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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C911AD it is the complementary color #36EE52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C911AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C911AD shade: #CE11A8, #DF23BB, #F035CE, #FF47E1 and #FF59F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C911AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C911AD shade: #C911AD, #B8009A, #A70087, #960074 and #850061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C911AD shade: #C911AD, #C9117C, #C9114A, #C91118 and #C91111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C911AD shade: #C911AD, #B411C9, #8211C9, #5011C9 and #1F11C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C911AD shade matches the following richer shades: #C911AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C911AD shade: #C911AD, #B823A1, #A63595, #944688 and #82587C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C911AD shade: #8311C9, #B411C9, #C911AE, #C9117D and #C9114B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C911AD shade: #7D0A6C, #A30E8D, #C911AD, #EB19CB and #EE3FD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C911AD shade: #C911AD, #C95211 and #11C99B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C911AD shade: #C911AD, #AEC911 and #11AEC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C911AD shade: #C911AD, #C95211, #11C92D and #1189C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C911AD shade: #C911AD, #C98911, #11C92D and #1152C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

Complementary color

CMYK 77 / 0 / 66 / 7

HEX #36EE52

RGB 54 238 82

HSL 129.13, 0.84%, 0.57%

LAB 83.2, -73.99, 60.7

 

CMYK 0 / 92 / 18 / 19

HEX #CE11A8

RGB 206 17 168

HSL 312.06, 0.85%, 0.44%

LAB 47.43, 77.03, -32.04

 

CMYK 0 / 84 / 16 / 13

HEX #DF23BB

RGB 223 35 187

HSL 311.49, 0.75%, 0.51%

LAB 52.37, 79.99, -35.23

 

CMYK 0 / 78 / 14 / 6

HEX #F035CE

RGB 240 53 206

HSL 310.91, 0.86%, 0.57%

LAB 57.59, 81.95, -37.8

 

CMYK 0 / 72 / 12 / 0

HEX #FF47E1

RGB 255 71 225

HSL 309.78, 1%, 0.64%

LAB 62.68, 82.72, -40.39

 

CMYK 0 / 65 / 4 / 0

HEX #FF59F4

RGB 255 89 244

HSL 303.98, 1%, 0.67%

LAB 65.7, 79.47, -46.21

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 0 / 100 / 16 / 28

HEX #B8009A

RGB 184 0 154

HSL 309.78, 1%, 0.36%

LAB 42.04, 72.75, -32.41

 

CMYK 0 / 100 / 19 / 35

HEX #A70087

RGB 167 0 135

HSL 311.5, 1%, 0.33%

LAB 37.78, 67.11, -27.71

 

CMYK 0 / 100 / 23 / 41

HEX #960074

RGB 150 0 116

HSL 313.6, 1%, 0.29%

LAB 33.45, 61.39, -22.84

 

CMYK 0 / 100 / 27 / 48

HEX #850061

RGB 133 0 97

HSL 316.24, 1%, 0.26%

LAB 29.03, 55.55, -17.76

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 0 / 92 / 38 / 21

HEX #C9117C

RGB 201 17 124

HSL 325.11, 0.84%, 0.43%

LAB 44.62, 71.09, -9.83

 

CMYK 0 / 92 / 63 / 21

HEX #C9114A

RGB 201 17 74

HSL 341.41, 0.84%, 0.43%

LAB 43.23, 67.28, 19.41

 

CMYK 0 / 92 / 88 / 21

HEX #C91118

RGB 201 17 24

HSL 357.72, 0.84%, 0.43%

LAB 42.59, 65.47, 47.7

 

CMYK 0 / 92 / 92 / 21

HEX #C91111

RGB 201 17 17

HSL 0, 0.84%, 0.43%

LAB 42.55, 65.36, 50.7

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 10 / 92 / 0 / 21

HEX #B411C9

RGB 180 17 201

HSL 293.15, 0.84%, 0.43%

LAB 44.69, 77.19, -56.04

 

CMYK 35 / 92 / 0 / 21

HEX #8211C9

RGB 130 17 201

HSL 276.85, 0.84%, 0.43%

LAB 36.68, 70.09, -69.43

 

CMYK 60 / 92 / 0 / 21

HEX #5011C9

RGB 80 17 201

HSL 260.54, 0.84%, 0.43%

LAB 30.21, 65.18, -80.31

 

CMYK 85 / 92 / 0 / 21

HEX #1F11C9

RGB 31 17 201

HSL 244.57, 0.84%, 0.43%

LAB 26.47, 62.84, -86.64

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 0 / 81 / 13 / 28

HEX #B823A1

RGB 184 35 161

HSL 309.26, 0.68%, 0.43%

LAB 44.18, 68.46, -33.24

 

