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Color name
HEX #C925C2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C925C2 it is the complementary color #36DA3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C925C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C925C2 shade: #CE25BD, #DF37D0, #F049E3, #FF5BF6 and #FF6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C925C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C925C2 shade: #C925C2, #B813AF, #A7019C, #960089 and #850076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C925C2 shade: #CA25C3, #CA2596, #CA256A, #CA253D and #CA2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C925C2 shade: #CA25C3, #A525CA, #7825CA, #4B25CA and #2525CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C925C2 shade matches the following richer shades: #CA25C3 and #DD11D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C925C2 shade: #CA25C3, #B738B1, #A34BA0, #905F8E and #7C727C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C925C2 shade: #7725CA, #A325CA, #CA25C5, #CA2598 and #CA256C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C925C2 shade: #841880, #A71EA1, #CA25C3, #DB3DD4 and #E160DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C925C2 shade: #C925C2, #CA4B25 and #25CA8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C925C2 shade: #C925C2, #C5CA25 and #25C5CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C925C2 shade: #C925C2, #CA4B25, #25CA2A and #25A3CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C925C2 shade: #C925C2, #CA7D25, #25CA2A and #2572CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 3 / 21

HEX #C925C2

RGB 201 37 194

HSL 302.56, 0.69%, 0.47%

LAB 49.05, 76.23, -44.8

 

Complementary color

CMYK 75 / 0 / 72 / 15

HEX #36DA3D

RGB 54 218 61

HSL 122.56, 0.69%, 0.53%

LAB 76.84, -69.73, 61.93

 

CMYK 0 / 82 / 8 / 19

HEX #CE25BD

RGB 206 37 189

HSL 306.04, 0.7%, 0.48%

LAB 49.64, 76.47, -40.9

 

CMYK 0 / 75 / 7 / 13

HEX #DF37D0

RGB 223 55 208

HSL 305.36, 0.72%, 0.55%

LAB 55.05, 78.15, -43.13

 

CMYK 0 / 70 / 5 / 6

HEX #F049E3

RGB 240 73 227

HSL 304.67, 0.85%, 0.61%

LAB 60.64, 79.09, -44.88

 

CMYK 0 / 64 / 4 / 0

HEX #FF5BF6

RGB 255 91 246

HSL 303.29, 1%, 0.68%

LAB 66.06, 79.04, -46.76

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 82 / 3 / 21

HEX #C925C2

RGB 201 37 194

HSL 302.56, 0.69%, 0.47%

LAB 49.05, 76.23, -44.8

 

CMYK 0 / 90 / 5 / 28

HEX #B813AF

RGB 184 19 175

HSL 303.27, 0.81%, 0.4%

LAB 43.87, 73.57, -42.07

 

CMYK 0 / 99 / 7 / 35

HEX #A7019C

RGB 167 1 156

HSL 303.98, 0.99%, 0.33%

LAB 38.96, 69.84, -38.69

 

CMYK 0 / 100 / 9 / 41

HEX #960089

RGB 150 0 137

HSL 305.2, 1%, 0.29%

LAB 34.58, 64.21, -34.22

 

CMYK 0 / 100 / 11 / 48

HEX #850076

RGB 133 0 118

HSL 306.77, 1%, 0.26%

LAB 30.14, 58.34, -29.54

 

CMYK 0 / 82 / 3 / 21

HEX #CA25C3

RGB 202 37 195

HSL 302.55, 0.69%, 0.47%

LAB 49.28, 76.57, -45.01

 

CMYK 0 / 82 / 26 / 21

HEX #CA2596

RGB 202 37 150

HSL 318.91, 0.69%, 0.47%

LAB 47.08, 70.5, -21.88

 

CMYK 0 / 82 / 48 / 21

HEX #CA256A

RGB 202 37 106

HSL 334.91, 0.69%, 0.47%

LAB 45.52, 65.99, 2.65

 

CMYK 0 / 82 / 70 / 21

HEX #CA253D

RGB 202 37 61

HSL 351.27, 0.69%, 0.47%

LAB 44.54, 63.04, 29.15

 

CMYK 0 / 82 / 82 / 21

HEX #CA2525

RGB 202 37 37

HSL 0, 0.69%, 0.47%

LAB 44.25, 62.15, 42.69

 

CMYK 0 / 82 / 3 / 21

HEX #CA25C3

RGB 202 37 195

HSL 302.55, 0.69%, 0.47%

LAB 49.28, 76.57, -45.01

 

CMYK 18 / 82 / 0 / 21

HEX #A525CA

RGB 165 37 202

HSL 286.55, 0.69%, 0.47%

LAB 43.63, 70.99, -58.45

 

CMYK 41 / 82 / 0 / 21

HEX #7825CA

RGB 120 37 202

HSL 270.18, 0.69%, 0.47%

LAB 37.08, 63.91, -69.41

 

CMYK 63 / 82 / 0 / 21

HEX #4B25CA

RGB 75 37 202

HSL 253.82, 0.69%, 0.47%

LAB 32, 58.58, -77.96

 

CMYK 82 / 82 / 0 / 21

HEX #2525CA

RGB 37 37 202

HSL 240, 0.69%, 0.47%

LAB 29.36, 55.89, -82.4

 

CMYK 0 / 82 / 3 / 21

HEX #CA25C3

RGB 202 37 195

HSL 302.55, 0.69%, 0.47%

LAB 49.28, 76.57, -45.01

 

CMYK 0 / 92 / 4 / 13

HEX #DD11D5

RGB 221 17 213

HSL 302.35, 0.86%, 0.47%

LAB 52.48, 85.74, -50.07

 

CMYK 0 / 82 / 3 / 21

HEX #CA25C3

RGB 202 37 195

HSL 302.55, 0.69%, 0.47%

LAB 49.28, 76.57, -45.01

 

