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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C92533 it is the complementary color #36DACC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C92533. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C92533 shade: #CE252E, #DF3741, #F04954, #FF5B67 and #FF6D7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C92533. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C92533 shade: #C92533, #B81320, #A7010D, #960000 and #850000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C92533 shade: #CA2533 and #CA2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C92533 shade: #CA2533, #CA255F, #CA258C, #CA25B9 and #AF25CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C92533 shade matches the following richer shades: #CA2533 and #DD1123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C92533 shade: #CA2533, #B73843, #A34B53, #905F63 and #7C7273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C92533 shade: #CA258D, #CA2561, #CA2535, #CA4025 and #CA6C25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C92533 shade: #841821, #A71E2A, #CA2533, #DB3D4A and #E1606B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C92533 shade: #C92533, #BACA25 and #2577CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C92533 shade: #C92533, #35CA25 and #2535CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C92533 shade: #C92533, #BACA25, #25CABA and #3525CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C92533 shade: #C92533, #88CA25, #25CABA and #6725CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 75 / 21

HEX #C92533

RGB 201 37 51

HSL 354.88, 0.69%, 0.47%

LAB 44.2, 62.33, 34.68

 

Complementary color

CMYK 75 / 0 / 6 / 15

HEX #36DACC

RGB 54 218 204

HSL 174.88, 0.69%, 0.53%

LAB 79.21, -43.68, -4.96

 

CMYK 0 / 82 / 78 / 19

HEX #CE252E

RGB 206 37 46

HSL 356.8, 0.7%, 0.48%

LAB 45.14, 63.55, 38.88

 

CMYK 0 / 75 / 71 / 13

HEX #DF3741

RGB 223 55 65

HSL 356.43, 0.72%, 0.55%

LAB 50.45, 64.1, 34.82

 

CMYK 0 / 70 / 65 / 6

HEX #F04954

RGB 240 73 84

HSL 356.05, 0.85%, 0.61%

LAB 56.02, 64.02, 31.3

 

CMYK 0 / 64 / 60 / 0

HEX #FF5B67

RGB 255 91 103

HSL 355.61, 1%, 0.68%

LAB 61.41, 62.91, 27.78

 

CMYK 0 / 57 / 52 / 0

HEX #FF6D7A

RGB 255 109 122

HSL 354.66, 1%, 0.71%

LAB 64.65, 56.61, 21.24

 

CMYK 0 / 82 / 75 / 21

HEX #C92533

RGB 201 37 51

HSL 354.88, 0.69%, 0.47%

LAB 44.2, 62.33, 34.68

 

CMYK 0 / 90 / 83 / 28

HEX #B81320

RGB 184 19 32

HSL 355.27, 0.81%, 0.4%

LAB 39.17, 60.86, 39.24

 

CMYK 0 / 99 / 92 / 35

HEX #A7010D

RGB 167 1 13

HSL 355.66, 0.99%, 0.33%

LAB 34.53, 58.38, 43.47

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 100 / 100 / 48

HEX #850000

RGB 133 0 0

HSL 0, 1%, 0.26%

LAB 26.7, 49.4, 39.55

 

CMYK 0 / 82 / 75 / 21

HEX #CA2533

RGB 202 37 51

HSL 354.91, 0.69%, 0.47%

LAB 44.4, 62.61, 34.96

 

CMYK 0 / 82 / 82 / 21

HEX #CA2525

RGB 202 37 37

HSL 0, 0.69%, 0.47%

LAB 44.25, 62.15, 42.69

 

CMYK 0 / 82 / 75 / 21

HEX #CA2533

RGB 202 37 51

HSL 354.91, 0.69%, 0.47%

LAB 44.4, 62.61, 34.96

 

CMYK 0 / 82 / 53 / 21

HEX #CA255F

RGB 202 37 95

HSL 338.91, 0.69%, 0.47%

LAB 45.23, 65.11, 9.05

 

CMYK 0 / 82 / 31 / 21

HEX #CA258C

RGB 202 37 140

HSL 322.55, 0.69%, 0.47%

LAB 46.68, 69.34, -16.47

 

CMYK 0 / 82 / 8 / 21

HEX #CA25B9

RGB 202 37 185

HSL 306.18, 0.69%, 0.47%

LAB 48.74, 75.11, -40.04

 

CMYK 13 / 82 / 0 / 21

HEX #AF25CA

RGB 175 37 202

HSL 290.18, 0.69%, 0.47%

LAB 45.22, 72.72, -55.81

 

CMYK 0 / 82 / 75 / 21

HEX #CA2533

RGB 202 37 51

HSL 354.91, 0.69%, 0.47%

LAB 44.4, 62.61, 34.96

 

CMYK 0 / 92 / 84 / 13

HEX #DD1123

RGB 221 17 35

HSL 354.71, 0.86%, 0.47%

LAB 46.84, 70.81, 47.53

 

CMYK 0 / 82 / 75 / 21

HEX #CA2533

RGB 202 37 51

HSL 354.91, 0.69%, 0.47%

LAB 44.4, 62.61, 34.96

 

CMYK 0 / 69 / 63 / 28

HEX #B73843

RGB 183 56 67

HSL 354.8, 0.53%, 0.47%

LAB 43.21, 51.56, 23.05

 