CMYK 0 / 68 / 10 / 35

HEX #A63595

RGB 166 53 149

HSL 309.03, 0.52%, 0.43%

LAB 42.5, 56.82, -28.89

 

CMYK 0 / 53 / 8 / 42

HEX #944688

RGB 148 70 136

HSL 309.23, 0.36%, 0.43%

LAB 41.93, 41.87, -22.1

 

CMYK 0 / 32 / 5 / 49

HEX #82587C

RGB 130 88 124

HSL 308.57, 0.19%, 0.43%

LAB 43.03, 23.53, -13.31

 

CMYK 35 / 92 / 0 / 21

HEX #8311C9

RGB 131 17 201

HSL 277.17, 0.84%, 0.43%

LAB 36.82, 70.22, -69.19

 

CMYK 10 / 92 / 0 / 21

HEX #B411C9

RGB 180 17 201

HSL 293.15, 0.84%, 0.43%

LAB 44.69, 77.19, -56.04

 

CMYK 0 / 92 / 13 / 21

HEX #C911AE

RGB 201 17 174

HSL 308.8, 0.84%, 0.43%

LAB 46.81, 76.84, -36.63

 

CMYK 0 / 92 / 38 / 21

HEX #C9117D

RGB 201 17 125

HSL 324.78, 0.84%, 0.43%

LAB 44.66, 71.19, -10.39

 

CMYK 0 / 92 / 63 / 21

HEX #C9114B

RGB 201 17 75

HSL 341.09, 0.84%, 0.43%

LAB 43.25, 67.33, 18.8

 

CMYK 0 / 92 / 14 / 51

HEX #7D0A6C

RGB 125 10 108

HSL 308.87, 0.85%, 0.26%

LAB 28.54, 53.69, -25.78

 

CMYK 0 / 91 / 13 / 36

HEX #A30E8D

RGB 163 14 141

HSL 308.86, 0.84%, 0.35%

LAB 37.88, 65.47, -31.3

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 0 / 89 / 14 / 8

HEX #EB19CB

RGB 235 25 203

HSL 309.14, 0.84%, 0.51%

LAB 54.73, 85.94, -40.63

 

CMYK 0 / 74 / 11 / 7

HEX #EE3FD3

RGB 238 63 211

HSL 309.26, 0.84%, 0.59%

LAB 58.45, 79.46, -39.31

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 0 / 59 / 92 / 21

HEX #C95211

RGB 201 82 17

HSL 21.2, 0.84%, 0.43%

LAB 50.09, 44.65, 55.87

 

CMYK 92 / 0 / 23 / 21

HEX #11C99B

RGB 17 201 155

HSL 165, 0.84%, 0.43%

LAB 72.4, -52.22, 11.45

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 13 / 0 / 92 / 21

HEX #AEC911

RGB 174 201 17

HSL 68.8, 0.84%, 0.43%

LAB 76.57, -29.22, 74.75

 

CMYK 92 / 13 / 0 / 21

HEX #11AEC9

RGB 17 174 201

HSL 188.8, 0.84%, 0.43%

LAB 65.44, -26.85, -24.07

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 0 / 59 / 92 / 21

HEX #C95211

RGB 201 82 17

HSL 21.2, 0.84%, 0.43%

LAB 50.09, 44.65, 55.87

 

CMYK 92 / 0 / 78 / 21

HEX #11C92D

RGB 17 201 45

HSL 129.13, 0.84%, 0.43%

LAB 70.93, -69.6, 61.27

 

CMYK 92 / 32 / 0 / 21

HEX #1189C9

RGB 17 137 201

HSL 200.87, 0.84%, 0.43%

LAB 54.27, -6.88, -41.45

 

CMYK 0 / 92 / 14 / 21

HEX #C911AD

RGB 201 17 173

HSL 309.13, 0.84%, 0.43%

LAB 46.76, 76.71, -36.12

 

CMYK 0 / 32 / 92 / 21

HEX #C98911

RGB 201 137 17

HSL 39.13, 0.84%, 0.43%

LAB 61.95, 15.89, 64.54

 

CMYK 92 / 0 / 78 / 21

HEX #11C92D

RGB 17 201 45

HSL 129.13, 0.84%, 0.43%

LAB 70.93, -69.6, 61.27

 

CMYK 92 / 59 / 0 / 21

HEX #1152C9

RGB 17 82 201

HSL 218.8, 0.84%, 0.43%

LAB 38.5, 27.82, -66.78

 

Description

Color code: HEX #C911AD | qconv.com Color code: HEX #C911AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 17 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 17 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 14% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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