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Color name
HEX #C8FA8D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8FA8D it is the complementary color #370572. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8FA8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8FA8D shade: #CDFA88, #DEFF9B, #EFFFAE, #FFFFC1 and #FFFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8FA8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8FA8D shade: #C8FA8D, #B7E87A, #A6D667, #95C454 and #84B241

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8FA8D shade: #C8FA8E, #E5FA8E, #FAF18E, #FAD48E and #FAB78E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8FA8D shade: #C8FA8E, #ABFA8E, #8EFA8E, #8EFAAB and #8EFAC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8FA8D shade matches the following richer shades: #C8FA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8FA8D shade: #C8FA8E, #C8F097, #C7E7A1, #C6DDAA and #C5D4B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8FA8D shade: #FAF18E, #E6FA8E, #C9FA8E, #ACFA8E and #90FA8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8FA8D shade: #A2F73F, #B5F866, #C8FA8E, #DBFBB6 and #EEFDDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8FA8D shade: #C8FA8D, #8EFAD4 and #FA8EF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8FA8D shade: #C8FA8D, #8EC9FA and #FA8EC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8FA8D shade: #C8FA8D, #8EFAD4, #BE8EFA and #FA8EB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8FA8D shade: #C8FA8D, #8EFAF4, #BE8EFA and #FA8E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 44 / 2

HEX #C8FA8D

RGB 200 250 141

HSL 87.52, 0.92%, 0.77%

LAB 92.83, -33.57, 47.04

 

Complementary color

CMYK 52 / 96 / 0 / 55

HEX #370572

RGB 55 5 114

HSL 267.52, 0.92%, 0.23%

LAB 16.18, 44.37, -50.24

 

CMYK 18 / 0 / 46 / 2

HEX #CDFA88

RGB 205 250 136

HSL 83.68, 0.92%, 0.76%

LAB 93.07, -32.33, 49.79

 

CMYK 13 / 0 / 39 / 0

HEX #DEFF9B

RGB 222 255 155

HSL 79.8, 1%, 0.8%

LAB 95.75, -26.33, 44.27

 

CMYK 6 / 0 / 32 / 0

HEX #EFFFAE

RGB 239 255 174

HSL 71.85, 1%, 0.84%

LAB 97.2, -17.82, 37.04

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 20 / 0 / 44 / 2

HEX #C8FA8D

RGB 200 250 141

HSL 87.52, 0.92%, 0.77%

LAB 92.83, -33.57, 47.04

 

CMYK 21 / 0 / 47 / 9

HEX #B7E87A

RGB 183 232 122

HSL 86.73, 0.71%, 0.69%

LAB 86.6, -33.55, 48.16

 

CMYK 22 / 0 / 52 / 16

HEX #A6D667

RGB 166 214 103

HSL 85.95, 0.58%, 0.62%

LAB 80.28, -33.5, 49.28

 

CMYK 24 / 0 / 57 / 23

HEX #95C454

RGB 149 196 84

HSL 85.18, 0.49%, 0.55%

LAB 73.87, -33.38, 50.33

 

CMYK 26 / 0 / 63 / 30

HEX #84B241

RGB 132 178 65

HSL 84.42, 0.47%, 0.48%

LAB 67.37, -33.18, 51.23

 

CMYK 20 / 0 / 43 / 2

HEX #C8FA8E

RGB 200 250 142

HSL 87.78, 0.92%, 0.77%

LAB 92.84, -33.45, 46.57

 

CMYK 8 / 0 / 43 / 2

HEX #E5FA8E

RGB 229 250 142

HSL 71.67, 0.92%, 0.77%

LAB 94.73, -22.8, 49.34

 

CMYK 0 / 4 / 43 / 2

HEX #FAF18E

RGB 250 241 142

HSL 55, 0.92%, 0.77%

LAB 93.96, -10.38, 48.73

 

CMYK 0 / 15 / 43 / 2

HEX #FAD48E

RGB 250 212 142

HSL 38.89, 0.92%, 0.77%

LAB 86.68, 4.26, 39.51

 

CMYK 0 / 27 / 43 / 2

HEX #FAB78E

RGB 250 183 142

HSL 22.78, 0.92%, 0.77%

LAB 79.7, 19.37, 30.38

 

CMYK 20 / 0 / 43 / 2

HEX #C8FA8E

RGB 200 250 142

HSL 87.78, 0.92%, 0.77%

LAB 92.84, -33.45, 46.57

 

CMYK 32 / 0 / 43 / 2

HEX #ABFA8E

RGB 171 250 142

HSL 103.89, 0.92%, 0.77%

LAB 91.23, -43.36, 44.19

 

CMYK 43 / 0 / 43 / 2

HEX #8EFA8E

RGB 142 250 142

HSL 120, 0.92%, 0.77%

LAB 89.89, -52.21, 42.23

 

CMYK 43 / 0 / 32 / 2

HEX #8EFAAB

RGB 142 250 171

HSL 136.11, 0.92%, 0.77%

LAB 90.35, -47.66, 28.42

 

CMYK 43 / 0 / 20 / 2

HEX #8EFAC8

RGB 142 250 200

HSL 152.22, 0.92%, 0.77%

LAB 90.91, -42.25, 14.38

 

CMYK 20 / 0 / 43 / 2

HEX #C8FA8E

RGB 200 250 142

HSL 87.78, 0.92%, 0.77%

LAB 92.84, -33.45, 46.57

 

CMYK 20 / 0 / 43 / 2

HEX #C8FA8E

RGB 200 250 142

HSL 87.78, 0.92%, 0.77%

LAB 92.84, -33.45, 46.57

 

