4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92C9F shade: #851D69, #A62484, #C82C9E, #D647B0 and #DE69BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92C9F shade: #C92C9F, #C8752C and #2CC8B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92C9F shade: #C92C9F, #9EC82C and #2C9EC8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92C9F shade: #C92C9F, #C8752C, #2CC855 and #2C7FC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92C9F shade: #C92C9F, #C8A42C, #2CC855 and #2C50C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 21 / 21

HEX #C92C9F

RGB 201 44 159

HSL 316.05, 0.64%, 0.48%

LAB 47.91, 69.62, -26.01

 

Complementary color

CMYK 74 / 0 / 55 / 17

HEX #36D360

RGB 54 211 96

HSL 136.05, 0.64%, 0.52%

LAB 74.96, -63.69, 45.16

 

CMYK 0 / 79 / 25 / 19

HEX #CE2C9A

RGB 206 44 154

HSL 319.26, 0.65%, 0.49%

LAB 48.58, 70.14, -21.91

 

CMYK 0 / 72 / 22 / 13

HEX #DF3EAD

RGB 223 62 173

HSL 318.63, 0.72%, 0.56%

LAB 54.19, 71.22, -24.25

 

CMYK 0 / 67 / 20 / 6

HEX #F050C0

RGB 240 80 192

HSL 318, 0.84%, 0.63%

LAB 59.95, 71.68, -26.12

 

CMYK 0 / 62 / 17 / 0

HEX #FF62D3

RGB 255 98 211

HSL 316.82, 1%, 0.69%

LAB 65.51, 71.2, -28.12

 

CMYK 0 / 55 / 10 / 0

HEX #FF74E6

RGB 255 116 230

HSL 310.79, 1%, 0.73%

LAB 69.09, 66.34, -33.19

 

CMYK 0 / 78 / 21 / 21

HEX #C92C9F

RGB 201 44 159

HSL 316.05, 0.64%, 0.48%

LAB 47.91, 69.62, -26.01

 

CMYK 0 / 86 / 24 / 28

HEX #B81A8C

RGB 184 26 140

HSL 316.71, 0.75%, 0.41%

LAB 42.49, 67.67, -23.19

 

CMYK 0 / 95 / 28 / 35

HEX #A70879

RGB 167 8 121

HSL 317.36, 0.91%, 0.34%

LAB 37.43, 64.48, -19.55

 

CMYK 0 / 100 / 32 / 41

HEX #960066

RGB 150 0 102

HSL 319.2, 1%, 0.29%

LAB 32.8, 59.73, -14.9

 

CMYK 0 / 100 / 38 / 48

HEX #850053

RGB 133 0 83

HSL 322.56, 1%, 0.26%

LAB 28.41, 53.96, -9.49

 

CMYK 0 / 78 / 21 / 22

HEX #C82C9E

RGB 200 44 158

HSL 316.15, 0.64%, 0.48%

LAB 47.69, 69.26, -25.77

 

CMYK 0 / 78 / 42 / 22

HEX #C82C74

RGB 200 44 116

HSL 332.31, 0.64%, 0.48%

LAB 46.1, 64.52, -2.73

 

CMYK 0 / 78 / 63 / 22

HEX #C82C4A

RGB 200 44 74

HSL 348.46, 0.64%, 0.48%

LAB 45.05, 61.26, 21.75

 

CMYK 0 / 78 / 78 / 22

HEX #C82C2C

RGB 200 44 44

HSL 0, 0.64%, 0.48%

LAB 44.61, 59.87, 39.08

 

CMYK 0 / 78 / 21 / 22

HEX #C82C9E

RGB 200 44 158

HSL 316.15, 0.64%, 0.48%

LAB 47.69, 69.26, -25.77

 

CMYK 0 / 78 / 0 / 22

HEX #C82CC8

RGB 200 44 200

HSL 300, 0.64%, 0.48%

LAB 49.8, 75.26, -47.09

 

CMYK 21 / 78 / 0 / 22

HEX #9E2CC8

RGB 158 44 200

HSL 283.85, 0.64%, 0.48%

LAB 43.12, 67.33, -58.17

 

CMYK 43 / 78 / 0 / 22

HEX #732CC8

RGB 115 44 200

HSL 267.31, 0.64%, 0.48%

LAB 37.14, 60.15, -68.16

 

CMYK 64 / 78 / 0 / 22

HEX #492CC8

RGB 73 44 200

HSL 251.15, 0.64%, 0.48%

LAB 32.67, 54.72, -75.68

 

CMYK 0 / 78 / 21 / 22

HEX #C82C9E

RGB 200 44 158

HSL 316.15, 0.64%, 0.48%

LAB 47.69, 69.26, -25.77

 

CMYK 0 / 89 / 24 / 14

HEX #DC18A8

RGB 220 24 168

HSL 315.92, 0.8%, 0.48%

LAB 50.33, 78.88, -27.32

 

CMYK 0 / 98 / 26 / 6

HEX #F004B1

RGB 240 4 177

HSL 316.02, 0.97%, 0.48%

LAB 53.8, 85.68, -26.94

 

CMYK 0 / 78 / 21 / 22

HEX #C82C9E

RGB 200 44 158

HSL 316.15, 0.64%, 0.48%

LAB 47.69, 69.26, -25.77

 

CMYK 0 / 65 / 17 / 29

HEX #B43F95

RGB 180 63 149

HSL 315.9, 0.48%, 0.48%

LAB 46.22, 56.51, -22.93

 