CMYK 0 / 54 / 49 / 36

HEX #A34B53

RGB 163 75 83

HSL 354.55, 0.37%, 0.47%

LAB 43.42, 37.15, 12.92

 

CMYK 0 / 34 / 31 / 44

HEX #905F63

RGB 144 95 99

HSL 355.1, 0.21%, 0.47%

LAB 45.65, 20.56, 5.93

 

CMYK 0 / 8 / 7 / 51

HEX #7C7273

RGB 124 114 115

HSL 354, 0.04%, 0.47%

LAB 48.95, 4.06, 0.84

 

CMYK 0 / 82 / 30 / 21

HEX #CA258D

RGB 202 37 141

HSL 322.18, 0.69%, 0.47%

LAB 46.71, 69.45, -17.02

 

CMYK 0 / 82 / 52 / 21

HEX #CA2561

RGB 202 37 97

HSL 338.18, 0.69%, 0.47%

LAB 45.28, 65.26, 7.88

 

CMYK 0 / 82 / 74 / 21

HEX #CA2535

RGB 202 37 53

HSL 354.18, 0.69%, 0.47%

LAB 44.43, 62.69, 33.81

 

CMYK 0 / 68 / 82 / 21

HEX #CA4025

RGB 202 64 37

HSL 9.82, 0.69%, 0.47%

LAB 47.44, 53.3, 45.73

 

CMYK 0 / 47 / 82 / 21

HEX #CA6C25

RGB 202 108 37

HSL 25.82, 0.69%, 0.47%

LAB 55.5, 32.46, 53.18

 

CMYK 0 / 82 / 75 / 48

HEX #841821

RGB 132 24 33

HSL 355, 0.69%, 0.31%

LAB 28.56, 44.89, 24.06

 

CMYK 0 / 82 / 75 / 35

HEX #A71E2A

RGB 167 30 42

HSL 354.74, 0.7%, 0.39%

LAB 36.58, 54.08, 29.57

 

CMYK 0 / 82 / 75 / 21

HEX #CA2533

RGB 202 37 51

HSL 354.91, 0.69%, 0.47%

LAB 44.4, 62.61, 34.96

 

CMYK 0 / 72 / 66 / 14

HEX #DB3D4A

RGB 219 61 74

HSL 355.06, 0.69%, 0.55%

LAB 50.56, 61.36, 29.51

 

CMYK 0 / 57 / 52 / 12

HEX #E1606B

RGB 225 96 107

HSL 354.88, 0.68%, 0.63%

LAB 57.5, 51.18, 19.4

 

CMYK 0 / 82 / 75 / 21

HEX #C92533

RGB 201 37 51

HSL 354.88, 0.69%, 0.47%

LAB 44.2, 62.33, 34.68

 

CMYK 8 / 0 / 82 / 21

HEX #BACA25

RGB 186 202 37

HSL 65.82, 0.69%, 0.47%

LAB 77.76, -24.22, 72.2

 

CMYK 82 / 41 / 0 / 21

HEX #2577CA

RGB 37 119 202

HSL 210.18, 0.69%, 0.47%

LAB 49.32, 5.71, -49.86

 

CMYK 0 / 82 / 75 / 21

HEX #C92533

RGB 201 37 51

HSL 354.88, 0.69%, 0.47%

LAB 44.2, 62.33, 34.68

 

CMYK 74 / 0 / 82 / 21

HEX #35CA25

RGB 53 202 37

HSL 114.18, 0.69%, 0.47%

LAB 71.64, -66.55, 64.42

 

CMYK 82 / 74 / 0 / 21

HEX #2535CA

RGB 37 53 202

HSL 234.18, 0.69%, 0.47%

LAB 32.27, 47.55, -77.59

 

CMYK 0 / 82 / 75 / 21

HEX #C92533

RGB 201 37 51

HSL 354.88, 0.69%, 0.47%

LAB 44.2, 62.33, 34.68

 

CMYK 8 / 0 / 82 / 21

HEX #BACA25

RGB 186 202 37

HSL 65.82, 0.69%, 0.47%

LAB 77.76, -24.22, 72.2

 

CMYK 82 / 0 / 8 / 21

HEX #25CABA

RGB 37 202 186

HSL 174.18, 0.69%, 0.47%

LAB 73.66, -43.24, -3.47

 

CMYK 74 / 82 / 0 / 21

HEX #3525CA

RGB 53 37 202

HSL 245.82, 0.69%, 0.47%

LAB 30.26, 56.81, -80.88

 

CMYK 0 / 82 / 75 / 21

HEX #C92533

RGB 201 37 51

HSL 354.88, 0.69%, 0.47%

LAB 44.2, 62.33, 34.68

 

CMYK 33 / 0 / 82 / 21

HEX #88CA25

RGB 136 202 37

HSL 84, 0.69%, 0.47%

LAB 74.58, -44.01, 68.17

 

CMYK 82 / 0 / 8 / 21

HEX #25CABA

RGB 37 202 186

HSL 174.18, 0.69%, 0.47%

LAB 73.66, -43.24, -3.47

 

CMYK 49 / 82 / 0 / 21

HEX #6725CA

RGB 103 37 202

HSL 264, 0.69%, 0.47%

LAB 34.95, 61.66, -72.99

 

Description

Color code: HEX #C92533 | qconv.com Color code: HEX #C92533 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 37 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 37 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 75 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 75% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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