CMYK 17 / 0 / 37 / 6

HEX #C8F097

RGB 200 240 151

HSL 86.97, 0.75%, 0.77%

LAB 90.25, -27.69, 38.86

 

CMYK 14 / 0 / 30 / 9

HEX #C7E7A1

RGB 199 231 161

HSL 87.43, 0.59%, 0.77%

LAB 87.9, -22.4, 30.72

 

CMYK 10 / 0 / 23 / 13

HEX #C6DDAA

RGB 198 221 170

HSL 87.06, 0.43%, 0.77%

LAB 85.31, -16.53, 22.55

 

CMYK 7 / 0 / 15 / 17

HEX #C5D4B4

RGB 197 212 180

HSL 88.13, 0.27%, 0.77%

LAB 83.05, -10.76, 14.13

 

CMYK 0 / 4 / 43 / 2

HEX #FAF18E

RGB 250 241 142

HSL 55, 0.92%, 0.77%

LAB 93.96, -10.38, 48.73

 

CMYK 8 / 0 / 43 / 2

HEX #E6FA8E

RGB 230 250 142

HSL 71.11, 0.92%, 0.77%

LAB 94.8, -22.43, 49.45

 

CMYK 20 / 0 / 43 / 2

HEX #C9FA8E

RGB 201 250 142

HSL 87.22, 0.92%, 0.77%

LAB 92.9, -33.09, 46.66

 

CMYK 31 / 0 / 43 / 2

HEX #ACFA8E

RGB 172 250 142

HSL 103.33, 0.92%, 0.77%

LAB 91.28, -43.03, 44.27

 

CMYK 42 / 0 / 43 / 2

HEX #90FA8E

RGB 144 250 142

HSL 118.89, 0.92%, 0.77%

LAB 89.98, -51.64, 42.35

 

CMYK 34 / 0 / 74 / 3

HEX #A2F73F

RGB 162 247 63

HSL 87.72, 0.92%, 0.61%

LAB 89.19, -52.32, 74.71

 

CMYK 27 / 0 / 59 / 3

HEX #B5F866

RGB 181 248 102

HSL 87.53, 0.91%, 0.69%

LAB 90.74, -43.39, 62.05

 

CMYK 20 / 0 / 43 / 2

HEX #C8FA8E

RGB 200 250 142

HSL 87.78, 0.92%, 0.77%

LAB 92.84, -33.45, 46.57

 

CMYK 13 / 0 / 27 / 2

HEX #DBFBB6

RGB 219 251 182

HSL 87.83, 0.9%, 0.85%

LAB 94.92, -21.99, 29.75

 

CMYK 6 / 0 / 13 / 1

HEX #EEFDDD

RGB 238 253 221

HSL 88.13, 0.89%, 0.93%

LAB 97.49, -10.43, 13.65

 

CMYK 20 / 0 / 44 / 2

HEX #C8FA8D

RGB 200 250 141

HSL 87.52, 0.92%, 0.77%

LAB 92.83, -33.57, 47.04

 

CMYK 43 / 0 / 15 / 2

HEX #8EFAD4

RGB 142 250 212

HSL 158.89, 0.92%, 0.77%

LAB 91.18, -39.77, 8.56

 

CMYK 0 / 43 / 2 / 2

HEX #FA8EF4

RGB 250 142 244

HSL 303.33, 0.92%, 0.77%

LAB 73.68, 54.94, -33.82

 

CMYK 20 / 0 / 44 / 2

HEX #C8FA8D

RGB 200 250 141

HSL 87.52, 0.92%, 0.77%

LAB 92.83, -33.57, 47.04

 

CMYK 43 / 20 / 0 / 2

HEX #8EC9FA

RGB 142 201 250

HSL 207.22, 0.92%, 0.77%

LAB 78.71, -6.5, -30.04

 

CMYK 0 / 43 / 20 / 2

HEX #FA8EC9

RGB 250 142 201

HSL 327.22, 0.92%, 0.77%

LAB 72.15, 48.09, -12.51

 

CMYK 20 / 0 / 44 / 2

HEX #C8FA8D

RGB 200 250 141

HSL 87.52, 0.92%, 0.77%

LAB 92.83, -33.57, 47.04

 

CMYK 43 / 0 / 15 / 2

HEX #8EFAD4

RGB 142 250 212

HSL 158.89, 0.92%, 0.77%

LAB 91.18, -39.77, 8.56

 

CMYK 24 / 43 / 0 / 2

HEX #BE8EFA

RGB 190 142 250

HSL 266.67, 0.92%, 0.77%

LAB 67.42, 39.04, -47.33

 

CMYK 0 / 43 / 28 / 2

HEX #FA8EB4

RGB 250 142 180

HSL 338.89, 0.92%, 0.77%

LAB 71.53, 45.18, -1.77

 

CMYK 20 / 0 / 44 / 2

HEX #C8FA8D

RGB 200 250 141

HSL 87.52, 0.92%, 0.77%

LAB 92.83, -33.57, 47.04

 

CMYK 43 / 0 / 2 / 2

HEX #8EFAF4

RGB 142 250 244

HSL 176.67, 0.92%, 0.77%

LAB 91.98, -32.56, -6.87

 

CMYK 24 / 43 / 0 / 2

HEX #BE8EFA

RGB 190 142 250

HSL 266.67, 0.92%, 0.77%

LAB 67.42, 39.04, -47.33

 

CMYK 0 / 43 / 41 / 2

HEX #FA8E93

RGB 250 142 147

HSL 357.22, 0.92%, 0.77%

LAB 70.72, 41.27, 15.44

 

Description

Color code: HEX #C8FA8D | qconv.com Color code: HEX #C8FA8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 250 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 250 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 44 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 44% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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