CMYK 0 / 48 / 13 / 37

HEX #A1538C

RGB 161 83 140

HSL 316.15, 0.32%, 0.48%

LAB 46.52, 39.93, -17.3

 

CMYK 0 / 27 / 7 / 45

HEX #8D6783

RGB 141 103 131

HSL 315.79, 0.16%, 0.48%

LAB 48.26, 20.06, -9.52

 

CMYK 2 / 0 / 2 / 52

HEX #797B79

RGB 121 123 121

HSL 120, 0.01%, 0.48%

LAB 51.39, -1.15, 0.82

 

CMYK 21 / 78 / 0 / 22

HEX #9E2CC8

RGB 158 44 200

HSL 283.85, 0.64%, 0.48%

LAB 43.12, 67.33, -58.17

 

CMYK 0 / 78 / 0 / 22

HEX #C82CC8

RGB 200 44 200

HSL 300, 0.64%, 0.48%

LAB 49.8, 75.26, -47.09

 

CMYK 0 / 78 / 21 / 22

HEX #C82C9E

RGB 200 44 158

HSL 316.15, 0.64%, 0.48%

LAB 47.69, 69.26, -25.77

 

CMYK 0 / 78 / 42 / 22

HEX #C82C75

RGB 200 44 117

HSL 331.92, 0.64%, 0.48%

LAB 46.13, 64.62, -3.3

 

CMYK 0 / 78 / 63 / 22

HEX #C82C4B

RGB 200 44 75

HSL 348.08, 0.64%, 0.48%

LAB 45.07, 61.32, 21.16

 

CMYK 0 / 78 / 21 / 48

HEX #851D69

RGB 133 29 105

HSL 316.15, 0.64%, 0.32%

LAB 31.54, 50.43, -19.04

 

CMYK 0 / 78 / 20 / 35

HEX #A62484

RGB 166 36 132

HSL 315.69, 0.64%, 0.4%

LAB 39.64, 60.14, -22.97

 

CMYK 0 / 78 / 21 / 22

HEX #C82C9E

RGB 200 44 158

HSL 316.15, 0.64%, 0.48%

LAB 47.69, 69.26, -25.77

 

CMYK 0 / 67 / 18 / 16

HEX #D647B0

RGB 214 71 176

HSL 315.94, 0.64%, 0.56%

LAB 53.96, 66.21, -26.47

 

CMYK 0 / 53 / 14 / 13

HEX #DE69BE

RGB 222 105 190

HSL 316.41, 0.64%, 0.64%

LAB 61.09, 55.88, -23.45

 

CMYK 0 / 78 / 21 / 21

HEX #C92C9F

RGB 201 44 159

HSL 316.05, 0.64%, 0.48%

LAB 47.91, 69.62, -26.01

 

CMYK 0 / 42 / 78 / 22

HEX #C8752C

RGB 200 117 44

HSL 28.08, 0.64%, 0.48%

LAB 57.25, 27.07, 51.79

 

CMYK 78 / 0 / 11 / 22

HEX #2CC8B3

RGB 44 200 179

HSL 171.92, 0.64%, 0.48%

LAB 72.96, -43.65, -0.7

 

CMYK 0 / 78 / 21 / 21

HEX #C92C9F

RGB 201 44 159

HSL 316.05, 0.64%, 0.48%

LAB 47.91, 69.62, -26.01

 

CMYK 21 / 0 / 78 / 22

HEX #9EC82C

RGB 158 200 44

HSL 76.15, 0.64%, 0.48%

LAB 75.3, -34.45, 67.37

 

CMYK 78 / 21 / 0 / 22

HEX #2C9EC8

RGB 44 158 200

HSL 196.15, 0.64%, 0.48%

LAB 60.92, -16.89, -30.45

 

CMYK 0 / 78 / 21 / 21

HEX #C92C9F

RGB 201 44 159

HSL 316.05, 0.64%, 0.48%

LAB 47.91, 69.62, -26.01

 

CMYK 0 / 42 / 78 / 22

HEX #C8752C

RGB 200 117 44

HSL 28.08, 0.64%, 0.48%

LAB 57.25, 27.07, 51.79

 

CMYK 78 / 0 / 58 / 22

HEX #2CC855

RGB 44 200 85

HSL 135.77, 0.64%, 0.48%

LAB 71.21, -62.85, 45.79

 

CMYK 78 / 37 / 0 / 22

HEX #2C7FC8

RGB 44 127 200

HSL 208.08, 0.64%, 0.48%

LAB 51.71, 0.79, -44.9

 

CMYK 0 / 78 / 21 / 21

HEX #C92C9F

RGB 201 44 159

HSL 316.05, 0.64%, 0.48%

LAB 47.91, 69.62, -26.01

 

CMYK 0 / 18 / 78 / 22

HEX #C8A42C

RGB 200 164 44

HSL 46.15, 0.64%, 0.48%

LAB 68.76, 1.54, 62.6

 

CMYK 78 / 0 / 58 / 22

HEX #2CC855

RGB 44 200 85

HSL 135.77, 0.64%, 0.48%

LAB 71.21, -62.85, 45.79

 

CMYK 78 / 60 / 0 / 22

HEX #2C50C8

RGB 44 80 200

HSL 226.15, 0.64%, 0.48%

LAB 38.63, 30.68, -65.97

 

Description

Color code: HEX #C92C9F | qconv.com Color code: HEX #C92C9F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 44 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 44 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 21 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 21% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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