CMYK 0 / 69 / 3 / 28

HEX #B738B1

RGB 183 56 177

HSL 302.83, 0.53%, 0.47%

LAB 47.07, 64.3, -38.2

 

CMYK 0 / 54 / 2 / 36

HEX #A34BA0

RGB 163 75 160

HSL 302.05, 0.37%, 0.47%

LAB 46.12, 48.12, -29.85

 

CMYK 0 / 34 / 1 / 44

HEX #905F8E

RGB 144 95 142

HSL 302.45, 0.21%, 0.47%

LAB 47.06, 27.92, -17.87

 

CMYK 0 / 8 / 0 / 51

HEX #7C727C

RGB 124 114 124

HSL 300, 0.04%, 0.47%

LAB 49.22, 5.83, -4.11

 

CMYK 41 / 82 / 0 / 21

HEX #7725CA

RGB 119 37 202

HSL 269.82, 0.69%, 0.47%

LAB 36.95, 63.77, -69.63

 

CMYK 19 / 82 / 0 / 21

HEX #A325CA

RGB 163 37 202

HSL 285.82, 0.69%, 0.47%

LAB 43.32, 70.64, -58.97

 

CMYK 0 / 82 / 2 / 21

HEX #CA25C5

RGB 202 37 197

HSL 301.82, 0.69%, 0.47%

LAB 49.39, 76.87, -45.99

 

CMYK 0 / 82 / 25 / 21

HEX #CA2598

RGB 202 37 152

HSL 318.18, 0.69%, 0.47%

LAB 47.17, 70.74, -22.95

 

CMYK 0 / 82 / 47 / 21

HEX #CA256C

RGB 202 37 108

HSL 334.18, 0.69%, 0.47%

LAB 45.58, 66.16, 1.49

 

CMYK 0 / 82 / 3 / 48

HEX #841880

RGB 132 24 128

HSL 302.22, 0.69%, 0.31%

LAB 32.07, 55.2, -32.8

 

CMYK 0 / 82 / 4 / 35

HEX #A71EA1

RGB 167 30 161

HSL 302.63, 0.7%, 0.39%

LAB 40.76, 66.16, -38.84

 

CMYK 0 / 82 / 3 / 21

HEX #CA25C3

RGB 202 37 195

HSL 302.55, 0.69%, 0.47%

LAB 49.28, 76.57, -45.01

 

CMYK 0 / 72 / 3 / 14

HEX #DB3DD4

RGB 219 61 212

HSL 302.66, 0.69%, 0.55%

LAB 55.23, 76.12, -45.16

 

CMYK 0 / 57 / 2 / 12

HEX #E160DC

RGB 225 96 220

HSL 302.33, 0.68%, 0.63%

LAB 61.26, 65.59, -40.13

 

CMYK 0 / 82 / 3 / 21

HEX #C925C2

RGB 201 37 194

HSL 302.56, 0.69%, 0.47%

LAB 49.05, 76.23, -44.8

 

CMYK 0 / 63 / 82 / 21

HEX #CA4B25

RGB 202 75 37

HSL 13.82, 0.69%, 0.47%

LAB 49.16, 48.67, 47.34

 

CMYK 82 / 0 / 30 / 21

HEX #25CA8D

RGB 37 202 141

HSL 157.82, 0.69%, 0.47%

LAB 72.6, -54.47, 19.24

 

CMYK 0 / 82 / 3 / 21

HEX #C925C2

RGB 201 37 194

HSL 302.56, 0.69%, 0.47%

LAB 49.05, 76.23, -44.8

 

CMYK 2 / 0 / 82 / 21

HEX #C5CA25

RGB 197 202 37

HSL 61.82, 0.69%, 0.47%

LAB 78.6, -19.59, 73.25

 

CMYK 82 / 2 / 0 / 21

HEX #25C5CA

RGB 37 197 202

HSL 181.82, 0.69%, 0.47%

LAB 72.62, -36.38, -13.71

 

CMYK 0 / 82 / 3 / 21

HEX #C925C2

RGB 201 37 194

HSL 302.56, 0.69%, 0.47%

LAB 49.05, 76.23, -44.8

 

CMYK 0 / 63 / 82 / 21

HEX #CA4B25

RGB 202 75 37

HSL 13.82, 0.69%, 0.47%

LAB 49.16, 48.67, 47.34

 

CMYK 82 / 0 / 79 / 21

HEX #25CA2A

RGB 37 202 42

HSL 121.82, 0.69%, 0.47%

LAB 71.42, -68.42, 62.72

 

CMYK 82 / 19 / 0 / 21

HEX #25A3CA

RGB 37 163 202

HSL 194.18, 0.69%, 0.47%

LAB 62.38, -19.56, -29.32

 

CMYK 0 / 82 / 3 / 21

HEX #C925C2

RGB 201 37 194

HSL 302.56, 0.69%, 0.47%

LAB 49.05, 76.23, -44.8

 

CMYK 0 / 38 / 82 / 21

HEX #CA7D25

RGB 202 125 37

HSL 32, 0.69%, 0.47%

LAB 59.3, 23.34, 56.61

 

CMYK 82 / 0 / 79 / 21

HEX #25CA2A

RGB 37 202 42

HSL 121.82, 0.69%, 0.47%

LAB 71.42, -68.42, 62.72

 

CMYK 82 / 44 / 0 / 21

HEX #2572CA

RGB 37 114 202

HSL 212, 0.69%, 0.47%

LAB 47.87, 8.83, -52.17

 

Description

Color code: HEX #C925C2 | qconv.com Color code: HEX #C925C2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 37 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 37 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 3 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 3% 21% C M Y K

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Provide designers and agencies with accurate color values.

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